Hip-hop and R&B-inspired girl group XG release a dance practice video for “Gala,” the lead single from their first full album, giving fans a clear look at the choreography that sparked immediate buzz following the song’s TV debut. The performance leans into fashion-driven movement with mannequin poses and voguing, balanced by standout moments like Cocona’s breakdancing and Harvey’s acrobatic control. Each member’s individuality comes through sharply, matching the track’s futuristic production and runway-ready energy. “Gala” thrives as a bold performance piece, and the dance practice video reinforces how tightly movement, attitude, and sound are woven together.
XG Spotlight Precision And Power With “Gala” Dance Practice Video
Pennywise Tear Into Motörhead Classic With “Ace Of Spades” Cover
Hardcore punk lifers Pennywise release a full-throttle cover of Motörhead’s “Ace Of Spades,” featured on the compilation ‘Killed By Deaf – A Punk Tribute To Motörhead.’ Guitarist Fletcher Dragge frames the song as a shared language between scenes, recalling how Motörhead stood shoulder to shoulder with punk at a time when few metal bands did. Pennywise lean into speed, grit, and raw attack, spotlighting why “Ace Of Spades” always lived comfortably in punk spaces. The cover sits alongside tributes from generations of punk bands, reinforcing Motörhead’s lasting place as a unifying force across loud, fast, and uncompromising music.
Cynthia Erivo Honors John Candy With “Everytime You Go Away”
Cynthia Erivo shares a new original recording of “Everytime You Go Away,” created for the documentary John Candy I Like Me. Her performance leans into restraint and feeling, letting the song’s tenderness unfold with patience and care while reflecting on loss, gratitude, and presence. Erivo describes the recording as a tribute to Candy’s warmth, approaching the song with respect for both its emotional weight and the joy Candy brought to audiences throughout his career.
Directed by Colin Hanks and produced by Ryan Reynolds, John Candy I Like Me explores the actor’s life and work through personal stories, archival footage, and interviews from those who knew him best. The documentary premiered opening night at the 50th Toronto International Film Festival and is now out globally on Prime Video, with Erivo’s rendition serving as a reflective musical companion to the film’s portrait of a deeply loved figure.
Jesse Harris Unveils Orchestral Ballad “If You Believed In Me”
Jesse Harris introduces “If You Believed In Me,” a hushed and deeply felt ballad that places his voice and guitar inside a sweeping orchestral frame arranged and conducted by Maycon Ananias. The song draws on classic American songwriting traditions while keeping the focus intimate, unfolding like a late-night confession carried by strings, woodwinds, and space. It stands as the title track from Harris’s orchestral album ‘If You Believed In Me,’ now out via Artwork Records, and captures a songwriter exploring scale without losing emotional closeness.
The project grew from a spontaneous invitation to write for an orchestra, opening a new creative door for Harris after decades of prolific work. Songs were written with symphonic movement in mind and recorded across New York, Rio, and Tallinn, with contributions from Norah Jones, Guilherme Monteiro, Jake Sherman, and Marine Quemere. The album leans into reflection and imagination, shaping quiet questions and personal memories into something expansive and resonant, and “If You Believed In Me” carries that spirit with grace.
Plini Announces Spring 2026 European And UK Tour With Sungazer
Prog instrumentalist Plini announces an extensive European and UK tour for Spring 2026, bringing his intricate guitar work across the continent with electro-jazz duo Sungazer in support. The run follows his latest release “Mirage,” a richly detailed record featuring live strings, piano, oud, and a guest solo from Tosin Abasi.
European & UK Tour Dates 2026:
28 April 2026 – Warsaw, Niebo
29 April 2026 – Vilnius, Loftas
30 April 2026 – Riga, Melna Piektdiena
01 May 2026 – Tallinn, Paavli Kulturfabrik
02 May 2026 – Helsinki, House of Culture
04 May 2026 – Stockholm, Debaser Strand
05 May 2026 – Oslo, Vulkan Arena
06 May 2026 – Copenhagen, Pumpehuset
07 May 2026 – Hamburg, Gruenspan
08 May 2026 – Berlin, Columbia Theater
09 May 2026 – Prague, Palac Akropolis
10 May 2026 – Vienna, Szene
12 May 2026 – Treviso, New Age
13 May 2026 – Munich, Technikum
14 May 2026 – Aarau, Kiff Saal
15 May 2026 – Monthey, Pont Rouge
16 May 2026 – Barcelona, Salamandra
17 May 2026 – Madrid, Mon
18 May 2026 – Toulouse, La Cabane
19 May 2026 – Paris, Trianon
21 May 2026 – Bristol, Electric
22 May 2026 – London, Electric Ballroom
23 May 2026 – Manchester, Club Academy
24 May 2026 – Birmingham, Asylum
26 May 2026 – Frankfurt, Batschkapp
27 May 2026 – Esch-sur-Alzette, Rockhal
28 May 2026 – Antwerp, Trix Club
29 May 2026 – Haarlem, Patronaat GZ
30 May 2026 – Nijmegen, Doornroosje
Caroline Jones Shares Empowering New Single “All The Things” Out Now
Country singer-songwriter and multi-instrumentalist Caroline Jones releases her new single “All The Things” out now, delivering an autobiographical anthem shaped by lived experience and emotional clarity. Co-written and co-produced by Jones, the song traces her journey through new motherhood while balancing life as a solo artist and a member of Zac Brown Band, centering the strength of working parents alongside the partners and support systems who make that balance possible. The lyrics move through moments of anticipation, gratitude, and resolve, grounded in real details from life on the road with a new baby and the steady presence of loved ones. “All The Things” carries a warm, open-hearted energy that feels honest and affirming, turning personal reflection into a shared moment of recognition. The track continues a recent run of deeply personal releases and highlights Jones’s ability to translate life chapters into songs that feel immediate and true.
Ricochet Bring ’90s Country Classic Back With “What Do I Know” Remix
ACM Award-winning ’90s country hitmakers Ricochet keep their dance floor momentum moving forward with “What Do I Know (Eric Kupper Remix),” out now via Encore Music Group in partnership with StarVista Music. The remix arrives during the song’s 30-year milestone and follows strong chart action from Eric Kupper’s rework of “Daddy’s Money,” which recently reached #6 on the Music Week Commercial Pop Dance Chart, with “What Do I Know” holding at #6 for a second consecutive week. Kupper reshapes the familiar melody with a kinetic pulse and shimmering electronic textures while preserving the stacked harmonies that defined the original, first released in 1996 and pivotal in launching the band’s career. The result feels celebratory and energized, spotlighting how a classic country vocal can thrive inside a modern dance framework while expanding Ricochet’s global club presence.
Equilibrium Ignite New Era With “I’ll Be Thunder” And ‘Equinox’ Out Now
Cinematic folk-metal trailblazers Equilibrium unveil their new studio album ‘Equinox’ out now via Nuclear Blast Records, marking a bold creative chapter defined by authenticity, texture, and scale. The release arrives alongside the fiery single “I’ll Be Thunder,” a raw and impulsive track paired with a handcrafted performance video that emphasizes earthbound visuals, archaic costuming, and physical presence, all shaped by Jessica Rösch’s hands-on artistic vision. ‘Equinox’ brings together cinematic sweep, folk instrumentation, harsh and melodic passages, and modern production choices, with the band self-producing the album and collaborating with guest musicians including Shir-Ran Yinon and members of Heidevolk, while Danny McCook oversaw the mixing. The record captures Equilibrium in command of their musical language, channeling self-empowerment, reconnection, and creative independence into songs that move with weight and intention. ‘Equinox’ stands as a vivid and immersive statement, grounded in real artistry and driven by conviction.
Lettuce Celebrate New Years Eve Los Angeles Show As ‘Cook’ Arrives
Legendary funk sextet Lettuce closes out the year with their full-length album ‘Cook’ out now via the band’s own Lettuce Records. The release highlights the group’s all-organic funk approach through recent tracks including “Gold Tooth,” their cover of Keni Burke’s “Rising to the Top,” and “Breathe,” a laid-back cut with a subtle retro hip-hop feel. Across these songs, Lettuce leans into tight rhythm section interplay, crisp horn lines, and grooves designed for close listening and movement alike. ‘Cook’ arrives as a confident and cohesive statement, capturing the band’s sound with clarity, warmth, and unmistakable character. The album’s arrival coincides with Lettuce performing tonight on New Years Eve at The Bellwether in Los Angeles.
Lettuce @ The Bellwether
Wednesday, December 31, 2025
333 S Boylston St, Los Angeles, CA 90017
8:30 PM
Amanda Keeley And Jim Bryson Offer Warm Self Reflection On “Going Home” Single
Canadian singer-songwriter Amanda Keeley reunites with Jim Bryson on “Going Home,” a tender and inviting single that lets soulful folk melodies drift into an easy indie pop glow. Keeley’s voice leads the way with clarity and warmth, carrying lyrics written as a letter to herself and shaped by reflection, care, and emotional honesty. Acoustic textures move gently beneath her phrasing, creating a sense of forward motion that mirrors the song’s message of returning to a grounded sense of self. The track offers genuine comfort and reassurance, and it feels like a hand resting calmly on a shoulder at just the right moment. “Going Home” radiates quiet strength, turning personal insight into something listeners can hold onto and carry with them.