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Dead & Company Announce 2021 Tour

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Dead & Company Announce 2021 Tour

DEAD & COMPANY – Mickey Hart, Bill Kreutzmann, John Mayer, and Bob Weir, with Oteil Burbridge and Jeff Chimenti – is thrilled to announce its 2021 tour, kicking off August 16th in Raleigh, North Carolina, and running through Halloween, with a three-night stand at the iconic Hollywood Bowl on October 29th, 30th, & 31st.

The 31-date tour also includes a night in New York at Citi Field (August 20th), two nights in Boston (September 2nd & 3rd), two nights at Wrigley Field in Chicago (September 17th & 18th), and two nights in Denver (October 22nd & 23rd), among others. A full listing of these 2021 tour dates can be found below.

Tickets will go on sale to the general public beginning Friday, May 21 @ Noon local venue time through Ticketmaster.

To ensure fans get tickets in their hands directly, Fan Registration is now available HERE until Sunday, May 16th @ 10PM PDT, through Ticketmaster’s Verified Fan program. The Verified Fan Presale begins Wednesday, May 19th @ 10 AM local through Thursday, May 20 @ 10 PM local venue time. Supplies are limited.

Dead & Company is excited to announce that they will continue their work with longtime sustainability partner REVERB. This summer the band has committed to a comprehensive carbon offset program via Reverb’s unCHANGEit Climate Campaign, covering all projected emissions from this year’s tour – including fan travel to and from shows. These Dead & Company tour offsets will immediately fund important projects around the world and here at home that directly fight climate change and greenhouse gas emissions.

Dead & Company will once again offer a variety of enhanced experience packages that range in amenities from Loose Lucy’s Lounge access and early venue entry to branded lawn chairs and limited-edition screen-printed posters, paired with premium concert tickets. Travel Packages that bundle concert tickets with local accommodations will also be available. All enhanced offerings and travel packages go on sale May 19th at 10AM local venue time. For full details, visit HERE.

The tour and all venues will be following all mandated precautions in accordance with state and local regulations so as to provide the most secure, Covid-19-free environment possible.

Check deadandcompany.com for complete tour information.

Dead & Company 2021 Tour:

Mon-Aug-16 Raleigh, NC Coastal Credit Union Music Park
Wed-Aug-18 Bristow, VA Jiffy Lube Live
Fri-Aug-20 New York, NY Citi Field
Sat-Aug-21 Philadelphia, PA Citizens Bank Park
Mon-Aug-23 Bethel, NY Bethel Woods Center for the Arts
Wed-Aug-25 Darien, NY Darien Lake Amphitheater
Fri-Aug-27 Saratoga Springs, NY Saratoga Performing Arts Center
Sat-Aug-28 Hershey, PA Hersheypark Stadium
Thu-Sep-02 Mansfield, MA Xfinity Center
Fri-Sep-03 Mansfield, MA Xfinity Center
Sun-Sep-05 Hartford, CT The Xfinity Theatre
Tue-Sep-07 Cuyahoga Falls, OH Blossom Music Center
Fri-Sep-10 Clarkston, MI DTE Energy Music Theatre
Sat-Sep-11 Cincinnati, OH Riverbend Music Center
Mon-Sep-13 Maryland Heights, MO Hollywood Casino Amphitheatre STL
Wed-Sep-15 Noblesville, IN Ruoff Music Center
Fri-Sep-17 Chicago, IL Wrigley Field
Sat-Sep-18 Chicago, IL Wrigley Field
Wed-Oct-06 West Palm Beach, FL iTHINK Financial Amphitheatre
Thu-Oct-07 Tampa, FL MIDFLORIDA Credit Union Amphitheatre
Mon-Oct-11 Charlotte, NC PNC Music Pavilion
Tue-Oct-12 Atlanta, GA Cellairis Amphitheatre at Lakewood
Thu-Oct-14 Dallas, TX Dos Equis Pavilion
Fri-Oct-15 Woodlands, TX Cynthia Woods Mitchell Pavilion Presented by Huntsman
Fri-Oct-22 Greenwood Village, CO Fiddler’s Green Amphitheater
Sat-Oct-23 Greenwood Village, CO Fiddler’s Green Amphitheater
Mon-Oct-25 Phoenix, AZ Ak-Chin Pavilion
Wed-Oct-27 San Diego, CA North Island Credit Union Amphitheatre
Fri-Oct-29 Los Angeles, CA Hollywood Bowl
Sat-Oct-30 Los Angeles, CA Hollywood Bowl
Sun-Oct-31 Los Angeles, CA Hollywood Bowl

Dead & Company was formed in 2015 when the Grateful Dead’s Mickey Hart, Bill Kreutzmann and Bob Weir joined forces with artist and musician John Mayer, Allman Brothers’ bassist Oteil Burbridge, and Fare Thee Well and RatDog keyboardist Jeff Chimenti. The result was one of the most successful touring bands of the decade. Since its formation, the band has completed six tours, playing to 3.4 million fans, and has become a record-breaking stadium act. Having toured consistently since its 2015 debut, the band has grossed $255.5 million and sold 2.8 million tickets across 149 reported shows.

Dead & Co. has headlined iconic stadiums across the country including Folsom Field, Autzen Stadium, Citi Field, Fenway Park and Dodger Stadium. Additionally, the band broke Wrigley Field’s all-time concert attendance record.

In between tours, Dead & Company hosts its annual “Playing in the Sand” all-inclusive Caribbean concert vacation in Mexico and features three nights of Dead & Company playing on an intimate beach. Due to overwhelming fan demand, a second weekend was added to 2022’s Playing in the Sand. Both weekends have sold out.

STYX And COLLECTIVE SOUL Celebrate Getting Back On The Road With Their First-Ever Multiple City Tour Together

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STYX And COLLECTIVE SOUL Celebrate Getting Back On The Road With Their First-Ever Multiple City Tour Together

The long wait is finally over for STYX and COLLECTIVE SOUL fans, as both bands are rested, healthy and ready to hit the road for their first-ever multiple city tour together.

Tickets for various cities, as well as exclusive VIP packages from each band, will go on sale starting Friday, April 23, as well as Friday, April 30 at StyxWorld.com and CollectiveSoul.com.

STYX–James “JY” Young (lead vocals, guitars), Tommy Shaw (lead vocals, guitars), Chuck Panozzo (bass, vocals), Todd Sucherman (drums, percussion), Lawrence Gowan (lead vocals, keyboards) and Ricky Phillips (bass, guitar, vocals)–had previously announced their return to Las Vegas with a two-night engagement at The Venetian Theatre inside The Venetian® Resort Las Vegas on September 25 and September 26, which will include an exclusive set list and brand-new stage production. Today, due to popular demand because the first two shows quickly sold-out, a third date has been added on September 24. Tickets for the newly added show will go on sale to the general public Friday, April 23 at 10am PT. STYX fan club members will have access to a pre-sale beginning Wednesday, April 21 at 10am PT, while the Venetian’s Grazie Rewards club members and Live Nation customers will receive access to a pre-sale beginning Thursday, April 22 at 10am PT.

After 14 years, STYX’s 16th studio album, THE MISSION, was released June 16, 2017 on the band’s label, Alpha Dog 2T/UMe. The highly anticipated two-disc reissue of THE MISSION was released on July 27, 2018 via Alpha Dog 2T/UMe, which includes a CD of the original album, as well as a Blu-ray of the album mixed in 5.1 Surround Sound accompanied by stunning visualizations for each of the album’s 14 songs based on the album artwork. It originally debuted on various Billboard charts, including: #6 Top Rock Albums, #11 Physical Albums, #11 Vinyl Albums, #13 Current Albums, #14 Billboard Top Albums, #16 Retail, #17 Mass Merch/Non-Traditional, #29 Digital Albums, and #45 Billboard 200 (includes catalog and streaming).

COLLECTIVE SOUL–Ed Roland (vocals/guitar), Dean Roland (rhythm guitar), Will Turpin (bass/background vocals), Jesse Triplett (lead guitar/background vocals), Johnny Rabb (drums/background vocals)—have performed a handful of socially distanced shows within the past few months, including a sold-out New Year’s Eve show in Kissimmee, FL at the Promenade at Sunset Walk, as well as a three-night sold-out stint at the Coca Cola® Roxy in Atlanta, GA.

COLLECTIVE SOUL’s tenth studio album, BLOOD, was released June 21, 2019 on Fuzze-Flex Records/ADA. Upon its release, the critically acclaimed album garnered impressive debuts on various Billboard’s charts thanks to devoted fans whose support continues to help the band celebrate their 25th anniversary, including #3 on Alternative Albums, #4 on Independent Albums, #5 on Rock Albums, #12 on Digital Albums, #15 on Top Current Albums, and #19 on Internet Albums.

Check out the tour at the following stops, with more shows for STYX and COLLECTIVE SOUL to be announced soon:
With Collective Soul:

Wed 6/16 St. Augustine, FL St. Augustine Amphitheatre (STYX only; on sale April 30)
Fri 6/18 Alpharetta, GA Ameris Bank Amphitheatre (on sale April 23)
Sat 6/19 Southaven, MS Landers Center (on sale April 23)
Sun 6/20 Brandon, MS Brandon Amphitheatre (on sale April 30)
Thu 6/24 Lincoln, NE Pinewood Bowl Amphitheatre (on sale April 23)
Fri 6/25 Bonner Springs, KS Providence Medical Center Amphitheatre (on sale April 23)
Sat 6/26 Camdenton, MO Lake Ozarks Amphitheater (on sale April 23)
Sun 6/27 Oklahoma City, OK Zoo Amphitheatre (on sale April 23)
Fri 9/24 Las Vegas, NV The Venetian Theatre (STYX only; on sale April 23)
Sat 9/25 Las Vegas, NV The Venetian Theatre (STYX only; SOLD OUT)
Sun 9/26 Las Vegas, NV The Venetian Theatre (STYX only; SOLD OUT)

KELE FLEMING Soothes & Sways with New Spin on Single, “Sea In Me”

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KELE FLEMING Soothes & Sways with New Spin on Single, “Sea In Me”

It’s not just a clever conjugation that Canadian indie folk pop songstress Kele Fleming’s new single “Sea In Me” feels like a rushing of the waves when it bursts out of your speakers.

Yes, you are swaying. Yes, you are losing yourself in the oceanic prowess of her incredible, soothing vocals. Yes, the instrumentation lifts you up, and whisks you away with the tide.

It’s calling for you, this song. It’s calling for all of us.

A follow up to her previous, well-received effort, “The Latest Meme”, “Sea In Me” is an anthem that strings Fleming’s enchanting traditional roots with her perchance for rock and roll together — and features an acoustic remix from Jesse Waldman.

“It’s a love song,” the Victoria, BC-based singer/songwriter reveals in one of her Youtube Music Mondays on her official channel. “I wrote this about the giant Pacific Octopus that lives at the Vancouver aquarium.”

The simplicity in its message is its testament to its complex orchestration; the song having been written by Fleming and Ron Yamauchi, the track can be found as the latest single off her fourth and most recent album, The Song I’ll Write For My Whole Life (2020) — a ten-track offering after a four-year hiatus.

Integrating haunting melodies with lyrics that’ll both inspire and break your heart, “Sea In Me” is a new-school chanty that promises to seep inside your soul and stay there.

Its subsequent music video is a gorgeous sweeping panoramic of the great outdoors. The beautiful music video was shot by local legend R.d. Cane at Spanish Banks Beach in Vancouver. It is a lush and compelling video that is intentionally minimal, with only a quick cameo of the artist herself due to the restrictions of time and the nature of the song.

As the song pushes forward, it’s the thunderclap of Fleming’s dynamite vocals that will coerce you to close your eyes and soak it in. Her descant melodies cascade like a rapture over the crescendo of the chorus, magically transporting you into an air of transcendence. That’s the wizardry of Fleming’s capacity to captivate and mesmerize her audience through compassion, longing, hope, and promising a leap to the finish that makes the journey worth taking. When you reach the finale of “Sea In Me”, you’ll be bound to wanting the rush all over again.

When the tide calls, and it’s time to put the sounds and symbols of the world around you away for another brief moment in time, step out to the porch. Into the sun. On the dock by the lake. Around the campfire. And give this new record a spin. Once Kele Fleming invites you into her swirling universe of truths, and storytelling, you’ll be thankful to tread on the waters of “Sea In Me”.

Roots & Blues Artist STEVE PAUL SIMMS Goes For Broke on New Single “No Money Comin’ In”

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Roots & Blues Artist STEVE PAUL SIMMS Goes For Broke on New Single “No Money Comin’ In”

Raw, real, and authentically blues, “No Money Comin’ In” is the latest confessional from Canada’s own Steve Paul Simms.

With “No Money Comin’ In,” the blues riff conquers your groove, willing your body to move. Available now, the grungy rock and blues anthem is a toast to a commonality we’re all facing in the height of this global pandemic — a lack of the benjamins. And Simms bets it all on this track, getting right to the heart of the matter with the truth — the good, bad and ugly of it all.

“Written at a challenging time, when love ultimately won out over financial hardship, the song allows the listener to imagine their own ending to the story,” Simms explains, adding that the track is “dedicated to the triumph over life’s hardships.

“There’s a lot of light and laughter here too.”

A travelin’ troubadour with a melody on his sleeve and a song on his heart, Simms is a natural-born performer with a knack for telling stories that humanize life experiences in ways we all understand. Born in Wales, Steve Paul Simms’ repertoire refutes the boundaries of genre; the singer/songwriter fluidly intertwines his tracks between pop, ragtime, jazz, blues, soul, country, Broadway, and old-fashioned rock and roll.

For more than 20 years, Simms has spent his life spinning yarns, performing on stages as both an actor and a musician. He boasts a collection of more than 200+ written tunes across his tenure of performing arts, and has honed his craft through years of busking, contributing to the Tranzac Club in his now-hometown of Toronto, private and public concerts on Zoom, having performed in more than 60 theatrical productions across Canada, and more.

“No Money Comin’ In” is the latest to land from Steve Paul’s fourth album, Ingrid and the Messenger Boy — a 12-track collection of fables, homages, and testaments to the human experience, pop culture, love, and everything in between.

Recording in Toronto, Simms brought together a host of talent to flesh out the track; the song boasts Bob Cohen on guitars and bass, organ and piano from Ed Michael Roth, drums by George Morellato, moaning vocals compliments of Chantale Groulx and Linda Elaine Lucas, in addition to SPS on lead vox and rhythm guitar.

“Nothin’ will ease your mind like money — poets are paid to tell lies,” croons Simms, and that’s how to tell fact from fiction. A musician ready to bare it all, and lay our crosses out to dry. Steve Paul Simms isn’t here for poor excuses. He came to gamble on the richness of a song that paints the picture of our times.

My Next Read: “The Magic Years: Scenes from a Rock-and-Roll Life” By Jonathan Taplin

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My Next Read: “The Magic Years: Scenes from a Rock-and-Roll Life” By Jonathan Taplin

Jonathan Taplin’s extraordinary journey has put him at the crest of every major cultural wave in the past half century: he was tour manager for Bob Dylan and the Band in the ’60s, producer of major films in the ’70s, an executive at Merrill Lynch in the ’80s, creator of the Internet’s first video-on-demand service in the ’90s, and a cultural critic and author writing about technology in the new millennium. His is a lifetime marked not only by good timing but by impeccable instincts—from the folk scene to Woodstock, Hollywood’s rebellious film movement, and beyond. Taplin is not just a witness but a lifelong producer, the right-hand man to some of the greatest talents of both pop culture and the underground.

With cameos by Janis Joplin, Jimi Hendrix, Eric Clapton, Martin Scorsese, and countless other icons, The Magic Years is both a rock memoir and a work of cultural criticism from a key player who watched a nation turn from idealism to nihilism. Taplin offers a clear-eyed roadmap of how we got here and makes a convincing case for art’s power to deliver us from “passionless detachment” and rekindle our humanism.

Step Right Up: DOUGLAS VON IRVIN’S CARNIVAL Sink their Teeth into Negativity with “Vampire Lovers”

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Step Right Up: DOUGLAS VON IRVIN’S CARNIVAL Sink their Teeth into Negativity with “Vampire Lovers”

It’s a carnival horror-lovers just won’t be able to resist: Douglas Von Irvin’s Carnival, or DVIC — the Toronto- and Los Angeles-based garage-pop songwriting collective — has just released the third and latest single from their upcoming EP, Meet The Monsters, and it’s called “Vampire Lovers.”

Judging from the title and the “monster” nature of DVIC’s forthcoming release, it’s reasonable to expect a frightening, gruesome, and fictitious tale about vampires romantically sucking the lifeblood out of one another, right?

Well, that actually is the case… But not quite to the tee.

The enigmatic lyrical mastermind and lead singer behind DVIC, Douglas Von Irvin, revealed the ambient, four-minute ballad came about after some personal reflections about how exhausted he had become after being consistently surrounded by people that “have to be the center of attention all of the time.”

Comparing their behaviours to the desperate cravings of vampires, Von Irvin said those people “actually take energy” and “leave nothing behind.

“Except-worn out people that run in the other direction to avoid getting energy sucked out of their lives again,” he adds.

Though its concept was born of negative experiences brought upon by these so-called “lonely” people, Von Irvin was hell-bent on spreading a positive and inspiring message with “Vampire Lovers.”

With that in mind, it’s a must-hear, because he really pulled it off in this track.

“The dark loneliness [these people] go through would change if vampires could learn to ‘live and give,’” Von Irvin said — in reference to a lyric written specifically for the ethereal, piano-driven chorus. “I used the lyric ‘learn to live and give’ to build the song’s foundation on a positive note.

“The characters in this song are vampires; one of them has decided to make a change, then makes a dramatic plea to his lover to follow him. We can change anything we decide to change about ourselves when we decide it’s time to do it.”

Rather than include a ripping guitar solo, Von Irvin made the conscious decision to break off into a low-key spoken-word bridge in the tail-end of the song. The section speaks volumes (metaphorically) about shaking the negative connotations of being vain. “I’m suggesting a possibility / to break the curse and for you to become my one bride,” he says.

In addition to a keyboard feature from Walter Ino (The Babys, The Eagles of Death Metal), “Vampire Lovers” was co-recorded and co-produced with Von Irvin’s collaborative counterpart, Dr. Prycenstein, and drummer and producer Matt Starr (Mr. Big, Ace Frehley). They revealed that “Vampire Lovers” was one of the easiest songs to record from the upcoming EP, thanks to their mutual passion for classic monster movies.

“Vampire Lovers” is available now. Meet the Monsters, Douglas Von Irvin’s Carnival’s highly-anticipated five-track debut EP, is available on May 25, 2021.

Step Into the Playland Arcade… Prog-Rocker BOB LORD Unleashes Decades of Creative Invention with New Album

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Step Into the Playland Arcade… Prog-Rocker BOB LORD Unleashes Decades of Creative Invention with New Album

Endlessly inventive, Bob Lord brings prog-rock firmly into the 21st century on Playland Arcade — available now.

There are 19 tracks in Bob Lord’s latest release, Playland Arcade, a cornucopia of musical offerings in a range of styles and moods. He grabs you by your ears and dancing shoes from the first track — “Fry Doe.” This is prog-rock for the 21st century, with a musical imagination that has vast parameters, blending a cool, funky groove and massive bass guitars with Latin-style percussion recorded in Havana, Cuba and rock syncopations.

The Portsmouth, New Hampshire-based musician and composer injects a sense of fun into a genre that’s often been critiqued for taking itself too seriously. With tracks like “Hey” and “Yo Soy Miguel,” he’ll put a smile on your face as you admire the musicianship.

It’s typical of the sense of joyous invention that permeates Playland Arcade.

The Moravian Philharmonic Orchestra adds dimensions of colour to “In For The Kill,” a sexy and dramatic track. “Night Sweats” will draw you into its quirky sensibility with a mysterious electronic flair, then throw an anthemic rock climax at you for a loop.

“Wyoming Vice” is an orchestral rock workout with a lilting melody played hauntingly on the flute… Which morphs into a Western theme suitable for a TV series. He tips the hat to both prog-rock pioneers ELP and Aaron Copland in “Fanfare For A Losing Team,” an orchestral romp reminiscent of soundtrack music from the KPM sports music library.

The mood turns ambient and upbeat in “Mighty Forces,” a scintillating electronic track that builds to a stunning crescendo, and it’s almost impossible not to move to “Siege,” a mash-up of heavy, kinetic rhythms and bubbly, percolating 8-bit electronic sounds. The first video, for the track “Lobster Roll,” is a colourful and bombastic ode to the golden era of both arcade games and big band jazz.

Along with Lord’s own spellbinding 8-string bass, the album features a roster of high octane musicianship, including drummer Jamie Perkins (from the Billboard chart-topping group The Pretty Reckless) and keyboardist Duncan Watt (composer for “League of Legends”), with cameos by Ed Jurdi (Band of Heathens, Trigger Hippy), and Andy Happel (Thanks To Gravity).

“I’m a composer and performer by design, and a producer and music executive by accident,” says Lord, “but at the core of it all is my constant urge to expand the definition of creativity, of being an artist, of being a producer, of being a musician.”

After a career that has racked nearly 1,000 recording and production credits, Playland Arcade is Bob Lord’s first solo album, and unleashes the creativity of a long, rich career in the music industry. Three albums which he Executive Produced have been nominated for GRAMMY Awards in the last two years alone, and another album he Executive Produced held down the #1 position on the Billboard Classical charts in 2017.

Bob has crossed paths with many of the music world’s luminaries and has played a key role in the industry. In his storied career, he co-produced the double album Method Music by Lawrence Ball with Pete Townshend of The Who and also produced the music for Wild Symphony, the hit children’s illustrated book and orchestral suite by Dan Brown, author of The Da Vinci Code. In 2015, he was named one of Musical American’s “Key Influencers,” and with his band Dreadnaught, celebrating its 25th anniversary this year, he has shared the stage with artists such as John Entwistle (The Who), Tony Levin (Peter Gabriel), NRBQ, Eddie Jobson (Roxy Music, Jethro Tull), and many more. Lord is the founder and CEO of PARMA Recordings, an international music production company specializing in classical, jazz, electronic, and world music.

Steve Marriner Makes The Move To Solo Artist with “Hope Dies Last” Out July 2

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Steve Marriner Makes The Move To Solo Artist with “Hope Dies Last” Out July 2

Ottawa, ON-based bluesman Steve Marriner is ushering a decidedly more roots-rock Americana sound to the forefront with the release of his new solo album, Hope Dies Last.

Crafted through COVID — and inspired by years on the road, and back — the 10-track full-length is available this July 2 via Stony Plain Records. It explores not only an evolving sound for the ever-busy artist, but an ever-expanding skill set as well.

“I like to be on the move,” Marriner shares, who took on engineering the project. “To me, standing still feels the same as walking backwards; not only is it a survival mechanism, but it truly is my passion to have my hands in so many different projects. There’s just so much to learn, and it’s that learning that sustains me as an artist.

“I had decided a couple of weeks into the pandemic that I would use my new-found downtime to learn how to engineer and mix recordings,” he continues. “It’s something I’ve always wanted to know how to do; I’d been producing records and doing session work for a bunch of artists, and I’ve sat beside some incredible engineers in my career… Turns out, I absorbed a ton of what I was witnessing.”

A multi-award winning and esteemed solo artist, multi-instrumentalist, songwriter, and producer in his own right, Hope Dies Last is Marriner’s second solo release; Going Up was released in 2007.

In addition, he has performed extensively with the likes of Colin James, Paul Reddick, Samantha Martin, Delta Sugar, Lee Holmes, and more, is one-half of Manx Marriner Mainline with Harry Manx, and one-third of the JUNO and Maple Blues Award-winning trio MonkeyJunk.

“Hope Dies Last is different from a MonkeyJunk record in a multitude of ways,” Marriner reveals. “On MonkeyJunk records, the sounds are created largely by Matt Sobb, Tony D., and myself. On Hope Dies Last, there are 15 other musicians who have lent their extraordinary talents to the creation of this project.

“Throughout the summer, Jimmy Bowskill and I did a ton of sonic experimenting; tinkering; listening,” he continues, noting the multi-awarded blues-rocker, lead guitarist for The Sheepdogs, and recording engineer at Ganaraska Recording Company. “Stylistically, I’m exploring some territory closer to Americana that I haven’t visited yet.

“There’s lots of rocking on this release, but there are some pretty tender moments as well; it felt good to get low.”

Melissa Etheridge Announces The Release Of  “One Way Out”

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Melissa Etheridge Announces The Release Of  “One Way Out”

Award-winning singer, songwriter and activist Melissa Etheridge announces the release of “One Way Out,” the first single off her upcoming album of the same name coming this fall. Set for a May 25 release, “One Way Out” is part of a collection of music written by Etheridge in the late 1980’s and early 1990’s that never made the cut….until now. The single is one of nine tracks that will be featured on the full length album – One Way Out ¬– to be released on September 17, 2021.

Etheridge stumbled upon these decades old songs/demos years ago while gathering materials for a retrospective box set. As she went through the songs, it brought her back to the start of her career and how they just weren’t right for that particular time or album. Some of the tracks were written before she had even come out and never felt comfortable releasing them, but knew they would be perfect for the box set. In 2013, the singer found herself back at Henson Studios in Los Angeles with her original band (Fritz Lewak, John Shanks, Kevin McCormick) and would give these songs a new life. Shortly after she finished the records, she would part ways with her label and the box set was shelved. Melissa would begin working on new material and once again, those songs were set aside. That is, until 2020 when she was sorting through old files to share with fans on Etheridge TV’s “Friday Night Time Machine” show. The time was finally right. Fans will finally get a deeper glimpse to who Melissa was then, when she releases One Way Out this fall. Check out the tracklisting below which includes two songs recorded live at the Roxy in Los Angeles in 2002!

Fans will get also get to hear the song live when Melissa performs from the Theatre at the Ace Hotel in Downtown LA for her “One Way Out….Of The Garage” concert special. The concert will stream LIVE on May 29 so consider this event part single release party and part Birthday celebration! Tickets are on-sale now, with a limited amount of in-person seats available.

Etheridge has also confirmed a U.S. tour in support of the new album which will include both new dates and rescheduled dates from 2020. All tour dates are listed below and tickets for all shows are available now.

ONE WAY OUT TRACKLISTING
One Way Out
As Cool As You Try
I’m No Angel Myself
For The Last Time
Save Myself
That Would Be Me
Wild Wild Wild
You Have No Idea (Live)*
Life Goes On (Live)*

*Recorded at the Roxy in Los Angeles in 2002

2021 TOUR DATES
May 29 – Theatre at the Ace Hotel – Los Angeles, CA
August 7 – Sandy Amphitheater – Sandy UT
August 8 – Belly Up – Aspen, CO
August 11 – Dillon Amphitheater – Dillon, CO
August 14 – Hollad Center Outdoors – Omaha, NE
August 15 – Cotillion Ballroom – Whichita, KS
August 17 – Carson Center – Paducah, KY
August 22 – Tennesse Theatre – Knoxville, TN
August 25 – After Hours Concert at Meadow Event Park – Doswell, VA
August 28 – Freeman Stage at Bayside – Selbyville, DE
August 31 – State Theatre – Portland, ME
September 1 – Music Hall – Portsmouth, NH
September 2 – Egg Center for Performing Arts – Albany, NY
September 4 – Ocean Casino Resort – Atlantic City, NJ
September 5 – Garde Arts Center – New London, CT
September 6 – Indian Ranch – Webster, MA
September 20 – Harvester Performance Center – Rocky Mount, VA
September 25 – Camp Leavenworth, Leavenworth, KS
October 1 – Epic Event Center – Ashwaubenon, WI
October 3 – Genesee Theatre – Waukegan, IL
October 5 – Brown County Music Center – Nashville, IN
October 8 – Four Winds Casino – New Buffalo, MI
October 10 – Walton Arts Center – Fayetteville, AR
October 12 – Tulsa Theater – Tulsa, OK
October 13 – Tobin Center for the Performing Arts – San Antonio, TX
October 15 – Billy Bob’s Texas – Fort Worth, TX
October 16 – Golden Nugget – Lake Charles, LA
October 22 – Bergen Performing Arts Center – Englewood, NJ
October 23 – Event Center at Hollywood Casino – Charles Town, WV
October 24 – Paramount Theatre – Asbury Park, NJ
November 1 – Warner Theatre – Torrington, CT
November 3 – Paramount Theater – Huntington, NY
November 5 – Santander Performing Arts Center – Reading, PA
November 9 – Ruth Eckerd Hall – Clearwater, FL
November 10 – Thrasher-Horne Center – Orange Park, FL

War Launches A 50th Anniversary Celebration

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War Launches A 50th Anniversary Celebration

WAR burst onto the scene 50 years ago, capturing the heart and soul of America’s streets with its righteous, multi-cultural sound on hits like “Why Can’t We Be Friends?” “Low Rider” and “The Cisco Kid.” Avenue/Rhino is kicking off a year-long anniversary celebration that will begin with the introduction of a new colored-vinyl boxed set for Record Store Day and new 4K videos available via WAR’s YouTube channel, www.youtube.com/war.

Coming on the heels of the recently sold-out Greatest Hits album released during last year’s Record Store Day Black Friday event, Avenue/Rhino will showcase one of the group’s most-prolific periods with a new boxed set. The set includes five LPs pressed on color vinyl, including War (1971); All Day Music (1971); The World Is A Ghetto (1972); Deliver The Word (1973); and Why Can’t We Be Friends? (1975) and will be limited to 5,000 copies.  WAR – THE VINYL 1971-1975 will be released on July 17 exclusively for Record Store Day 2021 at participating retailers.

“Our music came from the street and the challenges that everyday people struggle with, says founding member Lonnie Jordan. “We expressed the pleasures and pains of those experiences which we are still confronting all these years later.”

The collection brings together some of WAR’s most-popular records, including its three consecutive #1 R&B albums: The World Is A Ghetto (Billboard’s best-selling album of 1973), Deliver The Word, and Why Can’t We Be Friends?”. To date, the group has earned 17 gold, platinum, or multi-platinum albums and is reaching new milestones across all digital streaming platforms.

The set also encompasses many of WAR’s biggest hits. Among the 35 tracks are gold-certified singles like “Slipping Into Darkness,” “The World Is A Ghetto,” and “The Cisco Kid.” Another gold single – “Why Can’t We Be Friends?” – stayed on the charts for 31 weeks and became the soundtrack to the US-Soviet space mission in which astronauts and cosmonauts linked up in the spirit of friendship. It has now been streamed more than 100 million times. Also included in the set is the #1 R&B smash “Low Rider,” which was inducted into the Grammy Hall of Fame in 2014.

WAR Producer Jerry Goldstein states, “Making these records was like one big street party.  Everyone was invited and brought something different musically. Editing these sometimes 20 minute jams into records was a struggle but well worth the labor.”

As part of the anniversary festivities, WAR has debuted two new 4K high-definition versions of their classic music videos on their YouTube channel for “Why Can’t We Be Friends?” and “Low Rider.” The restored innovative videos which pre-date the MTV era capture the band’s roots and spirit.  “Low Rider” features Southern California’s unique and cherished car culture while “Why Can’t We Be Friends?” displays WAR’s good-humored commentary on serious social issues.

For more than decade, WAR’s exhilarating sound spoke to millions of Americans about the troubled times of Vietnam, Watergate, racial strife, and the tensions of the inner cities. The actively touring band is celebrating it 50th anniversary in 2021 with a legacy that is still growing as its music inspires a new generation with a revolutionary sound that continues to transcend shifting tastes and styles. WAR will continue the celebration with a series of vinyl releases to be announced later this year, and content will continue to expand in the coming months.

GIVE ME FIVE! THE WAR ALBUMS (1971-1975)
LP Track Listing:

War (1971)
Side One
1.“Sun Oh Son”
2.“Lonely Feelin”
3.“Back Home”

Side Two
1.“War Drums”
2.“Vibeka”
3.“Fidel’s Fantasy”

All Day Music (1971)
Side One
1.“All Day Music”
2.“Get Down”
3.“That’s What Love Will Do”
4.“There Must Be A Reason”

Side Two
1.“Nappy Head” (Theme From “Ghetto Man”)
2.“Slippin’ Into Darkness”
3.“Baby Brother”

The World Is A Ghetto (1972)
Side One
1.“The Cisco Kid”
2.“Where Was You At”
3.“City, Country, City”

Side Two
1.“Four Cornered Room”
2.“The World Is A Ghetto”
3.“Beetles In The Bog”

Deliver The Word (1973)
Side One
1.“H2 Overture”
2.“In Your Eyes”
3.“Gypsy Man”

Side Two
1.“Me And Baby Brother”
2.“Deliver The Word”
3.“Southern Part Of Texas”
4.“Blisters”

Why Can’t We Be Friends (1975)
Side One
1.“Don’t Let No One Get You Down”
2.“Lotus Blossom”
3.“Heartbeat”
4.“Leroy’s Latin Lament” (Medley)
a.“Lonnie Dreams”
b.“The Way We Feel”
c.“La Fiesta”
d.“Lament”

Side Two
1.“Smile Happy”
2.“So”
3.“Low Rider”
4.“In Mazatlan”
“Why Can’t We Be Friends?”

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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