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With Multi-Platinum Producer Ryan Louder, ViVA TRIO are “Wild and Free” in Stunning, Cinematic New Single

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Award-winning Canadian female vocal group ViVA Trio are “Wild and Free” in this, their stunning, cinematic new single — available now.

Multi-Platinum Producer Ryan Louder (Dua Lipa, Dido) co-wrote and produced “Wild and Free” with ViVA Trio members Anna Bateman, Erin Fisher, and Katya Tchoubar. “This song is an expression of our new direction, and is such an exciting collaboration!” Anna shares.

“Yes!” Katya agrees. “We can do vocal fireworks all day but, for this album, we wanted to create a more ethereal quality. By collaborating with Ryan Louder on this song, our vision for this new sound came to life.”

“Wild and Free” is a diamond among the teeming trove of jewels in their upcoming album, and will act as a centerpiece track in the highly anticipated concept album that’s set to be released next Winter. ViVA Trio’s Anna and Katya’s characters are heard in the verses, and Erin’s character is introduced singing the trio’s catchy chorus, ‘Wind in my hair, I’m Wild and Free.’ “We love that this song stands out!” Erin says. “It’s got a dramatic vibe, and in my mind, like a female warrior’s anthem.”

The three know how to make their mark with music; their debut album Nothing Else Matters dropped with overwhelming fan support — including a crowdfunding campaign that was fully funded in less than one week. The album featured ViVA’s powerful vocals, live full 52 piece orchestra, and ViVA’s Children’s Choir with nine covers and two originals.

The Trio toured the show across two continents, and were featured in Asia as well; the music of this album made international TV, airplay, and press.

Considering they’ve been touring nationally and internationally for years without much time to create new music, COVID-19’s hold on their European 2020 tour and other live performances in Canada and the United States meant the Trio have been busy working on new original music for their second album.

For their second album, ViVA is creating a full storyline spun out of fantasy and folklore, with mythical characters from Danish and Russian folk tales. All the music is being written by ViVA Trio, fusing styles and defying categorization. They will take this album through a kaleidoscope of genres from cinematic, theatrical, classical to electronic and folk, with their incredible team of musicians, sound engineers and producers in Toronto and Europe.

“Wild and Free” follows the forthcoming album’s previously released previews: “Lorien” and “Solstice Jig.”

“Wild and Free” is available now.

My Next Read: “U2’s The Joshua Tree: Planting Roots in Mythic America” by Bradley Morgan

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U2 planted the seeds for The Joshua Tree during an existential journey through America. As Irishmen in the 1970s, the band grew up with the belief that America was a place of freedom and prosperity, a symbol of hope and a refuge for all people. However, global politics of the 1980s undermined that impression and fostered hypocritical policies that manipulated Americans and devastated people around the world.

Originally conceived as “The Two Americas,” The Joshua Tree was U2’s critique of America. Rather than living up to the ideal that the country was “an idea that belongs to people who need it most,” the band found that America sacrificed equality and justice for populism and fascism. This book explores the political, social, and cultural themes rooted in The Joshua Tree when it was originally released in 1987 and how those themes resonated as a response to the election of Donald Trump when U2 toured for the album’s 30th anniversary.

The author juxtaposes the band’s existential journey through America with his own journey connecting with his Irish roots by becoming a citizen in the age of Trump and places U2’s and The Joshua Tree’s relevance in context with the current political climate.

Eric Alper Public Relations’ Artists Receive 25 Maple Blues Awards Nominations

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There’s no stopping the blues – not even a second year of a global pandemic. In a year like no other, 2021 has proven that Canadian blues artists are tenacious, forward-thinking, and incredibly creative in the face of adversity. Despite ongoing challenges and changes, Toronto Blues Society continues to support and promote Canadian Blues artists by announcing the nominees for the upcoming 25th annual Maple Blues Awards. The winners will be announced on January 31, 2022 at the LIVE Maple Blues Award Show to be held at Koerner Hall in Toronto.

Eric Alper Public Relations’ musicians and clients receive a whopping 25 nominations!

Leading the way with multiple nominations is Steve Marriner, who has received seven nominations including Entertainer of the Year, Electric Act of the Year (with MonkeyJunk), Acoustic Act of the Year (with David Gogo), Male Vocalist of the Year, Recording/Producer of the Year, Songwriter of the Year, and Harmonica Player of the Year. Another nominee in multiple categories is Sue Foley, who has been nominated for Entertainer of the Year, Electric Act of the Year, Recording/Producer of the Year, Songwriter of the Year, and Guitarist of the Year.

25th Annual Maple Blues Awards Nominees

Entertainer of the Year
David Gogo
Steve Marriner
Sue Foley

Electric Act of the Year
Colin James
MonkeyJunk
Sue Foley

Acoustic Act of the Year
David Gogo & Steve Marriner

Male Vocalist of the Year
Chuck Jackson
Colin James
Matt Andersen
Steve Marriner

Female Vocalist of the Year
Crystal Shawanda

Recording/Producer of the Year
Steve Marriner – Hope Dies Last / Stony Plain (Steve Marriner)
Sue Foley – Pinky’s Blues / Stony Plain (Mike Flanigin)

Songwriter of the Year
Steve Marinner
Sue Foley

Blues with a Feeling Award (Lifetime Achievement Award)
Dalannah Gail Bowen

Guitarist of the Year
David Gogo
Sue Foley
Tony D

Harmonica Player of the Year
Steve Marriner

Piano/Keyboard of the Year
David Vest
Kenny “Blues Boss” Wayne

Drummer of the Year
Tom Bona
Matt Sobb

Nominees for the Maple Blues Awards are selected by a distinguished panel of some 53 blues experts. Co-Chaired by a steering committee consisting of Cindy McLeod, Yanick Theriault, Terry Parsons, and Brant Zwicker, the panel includes radio hosts, journalists, and festival organizers regionally distributed across Canada. Members of the Nominating Panel are not eligible for any of the awards.

Winners in instrumental categories — guitar, harmonica, piano/keyboards, horn, drum, and bass — will be determined by the Nominating Panel. Winners in all other categories will be selected by blues fans across the country.

The Maple Blues Awards is Canada’s national blues awards program. Its goal is to promote blues music across Canada and to recognize outstanding achievements in the field. The nominees are selected by a distinguished panel of blues DJ’s and journalists from across Canada. Members of the Nominating Canada. Members of the Nominating Panel are not eligible for any of the awards. The winners are selected by the votes of blues fans from across Canada.

Blues fans can cast their votes online at www.mapleblues.ca. Public Voting opens November 3, 2021 at 12:01 am Eastern Time and closes December 1, 2021, 11:59 pm Eastern.

The Maple Blues Award winners will be announced on January 31, 2022 at the LIVE Maple Blues Award Show to be held at Koerner Hall in Toronto. Tickets are on sale now at https://www.rcmusic.com/events-and-performances .

This voting site has been designed and programmed by KMP Designs Inc., a Toronto software consulting company specializing in custom software development for the desktop PC, wireless handheld, and the Web

Third Man Records x Paul McCartney Release “McCartney/333” Video

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Paul McCartney & Third Man have released McCartney/333, a mini-documentary detailing the vinyl pressing process for McCartney 333, the limited-edition version of McCartney’s acclaimed 2020 solo album McCartney III. The documentary specifically illuminates the process by which vinyl copies of 70’s McCartney and 80’s McCartney II were broken down and reformed into 333 limited-edition copies of McCartney III at Third Man Pressing. Several Third Man Records employees, including co-founder Ben Swank, are interviewed for the film alongside esteemed Rolling Stone journalist Rob Sheffield, all spliced in alongside footage of McCartney creating the album in his studio.

Sonic Reducers: Our 100th Episode!

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From coast to coast, here’s our 100th episode, reminiscing of our fave episodes, and what people can look forward to for the next 100!

The Rolling Stones & Boston Dynamics Recreate “Start Me Up” Music Video

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40 years ago, The Rolling Stones debuted their iconic Tattoo You album, Boston Dynamics are helping them celebrate.

Brian Wilson: Long Promised Road: Official Trailer

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Join The Beach Boy’s Brian Wilson on an intimate journey through his legendary career as he reminisces with Rolling Stone editor and longtime friend, Jason Fine. Featuring a new song written and performed by Wilson and interviews with Elton John, Bruce Springsteen, Nick Jonas, Linda Perry, Jim James, Gustavo Dudamel and Al Jardine. Special fan screenings November 17th, in theaters and on demand November 19th.

Sonic Reducers: Bryan Adams, Jon Bon Jovi, Ed Sheeran Get COVID – A Sign To Come For Other Musicians?

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Sonic Reducers. 1 topic. 2 music nerds. 5 minutes.

We talk about all the musicians who have been diagnosed with COVID recently, try to predict how the ongoing pandemic will affect the future of touring, and how Led Zeppelin pioneered the bubble concept.

Rob Base and DJ E-Z Rock’s Isolated Vocals From “It Takes Two”

I wanna rock right now, and you do, too. “There are many critics and listeners who claim that Rob Base & DJ EZ Rock’s ‘It Takes Two’ is the greatest hip-hop single ever cut,” noted Music critic Stephen Thomas Erlewine of All Music Guide. “It’s hard to disagree with them.”

Singer/Songwriter Mike Vitale Comes “Home” with New Single & Album

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Singer/Songwriter Mike Vitale is here to usher you “Home” with the release of his new single, and album — ϕ — both available now.

When it comes to the album, you don’t have to try and say ϕ, you just need to listen to it. In case you’re wondering, though, it means “Phi” — and it’s a beautiful lullaby that leaves you lingering on each hook.

It’s an LP the roots indie musician from LA has been in the process of creating for nearly a decade; a labour of love that began four years ago in Long Beach, Vitale fuses heart and love and musings on a 12-track full-length that finds him yodeling, to enchanting us with wanderlust — inviting us to spin starry circles in lovers lengths.

“The album is called PHI as this is the Greek letter representing the Golden Ratio,” Vitale explains. “It is an irrational number that goes on forever, just like Pi.

“But Pi deals with the circumference of circles,” he continues, “whereas Phi deals with spirals, and can be found in much of life we see around us. The way leaves organize the spread of their leaves for maximum sunlight to accomplish photosynthesis, for example, or the layout of a pinecone or a pineapple, which are also spirals, if you look closely. The Fibonacci sequence is directly related to Phi, as well as platonic solids.

“It is a mystery, written in math, and I adore concepts such as this.”

ϕ follows Mike Vitale’s first full-length acoustic, Idiosyncrasies, which dropped in 2007, and his six-track self-titled album — the latter featuring a full band in 2012 and Vitale taking the show on the road along the West Coast, playing wineries, venues, bars, and colleges. Vitale says the album began from a love story and grew into a collection of chapters of life teachings. While he pursued an Americana vibe on the album, truth be told, he fell in love with simply songwriting and putting out an album that didn’t specify a certain genre.

Self-produced, Vitale’s fingers touched every inch of the songs that wrapped ϕ into the collective it became. “I’ve been teaching myself how to produce music for the past 10 or 12 years,” he explains. “I studied music theory and composition in college, so I am an astute student of music and instrumentation.

“I also have many talented friends who played on this album,” he continues. “And, as a friend of mine said, ‘your songs are only as good as the people playing on them,’ which I believe to be true; I feel that a good producer tries to utilize their strengths in order to highlight the song. The song is king.”

One such example is “Home.” An alternative roots ditty with a subsequent music video that hears Vitale promising, offering, and providing, the song finds our protagonist prepared to be there for ‘her.’

“Somewhat embarrassingly, or probably more accurately, just in time, I wrote the chorus of this song well over ten years ago,” Vitale explains. “However, that is where the song stopped.

“For the life of me, I had nothing more to provide to the contents of its possession,” he continues. “It had no walls, or interior in which to stretch one’s legs, or to relax comfortably on the couch and admire its inner being. It had no kitchen to create soul food. It had no bedroom to make love, and to rest a weary head — let alone two — and so it sat in my creative nexus, forgotten and alone, looking for a mate… No verses. No Pre-chorus. No body. No arms or hands to softly caress the listener. No legs to dance on.”

Even after changing his surroundings, moving from Fullerton, to Anaheim, to Long Beach, he reveals. “Nothing,” he says. “Finally, I moved to Los Angeles, and met a girl who became its muse. She provided inspiration that manifested several verses, and the verses reverberated — not off walls, or roof, or floor, but off of a person.

“People; they are home — more so than any bed in a room, in a floor plan, in a wooden house, on a block, in a neighborhood, in a town or city — could ever be.”

The subsequent music video for “Home” was directed and edited by Vitale, as well; he taught himself how to video edit by watching instructional Youtube videos during the COVID-19 pandemic. “It became an exercise in seeing if I could tell a story with a small amount of footage,” he says. “I had approximately 1.5 minutes worth. Could I make a four-minute music video out of such little footage? I tried my best.”

Beyond the welcome mat of “Home,” each song on ϕ has its own specific story — bookended by these two in particular: “Kathy’s Song,” a love letter to a friend’s mother who lost her battle to ALS, and “Younger Days,” what Vitale refers to as ‘a love letter’ to his life.

“It’s to my friends I have made throughout the years that lead parallel lives to my own,” he shares. “We grow together — yet, sometimes we also grow apart — and our perpendicular intersections of life experience are special. However, nothing is more sacred than the present moment. Now is when we choose to be the best version of ourselves.”

From there, “Time Machine” triumphantly proclaims that we are travelers through time and space, fragile in our bodies, and strong in our ability to move freely within our own memories and to create and abstract our own future, while trakcs “Empty Circle,” “No Vacancy,” and “Gone” all ruminate on the loss of love and confidence at the hands of an aborted relationship.

Also featured is “Running Away From Home,” an anecdote of a second grade Vitale, running away from home to become a Werewolf like his hero, Michael J. Fox in Teen Wolf. The song was originally released in 2015, exclusively on Bandcamp, with proceeds donated to Michael J. Fox Parkinson’s Research Foundation as a one-year-long campaign to raise money for Parkinson’s Research.

Despite the setback in sheer length of time the album took from start to completion, what Vitale provides is an entire book-ended storyboard of life experiences, mashed over beautiful melodies and cozy harmonies. From adorable yodels, to asking life’s most perilous questions and seeking answers, Mike Vitale invites us to push play on an album that lands like a gentle hug to each of us, simply chronicling the simplicity of life.

And it really can be as simple as ϕ.

“Home” and ϕ are available now.