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Hardcore Institution Terror Announce Tenth Album ‘Still Suffer’ Out April 24

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Terror are back with their tenth full-length record, ‘Still Suffer,’ due April 24 via Flatspot Records. Produced by Todd Jones, the band’s former guitarist and a producer who knows exactly what Terror sounds like at its sharpest, the album delivers ten fast, aggressive, in-your-face hardcore tracks that double down on everything that made the Los Angeles band an institution over their 24-year run. The title track and lead single is out today, a two-and-a-half-minute statement of purpose with a video directed by Derek Rathbun, capturing the chaos of Terror’s January 2026 Latin America tour dates.

The album’s supporting cast is formidable. Jay Peta of Mindforce guests on “Beauty in the Losses,” Brody King of God’s Hate and Dan Seely of King Nine appear on “Deconstruct IT,” and Hot Water Music’s Chuck Ragan delivers on “Fear the Panic,” a track co-produced by New Found Glory’s Chad Gilbert. Engineering and additional production came from Taylor Young at The Pit Recording Studio (with drum engineering at Studio 606 alongside Oliver Roman), mixing by Jon Markson, mastering by Brad Boatright at Audiosiege, and additional vocal engineering by Jay Zubricky at GCR Audio. The full track listing: “Erase You From My World,” “Still Suffer,” “Promised Only Lies,” “Destruction of My Soul,” “Fear the Panic” (featuring Chuck Ragan), “Death of Hope,” “Beauty in the Losses” (featuring Jay Peta), “A Deeper Struggle,” “To Hurt the Most,” and “Deconstruct It” (featuring Brody King and Dan Seely).

Terror hit the road today, February 26, with a U.S. run that includes a headline slot at LDB Fest in Louisville, Kentucky on February 28, with Mongrel, Combust and Collateral joining on select dates. The full tour dates are as follows.

February 26 | Toledo, Ohio | Frankie’s

February 27 | Erie, Pennsylvania | The Bunker

February 28 | Louisville, Kentucky | LDB Fest

March 1 | Birmingham, Alabama | WorkPlay Theatre

March 3 | Pensacola, Florida | Handlebar

March 4 | Jacksonville, Florida | The Albatross

March 5 | Orlando, Florida | Conduit

March 6 | Miami, Florida | Churchill’s Pub

March 7 | Tampa, Florida | S.P.O.T.

March 8 | Augusta, Georgia | Grantski

March 9 | Greenville, South Carolina | Radio Room

March 10 | Virginia Beach, Virginia | Peabody’s

March 11 | Lakewood, New Jersey | Maggie’s

March 12 | Hartford, Connecticut | Webster Underground

March 13 | Reading, Pennsylvania | Reverb

March 14 | Massapequa, New York | Massapequa VFW

March 15 | Providence, Rhode Island | Alchemy

Portland Blues-Rock Singer and Guitarist Kathryn Grimm Releases Confident New Single “Treat Me Like Gold”

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Kathryn Grimm has a new single out and it arrives with the swagger the title demands. “Treat Me Like Gold” is a blues-rock track from the Portland-based singer, songwriter and multi-instrumentalist, produced by Dennis Moody (Diana Ross, Missy Elliott), and it does exactly what Grimm describes: “a playful song about someone who knows their worth advising a less than appreciative partner to hurry up and realize what they’ve got.” The accompanying visualizer is out now, and the track sits comfortably alongside the scorching guitar work that has defined her catalog across albums including ‘No Cash Blues,’ ‘Blues Tools’ and the globally reviewed ‘Grimm Again.’

Grimm’s biography reads like a who’s who of rock and blues royalty. Jeff Buckley backed her up in her original band Group Therapy. She jammed with Bo Diddley between takes on the film set of Rockula. Al Hendrix personally contacted her to give his blessing after hearing her version of “Spanish Castle Magic.” She is the featured guitarist in Michael Bolton’s video for “Dance With Me.” Billy Hulting, who has worked with Natalie Cole and Lou Rawls, summed her up simply: “Voice of an angel, plays guitar like the devil.” The Los Angeles Times put it another way, writing that she “pummels crowds into a blissful heap.”

Beyond recording, Grimm keeps an active presence across multiple projects including The Kathryn Grimm Band, The Jazz Rockets, Hippie Love Slave and Babes in Portland, hosts a quarterly Blues and Jazz Jam, and has had several songs featured in playwright Alan Alexander III’s award-winning “Homeless, The Musical.” She holds degrees from The Guitar Institute in Hollywood and Cal State Los Angeles in Jazz Studies and Commercial Music.

Transatlantic Jazz-Fusion Collective Space Cartel Release Stunning 13-Piece Live Performance Video “Something Often”

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Space Cartel are back with “Something Often,” a live performance video filmed at Conway Sound in Denver, Colorado, and it captures exactly what makes this collective so compelling. The Denver-and-London-bridging 13-piece ensemble, filmed by Geoff Velando and engineered by Ryan Conway alongside Stephen “Eski” Edwards of Thievery Corporation, recorded the session live in a single-room setting with no safety net. Anchored by Johnny Bosbyshell’s driving piano motif (the one his roommate once asked why he played “so often,” giving the track its name), the performance expands outward into layered guitars, brass accents, saxophone lines and textured strings in real time. It follows the band’s breakout debut “Giant Jack,” which drew more than 50,000 YouTube subscribers within months of its release.

The session features Space Cartel’s core members, Bosbyshell, Justin Neely, Ted Kleist, Matt McElwain, Karl Summers and Joe Lilly, alongside newly permanent members London violinists Jenny Clare of Slate Quartet and Eliza Burkitt of Brixton Chamber Orchestra, whose addition deepens the ensemble’s transatlantic chamber identity. Rounding out the 13-piece lineup are percussionist Ian Maxwell, trumpeter Phil Ortiz-Gonzales, trombonist Jai Patel, violist Jess Kus and cellist Helen Erickson of the Longmont Symphony Orchestra. The collective’s first live show in this fully expanded configuration takes place April 18 at ZOLA in Spokane, Washington, marking the ensemble’s onstage debut as it currently stands.

Beyond the music, Space Cartel continues to invest in the communities that sustain it. Trumpeter Phil Ortiz-Gonzales recently launched a community music school initiative in partnership with Grupo Folklórico del Pueblo in Pueblo, Colorado, offering small-group instruction and instrument rentals for $55 per month in direct response to the ongoing reduction of arts education in public schools. For a band whose stated values are compassion, innovation and musicality, the initiative is not a footnote, it is the point. “Something Often” is out now.

Rap Rising Star Fresco Trey Delivers Uplifting New Single “Hope”

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Fresco Trey opens 2026 with “Hope,” a melodic, introspective new single that does exactly what the title promises. Built around the kind of lived-in storytelling that has defined his catalog since ‘Heartbreak Diaries,’ the track carries a direct message from an artist who has earned the right to deliver it. “Hope is a reminder that your story isn’t over,” Trey says. “No matter what you’ve faced, you still have the pen in your hand, and you get to decide how it ends.” It follows last year’s ‘Meraki (Deluxe)’ and arrives as his sharpest, most emotionally grounded single yet, with listeners already pointing to it as the most resonant thing he has put out.

The Memphis rapper has been building steadily since shadowing Post Malone on tour in 2019, signing to Warner Music Group in 2021, and releasing a string of projects and collaborations with NLE Choppa, K CAMP, Lil Tjay and Vory. He has since moved forward as an independent artist, most recently completing a supporting run on K CAMP’s ‘KISS 6 Tour.’ The momentum is real and it is only moving in one direction. “Hope” is out now.

Swedish Fuzz Rock Legends Truckfighters Return After a Decade With New Single and Album ‘Masterflow’

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Truckfighters are back. The Swedish fuzz rock band have released “The Bliss,” their first new single in ten years and the opening statement from their upcoming album ‘Masterflow.’ “The Bliss symbolizes everything the new album is about, fuzz groove and melody,” the band says. “We can’t believe it’s the first track we release in 10 years.” Built on the band’s signature desert rock foundation while pushing into broader, more expansive sonic territory, ‘Masterflow’ arrives as a full-band reckoning with what the duo of Niklas “Dango” Källgren and Oskar “Ozo” Cedermalm have been building since they first plugged in together in Örebro, Sweden back in 2001.

The album title says it all. ‘Masterflow’ is about balance between discipline and freedom, shifting between crushing heaviness and psychedelic passages, earth-shaking low-end and soaring melodic builds, raw power and nuance. This is a record built for packed clubs, endless highways and speakers pushed to their limits. Truckfighters have spent more than two decades becoming a foundational force in stoner rock and metal, and the return of new material after this long a stretch has the rock world paying close attention. Josh Homme famously called them “the best band that ever existed” in the 2011 documentary “Fuzzomentary,” and nothing about ‘Masterflow’ suggests that assessment needs revisiting.

A major European tour kicks off in April and runs through the festival summer, including appearances at Desertfest Berlin, Desertfest London at The Roundhouse in Camden on May 17, Hellfest in Clisson and Mystic Festival in Gdansk. The full tour dates are as follows.

April 11 | Cologne, Germany | Sol Sonic Ride

April 15 | Oslo, Norway | Parkteatret

April 16 | Bergen, Norway | Hulen

April 17 | Stavanger, Norway | Folken

April 18 | Porsgrunn, Norway | R.I.P.

April 28 | Hamburg, Germany | Grünspan

April 29 | Groningen, Netherlands | Vera

April 30 | Amsterdam, Netherlands | Melkweg

May 1 | Dordrecht, Netherlands | Bibelot

May 2 | Izegem, Belgium | Headbanger’s Ball Fest

May 8 | Copenhagen, Denmark | A Colossal Weekend

May 11 | Vienna, Austria | Arena

May 14 | Berlin, Germany | Desertfest

May 17 | London, United Kingdom | Desertfest (The Roundhouse, Camden)

May 25 | Neunkirchen, Germany | Stummsche Reithalle

May 26 | Stuttgart, Germany | Im Wizesmann

May 27 | Winterthur, Switzerland | Gaswerk

May 28 | Luzern, Switzerland | Sedel

May 29 | München, Germany | Backstage (Halle)

May 30 | Dresden, Germany | Beatpol

June 4 | Gdansk, Poland | Mystic Festival

June 18 | Clisson, France | Hellfest

June 27 | Wiesbaden, Germany | Sonic Ride IV

July 26 | Milan, Italy | Magnolia Stone Fest

August 14 | Taarstedt, Germany | Angeliter Open Air

The Vocal Cast of Grammy-Winning Film Kpop Demon Hunters Takes On Hot Ones Versus

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The vocal cast of the Grammy-winning, Oscar-nominated blockbuster Kpop Demon Hunters, Arden Cho, EJAE, May Hong, Audrey Nuna, Ji-young Yoo and Rei Ami, have taken on First We Feast’s Hot Ones Versus, the spin-off format that pits two teams against each other with a simple rule: tell the truth or face the Wings of Death. The episode, out now, runs the Huntrix through lyric challenges, the Soda Pop dance challenge, a round of drawing Derpy, and the looming threat of the Last Dab, with the winning team taking home the coveted chicken wing trophy. It is exactly as chaotic as it sounds, and the platinum-selling soundtrack gets a proper workout along the way.

The Claypool Lennon Delirium Return With Epic Concept Album ‘The Great Parrot-Ox and the Golden Egg of Empathy’

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The Claypool Lennon Delirium are back. Les Claypool and Sean Ono Lennon have announced their third album, ‘The Great Parrot-Ox and the Golden Egg of Empathy,’ due May 1 via ATO Records, and it arrives as their most ambitious project to date. A 14-song concept record built around morality, mortality and the warnings of artificial intelligence, the album is rooted in the “Paperclip Theory,” the renowned thought experiment about AI safety, and asks a pointed question: in the face of rampant, single-minded efficiency, can human values and empathy survive. The physical edition arrives as a 2-LP tip-on gatefold set paired with a 24-page original comic book, with each song mapped to its own illustrated chapter by longtime collaborator Rich Ragsdale. Vinyl and CD are available for pre-order now.

The album’s story centers on young artist Hippard O. Campus Jr., who rebels against his father, owner of the CLIPNEX corporation and creator of a sentient AI named Cliptron, whose army of robots is converting everything in the land of Cliptopia, humans included, into paperclips. Hipp’s quest takes him across the sea to the Isle of Lucidity, guided by the Ministry of Manatees toward the Great Parrot-Ox, whose Golden Egg of Empathy is the only force capable of reaching Cliptron’s cold, chrome heart. “It is a tale of a technocracy eclipsed by paperclips,” Lennon says, “a young man destined to unravel the fabric of his father’s folly, and a sacred feathered Goddess, played by WILLOW, who holds the egg-shaped key to their future.”

Out today alongside the album announcement is the new single and animated music video “The Golden Egg of Empathy,” featuring WILLOW, whose lead vocal turns the Delirium’s psychedelic-prog theatrics toward something strangely tender and human. The video offers the first moving glimpse into the album’s visual universe, animating the rich illustrations that populate the comic companion. It follows January’s first single “WAP (What a Predicament),” which opened this new chapter with a warped meditation on AI and what happens when empathy gets optimized out of existence. Listeners and critics alike have been calling this the duo’s most fully realized and thematically urgent work yet, a surreal epic that earns every one of its 14 chapters.

The comic book originated from an even larger vision. “Initially Les and I were imagining a feature-length animated film for Parrot-Ox,” Lennon explains, “but we realized there wasn’t enough time, so we asked Rich if he could distill the story into a comic book. He did an incredible job. Now that the story exists in this form, it’s even easier to imagine it becoming a feature someday.” Recorded at Claypool’s Rancho Relaxo studio in Sonoma County and Lennon’s studio The Farm in upstate New York, the album was over three years in the making. “The results are something Shiner and I are very proud of,” Claypool says, “a relevant concept piece accompanied by a colorful, phantasmic comic book.”

The full track listing for ‘The Great Parrot-Ox and the Golden Egg of Empathy’: “Pro-Log,” “WAP (What a Predicament),” “The Wake Up Call,” “Meat Machines,” “Troll Bait,” “Simplest of Deeds,” “Heart of Chrome,” “Through the Horizon,” “Mantra of the Manatee,” “The Golden Egg of Empathy” (feat. WILLOW), “Cliptopia,” “Cliptron Scuttle,” “Melody of Entropy,” and “It’s a Wrap.” Following the album’s release, Claypool hits the road with Claypool Gold, a full-evening tour bringing together Primus, The Claypool Lennon Delirium, and Les Claypool’s Fearless Flying Frog Brigade, each performing a full set. Tickets and information at primusville.com.

Dublin Alt-Pop Band Soda Blonde Release “Suit & Tie” and Announce First-Ever North America Tour

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Soda Blonde are making their North American debut. The Dublin alt-pop band have released a new single, “Suit & Tie,” and announced a 21-date run across the United States and Canada beginning September 11 in Detroit and wrapping October 9 in St. Louis. Tickets go on sale Friday, February 27 at 10 a.m. local time. Built around industrial guitar, liquid production and a relentless forward pulse, “Suit & Tie” was inspired by Ireland’s recent cultural resurgence and marks a distinct new direction for the band.

Vocalist Faye O’Rourke is direct about where the song came from. “I wrote ‘Suit & Tie’ about my own feelings of un-belonging and displacement,” she says. “I didn’t grow up with a strong sense of national identity, and I began to explore my current feelings of loss and isolation through that lens while living in the Liberties, a part of Dublin with a very strong sense of itself. The song became a way of reclaiming something I felt I’d lost.” That kind of raw, specific emotional geography is exactly what has built Soda Blonde’s devoted following across Ireland, the UK and Europe, and it translates powerfully here.

The full North America tour dates are as follows.

September 11 | Detroit, Michigan | Third Man Records (Cass Corridor)

September 12 | Toronto, Ontario | Longboat Hall

September 14 | Boston, Massachusetts | The Red Room at Cafe 939

September 15 | Brooklyn, New York | Baby’s All Right

September 16 | Philadelphia, Pennsylvania | Johnny Brenda’s

September 17 | Washington, D.C. | Union Stage

September 18 | Pittsburgh, Pennsylvania | Club Café

September 19 | Columbus, Ohio | Rumba Café

September 21 | Chicago, Illinois | Schubas

September 22 | Madison, Wisconsin | High Noon Saloon

September 23 | Minneapolis, Minnesota | 7th St. Entry

September 27 | Seattle, Washington | Sunset Tavern

September 28 | Vancouver, British Columbia | Fox Cabaret

September 29 | Portland, Oregon | Mississippi Studios

October 1 | San Francisco, California | The Chapel

October 2 | Santa Cruz, California | The Crepe Place

October 3 | Los Angeles, California | The Echo

October 4 | Phoenix, Arizona | Valley Bar

October 6 | Denver, Colorado | Larimer Lounge

October 8 | Kansas City, Missouri | Record Bar

October 9 | St. Louis, Missouri | Off Broadway

YUNGBLUD Takes His Bludfest International With Czechia Event June 27

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Internationally renowned rock star Yungblud has announced the third installment of his long-awaited, curated festival: Bludfest for June 27th, 2026.

Following the 28-year-old’s record-breaking triple Grammy Rock nomination and win for Best Rock Performance, plus the release of his latest body of work, Idols II, the singer has unveiled plans for Bludfest Year 3, which will kickstart the festival’s global takeover in Hradec Králové, Czechia near Prague.

The multifunctional Park 360 (located 100 km east of Prague, 190 km from Wrocław, 400 km from Berlin, and 110 km from Vienna) will host the event, featuring the British superstar as headliner.

In a huge announcement, Scottish rock heavyweights Biffy Clyro and psychedelic icons Primal Scream have been revealed as part of a lineup which features indie-pop favourites Pale Waves, art-rock trio Palaye Royale, and Atlanta rapper Destroy Lonely. Also added are “Ouija Pop” Irish breakout Bambie Thug and London-based Leap.

Fresh from collaborating with Lil Yachty, Jesse Jo Stark also joins the bill, alongside rising talents Nieve Ella and Pam Rabbit.

Tickets for Bludfest Year 3 go on general sale at 10:00 am GMT (11:00 am CET) on Friday, February 27, preceded by a 24-hour pre-sale window opening Thursday, February 26, at 9:00 am GMT (10:00 am CET). Tickets can be found at bludfest.com.

This year in Hradec Králové, the experience goes beyond the stages. While Bludfest remains a one-day festival, Year 3 gives fans the chance to camp the night before and the night of the event, with a range of camping and glamping options available.

Speaking about Bludfest Year 3, Yungblud said: “We have such an incredible fanbase in Czechia. They are one of the best audiences in the world.

The reaction we got from a potential announcement when I said it on stage over there was so big and so electrifying, it kind of cemented that it would be the first international Bludfest. It’s going to be an incredible show.”

He added, “It feels so crazy to have planted a seed two years ago in Milton Keynes that has now grown roots and expanded all the way to Czechia. It cemented the idea that anything is possible when you never take no for an answer and you have a community that will follow you anywhere. I’m really lucky.

Fans can look forward to the return of the festival’s most iconic features, from the much-loved Make A Friend Tent, where solo festival-goers can connect, to the signature giant ferris wheel and the Beautifully Romanticised Accidentally Traumatized pop-up. Yungblud’s Bludbeer will be back on site, and Gibson returns as sponsor, unveiling a third stage. Bludfest continues to push boundaries with top-tier, multi-genre line-ups at an affordable price, offering a unique festival experience rooted in community and inclusivity.

Nothing More, Catch Your Breath, Archers, and Doobie at Toronto’s History on February 24, 2026

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All photos by Mini’s Memories. You can contact her through Instagram or X.