All photos by Mini’s Memories. You can contact her through Instagram or X.





















All photos by Mini’s Memories. You can contact her through Instagram or X.





















Country rising voices Rhys Rutherford and Lauren Watkins come together on the new duet “Problem For Tomorrow,” out now via DeVille Records and Big Loud. The track unfolds as a slow-burning country conversation, with the two singers trading verses and blending their warm, honeyed vocals across a reflective melody.
Written by Rhys Rutherford alongside Clara Park and Ash Ruder, the song carries a cinematic emotional pull grounded in everyday storytelling. Production comes from Ernest, Jacob Durrett, and Rivers Rutherford, adding depth to the stripped-back arrangement and highlighting the natural chemistry between Rutherford and Watkins.
“I knew as soon as Clara, Ash, and I finished ‘Problem For Tomorrow’ that it was a special song,” Rutherford says. “I had been listening to Lauren’s album a lot at the time, and she was the first person I thought of to sing it with me. I’m so happy she felt the same way about the song. I am very proud of this one.”
“When I first heard ‘Problem For Tomorrow’ I immediately wanted to be a part of it,” Watkins adds. “It sounded almost cinematic to me but at the same time felt extremely relatable, which I think is such a sweet spot for a song to fall into. I’m so grateful to get to sing on it and I’m excited for people to hear it.”
Born and raised in Nashville, Rutherford grew up surrounded by the craft of songwriting through his father, Nashville Songwriters Hall of Fame member Rivers Rutherford. He continues building his own lane with clever lyricism and smooth country sonics, following recent releases including “Long Way.” He joins Ernest on the “Live From The South Tour” through April alongside upcoming festival appearances.
Chicago pop-punk favorites The Academy Is… share “L Train,” the final single from their long-awaited album ‘Almost There’. The record arrives March 27, 2026 via I Surrender Records and marks the group’s first studio album in more than 18 years. Driving rhythms and shimmering guitars carry the song forward as William Beckett’s vocals glide through a late-night Chicago atmosphere.
“‘L Train’ is a song about those nights where you’re stuck in your own head; alone in a crowded room, surrounded by social ghosts,” the group explains. “The song is dreamy, but there’s a haunting, nervous energy running through it. It’s our lens into a midwest mind trip where you’re replaying memories over and over…”
The album follows earlier singles including the urgent lead track “2005” and the reflective “Miracle.” ‘Almost There’ builds across 11 songs that reconnect with the emotional intensity that shaped the group’s early years while expanding their songwriting approach. The sound blends bright pop-punk urgency with layered arrangements and reflective moments.
“‘Almost Here was the beginning. Almost There is the reflection,'” Beckett says. “‘It’s about checking in with who you thought you’d be twenty years later, seeing what changed, what stuck, and what still feels like home.'”
The band continues celebrating its return on the “Almost Here 20th Anniversary Tour,” which launched with powerful shows centered around the songs that defined the mid-2000s era. Demand has surged across markets as audiences reconnect with the music while embracing the group’s new chapter.
2026 Tour Dates:
APRIL
10 – Buffalo, NY – Town Ballroom
11 – Toronto, ON – Danforth Music Hall
15 – Atlanta, GA – Buckhead Theatre
16 – Nashville, TN – Brooklyn Bowl Nashville
18 – Tampa, FL – The Ritz Ybor
19 – Orlando, FL – House of Blues Orlando
24 – Austin, TX – Emo’s
25 – Dallas, TX – The Echo
26 – Houston, TX – House of Blues Houston
MAY
1 – Portland, OR – Roseland Theater
2 – Seattle, WA – Showbox at The Market
7 – Sacramento, CA – Ace of Spades
8 – Berkeley, CA – The UC Theatre
9 – San Diego, CA – The Observatory North Park
23 – Mexico City, MX – Pabellón del Palacio de los Deportes
JUNE
13-14 – Washington, DC – Festival Grounds at RFK Campus †
JULY
25-26 – Long Beach, CA – Shoreline Waterfront †
† – Warped Tour
The Pusciverse expands again. Alternative rock innovators Puscifer return with ‘Tales From The Pusciverse #2: The Briefcase’, the next chapter in the band’s growing comic series. The new issue follows the immediate sell-out of the debut installment, which introduced the mysterious character Bellendia Black and quickly moved through two printings.
Issue #2 centers on one of the longest running mysteries in the Pusciverse: The Briefcase. For years, the object has appeared throughout Puscifer videos and imagery, sparking endless speculation among fans asking the same question, “What’s in the briefcase?”
Written by Maynard James Keenan, the issue features artwork by Marlin Shoop (“Captain Action,” “G.I. Joe,” “Unprepped”) and lettering by Jack Morelli (“Afterlife with Archie,” “Peter Parker Annual,” Marvel Comics). The comic expands the mythology surrounding the strange characters and storylines woven through the Puscifer universe.
“The Briefcase has been part of the Puscifer mythology for years,” Keenan says. “Everyone wonders what exactly is inside. This issue doesn’t necessarily answer the question… but it moves the story forward.” Shoop adds, “Issue #2 pulls you deeper into the mystery of the briefcase, and illustrating that chaos was half the fun.”
The new issue also introduces the Pusciverse comics debut of Major Douche. The character first appeared ahead of Puscifer’s 2009 Las Vegas residency, the group’s live debut, and later showed up in the concert film ‘V is for Versatile’. ‘Tales From The Pusciverse’ comics are available exclusively through Puscifer.com.
Leeds noise rock duo Guttersnipe return with a new full-length statement. The group announces ‘Extinction Burst’, arriving May 8 on Night School Records. The album marks their long-awaited follow up to 2018’s ‘My Mother The Vent’, a release widely celebrated across the underground music press.
Engineered and mixed by Ross Halden at Hohm Studio in Bradford and mastered by Rashad Becker, ‘Extinction Burst’ captures Guttersnipe operating at peak intensity. The record channels the duo’s XFCER approach, Xenofeminist crisis-energy rock, where drums, synth triggers, guitar distortion and dual vocals collide in a high-voltage surge of sound.
The first preview arrives with “Keep Honking”, a track that erupts with digital panic and ferocious rhythm. Guttersnipe deliver a blistering mix of atonal guitar, distorted synths and explosive percussion. The music lands with physical force and restless invention, another powerful entry in the duo’s catalog.
The album was shaped after eight years of relentless touring and creative evolution. Members of the duo are also connected to Tristwch Y Fenywod, Nape Neck, Petronn Sphene and Yexxen, expanding their reach through a wide underground network. Onstage and in the studio, Guttersnipe channel raw energy into a precise and overwhelming sonic experience.
Live Dates:
Wednesday April 22 – Leeds – Wharf Chambers
Saturday April 25 – Shrewsbury – English Bridge Studios
Sunday April 26 – Birmingham – Supersonic Festival
Tracklist:
Nettspend and YoungBoy Never Broke Again release the official video for “masked up,” one of the most intense tracks on Nettspend’s 21-song album ‘early life crisis.’ Produced by CXO, the track is a distorted, siren-laced collision of bass waves, rat-tat-tat drum hits, and sonic swerves, with Nettspend’s glitching scream-raps framing a rapid-fire YoungBoy verse that hits with staccato momentum. Together they unleash an almost abstract blur of flexes that sweeps through cash, clothes, planes, and automobiles without stopping to explain itself.
The video, filmed in YoungBoy’s home state of Utah, opens on grainy night footage of cars whipping donuts on a blacktop. Nettspend and YoungBoy are deep in the action, dancing, smoking, and at one point hauling off a loose bumper and launching it into the air. Flashes of jewelry and drip cut through the darkness throughout. The release follows the video for “who tf is u,” filmed in Nettspend’s home state of Virginia, with both visuals capturing the brazen, unfiltered spirit that runs through ‘early life crisis’ from start to finish.
The Buena Vista Orchestra announces a new studio album and an extensive 2026 world tour, with tickets on sale now. Recorded between Philadelphia and Miami, the forthcoming album pushes Cuban musical traditions forward while honoring their roots, with legendary vocalist Omara Portuondo appearing on focus track “Chan Chan.” Maestro Rolando Morejón Reyes leads the ensemble into his second year at the helm, cementing his reputation as one of the most exciting modern violinists and arrangers working in Latin music today.
The year opens with festival appearances on three continents before the full tour launches. The orchestra performs at the Seoul Jazz Festival in South Korea supporting Janelle Monae, the Middelheim Jazz Festival in Belgium, and the BeachLife Festival in Redondo Beach supporting James Taylor. A North American run follows in the fall, stretching from the East Coast through Canada and into the Midwest and West Coast, with dates running from late September through November.
Also arriving alongside the announcement is the first physical release of ‘En Vivo’, the live album capturing their record-breaking 2025 USA tour. Available on CD and limited edition vinyl at all upcoming shows and through the official BVO website, it delivers the full energy of a Buena Vista Orchestra performance to listeners who missed the run.
Public on-sale for all dates is Friday, March 13 at 10am local time.
Tour Dates:
April 29 – Solana Beach, CA – Belly Up
May 3 – Redondo Beach, CA – BeachLife Festival
July 9 – Denver, CO – Arvada Center
July 10 – Nashville, TN – City Winery
July 11 – Brevard, NC – Brevard Music Center
July 12 – Atlanta, GA – City Winery
September 23 – Quebec City, QC – Theatre Capitole
September 24 – Gatineau, QC – Theatre du Casino du Lac-Leamy
September 30 – Richmond, VA – The National
October 4 – Annapolis, MD – Rams Head On Stage
October 6 – Worcester, MA – Hanover Theatre
October 7 – Phoenixville, PA – The Colonial Theatre
October 8 – Boston, MA – Colonial Theatre
October 9 – Peekskill, NY – Paramount Hudson Valley Theatre
October 10 – New York, NY – The Town Hall
October 11 – Morristown, NJ – Mayo Performing Arts Center
October 15 – Burlington, VT – Higher Ground
October 16 – Montreal, QC – MTELUS
October 17 – Toronto, ON – Danforth Music Hall
October 18 – Kitchener, ON – Centre in the Square
October 21 – Indianapolis, IN – Egyptian Room @ Old National Centre
October 22 – Chicago, IL – Vic Theatre
October 23 – Milwaukee, WI – Pabst Theatre
October 24 – Minneapolis, MN – Fillmore
October 25 – Winnipeg, MB – Burton Cummings Theatre
October 27 – Edmonton, AB – Myer Horowitz Theatre
October 28 – Calgary, AB – Bella Concert Hall
October 30 – Vancouver, BC – Vogue Theatre
November 11 – Santa Fe, NM – Lensic Performing Arts Center
November 22 – Key West, FL – Key West Theatre
The Mosfets open 2026 with “Take A Chance,” the first single from their upcoming self-titled EP due May 29. Recorded at Yeah Yeah Yeah Studios in Hamburg through a Tascam 388 reel-to-reel machine with zero quantization and zero auto-tune, the track is raw, fuzz-drenched, and built entirely on live energy. Frontman Keith Mosfet was direct about the approach: “I am sick of hearing tracks that are too polished. We went in with tight playing, real energy, and the desire to make something that can’t be replicated.”
The song has a structural trick that gives it real edge. Each pass through the verse drops a beat before snapping back into a driving 4/4 chorus, creating a kinetic tension that mirrors the track’s themes of risk and defiance. “If someone tells you your lifestyle is wrong, you don’t just roll over and die,” Mosfet says. “You punch the world in the face and do what makes you happy.” Pounding drums, fuzz guitars, and emotionally charged vocals make the case without needing to argue it twice.
The Mosfets drew praise from Rolling Stone and others for their 2024 breakout single “Welcome to the Apartment Jungle,” and “Take A Chance” builds on that momentum with more urgency and a sharper sonic identity. Festival appearances and further releases are ahead. The self-titled EP lands May 29.