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Pop Visionary ALEXIS Returns With Dazzling New Single ‘u sure like to make me feel crazy’

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Rising Filipino-Australian pop artist ALEXIS is back with “u sure like to make me feel crazy,” a shimmering breakup anthem that pairs heartfelt lyrics with electric pop production. Blending biting honesty with infectious rhythm, the track captures both the chaos and clarity that come after heartbreak.

“I wrote this song about a previous relationship I had where I was constantly second-guessing myself and I felt like I was losing my mind,” ALEXIS shares. “It’s a brutally honest reflection on what it means to lose yourself into someone else’s chaos and the clarity that comes when you finally step out of it.”

Written by Alexandra-Isabelle Barrientos (ALEXIS), Aidan Hogg, Alieysha Dulcie Nicholls, and Giulia Mclean, and produced by Aidan Hogg (GFlip, The Beaches), the track blends raw emotion with modern polish. Liam Quinn (Peach PRC, Ruel) handled mixing and mastering, giving the song its sleek, cinematic finish.

The single arrives with vivid visuals from longtime collaborators Justin Cueno and Junaid Mohtaj, continuing ALEXIS’ signature blue motif. Featuring surreal scenes of lawnmowers, freezing hose water, and a stomped-on cake, the imagery mirrors the track’s mix of humor and heartbreak.

Following the success of her singles “Blue Jeans” and “HATE IT HERE”—both supported by Triple J, Apple Music, and a growing international fanbase—ALEXIS continues to solidify her place among pop’s most exciting new voices. With her fearless songwriting and emotional honesty, she’s redefining what it means to turn pain into power.

Supergroup Howl Owl Howl Debuts With ‘My Cologne’ and Announces 2025 U.S. Tour

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Rock’s newest supergroup has arrived. Howl Owl Howl, a powerhouse trio made up of Darius Rucker, Mike Mills, and Steve Gorman, have dropped their debut single “My Cologne,” giving fans the first hit of their raw, unapologetic sound. Blending garage rock grit with playful wit, the song captures the spirit of reinvention from three musicians who’ve already conquered the charts in their own worlds.

Written and performed by Rucker, Mills, and Gorman, “My Cologne” packs punchy riffs, pounding drums, and shared lead vocals between Rucker and Mills. The result is a swaggering, high-energy jam that’s equal parts cheeky and cathartic. Gorman’s rhythmic precision locks it all together, while the song’s backstory adds another layer of fun.

As Mills explains, “I’m not dissing Ariana – in fact I got no problem with it at all. I just thought it was funny that either she was completely unaware of how weird that was, or she was aware and didn’t care. Either way, I thought I’d write a little song and say I want to smell like Ariana Grande.” The idea sparked when Mills noticed Ariana Grande’s 2018 song “R.E.M.” (and its accompanying perfume line) might have playfully echoed his old band’s name — a coincidence too irresistible to ignore.

Now, the trio are ready to hit the road. The Howl Owl Howl Tour 2025 kicks off November 3 in Indianapolis, Indiana, and travels through major cities including Chicago, Washington, D.C., New York, and Atlanta. Each night will showcase the band’s magnetic chemistry and original material, channeling the heart and humor of classic rock through the lens of seasoned storytellers.

Tour Dates:
November 3 — The Vogue, Indianapolis, IN
November 4 — Metro Chicago, Chicago, IL
November 6 — 9:30 Club, Washington, D.C.
November 7 — Stone Pony, Asbury Park, NJ
November 8 — Paradise Rock Club – Music Hall, Boston, MA
November 11 — Webster Hall, New York, NY
November 12 — Union Transfer, Philadelphia, PA
November 14 — Georgia Theatre, Athens, GA
November 15 — Variety Playhouse, Atlanta, GA

‘P FKN R’: How Bad Bunny Became the Global Voice of Puerto Rican Resistance

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A new book titled P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance is set to be released on January 27, 2026, offering an in-depth look at how the global superstar’s art has become a rallying cry for Puerto Rican pride, protest, and resilience. Written by cultural scholars Vanessa Díaz and Petra Rivera-Rideau, P FKN R draws on interviews, ethnographic research, and a deep dive into Puerto Rico’s social and political history to position Bad Bunny as one of the most important cultural figures of our time.

The authors—known for creating the “Bad Bunny Syllabus”—reveal how the artist’s music and activism are rooted in the island’s colonial history and its ongoing struggle for justice. From the devastation of Hurricane María to the mass protests of el Verano Boricua, Díaz and Rivera-Rideau explore how Bad Bunny transforms grief and anger into art that unites generations under a banner of resistance and joy.

“Impressively researched and engaging, P FKN R offers a critical reflection of Puerto Rico’s history and culture through one of its main exponents, Bad Bunny,” says historian Jorell Meléndez-Badillo, author of Puerto Rico: A National History. Similarly, Yarimar Bonilla, author of Non-Sovereign Futures, praises the book as “a powerful meditation on the stakes of his artistry, his platform, and the future he dares us to imagine.”

The 320-page book features 32 illustrations and chapters such as “El Pueblo No Aguanta Más Injusticia,” “The Party Is the Protest,” and “Puerto Rico Está Bien Cabrón,” weaving Bad Bunny’s career into a larger narrative of Puerto Rican resistance, race, gender, and cultural identity.

P FKN R is published under the subjects of Popular Music, Cultural Studies, and Caribbean Studies, and will be available in paper and hardcover for $27.95. It’s a groundbreaking portrait of how one artist turned rhythm, rage, and resistance into a global movement.

Glen Hansard Announces Full-Band 2025 European Tour Kicking Off in Paris

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Acclaimed Irish singer-songwriter Glen Hansard has announced a full-band European tour for 2025, featuring 16 dates across the continent and the UK. The tour begins April 30 at Olympia in Paris and concludes with a special hometown performance at Trinity College in Dublin on July 2.

Fans on Hansard’s official mailing list will get exclusive first access to tickets during a special pre-sale starting Wednesday, November 5 at 10 a.m. GMT. Subscribers will receive an email with all the pre-sale links prior to the on-sale time. The tour promises to showcase Hansard’s soul-stirring songwriting and powerful live energy in some of Europe’s most iconic venues.

Tour Dates:
30 April — Olympia, Paris, France
2 May — TivoliVredenburg, Utrecht, Netherlands
3 May — TivoliVredenburg, Utrecht, Netherlands
6 May — E-Werk, Cologne, Germany
8 May — Columbiahalle, Berlin, Germany
9 May — Lucerna Velky Sal, Prague, Czech Republic
11 May — Gasometer, Vienna, Austria
13 May — Tonhalle, Munich, Germany
14 May — Volkshaus, Zurich, Switzerland
16 May — De Roma, Antwerp, Belgium
17 May — Stadtpark Open Air, Hamburg, Germany
19 May — Bristol Beacon, Bristol, UK
20 May — Barrowland, Glasgow, UK
22 May — Albert Hall, Manchester, UK
23 May — Roundhouse, London, UK
2 July — Trinity College, Dublin, Ireland

European Metal Powerhouse Stellvris Announce Debut EP ‘Shatter & Bloom’ and Unleash Explosive New Single ‘Silence After Violence’

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European metallers Stellvris are turning up the intensity once again with their new single “Silence After Violence,” out September 19, 2025. The track arrives ahead of their highly anticipated debut EP Shatter & Bloom, set for release on November 7, 2025, and captures the band’s unflinching look at a world in turmoil.

“‘Silence After Violence’ reflects on a growing wave of frustration and aggression in society, which we now see taking root at younger and younger ages,” the band shared. “It’s both a warning and a cry for awareness, channelling raw energy into a song that mirrors the state of the world around us.”

Produced in collaboration with Christoph Wieczorek of Sawdust Recordings, Shatter & Bloom promises to be a defining moment for Stellvris. “Lyrically, the EP is deeply emotional and unflinchingly honest, confronting themes of brokenness, anger, betrayal, and healing,” the band explained. “Musically, it pushes our sound further than ever — blending modern metalcore and nu-metal influences with electronic textures, massive choruses, and bone-crushing breakdowns. Each song carries its own unique flavor, but together, Shatter & Bloom is about destruction, rebirth, and the power of transformation.”

‘Shatter & Bloom’ Tracklist:

  1. Shatter & Bloom
  2. Silence After Violence
  3. Monster
  4. Time’s Up
  5. Starships

Since forming in 2019, Stellvris have built a reputation as one of Europe’s most electrifying new metal forces, turning pain into power with their raw honesty and sonic ferocity. Their previous releases “Upside Down” (2022) and “Persistence” (2023) introduced their unique sound — a crushing fusion of heaviness and melody that speaks to those battling anxiety, toxic relationships, and personal demons.

Their live shows are a full-body experience, uniting fans across Europe and the UK. Stellvris have shared stages with legends like Megadeth, Jinjer, The Black Dahlia Murder, and The Ghost Inside, and have brought their sound to major festivals including Summer Breeze, Fallen Fortress, Brutal Assault, Basinfirefest, Kave Fest, and Fajtfest. Their breakout single “Monster” even premiered exclusively via REVOLVER Magazine, solidifying their rise as one of Europe’s most powerful emerging metal acts.

For Stellvris, Shatter & Bloom isn’t just a debut — it’s a manifesto. It’s about finding strength in chaos, light in darkness, and turning silence into a roar that demands to be heard.

Rising Irish Folk Collective Madra Salach Announce Debut EP ‘It’s a Hell of an Age’ and Share Expansive New Single ‘I Was Just A Boy’

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Ireland’s most talked-about new alternative folk group, Madra Salach, have announced their debut EP It’s a Hell of an Age, set for release on January 23, and unveiled its sprawling, heartfelt second single “I Was Just A Boy.” The track follows their acclaimed debut “Blue & Gold,” which earned praise from The Line of Best Fit, So Young, The Independent, and others, while also landing spins on BBC 6 Music with Deb Grant.

After taking Ireland’s indie circuit by storm over the summer, the six-piece packed out their debut London show at The George, where word of mouth spread fast and audiences responded feverishly to their unreleased material. With Erin Barker from T-Time now managing the group and recent praise from Left of the Dial, Madra Salach are quickly becoming one of the most anticipated live acts heading into festival season, with slots at Live at Leeds, The Great Escape: First 50, and Eurosonic. The band has also shared stages with Kim Deal and will support Gurriers, Cliffords, and Brógeal later this year.

Madra Salach’s sound is steeped in the Irish folk tradition but driven by experimentation and emotional honesty. The band met through Dublin’s indie scene and began performing impromptu pub sessions inspired by the country’s rich musical canon. Their evolution from folk purists to genre-shifting storytellers reflects a modern take on Ireland’s cultural legacy, blending harmonium, synths, and mandolin with textured, electronic layers.

Frontman Paul Banks explains, “The song came from Adam, it was originally just the riff and I remember saying that it would work well as a brief instrumental track. We started playing around with it as a full band, and suddenly we had this 7 minute track on our hands. I centred the lyrics around my adolescence, the tumultuous nature of it. We had fun experimenting with pedals for some unique sounds on the outro, it’s a bit of a diversion from the more straightforward folk writing on our first single.”

With It’s a Hell of an Age, Madra Salach promise a bold introduction that captures both the tenderness and turbulence of youth, delivered with poetic heart and fearless innovation. “I Was Just A Boy” is out now on all streaming platforms.

Tour Dates:
27 October — Roisin Dubh, Galway, Ireland (Supporting Brógeal)
30 October — The Academy, Dublin, Ireland (Supporting Brógeal)
11 November — Ulster Sports Club, Belfast, Ireland (Supporting Cliffords)
13 November — Folklore, London, England (TGE: First 50)
15 November — Live at Leeds (In the City), Leeds, England
28 November — Other Voices, Dingle, Ireland
29 November — Other Voices, Dingle, Ireland
1 December — The Caves, Edinburgh, Scotland (Supporting Brógeal)
2 December — The Caves, Edinburgh, Scotland (Supporting Brógeal)
14 December — London Irish Centre, London, England (Sunday Seisiún Charity)
20 December — Button Factory, Dublin, Ireland (Supporting Gurriers)
31 December — Whelan’s, Dublin, Ireland (New Year’s Eve)
15 January — Eurosonic, Groningen, Netherlands

Alt-Rock Collective Puscifer Summon the Shadows on New Single ‘Pendulum’ from Upcoming Album ‘Normal Isn’t’

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Puscifer have unleashed “Pendulum,” the second track from their upcoming album Normal Isn’t, out Feb. 6. The new single arrives with a striking video that channels the eerie allure of the 1980s post-punk underground, introducing a new character to the ever-expanding Pusciverse: Bellendia Black, a ghostly vision of elegance and melancholy wrapped in black fabrics and moonlit mystery.

“The dramatic and romantic nature of this track induces a sonic sense memory that transports me back to the dark and moody dance floor of Club Iguana, Austin, TX, circa 1985,” says Maynard James Keenan. “I can almost smell the clove cigarettes.”

Mat Mitchell adds, “Featuring Fairlight and reverb-soaked vocals, ‘Pendulum’ is a nod to the ’80s dark underground,” while Carina Round calls it “gorgeous synths coiling around sweet, twisted melodies while the world burns.” The trio’s haunting chemistry turns the track into a surreal blend of beauty and unease, embodying Puscifer’s signature balance of humor, danger, and cinematic sound.

The band first previewed Normal Isn’t with “Self Evident,” praised by Revolver as “a dark-rumbled and fuzz-born missive,” by Stereogum as “gnarly,” and by Consequence as “an absolutely hypnotic song… instantly captivating.” The new record, written and recorded across Arizona, Los Angeles, and on the road during last year’s Sessanta tour, expands that vision with raw guitars and an unfiltered edge. “We got rid of the guard rails and made the music more aggressive,” says Mitchell.

Keenan explains, “Normal Isn’t reflects this time we are living in. As storytellers and artists, our job is to observe, interpret, and report. We take in our environment and share what we see, and what we see around us does not appear normal. Not by a long shot.” With contributions from Greg Edwards, Gunnar Olsen, Sarah Jones, Tony Levin, Danny Carey, and Mr. Ian Ross, Normal Isn’t promises to be Puscifer’s boldest experiment yet—a haunting mirror of our strange modern world.

Country Pop Star Mitchell Tenpenny Drops Playfully Bitter New Single and Video ‘Therapy’

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Multi-platinum country pop artist Mitchell Tenpenny has unleashed his latest single and video, “Therapy,” a cheeky, upbeat anthem for anyone who’s ever needed a good breakup song to shout along to. Written by Tenpenny with Chris Destefano, Thomas Archer, and Andy Albert, the track is available now on all streaming platforms.

“Pretty cute,” wrote Bob Oermann in MusicRow. “He’s wishing nothing but bad for his ex. Mostly, he hopes she winds up in therapy because of the lousy way she’s treated him. A banger with smiles for miles.” That review sums up the song’s mix of humor and heartbreak perfectly—classic Tenpenny, who’s known for pairing catchy hooks with a wink of mischief.

For the music video, Tenpenny teamed up for the first time with director Ty Combs and producer Josh Berry. Shot just outside of Nashville, the video finds Mitchell playing an overly attentive executive assistant whose “too close for comfort” behavior turns darkly funny. The concept plays into the song’s playful tone—a mix of tongue-in-cheek storytelling and emotional release.

“My song ‘Therapy’ is not really about anyone specific,” says Tenpenny. “It’s more of a lighthearted, bitter song when somebody just does you wrong. You just want to have that anthem to scream out to make yourself feel better as you’re driving through the day. Just have fun with it, don’t take it too seriously, and I hope it helps you!”

Fresh off Jordan Davis’ Ain’t Enough Road Tour, which saw him perform at legendary venues including Radio City Music Hall, The Greek Theatre, and Red Rocks, Tenpenny shows no signs of slowing down. With “Therapy,” he adds another infectious anthem to his growing catalog—one that’s equal parts cathartic and irresistibly fun.

Metal Titans Trivium Unleash Ferocious New EP ‘Struck Dead’ and Announce Massive North American Tour

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GRAMMY-nominated heavyweights Trivium have returned with a vengeance. The band—vocalist and guitarist Matthew K. Heafy, guitarist Corey Beaulieu, and bassist Paolo Gregoletto—release their new three-song EP Struck Dead via longtime label Roadrunner Records. Recorded at the band’s self-built Hangar Studios in Orlando, Florida, the release captures Trivium’s signature blend of melodic mastery and unrelenting metal power.

“In August 2023, we set out to design and build our own studio at The Hangar — a place to create freely, on our own terms,” says Gregoletto. “Born from months of revisiting and performing Ascendancy in full, this EP channels that familiar power and spirit while pushing into new territory. We feel that Struck Dead stands as the first step into a bold new era for us and we’re happy to finally share it with all of you.”

Produced by the band and recorded with Mark Lewis, the EP features mixing and mastering by Josh Wilbur, ensuring every riff and scream hits with full force. Though brief, Struck Dead is packed with Trivium’s signature precision, combining razor-sharp guitars, thunderous rhythms, and the dynamic dual vocals that have defined their near three-decade career.

The Struck Dead EP includes “Bury Me With My Screams,” the crushing title track “Struck Dead,” and “Six Walls Surround Me.” Accompanying the release is a striking visual—an illustrated dragon and tiger locked in motion against a vivid orange background—reflecting the EP’s energy and balance between chaos and beauty.

To celebrate, Trivium are taking their sound on the road with The Struck Dead Tour, featuring special guests Jinjer and support from Heriot. The trek runs through December 14, closing with an epic hometown show in Orlando, Florida.

Trivium on Tour with Jinjer + Heriot:
11/2 — Montclair, NJ — The Wellmont Theater
11/4 — London, ON — Centennial Hall
11/6 — Québec, QC — Videotron Centre
11/7 — Wallingford, CT — Toyota Oakdale Theatre
11/8 — Portland, ME — Cross Insurance Arena
11/10 — Warren, OH — Packard Music Hall
11/11 — Buffalo, NY — Buffalo River Works
11/12 — Lancaster, PA — Freedom Hall
11/14 — Gary, IN — Hard Rock Live Northern Indiana
11/15 — Milwaukee, WI — The Eagles Ballroom
11/16 — Cincinnati, OH — The Andrew J Brady Music Center
11/18 — Indianapolis, IN — The Egyptian Room at Old National Centre
11/19 — Waukee, IA — Vibrant Music Hall
11/20 — Minneapolis, MN — Uptown Theater
11/22 — Winnipeg, MB — Burton Cummings Theatre
11/24 — Edmonton, AB — Midway Music Hall
11/25 — Calgary, AB — Grey Eagle Events Centre
11/26 — Missoula, MT — The Wilma
11/28 — Spokane, WA — The Podium
11/29 — Garden City, ID — Revolution Concert House
12/1 — Salt Lake City, UT — The Union Event Center
12/3 — Riverside, CA — Riverside Municipal Auditorium
12/5 — Albuquerque, NM — Revel
12/6 — Oklahoma City, OK — The Criterion
12/7 — Fayetteville, AR — JJ’s Live
12/9 — Springfield, MO — Shrine Mosque
12/10 — Kansas City, MO — Uptown Theater
12/12 — New Orleans, LA — The Fillmore New Orleans
12/13 — Dothan, AL — The Plant
12/14 — Orlando, FL — Hard Rock Live

Vevo Launches New Indie Pop Series “Artist Portrait” with Conan Gray’s Seaside Short Film ‘Wishbone’

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Vevo, the world’s leading music video network, has unveiled its newest original content series, Artist Portrait, a cinematic showcase featuring exclusive commentary and live performances by artists in locations that mean the most to them. The debut installment stars indie pop phenomenon Conan Gray in his moving new short film, Wishbone, which follows the release of his live performances of “Actor” and “Nauseous.”

The partnership between Vevo and Conan Gray has been years in the making. From his early DSCVR Artists to Watch sessions of “Maniac” and “Comfort Crowd” in 2020, to Live from Vevo Studios performances of “Memories,” “Disaster,” “Alley Rose,” and “Never Ending Song,” and even his 2025 Vevo Footnotes feature for “This Song,” Vevo has been alongside Gray as he’s evolved from viral bedroom pop artist to chart-topping storyteller.

Artist Portrait aims to bring audiences closer to artists by taking them beyond the studio walls. Each episode captures an intimate, artist-led look into their creative life, filmed in locations that reflect who they are and how they see the world. For Wishbone, Gray invited Vevo to a secluded seaside writing cabin for two stripped-back performances and candid reflections on love, growth, and self-discovery. “I think there’s a lot of things that you subconsciously know about yourself…these kind of fatal flaws, or pivotal pieces of yourself that you know are there,” he shared. “If I had some kind of ache in my heart that no song out there could quite heal, then I had to tell myself that I was going to write it myself.”

JP Evangelista, Vevo’s SVP of Content, Programming & Marketing, said the series continues Vevo’s mission to create deeply personal and visually stunning artist experiences. “With Artist Portrait, we bring the set to the artist, wherever they are. Meanwhile, fans get to enjoy the very best of their favorite artists, live, from real-world locations that are special to them,” he said. “Having worked with Conan since the early days of his career, it is such a pleasure to see him flourish! In this series, fans will see Conan like never before, by the seaside: raw, authentic, and deeply personal.”

Executive Producer Chris Pereira added, “We meet each artist where they are—for quiet conversations and stripped-back performances that unfold with minimal setup, removing barriers between the viewer and the artist’s words and songs.” The result is an intimate window into the creative heart of one of pop’s most introspective young voices—and the beginning of a captivating new chapter in Vevo’s storytelling legacy.