In his tell-all, legendary Doors guitarist, Robby Krieger, one of Rolling Stone’s “100 Greatest Guitarists of All Time,” opens up about his band’s meteoric career, his own darkest moments, and the most famous black eye in rock ‘n’ roll.
Few bands are as shrouded in the murky haze of rock mythology as The Doors, and parsing fact from fiction has been a virtually impossible task. But now, after fifty years, The Doors’ notoriously quiet guitarist is finally breaking his silence to set the record straight.
Through a series of vignettes, Robby Krieger takes readers back to where it all happened: the pawn shop where he bought his first guitar; the jail cell he was tossed into after a teenage drug bust; his parents’ living room where his first songwriting sessions with Jim Morrison took place; the empty bars and backyard parties where The Doors played their first awkward gigs; the studios where their iconic songs were recorded; and the many concert venues that erupted into historic riots. SET THE NIGHT ON FIRE is packed with never-before-told stories from The Doors’ most vital years, and offers a fresh perspective on the most infamous moments of the band’s career.
Krieger also goes into heartbreaking detail about his life’s most difficult struggles, ranging from drug addiction to cancer, but he balances out the sorrow with humorous anecdotes about run-ins with unstable fans, famous musicians, and one really angry monk. SET THE NIGHT ON FIRE is at once an insightful time capsule of the ‘60s counterculture, a moving reflection on what it means to find oneself as a musician, and a touching tale of a life lived non-traditionally. It’s not only a must-read for Doors fans, but an essential volume of American pop culture history.
It’s the magic words every kid, and the kid in all of us, wants to hear: Canadian family pop-rockers Macaroni Birthday are serving up a heaping portion of “Dessert First” with this, their debut single — available now.
Friends for two decades, singers/songwriters Patrick McCormack and Eric Warner have come together as the fresh, new, exciting, and upbeat voices of children’s entertainment in the form of Macaroni Birthday. The pair fuse their love of rock music, with the hilarity of children’s themed music that’s bound to endear parents as it entertains kids.
And there’s an album coming soon; Macaroni Birthday Time is set to be available this October. Bursting with songs that are punch-driven, light-hearted electric rock riffs mingled with silly themes and even sillier lyrics, (yes, they say “booger” on “My Body Is So Loud Today”), Macaroni Birthday leave it all on the tracks.
The 15-track song LP is chock full of odes to the nagging responsibility of eating vegetables, or having to take a bath. The eponymous lead track is an invitation to the party of the century — akin to your parents surprising you with the McDonald’s caboose with fifteen of your closest friends.
Produced by Feurd, and mastered by Noah Mintz, Eric and Patrick share writing creds on the album — with the help of Jonathan Richman on “I’m A Little Dinosaur”. The colourful illustration gracing the cover is the creativity of Bryan Neufeld and features a dancing macaroni noodle, complete with Corey Hart-esque Wayfarers.
In a land of The Wiggles and Splash ‘n Boots, firmly footed on a foundation planted by the Sharon, Lois & Bram’s and the Fred Penner’s, Macaroni Birthday encapsulate all the fun of music for littles.
A record you can press play on, and let it roll through, the tunes are quick, fun, catchy, and short. From just a mere thirty seconds on some, to less than three minutes on others, Macaroni Birthday understand the assignment: create ditties that kids will love, and time it to the length of their attention.
“Whether it’s tackling the (not so) age old conundrum of which to eat first, your salad or dessert, trying to escape the dreaded bath time or learning to feel confident with yourself, Macaroni Birthday delivers positive messaging wrapped in a delicious and humorous rock and roll form for young viewers,” the group says.
From “Meatball Sundae” to “Going to the Zoo”, Macaroni Salad manage to interpolate the mundanity of everyday life and set it to a super sonic tongue-in-cheek soundtrack meant for laughs, and for dancing; for a time where parents and kids can press play together.
As the duo set on path to promote the album and all its zaniest, wackiest and ultimately funniest story telling time, be prepared to be invited to the party. The party where we are the guests, but the hosts are the ones bringing the presents!
With electricity surging from the moment Canadian rockers Dali Van Gogh’s new single first hits your ear, “Little Hell” is here, and available now.
“Little Hell” is the latest song presented through the band’s unique sonic framework, The Testimony — a collection of songs more cerebral than your average rock ballad.
Thanks to Isaac Kent’s liberating guitar expertise that is so naturally arranged, audiences are immediately entranced by the high octane track rife with determination and persistence through fire and brimstone, start to finish. From there, the thunderous drum-work of Johnny Moore effortlessly accompanies Lance Hicks’ deceptively catchy bassline to render the backbone of this fiery track. The searing vocals of newly promoted frontwoman Rachelle Moreau round out this blessing to the rock gods.
Solidifying this super-charged new single is the expert craftsmanship and confidence of multi-Grammy and JUNO-winning music engineer, Eric Ratz (Enrique Iglesias, Billy Talent). A real emphasis on musical detail, along with stellar production value, ensures Dali Van Gogh continues to be one of the hottest bands out of the east coast with a sound Fireworks Rock & Metal Magazine’s Bruce EJ Atkinson calls “a monstrous river of sound that occasionally flows to some unlikely places.”
As if life during the pandemic for a musical act couldn’t be any more complex, the journey to putting together “Little Hell” was the most extensive test of mettle for Dail Van Gogh in an already long and winding road of ups and downs for the Halifax natives. After tremendous effort and resources were committed to recording the single last year, “Little Hell” was mixed and mastered, with the final embellishments in place for the initial release. That was when lead vocalist John Scotto made the impossible decision to leave the band due to health concerns, thus throwing their new song into limbo. The choice to promote their new female lead would follow soon after.
While Dali Van Gogh continues to demonstrate their dedication to composing the highest quality rock music possible, they also take the same meticulous approach to the visual components of their sound. Hiring a pair of well-known music video producers, the band set out to create compelling imagery that would accompany the song upon release. “Little Hell” was elaborately shot at Chebucto Head Lighthouse on an old Canadian Armed Forces Gun Battery. Little did they know that a massive technical mishap with the video production company would effectively drive all of Dali Van Gogh’s efforts into the ground.
Where other bands would have accepted defeat, Dali Van Gogh refused to let it get in the way of the significant opportunities on their horizon, so they did it themselves. A relentless work ethic led the band to research, plan, and execute every aspect of the video shoot personally. Despite the hurricane-force winds on location nearly leading to a cymbal decapitation, everything came together on schedule — a testament to the band’s perseverance and commitment to their music.
Trends come and go. Fads fire up and fizzle out. Technology advances. The times are always changing, and so is the soundtrack. Therefore, if reinvention is key to the unstoppable tide of progress, then multi-award winning Canadian jazz singer-songwriter Ori Dagan is right on top of a big new wave with his inspired reimagining of the ‘80s synth-pop classic, “Video Killed the Radio Star” — available now.
A duet with multi-award winning Canadian dance music vocalist Simone Denny, Dagan’s new single is much more than a jazzy take on tech. The update on The Buggles’ 1979 one-hit-wonder swings back in time to marry the big band ‘40s to the electronic ‘80s, giving birth to a bit of 21st century musical magic.
“I was looking for a tune to do this with when all of a sudden ‘Video Killed the Radio Star’ came on in a department store,” recalls Dagan. “I just thought, Eureka! Perfect!
“I love this song for being so prophetic, catchy and just plain fun.”
The inspiration didn’t stop in that department store, however; Dagan also wanted to ‘shop’ for the perfect singing partner to turn the song into a killer duet.
Then, Eureka again! Simone Denny, JUNO and MMVA Award winning vocalist, and former singer-songwriter for ‘90s hitmakers, Love Inc., was on his radar. “I met Simone Denny in 2019 at an event,” Dagan shares. “I remember nervously asking her to take a selfie together…
“Growing up, I loved her voice and songs when I was addicted to the MuchMusic Countdown. She has one of the most beautiful instruments in the business, as far as I’m concerned.”
How did the desire to sing with Denny turn into reality? Dagan simply ‘clicked right there’ on Denny’s Instagram account, and sent her a private message with his request.
“To my delight, she agreed to be part of this,” says Dagan. “Working with her in the studio was a real blast; she is a very generous artist.
“I have to confess,” he continues, “I had no idea if she could sing jazz because I had never heard her do it, but MAN she nailed every take! I loved feeding off her energy.”
While the innovative contemporizing of retro cover songs and jazz standards has become a signature for the Toronto-based, internationally known singer-songwriter, “Video Killed the Radio Star” is the sole reimagined cover Dagan includes on his upcoming and fourth studio album, Click Right Here. In addition to this bonus track, the album, Dagan’s first FACTOR funded project, also features 10 original jazz songs with the central theme of technology, and is set for release April 1, 2022.
Written and recorded over the last year and a half, Click Right Here has been a pandemic-inspired joyride for Dagan, putting the singer-songwriter and skilled improviser in the spotlight as a unique storyteller. Full of bright moments of humour and surprise, the new album highlights and reflects on the shortcomings of technology, the trappings of social media and other modern life blues.
Recorded in adherence to COVID protocols at Toronto’s highly regarded Canterbury Sound Company, Click Right Here’s tracks feature some of Canada’s finest musicians: Nathan Hiltz (guitar); Attila Fias (piano); Alex Bellegarde (bass); Ben Wittman (drums); Alison Young (alto saxophone); Colleen Allen (tenor saxophone); William Carn (trombone); and Andrew McAnsh (trumpet) — with arrangements by Nathan Hiltz and Rebecca Hennessy.
Click Right Here isn’t the only creative project the very busy and energetic artist has taken on during the pandemic; Dagan’s online weekly live-streamed concert JAZZ IT UP has garnered over 1 million views collectively with episodes that have covered everything from traditional jazz icons Nat King Cole, The Rat Pack, Peggy Lee, and Louis Armstrong to songs of Disney, the 80’s, and the 90’s, to name a few. He has used the show as an opportunity to connect with viewers across the world, making new fans across Canada, the United states, Mexico, Brazil, Portugal and beyond, all while staying connected to his home base.
Dagan’s previous albums Scat Got My Tongue (2009), Less Than Three (2012), and Nathaniel: A Tribute to Nat King Cole (2017) have received critical acclaim and radio play worldwide.
“Video Killed the Radio Star,” from the forthcoming album, Click Right Here, is available now.
Canadian artist Scott Cook isn’t afraid to thank the ‘pin’ in a hazy, lo-fi electric guitar riff kind of way; available now, his new single “The Pin in My Grenade” extends gratitude to his ‘better half’ for keeping him from exploding.
The indie musician from the heart of Quebec is a classically trained artist, holding a PhD in classical music theory. Taking a spin through rock and jazz over most of his extensive career, Cook turned his sights on a solo offering during the pandemic of 2020. This ultimately became his forthcoming eponymous six-song EP — set to drop October 2021 — with “The Pin in My Grenade” as its third track release.
Simply put, Cook refers to “The Pin in My Grenade” as a love song. “But it’s also about perspective, understanding what is important to us, and knowing where to focus our energy,” he adds. “This song took very little time to write. As soon as I came up with the analogy that is the song’s title, I had a concept for the song and the lyrics just flowed quite easily. Then, I picked up my guitar, played the first progression that came to mind, and, within a half hour, the song was complete.”
The songwriter pushes the edges on the lyrics, incorporating heavy themes into a melodic ode to finding ‘the one.’ As in, the one who can pull us back from the ledge, no matter how far we dare to lean. “If I were a pill, I could make someone choke,” he surmises on the melody, “and if I were a bag, I could suffocate …”
“The lyrics are a little intense,” Cook admits, “but meant to be tongue in cheek. The idea of contrasting something violent with something beautiful is not new, but I find it works. So, once I started recording the song, I wanted something to soften the overall feel, which is why the lap steel (performed by fellow Montreal musician, Joe Grass) was used since it’s one of the most beautiful sounding instruments.”
The sonic sound of Cook’s solo EP is a near stripped-back version from the Cook fans will recognize as the lead of post-hardcore band, Colonel Sun. But for Cook, creating, concocting, and constructing an EP all his own became a masterfully minded project he recorded, mixed, engineered and produced all himself; even collaborations on the tracks were done with the luxury of technology, given the severity of the pandemic. “Guest appearances on the project were managed remotely,” he reveals.
“If I were an axe, I could chop and swing Removing a limb, there’s so much pain I could bring If I were a gun, I could shoot to kill My aim is spot on and so the blood, it would spill …”
Cook’s chiding on the verse, ultimately surmising that his love is what keeps him from “exploding,” being that his muse is, in fact, the pin in the very threatening grenade of his personality. Influenced by songwriting giants such as Bowie, and Pink Floyd, he lends himself to the dark and foreboding in words, while juxtaposing the narrative with enchanting melodies that flow majestically around them. It’s that beauty inside the beast which makes Scott Cook so devilishly clever and desirable as both a lyricist and a musician.
Bravo Niagara! Festival of the Arts invites audiences to join them as Canadian treasures take centre stage this Fall and Winter as they announce their 2021 TD Jazz Series and Voices of Freedom Concert!
Laila Biali Trio – October 16
Sultans Of String: Refuge & Sanctuary Double CD Release – Annual Voices of Freedom Concert – November 13
Robi Botos Trio w/ Special Guest Joanna Majoko – November 19
Pavlo: Home For The Holidays – December 16
Molly Johnson: This Holiday Season – December 20
All the details are at their Website and Tickets at these links.
Taking place at St. Catharines’ FirstOntario Performing Arts Centre, the five forthcoming events kick off with JUNO Award-winning singer/songwriter Laila Biali and her Trio this October 16th performing selections from her latest release Out of Dust.
From there, and within the series, multi-award winning and NY Times-charting Sultans of String will mark Bravo Niagara!’s Voices of Freedom Concert — an annual event dedicated to amplifying underrepresented voices and histories through the arts.
“We’re excited to bring Sultans of String and their unique brand of musical synergy and collaboration that speaks to the challenges facing the world’s displaced peoples,” Artistic Director Christine Mori shares. This concert is a double CD release of Refuge and Sanctuary, two brand new award-winning albums by Sultans of String.
Continuing the festivities throughout November, JUNO Award-winning Robi Botos Trio is set to take the stage with special guest vocalist Joanna Majoko.
Delighting audiences in December with two festive holiday concerts will be multi-award winning and Billboard-charting Canadian guitarist, Pavlo, and one of Canada’s most treasured singer/songwriters JUNO Award-winning Molly Johnson, celebrating the release of her brand-new holiday album This Holiday Season.
Tickets are $50, plus taxes and fees, and are limited due to venue capacity under strict health and safety precautions. Exclusive $25 student/youth pricing is available with valid identification, and exciting flex packs are also on offer to save up to 25% by attending more than one show.
Founded by dynamic mother/daughter duo that is Artistic Director, Christine Mori, and Executive Director, Alexis Spieldenner, Bravo Niagara! is in its seventh year celebrating the beauty and cultural heritage of the Niagara Region with Canadian musical excellence, social activism, education, and a passionate love for the arts. That this premiere festival is their vision come to life can be traced to Mori’s classical training at Juilliard before spending 30 years as pianist with the Florida Orchestra, and Spieldenner keenly watching from the wings. Spieldenner is a Fellow of the DeVos Institute of Arts Management and a recipient of the Lincoln M. Alexander Award for her dedicated leadership in eliminating racial discrimination and promoting positive social change.
Singer, songwriter and storm-maker Christina Martin is back, releasing lead single “Stay with Me” from her upcoming eighth studio album Storm, slated for a Fall 2022 launch.
Pounding, titanic and tender all at once, “Stay with Me” is a string-drenched anthem that reaches new dizzying heights for the Canadian songweaver, and kicks open the doors for the masterclass album to follow.
“The muse for this song came in a pre-pandemic dream,” Martin shares. “I saw a girl wander a cobblestone city-street, through thick fog and moonlit night, and heard a familiar melody and the line ‘stay with me.’
“Unlike in dreams where I sometimes feel trapped in terrifying scenarios, with this song I found a space to purge my fears, and then coax myself to a better place.”
It should come as no surprise that a song this ethereal was born in a dream. After glimpsing fragments of it in her subconscious, Martin set to crafting the song into a finished piece, and it ended up as the cornerstone and trendsetter for the whole Storm album.
As suits its surreal origins, “Stay with Me” has a cinematic feel to it. All built around a timeless, theatrical piano and Martin’s spectral vocals, delicate as eggshells and yet soaring as an eagle, backed by drums that pound and burst like distant fireworks. Like much of the album to come, it’s impossible to ignore the luscious string section, which adds a grandiose, orchestral tone to the piece. Symphonic and succulent, Martin sweeps them up into a fervor. Yet her vocals rise masterfully above it all, like a lone ship cresting a great wave.
The lyrics, with true Christina Martin style, are enigmatic. They shift and turn on a phrase — painting mindscapes of despair and ruin, yet hope and peace at the same time. The oft-repeated title sounds at times like a desperate plea, yet other times like a world-wise mantra, and acknowledgement of one’s past experiences. It is poetic, powerful, even hauntingly prophetic in references to ‘breathing without masks’ and ‘living in fear’ in a song written (and dreamt) a year before the global pandemic. There is something untouchable at work here, something magical.
“Stay with Me” was one of the first songs recorded for the album, and had a heavy influence on the soundscape of those that followed. Originally rendered in a more upbeat pop/rock style, it went through a radical rework to end up at the dreamier symphonic tone of the final piece. This saw Martin co-producing with long-term collaborator Dale Murray, and writing the string parts alongside Karen Graves. This collaborative approach to orchestral arrangements was new territory for Martin, weaponizing midi synths and loops in the composing process.
A powerhouse musician, songsmith, and performer hailing from the windswept East Coast of Canada, her music dances effortlessly through Pop, Rock, Folk and Americana traditions but stays deftly unchained by any one label, refusing to be pigeon-holed and unafraid to dip into stranger waters. From her Austin-inflected 2002 debut Pretty Things, through more rousing rocky climbs such as 2015’s It’ll Be Alright, to the sweeping cinematic dreamscape of 2018’s Impossible to Hold, Martin is an artist who is constantly shifting, and constantly evolving. Through it all runs a backbone of raw honesty about the human condition. Be they personal confessions or narrative tales, each song is lovingly crafted, and hits in the heart like a well-thrown punch. With a brand new album on the way, promising to be more sweeping and orchestral than ever before, Christina Martin is going from strength to strength.
“Stay with Me” is also accompanied by a music video, written and directed by Brendan Henry, which is suitably dreamlike, dark and surreal. Ahead of a series of upcoming East Coast tour dates, she’s hosting an exclusive 60-minute global Music Video Premiere Event October 24th at 2PM Atlantic Daylight Time. The event offers fans a behind-the-scenes look of the video, a chance for Q&A with her and the video director, and a new performance video of the song. Attendees need to pre-register for this event and have the option to ‘pay what they can’ to watch the video early, reducing any financial barrier to accessing an online experience during the pandemic.
The Red Hot Chili Peppers have been around, and have not just fallen off the turnip truck, but to a man, they have never been more thrilled, bursting with commitment and purpose, as they are regarding this upcoming tour. They have no interest in resting on past accolades, awards or commercial success, this is a mission, they intend to channel the most mighty spirits, and give everything they’ve got. And with that, the Red Hot Chili Peppers have announced a world tour with The Strokes, A$AP Rocky, Beck, Anderson .Paak & The Free Nationals, HAIM, St. Vincent, plus Thundercat and King Princess.
The 32-city global stadium tour kicks off on Saturday, June 4th at Estadio La Cartuja in Seville, Spain with stops in London, Paris, Dublin, Los Angeles, Chicago, New York, and many more before wrapping up in Arlington at Globe Life Field on September 18th. The tour is produced by Live Nation. Full tour dates and details are below.
The 2022 tour will mark the return of guitarist and all round cosmic musician John Frusciante to the group, as well as the band’s first ever stadium tour in the U.S. Red Hot Chili Peppers will be performing their career-spanning hits as well as new music from their forthcoming album.
RED HOT CHILI PEPPERS 2022 WORLD TOUR DATES:
Europe
Sat Jun 04 – Seville, Spain – Estadio La Cartuja De Sevilla=
Tue Jun 07 – Barcelona, Spain – Estadi Olimpic=
Fri Jun 10 – Nijmegen, Netherlands – Goffertpark=
Wed Jun 15 – Budapest, Hungary – Puskas Stadium=
Sat Jun 18 – Firenze, Italy – Firenze Rocks (festival date)
Wed Jun 22 – Manchester, UK – Emirates Old Trafford=
Sat Jun 25 – London, UK – London Stadium~
Wed Jun 29 – Dublin, Ireland – Marlay Park~
Fri Jul 01 – Glasgow, UK – Bellahouston Park~
Sun Jul 03 – Leuven, Belgium – Rock Werchter (festival date)
Tue Jul 05 – Cologne, Germany – RheinEnergieStadium=
Fri Jul 08 – Paris, France – Stade de France~
Tue Jul 12 – Hamburg, Germany – Volksparkstadion=
North America
Sat Jul 23 – Denver, CO – Empower Field at Mile High*
Wed Jul 27 – San Diego, CA – Petco Park*
Fri Jul 29 – Santa Clara, CA – Levi’s Stadium+
Sun Jul 31 – Los Angeles, CA – SoFi Stadium+
Wed Aug 03 – Seattle, WA – T-Mobile Park^
Sat Aug 06 – Las Vegas, NV – Allegiant Stadium^^
Wed Aug 10 – Atlanta, GA – Truist Park^
Fri Aug 12 – Nashville, TN – Nissan Stadium^
Sun Aug 14 – Detroit, MI – Comerica Park^
Wed Aug 17 – E. Rutherford, NJ – Metlife Stadium^
Fri Aug 19 – Chicago, IL – Soldier Field^
Sun Aug 21 – Toronto, ON – Rogers Centre^
Tue Aug 30 – Miami, FL – Hard Rock Stadium^
Thu Sep 01 – Charlotte, NC – Bank of America Stadium^
Sat Sep 03 – Philadelphia, PA – Citizens Bank Park^
Thu Sep 08 – Washington, DC – Nationals Park^
Sat Sep 10 – Boston, MA – Fenway Park# (on sale date TBA)
Thu Sep 15 – Orlando, FL – Camping World Stadium^
Sun Sep 18 – Arlington, TX – Globe Life Field^
=with special guests A$AP Rocky and Thundercat
~with special guests Anderson .Paak & The Free Nationals and Thundercat
*with special guests HAIM and Thundercat
+with special guests Beck and Thundercat
^with special guests The Strokes and Thundercat
^^with special guests The Strokes and King Princess
#with special guests St. Vincent and Thundercat
The Genesis Museum should get an award for restoring this amazing 1973 live concert of Genesis at The Bataclan Theatre in Paris. They write, “This was a really big project. Not that the source was bad, the source was actually very nice. However, the source had many anomalies, but enough “clay” was there to mold this into something even better. The entire process was helped immensely by Ikhnaton, who provided material as well as suggestions and many many previews.”
We all have that box of letters and photographs commemorating a special, yet difficult relationship; whether it’s pushed to the back of a closet, or exists only in the back of the mind, Canadian singer and actress and voice of beloved animations, Michelle Creber’s new single, “Like It Never Happened,” tells the tale of one of those fraught and almost-forgotten relationships — and its available now.
“Letters and cards
Remnants of
An era that I
Failed to hide from myself”
That’s how “Like It Never Happened” opens…
Layered over gorgeous full-bodied piano and keyboards, Creber sings in her signature crystal-clear vocal style, and the feeling of loneliness and regret is visceral. Then, after a near-whisper, the Vancouver-based artist hits us with a soaring melody coming right from the core. The corresponding video features Creber wearing a white suit and all alone in a beautiful, empty mansion, juxtaposed with footage of her shrouded in a hoodie and navigating a deserted subway station.
“At its thematic core, ‘Like It Never Happened’ is a song about coming to terms with, and realizing some things are best left in the past,” Creber shares. “Whether it be our past relationships, our past actions or our past selves — it’s up to you to decide. This video is an open canvas onto which you can paint your own interpretations.”
“Like It Never Happened” is one of Creber’s personal favorites off of her album, Storm. “The song has always meant a great deal to me,” she says. “From demo to finalization, I was very invested in the production process and particularly picky about the vocals and the orchestration. Releasing this song out into the world, along with the Storm album, was an important milestone for me.”
Creber is a dynamic and exciting performer, with a compelling stage presence and a wealth of experience that defies her young age. Since releasing her first album, she has performed her music in concerts in major cities throughout the US, Canada, Germany, Poland, Thailand, Australia and the UK. She has a dedicated, enthusiastic and highly supportive fanbase through her work on My Little Pony Friendship is Magic. Her most prominent roles in the series are as Apple Bloom and the singing voice of Sweetie Belle in the show’s first three seasons, and it’s easy to see why she’s described as relatable, honest, thoughtful, and inspiring, Michelle Creber’s music is making a positive difference in the world, and in the lives of her listeners. She is also proud to be an official ambassador for Kids Help Phone Canada.
Storm was released in 2020 to great industry acclaim. The album sold and streamed in more than 130 countries and earned top-100 placement on the U.S. and Canadian Billboard charts. Creber’s previous albums include On Display (2018), which also sold and streamed worldwide with top-100 US Billboard placement; Timeless: Songs of a Century (classic covers); A Creber Christmas (Volumes 1 & 2); and three albums with YouTube star and performing partner Gabriel Brown (aka Black Gryph0n): At Home, Tribute and best-selling Getting Stronger.
“Like It Never Happened” and Storm are available now.
