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Ernie Smith, Jamaican Reggae Legend and Velvet Baritone, Dead at 80

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Ernie Smith, the Jamaican singer-songwriter whose deep baritone and easy-listening style made him one of the Caribbean’s most enduring musical voices, died on April 16 at the University of Miami Hospital following cardiac incidents. He was 80 years old and would have turned 81 on May 1. He is survived by his wife of three years, Claudette Bailey-Smith, three daughters, two sons, and one grandchild.

Born Glenroy Anthony Michael Archangelo Smith in Kingston and raised in St. Ann and May Pen, Smith picked up his first guitar at age 12, a gift from his father. He honed his playing with local band The Vandals before landing his first recording opportunity almost by accident, walking into Federal Records looking for work as a songwriter and ending up recording his own songs. His chart success arrived in the late 1960s with “Bend Down” and “Ride on Sammy,” the first of several Jamaican number one hits.

The defining moment of his career came in 1972, when “Life Is Just For Living,” a song originally written as a Red Stripe commercial jingle, won the prestigious Yamaha Music Festival in Japan, one of the earliest international victories for Jamaican popular music outside the reggae genre. The Jamaican government awarded him the Badge of Honour for Meritorious Service in the Field of Music the following year, and he received the Order of Distinction in 2006.

His catalogue threaded country, folk, reggae, and gospel with ease. Hits like “Pitta Patta,” “Duppy Gunman,” and “Key Card” were recorded at Federal Records alongside fellow artist Pluto Shervington, who died in 2024. His songwriting reach extended further than many realized: his composition “I Can’t Take It” topped the UK Singles Chart in 1975 when recorded by Johnny Nash under the title “Tears on My Pillow.”

Smith’s laid-back sound stood apart from the militant roots-reggae of the era, but he was no stranger to courage. His 1976 protest song “The Power and the Glory,” a response to the violence surrounding Jamaica’s election season, was reportedly banned from airplay and prompted threats on his life, pushing him to relocate with his family to Toronto. He later moved to Miami in 1981 and returned to Jamaica in the 1990s, continuing to write, record, and perform on the live show circuit well into his later years.

His wife Claudette told DancehallMag that even during his final hospital stay, Smith had seemed anxious to return to his music. In late 2025, he and singer Ed Robinson recorded a new version of “Pitta Patta” that entered the South Florida reggae chart. Manager Joanna Marie Robinson said that “Ernie Smith was a true treasure to Jamaica and to the world, a legendary artist whose warmth, wisdom, and spirit touched so many lives.”

Gregg Foreman, Frontman of The Delta 72 and Cat Power Mainstay, Dead at 53

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Gregg Foreman, the Philadelphia-born musician who fronted garage rock outfit The Delta 72 and spent two decades as a cornerstone of Cat Power’s Dirty Delta Blues Band, died on April 21 in Los Angeles. He was 53. The Los Angeles County Medical Examiner confirmed the death, with cause deferred.

Foreman formed The Delta 72 in Washington, D.C. in 1994, channeling post-punk rock sensibilities with 1960s British Invasion R&B into something frenetic and immediate. The band released three albums, ‘The R&B Of Membership’ (1996), ‘The Soul Of A New Machine’ (1997), and ‘OOO’ (2000), on Dischord, Kill Rock Stars, and Touch and Go Records, working with producers including Steve Albini and Brendan Canty before disbanding in 2001.

He joined Cat Power in 2006 and eventually became musical director, a role he held for nearly twenty years. His most recent shows with the band included a stop at New York City’s Webster Hall in March. Beyond Cat Power, Foreman played with Pink Mountaintops, The Meek, and The Gossip, and collaborated in the studio with Alan Vega of Suicide, Kat Von D, Death Valley Girls, Jesse Malin, Lucinda Williams, and Linda Perry, among many others.

Foreman also hosted The Pharmacy, a radio program devoted to the architects of underground music, interviewing figures including Genesis P-Orridge, Lydia Lunch, Anton Newcombe of The Brian Jonestown Massacre, and Alan Vega. He was, by any measure, one of the more quietly essential connective figures in American underground music.

Tributes arrived quickly. Cold Cave’s Wesley Eisold wrote that Foreman “lived a life that others only claim to have lived and he was one of one. His love for music was as genuine as the pain he harbored.” Actress Juliette Lewis thanked him “for sharing your gifts with us and your humor and kindness.” Sopranos star Michael Imperioli called him “a fantastic musician and a deeply soulful artist,” adding that “his humility, sincerity, and kindness made a big impression on me.” Former Primal Scream bassist Simone Marie Butler wrote simply, “I hope you are with your mum now in that great gig in the sky.”

In one of his final Instagram posts, written on New Year’s Day, Foreman reflected on his intentions for the year ahead. “My main daily course of action is to help myself heal, find self love and help others not feel alone,” he wrote. He had recently posted that his new band was mixing and recording their first EP.

Video: Turnstile Tore Through a Ferocious Early Set at This Is Hardcore Fest 2015

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Turnstile hit The Electric Factory at Philadelphia’s This Is Hardcore Fest in 2015 just months after dropping their debut full-length ‘Nonstop Feeling’, and the result is a sweat-drenched, high-velocity document of a band already operating at full force, with stage dives, singalongs, and a packed crowd locked into every groove-driven, melodically charged, hardcore-punk riff they threw out. Filmed by famed hardcore videographer hate5six, it’s a sharp and visceral look at a band on the rise.

Video: Queens of the Stone Age Unleashed the Full Force of ‘…Like Clockwork’ at Paris’s ZĂ©nith in 2013

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Queens of the Stone Age hit Paris’s ZĂ©nith in 2013 with ‘…Like Clockwork’ freshly out and riding a Billboard 200 number one, and Josh Homme, Troy Van Leeuwen, Michael Shuman, and Dean Fertita delivered a set that moved between the album’s darker, more layered material and catalog heavyweights with total precision, the kind of powerful, musically tight performance that has made this band one of the most formidable live acts in rock.

Lowest of the Low Bring ‘Shakespeare My Butt’ to Fallsview Casino This November

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Lowest of the Low are heading to the OLG Stage at Fallsview Casino on Saturday, November 21, 2026, for a full performance of their landmark debut album ‘Shakespeare My Butt’, celebrating its 35th anniversary. Junkhouse joins as very special guest. Tickets go on sale Friday, April 24 at 10:00am through ticketmaster.ca.

‘Shakespeare My Butt’ became the best-selling independent release in Canadian history at the time of its release, and Chart Magazine placed it in the top 10 of the Top 100 Canadian Albums of All Time in 1996, 2000, and again in 2005. The album earned Gold certification in 2008, the same year Lowest of the Low were inducted into the Canadian Indie Rock Hall of Fame. Hits include “Rosey and Grey,” “Bleed a Little While Tonight,” “Salesmen, Cheats and Liars,” and “Subversives.”

“This is a band our guests have been eager to see,” said Cathy Price, Vice President of Marketing and Resort Operations at Niagara Casinos, “and we’re excited to bring them to the OLG Stage at Fallsview Casino.” The band built their reputation on joyous live shows, sharp wordplay, razor-edged hooks, and harmonies that hit every time. Hearing ‘Shakespeare My Butt’ performed in full is going to be something special.

Show Details:

Lowest of the Low with Very Special Guest Junkhouse

Saturday, November 21, 2026

8:00pm

OLG Stage at Fallsview Casino

CMA Fest Presented by SoFi Adds New Performers to Its Massive June Lineup in Nashville

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CMA Fest presented by SoFi runs June 4 through 7 in Nashville, and the Country Music Association has just revealed another wave of performers joining an already packed four-day festival. From Platform Stage rising stars at Nissan Stadium to free daytime sets across multiple outdoor stages, the additions stretch across every corner of the event. Tickets are on sale now at CMAfest.com.

Inside Nissan Stadium, the Platform Stage will feature Emily Ann Roberts, The Jack Wharff Band, Kaitlin Butts, Kat Luna, Laci Kaye Booth, Maggie Antone, Scoot Teasley, Vincent Mason, Willow Avalon, and Zach John King. Clay Walker, Jo Dee Messina, Rhett Akins, and Sara Evans will open the nightly stadium shows, with Caylee Hammack performing the national anthem on Thursday night.

The free outdoor stages bring their own energy. Brandon Lake headlines Cowboy Church at the Chevy Riverfront Stage on Sunday morning, while CeCe opens the stage Thursday with the national anthem. The Dr Pepper Amp Stage welcomes Filmore on Friday and Gabriella Rose and Nappy Roots on Sunday. MÅŒRIAH joins the Chevy Vibes Stage on Thursday, Love and Theft on Sunday, and the Wrangler Remix Stage adds Omer Netzer on Saturday and MORGXN on Sunday.

SoFi and Kelsea Ballerini have also launched the Amplify Your Ambitions contest, offering a $200,000 grand prize and two $50,000 runner-up prizes for emerging artists. Submissions are open now through April 30, with three finalists performing at an intimate Nashville concert on June 4, where the grand prize winner will be announced by a panel of judges and public vote.

CMA Fest will be filmed for a national television special airing on ABC and Hulu this summer, executive produced and written by Robert Deaton and directed by Alan Carter. The festival has drawn an estimated 95,000 daily attendees and has been running since 1972, making it the longest-running country music festival in the world. A portion of proceeds supports music education initiatives nationwide through the CMA Foundation.

YoungBoy Never Broke Again’s Record-Breaking MASA Tour Hits Theaters With ‘American YoungBoy’

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YoungBoy Never Broke Again’s concert film ‘American YoungBoy’ is in theaters nationwide today, April 22, and it’s the full story of one of the most significant tours in recent hip-hop history. The film documents last year’s ‘Make America Slime Again’ Tour across 42 sold-out arena shows, with stage footage, fan energy, backstage moments, and a candid look into YoungBoy’s personal life. Tickets are on sale now at americanyoungboy.com.

The ‘Make America Slime Again’ Tour broke the record for the highest-grossing debut headlining tour by a rapper, and The New York Times named it the number one music moment of 2025. YoungBoy is the most-streamed artist in the world, the most RIAA-certified rapper in history, and the only hip-hop artist to debut three consecutive number one albums. ‘American YoungBoy’ gives fans rare access to an artist who, despite his massive reach, remains intensely private.

Creatively directed by Nico Ballesteros and produced and distributed by Foundation Media Partners in partnership with YoungBoy’s own production company 38 Heights Film and Productions, the film premieres on 1,000 screens nationwide. 38 Heights is powered by Kyle Montana Claiborne, Antoine Fee Banks, and Alex Junnier, marking YoungBoy’s formal entry into filmmaking and visual storytelling.

Alex Zhang Hungtai’s Ambitious Double Album ‘Orion/Mother’ Arrives June 19

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Alex Zhang Hungtai has announced ‘Orion/Mother’, a new double album due June 19 on American Dreams, and he’s sharing two lead singles today to mark the occasion. “Sidewinder,” the opener from ‘Orion’, and the title track from ‘Mother’ are both out now, each exploring what Zhang describes as “the primordial state within the unconscious that leads to a confrontation with what is unspoken and hidden.”

The New York-based Taiwanese-Canadian artist, musician, and actor built the project by revisiting home recordings made with some of the city’s finest improvisers, then composing over them using Ableton to cut and match sessions together. The collaborators include percussionist Che Chen, Korean gong resonator and experimentalist Leo Chang, clarinetist Madison Greenstone, flautist Laura Cox, cellist Lester St. Louis, noise artist Kwami Winfield, and tap dancer Melissa Almaguer.

Zhang improvised on trumpet over live samples of those chopped sessions, with the instrument becoming, in his words, the “grounding force” and conceptual narrator of the entire record. The whole thing was written and recorded over two intensive weeks at a New York rehearsal space during a period of personal transition. “The major contributor to the completion of this double album,” he says, “is the removal of doubt.”

The music moves across a striking range of terrain, trumpet flying above thrumming electronics, navigating percussion strikes, communing with explosive sounds, and dissolving into silence. It’s the sound of an artist pulling unresolved fragments from his past into the present and building something entirely new from them. “The music,” Zhang says, “sounds like something that was dormant is starting to awaken.”

Zhang has spent years working outside easy categorization, releasing solo piano records, improvised music, and sound collage work since retiring his Dirty Beaches moniker in 2016. His parallel career as an actor and film scorer has taken him from David Lynch’s Twin Peaks: The Return to composing the soundtrack for Hlynur PĂ¡lmason’s acclaimed Godland. ‘Orion/Mother’ is his second project of 2026 and one of the year’s most compelling releases.

‘Orion/Mother’ Tracklist:

Orion

01 “Sidewinder”

02 “Nataraja”

03 “Shadow Integration”

04 “Orion”

05 “Tannhauser Gate”

Mother

01 “Kali”

02 “Mother”

03 “Earth Orbit”

04 “American Burial”

05 “TuÄŸĂ§e”

Video: Korn Turned Summer Breeze Open Air Into 40,000-Person Controlled Chaos

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Korn headlined Summer Breeze Open Air in DinkelsbĂ¼hl, Germany on July 16, 2017, closing out a massive day that also featured Parkway Drive and Powerwolf in front of 40,000 people. With Brian “Head” Welch back in the fold alongside James “Munky” Shaffer, the dual 7-string guitar attack was locked in and relentless, anchored by Fieldy’s bass and Ray Luzier’s drums while Jonathan Davis pushed the emotional intensity to the limit. They ran through “Blind,” “Freak on a Leash,” “Got the Life,” “Coming Undone,” “Here to Stay,” and “Falling Away from Me,” a setlist that hit the full weight of their catalog and turned the festival grounds into pure mayhem.

Video: Grammy-Winning Country Powerhouse Keith Urban Lights Up SXSW at the iTunes Festival

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Keith Urban brought his country rock firepower to the iTunes Festival at SXSW in Austin in 2014, and the result was a high-energy set that showcased both his vocal range and his reputation as one of the most formidable guitarists in the genre. Urban moved fluidly between heartfelt ballads and full-throttle anthems, with his guitar work front and center throughout. It’s a sharp, compelling document of an artist completely in his element on a major stage.