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Jason Bateman, Sean Hayes, & Will Arnett To Take “Smartless” Podcast On Tour

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Jason Bateman, Sean Hayes, & Will Arnett celebrate the first anniversary of their highly successful podcast, “SmartLess,” announcing that they will be bringing their show and their friends on the road with SMARTLESS TOUR LIVE. The limited run will kick off on February 2nd in Toronto’s Massey Hall followed by stops in Boston, Brooklyn, Chicago and Madison (WI) before wrapping up in Los Angeles at the Orpheum Theatre on February 12th.

Will said, “I wish nothing but the best for Sean and Jason on this.” To which Jason and Sean said, “Wait, what?”

“SmartLess,” with Jason Bateman, Sean Hayes, & Will Arnett is a podcast that connects and unites people from all walks of life to learn about shared experiences through thoughtful dialogue and organic hilarity. A nice surprise: in each episode of SmartLess, one of the hosts reveals his mystery guest to the other two. What ensues is a genuinely improvised and authentic conversation filled with laughter and newfound knowledge to feed the SmartLess mind. The passion project of three friends has turned into a wildly successful podcast, named one of the Best Shows of 2020 by Apple as well as consistently ranking Top 5 Comedy Shows and Top 10 on overall shows on iTunes. As of August 1st, new episodes will be released exclusively for one week on Amazon Music and Wondery+ before they are widely available on all other platforms.

Guests have included Vice President Kamala Harris, George Clooney, Jennifer Aniston, Adam Sandler, Ricky Gervais, Bryan Cranston, Paul McCartney, Tina Fey, Awkwafina, W. Kamau Bell, Stacey Abrams, Billie Eilish and Megan Rapinoe.

TOUR DATES:
Tue Feb 02 – Toronto – Massey Hall
Fri Feb 04 – Boston, MA – Boch Center Wang Theatre
Sat Feb 05 – Brooklyn, NY – Kings Theatre
Tue Feb 08 – Chicago, IL – Chicago Theatre
Wed Feb 09 – Madison, WI – Orpheum Theatre
Sat Feb 12 – Los Angeles, CA – Orpheum Theatre

Jimmy Jam & Terry Lewis release highly-anticipated debut album

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Five-time Grammy Award-winning and Academy Award-nominated multi-Platinum production duo Jimmy Jam & Terry Lewis have released their highly-anticipated debut album Jam & Lewis Volume One via BMG.

The release followed the signing of a new recording deal with BMG, their very first-ever artist album deal for their debut album of all original music.

Jam & Lewis Volume One boasts star-studded featured guests including Mariah Carey, Mary J. Blige, Boyz II Men, Toni Braxton, Usher, and more.

On the most recent single, ‘Somewhat Loved (There You Go Breakin’ My Heart),’ Jimmy Jam and Terry Lewis teamed up with the multi-platinum, multiple Grammy Award-winning, New York Times #1 Best Selling author and global superstar Mariah Carey.

Jimmy Jam & Terry Lewis have had an unprecedented career as producers, with five Grammy Awards, over 100 Platinum certifications, and 16 Billboard Hot 100 Number Ones. They’ve worked with legendary artists including Elton John, Lionel Richie, and Patti LaBelle, composed music for TBS and TNT networks’ NBA basketball broadcasts, as well as the theme to the opening ceremonies of the 1996 Summer Olympic Games.

The duo has been inducted into the Songwriters Hall of Fame, received an NAACP Image Award, a star on the Hollywood Walk Of Fame, and were recently nominated for a Primetime EMMY Award in “Outstanding Music Direction.”

Elvis Costello & Sebastian Krys Remodel The Album, “This Year’s Model,” Into “Spanish Model”

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Elvis Costello and longtime collaborator, 18-time GRAMMY and Latin GRAMMY award-winning producer, Sebastian Krys, have brought together a stunning international cast of some of the biggest Latin rock and pop artists from around the globe to interpret Elvis Costello and The Attractions’ album, This Year’s Model, entirely in Spanish. The inspired Spanish-language adaptations are set to the band’s classic studio performances, culled from the original master recordings, which have been newly mixed by Krys, revealing a new power and intensity to The Attractions’ 1978 instrumental performances. The mixes, sometimes running on, allow us to now hear “What Happened Next:” Costello and Mick Jones of The Clash lock dueling rhythm guitars in a thrilling coda to “Pump It Up” or Pete Thomas almost demolishing his drum kit at the end of “No Action.” There is even the occasional vocal cameo appearance by the bandleader, but the album can now be enjoyed in an entirely new way. Spanish Model is set for release September 10.

As Costello and Krys began to think of artists that would be a good fit, they discovered that This Year’s Model was an important record to many artists in the pan-Latin world, but its true nature had never been fully appreciated because of the language barrier. They enlisted many Costello fans, a few who Krys and Costello felt would be a great fit for the song, and all of whom have stellar careers and were excited to participate and bring their own styles to the immediacy and poignancy of the original songs, helping to create an entirely new listening experience.

Spanish Model features such artists as: Cami, Draco Rosa, Fito Páez, Francisca Valenzuela & Luis Humberto Navejas (lead singer of Enjambre), Gian Marco & Nicole Zignago, Jesse & Joy, Jorge Drexler, Juanes, La Marisoul, Luis Fonsi, Morat, Nina Diaz, Pablo López, Raquel Sofía & Fuego, Sebastián Yatra, and Vega. They sing these timeless and universal songs, which have been expertly translated and adapted into Spanish to retain their meaning, energy, attitude, and wit. The concept represents what may be a first: an artist replacing their vocals with newly recorded performances by other artists singing in another language, backed by the original music. The full track listing is below:

  1. No Action – Nina Diaz
  2. (Yo No Quiero Ir A) Chelsea ((I Don’t Want To Go To) Chelsea) – Raquel Sofía y Fuego
  3. Yo Te Vi (The Beat) – Draco Rosa
  4. Pump It Up – Juanes
  5. Detonantes (Little Triggers) – La Marisoul
  6. Tu Eres Para Mi (You Belong To Me) – Luis Fonsi
  7. Hand In Hand – Francisca Valenzuela y Luis Humberto Navejas
  8. La Chica de Hoy (This Year’s Girl) – Cami
  9. Mentira (Lip Service) – Pablo López
  10. Viviendo en el Paraiso (Living In Paradise) – Jesse & Joy
  11. Lipstick Vogue – Morat
  12. La Turba (Night Rally) – Jorge Drexler
  13. Llorar (Big Tears) – Sebastián Yatra
  14. Radio Radio – Fito Páez
  15. Crawling To The U.S.A. – Gian Marco y Nicole Zignago
  16. Se Esta Perdiendo La Inocencia (Running Out Of Angels) – Vega

The album includes 16 tracks drawing from the original U.S. version of This Year’s Model (“Pump It Up,” “Radio Radio,” “This Year’s Girl,” “The Beat”) plus several other songs from those sessions. The album will be available on CD, digital and 180-gram vinyl.

This Year’s  Model, which has been newly remastered, will also be released concurrently on CD and 180-gram black vinyl with the addition of “Big Tears” and “Radio Radio.” A limited edition version, that pairs both Spanish Model and the new pressing of This Year’s Model together as a 180-gram double LP, will be released exclusively via ElvisCostello.com, uDiscover and Sound Of Vinyl webstores.

Today’s launch is heralded with the release of an exciting video from Colombian superstar Juanes, whose own recently released Origen album was also produced by Sebastian Krys and featured Pete Thomas on drums. His exhilarating performance of “Pump It Up,” (with its spitfire lyrics now in Spanish) manages to match the same intensity and feel as the original, while Costello’s original backing vocals provide the trademark chorus and an instant familiarity. The video plays on this by transforming Costello’s signature video by rotoscoping the original and inserting Juanes’ head in place of Costello’s to create a playfully updated version that’s a perfect blend of the old and new, that this daring album embodies. “‘Pump It Up’ is such an iconic and signature song from Elvis’ amazing repertoire, that it was a real honor to have the chance to sing with the original 1978 recording and be a part of that propulsive energy,” Juanes said.

Spanish Model exudes the same kind of energy and spirit as the original but with a Latin twist. With 19 featured artists representing 10 countries and territories across the Spanish-speaking world including:  ArgentinaChileColombiaDominican RepublicMexicoPeruPuerto RicoSpainUruguay, plus several from the United States. The album is truly a global, collaborative affair. Costello’s spiky guitars collide with band mates Steve Nieve‘s carnival-esque keys and the urgent, propulsive rhythms of bassist Bruce Thomas and drummer Pete Thomas, as The Attractions virtually back a host of Latin music legends, contemporary stars and burgeoning artists for a set of thrilling Spanish-language performances imbued with each artist’s singular identity and style.

The idea for Spanish Model dates back to 2018 when it was sparked by a request by show runner, David Simon (“The Wire,” “Treme”), to turn “This Year’s Girl” into a duet with a singer, Natalie Bergman for the opening credits of the second season of his show, “The Deuce.” Shortly after that came to fruition, allowing Costello to hear his song in a new way, he had a dream where he heard This Year’s Model, but in Spanish. With his curiosity and interest piqued he called his frequent collaborator, Argentinian-born, Latin GRAMMY Producer of the Year, Sebastian Krys, about the idea of having artists sing the entire album over the original backing tracks. It wasn’t long before the two were figuring out how to make the dream a reality.

Since releasing, My Aim Is True, in 1977, the ever musically curious Costello has allowed himself to follow his artistic desires wherever it takes him, often into unpredictable yet exciting territory. Across more than four decades, the iconoclast has reveled in exploring the human condition through a wildly diverse catalog that includes collaborations with Burt Bacharach, Allen Toussaint, Paul McCartney, T Bone Burnett, Brodsky Quartet, Spinal Tap, Anne Sofie von Otter, The Roots and his wife, Diana Krall along with many others spanning a dizzying array of genres, from country and jazz to orchestral, pop, rock, experimental and beyond, all the while keeping his audiences on their toes. After winning a Grammy for Look Now, his 2018 album with The Imposters, Costello recently released a French language EP, featuring French adaptations by Iggy Pop, Isabelle Adjani, Tshegue, Etta Somatis & AJUQ of songs from his acclaimed 2020 album, Hey Clockface.

“Part of the fun of this project is its unexpected nature,” Costello said. “Although, I think people in my audience that have been paying attention are pretty much used to surprises by now.”

“When Elvis told me the idea,” Krys said, “it took me about 15 seconds to answer. I have been in so many situations where I was trying to turn Latin artists onto Elvis Costello’s music. The feedback I heard most often was ‘I love it. I wish I knew what he was saying.’ Spanish Model is an opportunity to turn an entire side of the world onto this great record and through these voices, get these ideas out. Lyrically, This Year’s Model is still relevant today, what the songs have to say and how they say it.”

Costello and Krys worked closely with all the artists and in some cases with several songwriters, including Elsten Torres, Ximena Muñoz, Luis Mitre, Andie Sandoval, and Vega, to adapt the lyrics so the Spanish versions would seamlessly capture each song. With the lyrics in place, each artist set out to record.

The translation was key as Luis Fonsi explained: “The lyrics felt really natural. Nothing stuck out, and you can’t just read it. You must sing the lyrics to really know if the song will work or not. From the first time I started singing ‘You Belong To Me,’ it just felt natural. It’s true to the original lyric. It has that same energy.”

“It’s tricky,” Fonsi said, “because you want to respect the original version. I tip-toed my way around it. Do you veer off a little bit? What’s the perfect combination?”

“I had a blast singing ‘Triggers,'” La Marisoul said. “The translation was beautiful. I just love ballads where I can get down and sing.”

Costello first hinted about the release last year when he created an “October surprise” playlist, 50 Songs for 50 Days, which included a, briefly available, preview of Spanish Model with Gian Marco and Nicole Zignago‘s politically charged version of “Crawling To The U.S.A.” Costello and Krys recently discussed the origins of Spanish Model at the 2021 Latin Alternative Music Conference last month.

This Year’s Model is about desire and how that relates to love, fashion and to the male gaze towards women and control, especially in political control over us all,” Costello said. “I don’t think there’s anything that somebody in another language would not have encountered. Some of the lyrics might be a little obscure because I use peculiar English idioms, but I constantly fall in love with records in other languages in which I don’t even know one or two courtesy words. What you respond to is the humanity, the pride, the sorrow, the celebration.”

Ultimately, Spanish Model echoes the personal journey of celebrating influences and inspirations that Costello has embarked upon in countless creative ways over the years, whether taking him outside his comfort zone, expanding his musical repertoire or, as with this project, discovering something new altogether.

Elvis Costello & The Attractions (with Various Artists) — SPANISH MODEL [CD + LP]

CD/DIGITAL
All Songs With Elvis Costello & The Attractions

  1. No Action – Nina Diaz
  2. (Yo No Quiero Ir A) Chelsea ((I Don’t Want To Go To) Chelsea) – Raquel Sofía y Fuego
  3. Yo Te Vi (The Beat) – Draco Rosa
  4. Pump It Up – Juanes
  5. Detonantes (Little Triggers) – La Marisoul
  6. Tu Eres Para Mi (You Belong To Me) – Luis Fonsi
  7. Hand In Hand – Francisca Valenzuela y Luis Humberto Navejas
  8. La Chica de Hoy (This Year’s Girl) – Cami
  9. Mentira (Lip Service) – Pablo López
  10. Viviendo en el Paraiso (Living In Paradise) – Jesse & Joy
  11. Lipstick Vogue – Morat
  12. La Turba (Night Rally) – Jorge Drexler
  13. Llorar (Big Tears) – Sebastián Yatra
  14. Radio Radio – Fito Páez
  15. Crawling To The U.S.A. – Gian Marco y Nicole Zignago
  16. Se Esta Perdiendo La Inocencia (Running Out Of Angels) – Vega

LP
SIDE A

  1. No Action – Nina Diaz
  2. (Yo No Quiero Ir A) Chelsea ((I Don’t Want To Go To) Chelsea) – Raquel Sofía y Fuego
  3. Yo Te Vi (The Beat) – Draco Rosa
  4. Pump It Up – Juanes
  5. Detonantes (Little Triggers) – La Marisoul
  6. Tu Eres Para Mi (You Belong To Me) – Luis Fonsi
  7. Hand In Hand – Francisca Valenzuela y Luis Humberto Navejas
  8. La Chica de Hoy (This Year’s Girl) – Cami

SIDE B

  1. Mentira (Lip Service) – Pablo López
  2. Viviendo en el Paraiso (Living In Paradise) – Jesse & Joy
  3. Lipstick Vogue – Morat
  4. La Turba (Night Rally) – Jorge Drexler
  5. Llorar (Big Tears) – Sebastián Yatra
  6. Radio Radio – Fito Páez
  7. Crawling To The U.S.A. – Gian Marco y Nicole Zignago
  8. Se Esta Perdiendo La Inocencia (Running Out Of Angels) – Vega

Joe Bonamassa To Sell His Publishing In An NFT

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Blues rock hero Joe Bonamassa is partnering with Heritage Auction House to announce a game-changing NFT collection that stands to reshape the music industry forever by tokenizing the original master and publishing rights to a brand-new song titled “Broken Record.” This lot is truly unprecedented as the chart-topping guitarist is the first artist in music to sell his publishing in an NFT as part of this digital + physical collection, which also features his own “Holy Grail” 1959 Gibson Les Paul Sunburst guitar and 1963 Fender Vibroverb amp that were used to record the song.

Bonamassa calls this lot “the one-song record company” because it totally transforms the way musicians can make a business from their intellectual property. Joe’s business partner Roy Weisman elaborates: “That is what this NFT concept gives artists — the opportunity to raise capital on an independent basis that will allow them to overstep the so-called gatekeepers of the music industry.”

“One of the things that I like about being an independent artist is that Roy and I came up with this idea,” Bonamassa says. “We didn’t have to run it up any sort of chain of command. It was like, let’s do this because it feels right. And it’s the next logical step in how independent artists are going to be on equal footing with major labels.”

Weisman says “we’re now truly in a unique time in the music business where it is completely just supply and demand. People can find artists online anytime, people can buy their music, investors can invest in them with an artist having to go through that typical major label or even large independent label system that is heavily weighted against artists from the start.”

This history-making auction from the music-business revolutionary is far from routine; then, nothing Bonamassa does is ever ordinary.

Bonamassa is breaking new ground in the music industry and playing by his own rules with this lot featuring highly collectible items, including not only some of the most prized musical instruments on the planet, but pairing them with a series of certificates of authenticity as cutting-edge non-fungible tokens (NFTs). The type of guitar has been used by rock royalty such as Keith Richards, Jimmy Page, Eric Clapton, Mike Bloomfield. The instrument with the “unmatched deep, throaty sound,” as David Schiller writes in his book Guitar, was the ax that built rock and roll.

Non-fungible tokens are changing the business world and Bonamassa’s clever use of the new technology is now allowing other artists to build what is their own business. Bonamassa’s auction is unique and stands to reshape how musicians make and sell their art. This incredible lot includes 13 items individually tokenized on the Ethereum blockchain. Each physical item will have a digital NFT component. This lot is a dream come true for any serious collector of vintage gear or NFT investor looking to diversify their portfolio.

It should surprise no one who follows Bonamassa’s career that he’s leading this revolution. No guitarist has ever received as much coverage in the music and business media as the two-time Grammy Award nominee who has topped Billboard’s Blues chart 24 times – at only the age of 44, no less. Only last year, in fact, Forbes heralding the guitarist for “Taking Control Of His Business, Building A Brand And Investing In Himself.”

Evel Knievel vs Hell’s Angels as told by Evel himself

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Evel Knievel tells his side of the story about a Hell’s Angels threw a tire iron at him during a performance at the Cow Palace.

Rory Gallagher’s 1971 Eponymous Debut Album 50th Anniversary Edition Box Set (1971-2021) Out September 3

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To celebrate the 50th Anniversary of Rory Gallagher’s eponymous 1971 debut solo album, UMC/UMe is pleased to announce the September 3 release of a five-disc Deluxe Box Set of the album that will include a brand-new mix of the original album, 30 previously unreleased outtakes and alternate takes, a six-song 1971 BBC Radio John Peel Sunday Concert, plus four 1971 BBC Radio Sounds of the Seventies session tracks, all mastered at Abbey Road Studios.

Also included is a previously unreleased 50-minute DVD of Rory’s first-ever solo concert which was filmed in Paris for the “Pop Deux” television show.

The extensive box set package will also contain a 32-page hardback book with many rare and previously unseen photographs from British rock photographer Barrie Wentzell, essays and memorabilia from the album recording including hand-written song lyrics by Rory, and an exclusive limited-edition poster.

The 2CD and 3LP editions of the album will be cut-down versions from the deluxe box set. There will also be a special limited-edition Neon Orange (transparent) 1LP featuring the John Peel Sunday Concert exclusively available via UMG’s online stores uDiscover and Sound of Vinyl.

The box set will also include exclusive liner notes written by his brother and manager Donal Gallagher, his longtime bass guitarist Gerry McAvoy (1970-1991) and photographer Barry Wentzel, plus a full 1971 interview with Rory by journalist Roy Eldridge.

The debut album features some of the most beloved Rory songs such as “I Fall Apart” (Rory’s second most streamed song), “Laundromat” and “Just The Smile.” While reviewing numerous tapes during the 2021 mixing sessions, two songs were added to the collection: the previously unreleased “At The Bottom,” a track Rory ended up re-recording for his 1975 Against The Grain album, plus “Advision Jam,” a rocking instrumental. The recording saw Rory Gallagher on guitar and lead vocals as well as alto sax, harmonica and mandolin, Gerry McAvoy on bass and Wilgar Campbell on drums. Atomic Rooster’s Vincent Crane plays piano on two out of the 10 songs on the album “Wave Myself Goodbye” and “I’m Not Surprised.”

Rory had not played live since his previous band Taste disbanded on October 24, 1970. When Rory’s eponymous solo album was released in May 1971, he embarked on a 16-date UK tour that included 10 days touring Ireland and a short jaunt in Switzerland.

Recorded at the legendary Advision Studios in Fitzrovia, London, Rory’s eponymous debut album showcases the Irish guitarist as a multi-faceted interpreter of the blues with a cross-section of the blues from acoustic to heavy blues soul. Advision was one of the hottest recording studios in the ’60s and ’70s, and home of classic albums recorded by The Yardbirds, The Who, The Move, T. Rex, David Bowie, Kate Bush, Elton John, Slade, Gentle Giant, Gerry Rafferty, and many more.

If ever there was a “musician’s musician,” then that accolade belongs to Rory Gallagher. Renowned for his blistering live performances and highly respected for his dedication to his craft, he died in 1995, aged just 47.

Rory’s timeless reputation has continued to flourish in the years since. Indeed, some of rock’s most seminal figures, from Jimi Hendrix to Eric Clapton, Joe Satriani to Joe Bonamassa, Queen’s Brian May to The Smiths’ Johnny Marr, Slash of Guns N’ Roses to the Edge of U2, have cited him as an influence. Rory remains a touchstone for all would-be guitar heroes in the 21st Century.

Formats and Track Listing

4CD+1DVD Deluxe Set / Super Deluxe Digital

CD1
Laundromat – 50th Anniversary Edition
Just The Smile – 50th Anniversary Edition
I Fall Apart – 50th Anniversary Edition
Wave Myself Goodbye – 50th Anniversary Edition
Hands Up – 50th Anniversary Edition
Sinner Boy – 50th Anniversary Edition
For The Last Time – 50th Anniversary Edition
It’s You – 50th Anniversary Edition
I’m Not Surprised – 50th Anniversary Edition
Can’t Believe It’s True – 50th Anniversary Edition

CD2
Gypsy Woman – Tangerine Studio Session
It Takes Time – Tangerine Studio Session
I Fall Apart – Tangerine Studio Session
Wave Myself Goodbye – Tangerine Studio Session
At The Bottom – Alternate Take 1
At The Bottom – Alternate Take 2
At The Bottom – Alternate Take 3
At The Bottom – Alternate Take 4
Advision Jam
Laundromat – Alternate Take 1
Just The Smile – Alternate Take 1
Just The Smile – Alternate Take 2
I Fall Apart – Alternate Take 1
Wave Myself Goodbye – Alternate Take 1
Wave Myself Goodbye – Alternate Take 2

CD3
Hands Up – Alternate Take 1
Hands Up – Alternate Take 2
Hands Up – Alternate Take 3
Hands Up – Alternate Take 4
Hands Up – Alternate Take 5
Hands Up – Alternate Take 6
Sinner Boy – Alternate Take 1
Sinner Boy – Alternate Take 2
Sinner Boy – Alternate Take 3
For The Last Time – Alternate Take 1
For The Last Time – Alternate Take 2
For The Last Time – Alternate Take 3
It’s You – Alternate Take 1
It’s You – Alternate Take 2
I’m Not Surprised – Alternate Take 1
I’m Not Surprised – Alternate Take 2
Can’t Believe It’s True – Alternate Take 1

CD4
For The Last Time – Live On BBC “Sounds Of The Seventies” / 1971*
Laundromat – Live On BBC “Sounds Of The Seventies” / 1971*
It Takes Time – Live On BBC “Sounds Of The Seventies” / 1971*
I Fall Apart – Live On BBC “Sounds Of The Seventies” / 1971*
Hands Up – Live On BBC “John Peel Sunday Concert” / 1971
For The Last Time – Live On BBC “John Peel Sunday Concert” / 1971
In Your Town – Live On BBC “John Peel Sunday Concert” / 1971
Just The Smile – Live On BBC “John Peel Sunday Concert” / 1971
Laundromat – Live On BBC “John Peel Sunday Concert” / 1971
It Takes Time – Live On BBC “John Peel Sunday Concert” / 1971
(*Off-Air Recording)

DVD
Interview
Hands Up
Wave Myself Goodbye
It Takes Time
Sinner Boy
For the Last Time
The Same Thing
I Fall Apart

2CD

CD1
Laundromat – 50th Anniversary Edition
Just The Smile – 50th Anniversary Edition
I Fall Apart – 50th Anniversary Edition
Wave Myself Goodbye – 50th Anniversary Edition
Hands Up – 50th Anniversary Edition
Sinner Boy – 50th Anniversary Edition
For The Last Time – 50th Anniversary Edition
It’s You – 50th Anniversary Edition
I’m Not Surprised – 50th Anniversary Edition
Can’t Believe It’s True – 50th Anniversary Edition

CD2
Gypsy Woman – Tangerine Studio Session
It Takes Time – Tangerine Studio Session
I Fall Apart – Tangerine Studio Session
At The Bottom – Alternate Take 3
At The Bottom – Alternate Take 4
Advision Jam
Laundromat – Alternate Take 1
Just The Smile – Alternate Take 1
Wave Myself Goodbye – Alternate Take 2
Hands Up – Alternate Take 2
Sinner Boy – Alternate Take 3
For The Last Time – Alternate Take 1
It’s You – Alternate Take 2
I’m Not Surprised – Alternate Take 1
For The Last Time – Live On BBC “Sounds Of The Seventies” / 1971*
Laundromat – Live On BBC “Sounds Of The Seventies” / 1971*
It Takes Time – Live On BBC “Sounds Of The Seventies” / 1971*
I Fall Apart – Live On BBC “Sounds Of The Seventies” / 1971*
(*Off-Air Recording)

3LP

SIDE A
Laundromat – 50th Anniversary Edition
Just The Smile – 50th Anniversary Edition
I Fall Apart – 50th Anniversary Edition
Wave Myself Goodbye – 50th Anniversary Edition
Hands Up – 50th Anniversary Edition

SIDE B
Sinner Boy – 50th Anniversary Edition
For The Last Time – 50th Anniversary Edition
It’s You – 50th Anniversary Edition
I’m Not Surprised – 50th Anniversary Edition
Can’t Believe It’s True – 50th Anniversary Edition

SIDE C
Gypsy Woman – Tangerine Studio Session
It Takes Time – Tangerine Studio Session
I Fall Apart – Tangerine Studio Session
At The Bottom – Alternate Take 3
At The Bottom – Alternate Take 4
Advision Jam

SIDE D
Laundromat – Alternate Take 1
Just The Smile – Alternate Take 1
Wave Myself Goodbye – Alternate Take 2
Hands Up – Alternate Take 2

SIDE E
Sinner Boy – Alternate Take 3
For The Last Time – Alternate Take 1
It’s You – Alternate Take 2
I’m Not Surprised – Alternate Take 1

SIDE F
For The Last Time – Live On BBC “Sounds Of The Seventies” / 1971*
Laundromat – Live On BBC “Sounds Of The Seventies” / 1971*
It Takes Time – Live On BBC “Sounds Of The Seventies” / 1971*
I Fall Apart – Live On BBC “Sounds Of The Seventies” / 1971*
(*Off-Air Recording)

1LP Neon Orange (transparent)  Vinyl – John Peel Sunday Concert 28/08/1971

SIDE A
Hands Up – Live On BBC “John Peel Sunday Concert” / 1971
For The Last Time – Live On BBC “John Peel Sunday Concert” / 1971
In Your Town – Live On BBC “John Peel Sunday Concert” / 1971

SIDE B
Just The Smile – Live On BBC “John Peel Sunday Concert” / 1971
Laundromat – Live On BBC “John Peel Sunday Concert” / 1971
It Takes Time – Live On BBC “John Peel Sunday Concert” / 1971

Deluxe Digital HD / Deluxe Digital Standard

Laundromat – 50th Anniversary Edition
Just The Smile – 50th Anniversary Edition
I Fall Apart – 50th Anniversary Edition
Wave Myself Goodbye – 50th Anniversary Edition
Hands Up – 50th Anniversary Edition
Sinner Boy – 50th Anniversary Edition
For The Last Time – 50th Anniversary Edition
It’s You – 50th Anniversary Edition
I’m Not Surprised – 50th Anniversary Edition
Can’t Believe It’s True – 50th Anniversary Edition
Gypsy Woman – Tangerine Studio Session
It Takes Time – Tangerine Studio Session
I Fall Apart – Tangerine Studio Session
At The Bottom – Alternate Take 3
At The Bottom – Alternate Take 4
Advision Jam
Laundromat – Alternate Take 1
Just The Smile – Alternate Take 1
Wave Myself Goodbye – Alternate Take 2
Hands Up – Alternate Take 2
Sinner Boy – Alternate Take 3
For The Last Time – Alternate Take 1
It’s You – Alternate Take 2

Swedish House Mafia Release “It Gets Better”, Their First Song In 8 Years

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Global supergroup Swedish House Mafia have returned with a massive showing of momentum with their new song and video “It Gets Better” alongside an announcement of signing to the prestigious Republic Records as well as being managed by the formidable SALXCO MANAGEMENT. Their reunion is celebrated by an iconic cover of Billboard Magazine and will be galvanized further with a special performance on The Tonight Show Starring Jimmy Fallon on Monday July 19th. The seminal global group last released music in 2013 with fans and press worldwide hoping and speculating for years about a return. This marks the beginning.

Iron Maiden End Weeks Of Online Speculation To Reveal First New Music In 6 Years

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IRON MAIDEN today revealed their brand-new track, The Writing On The Wall, with an eagerly anticipated global YouTube video premiere. The song was written by Maiden guitarist Adrian Smith & lead singer Bruce Dickinson, produced by Kevin Shirley and co-produced by Maiden bassist and founder-member Steve Harris.

Bruce Dickinson initially had a concept for the video which came to fruition in collaboration with two Award-winning former Pixar executives and long-standing Maiden fans Mark Andrews & Andrew Gordon. The pair have over 50 years of animation industry experience between them at the very top-level including work on The Incredibles, Ratatouille, Brave, Monsters Inc & Finding Nemo. With partners lining up to get involved with the project they chose BlinkInk, a London based animation studio celebrated for their work with a variety of global brands from Adidas to Coca-Cola and a number of high-profile music videos.

In BlinkInk director Nicos Livesey, another long-time Maiden fan & kindred spirit, they found a man who shared the collective vision for the track – resulting in the final film which features the very first glimpse of a stunning new incarnation of Eddie in spectacular 3D form.

Bruce comments “I had a pretty clear idea of the concept to accompany the song and when I met Mark and Andrew, on Zoom, it quickly became clear we were all very much on the same wavelength, and this was reinforced with the addition of Nicos and his young BlinkInk team. Our weekly team Zoom meetings were then usually both highly creative and a lot of fun!

I’m very proud of the way the video turned out, it’s more like a mini-film really. I knew it was going to work out as soon as Mark brought my treatment to life with his incredible storyboards – I thought we could make something very special together. I think we did and hope our fans will agree. In fact it’s pretty much created by Maiden fans!! ”

Director, Nicos Livesey takes up the story: “We quickly found the expertise we wanted, and people were literally throwing themselves at me to work on a Maiden video – we had more than 60 people in 13 countries from Brazil to France, & Romania to the USA to add something to the clip and I’d say their love, passion and understanding of the band shines through every frame. They were a dream team for the producers and myself to manage.”

Amaal Awakens Her Alter Ego Milly In Intoxicating Single & Video For “Honey”

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Somali-Canadian singer-songwriter Amaal has returned with a hypnotic, new song and visual for “Honey,” the first single off her highly-anticipated sophomore EP Milly, set to release this fall. The Dan LeMoyne-directed video captures Amaal’s transcendent alter ego Milly, an unapologetic version of herself that embraces intimacy and female autonomy without fear of shame or judgement. She physically and figuratively awakens with slow, jolted movements, shedding old inhibitions and welcoming a sense of sexual liberation considered explicitly taboo in her conservative Muslim community.

“My music is a celebration of my womanhood,” Amaal explains. “It’s the sound of me reclaiming my power, my pleasure, myself.”

In the “Honey” video, Amaal moves through moody blue, purple and red-orange hues drenched in Cuchara jewelry and ultramodern pieces from Marine Serre, Sho Konishi and Herve Léger (styling by Lebani Osmani) as she croons over the melodic track, produced by GRAMMY-nominated duo Nicky Davey (Beyoncé, Zayn). Watch the video here, and stream the track here.

Amaal’s first studio EP Black Dove made quite an impact in the Canadian music scene as she showcased her powerful intuition both musically and emotionally. “Not What I Thought” boasts 1.8 million views as Amaal sang her heart out in a gorgeous Iceland set music video directed by Sean Brown. “Amaal has mastered the art of pairing airy but commanding vocals with pulsing production,” The Fader wrote.

The fourth of ten children, Amaal began her remarkable journey in war-torn Mogadishu, where she and her family lived until they were forced to flee as refugees in the early 1990s. Starting over fresh in Toronto, she embraced the poetic nature of her cultural heritage but bristled at the conservative structures and customs that came with it, particularly the repressive expectations placed upon women. By the time she hit 20, Amaal had grown bold enough to begin making her own music, but she still felt limited as to what she could sing about, so she focused her creative energy on politically and socially conscious material inspired by the civil unrest in Somalia and the struggles her people faced as a result. It was powerful stuff, to be sure, but there was more to Amaal than being a refugee, and she longed to express the fullness of herself and her story in her art. In 2019, Amaal finally worked up the courage to step outside of her comfort zone with the release of Black Dove, a daringly vulnerable collection that found her reckoning with love and heartbreak and desire in her music for the very first time. Though it felt incredibly risky, the EP was a critical smash, garnering a Juno nomination for Soul/R&B Recording of the Year, racking up millions of streams online, and prompting rave reviews across the board. Complexhailed Amaal’s “airy and ethereal vocals,” while Vibe proclaimed her a singer “like no other,” and Exclaim!dubbed her “an artist that demands attention.” Amaal’s sophomore EP, entitled Milly, will be released fall 2021.

The 2021 Polaris Short List Is Here

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The Polaris Music Prize, presented by CBC Music, has unveiled the 10 albums on the 2021 Short List.

The 2021 Polaris Music Prize Short List is:

Leanne Betasamosake Simpson – Theory of Ice
Cadence Weapon – Parallel World
DijahSB – Head Above The Waters
Dominique Fils-Aimé – Three Little Words
Mustafa – When Smoke Rises
The OBGMs – The Ends
Klô Pelgag – Notre-Dame-des-Sept-Douleurs
TOBi – Elements Vol. 1
The Weather Station – Ignorance
Zoon – Bleached Wavves

“This year’s Short List is an excellent snapshot of artists on the genreless, limitless vanguard of Canadian music. Congratulations to the nominees, and thank you to our devoted community of jurors for their time and care spent crafting this list. After the year everyone’s had, we all could use a moment of reprieve. Consider this your invitation to give all 10 remarkable albums a generous spin,” said Polaris jury foreperson Melissa Vincent.

The new nominees were revealed during the Polaris Short List Special, which aired earlier today across Canada via CBC Music and CBC Listen. Hosted by A. Harmony, the special featured music from the Short List nominees as well as in-depth interviews with CBC personalities and Polaris jurors. An encore broadcast of the special will air on CBC Music, Sunday, July 18 at 6 p.m.

With the announcement of the 10 nominated albums CBC Music is kicking off the Short List Summer, a sprawling, season-long deep dive into the nominated records and the artists who made them.

This Short List Summer will include the Polaris Spotlight, an editorial series diving into each of the short-listed artists and their nominated albums, beginning Tuesday, July 20. This will be capped every Sunday with a one-hour CBC Music radio special called The Ten, starting Sunday, July 25. Each week, the show will take an in-depth look at one of the 10 nominated albums in the lead-up to the 2021 Polaris Prize winner announcement.

Due to the continued uncertainty around returns to public gatherings, Polaris has chosen to not host a winner Gala event this year. More details about the 2021 Polaris Music Prize winner reveal on September 27, 2021 will be announced in the coming weeks.

The Polaris Music Prize awards $50,000 to the artist who creates the Canadian Album of the Year, judged solely on artistic merit, without consideration for genre or record sales. Additionally, the nine other nominated acts whose albums make the 2021 Short List will receive $3,000 each courtesy of Slaight Music. New for 2021, Polaris Music Prize has partnered with Play MPE to award the winning artist with a global music promotion distribution package for one release (single or album) worth up to $3,025 CAD. Play MPE will also gift all nine remaining Short List artists with distribution packages worth up to $1,000 CAD each.

Albums eligible for 2021 Polaris Music Prize consideration must be released between May 1, 2020 and May 31, 2021. An independent jury of music journalists, broadcasters and bloggers from across Canada determines the Long List and Short List. Eleven people from the larger jury pool are then chosen to serve on the Grand Jury. This Grand Jury will select the Polaris Music Prize winner.

The past winners are Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) and Final Fantasy / Owen Pallett (2006).