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Cyndi Thomson and Ashley Monroe Shine In Heartfelt New Video For ‘Black Celica’

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Cyndi Thomson unveils a stunning, emotional visual for her slow-burning single “Black Celica,” featuring Grammy-nominated artist Ashley Monroe. Co-directed by Zack Knudsen and Kate Clark, the video beautifully mirrors the heartache and tenderness at the song’s core, blending cinematic imagery with raw vulnerability.

Shot entirely outdoors during the golden hour, the video intertwines two parallel narratives — Thomson and Monroe performing together in a windswept field, and a young couple reliving the beauty and heartbreak of first love. The couple’s story is brought to life by Thomson’s real-life daughter, Bella Goodman, adding another layer of intimacy and truth to the performance.

“Watching my daughter bring this story to life onscreen added a whole new layer of meaning,” shares Thomson. “This song is about love that stays with you — even when it’s long gone — and Bella and our team captured that beautifully.”

Written by Cyndi Thomson, Ashley Monroe, and Mikey Reaves, and produced by Paul Sikes, “Black Celica” is a standout track from Thomson’s recent EP Acres of Diamonds, released in May. The song’s hushed melody and vivid storytelling — with imagery of rainy roads, late-night drives, and champagne under the stars — evoke the lasting ache of a love that never truly fades.

The “Black Celica” video doesn’t rely on grand gestures or flashy effects; instead, it revels in honesty. With soft light, quiet emotion, and a sense of timeless reflection, it captures what remains long after the car stops and the memory fades — the feeling of love that endures.

Kim Petras Ignites Dancefloors With Euphoric New Single ‘Freak It’

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Grammy-winning pop dynamo Kim Petras turns up the heat with her new single “Freak It,” out now via Republic Records. The high-voltage club anthem, co-produced by Petras alongside Nightfeelings, Margo XS, and Frost Children, delivers everything fans have been begging for — pulsing Euro-club energy, unrelenting bass, and an invitation to completely lose yourself on the dancefloor.

“‘Freak It’ was supposed to be the last track on the album and that was that. Then I started playing it live and the fans went insane,” Petras shares. “At some point, I just had to give in. I wrote and produced it with my friends, which made it even more fun to finally put out. I miss the chaos and joy of artists like LMFAO and Avicii, and honestly, I just want to lose my mind at clubs this summer listening to this song. The fans yelling at me to release it basically did me a favor. God was definitely in the studio that day.”

After teasing the track throughout her recent live shows — including surprise appearances by Frost Children in Boston and San Francisco — anticipation for “Freak It” reached fever pitch. Now unleashed in full, the song explodes with neon-soaked synths and pounding rhythms, capturing the spirit of European nightlife and unapologetic self-expression.

“Freak It” follows Petras’ fiery single “Polo” and continues her streak of club-ready anthems built to move bodies and lift moods. It’s loud, it’s fearless, and it’s quintessential Kim — proof that the queen of hyperpop still knows exactly how to command a dancefloor.

Benny The Butcher Brings Back ‘Summertime Butch’ Vibes With New Album ‘Summertime Butch 2’

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That summer feeling hits different when it’s Benny season. The Buffalo rap heavyweight has returned in full Summertime Butch mode with his new project Summertime Butch 2, out now on all streaming platforms. Released on “716 Day,” the album finds Benny The Butcher sharpening his flow and flexing his storytelling prowess over production steeped in grime, grit, and summertime heat.

To mark the release, Benny dropped the official video for “Jasmine’s,” a reunion with his Griselda brother Westside Gunn. Produced by longtime collaborator Daringer, the track is vintage Griselda — cinematic, layered, and ruthless — reminding fans why the collective remains a cornerstone of modern hip-hop.

Summertime Butch 2 is packed with heavy-hitting features and world-class production, including contributions from Bun B, Mike Will Made It, G Herbo, Bruiser Wolf, Daringer, Bink, OT The Real, ElCamino, and Duckman. The record captures everything that defines Benny’s signature sound — sharp bars, real stories, and that undeniable hustler’s glow.

Rain, sleet, hail, or snow, Benny’s always servin’, but when Summertime Butch rolls around, there’s a special energy that hits the pavement. This latest installment finds Benny at his most confident and reflective — a celebration of growth, legacy, and Buffalo pride.

Asleep At The Wheel Celebrate 50 Years With Spirited New Single And Album ‘Riding High In Texas’

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Asleep At The Wheel continue their golden anniversary celebration with the release of the title track from their latest album Riding High In Texas, out now via Bismeaux Records and Signature Sounds Recordings. Written by bluegrass legend Peter Rowan, the tune gets a lively Western swing makeover featuring Ian Stewart on lead vocals and a show-stopping guitar turn from the incomparable Billy Strings.

“Love everything about this song,” says frontman Ray Benson. “It also made for a great title for the record. Ian can yodel and has Billy Strings play guitar on it… took it to a whole new level.” Stewart’s jubilant refrain — “Let’s go riding high in Texas in my mind / Said sometimes I feel I gotta leave this crazy world behind” — captures the spirit of the Lone Star State in classic Wheel fashion, blending pedal steel, fiddle, and pure country joy. Strings’ bluegrass flatpicking adds a burst of energy that ties together generations of Americana brilliance.

The new music video for “Riding High In Texas” perfectly embodies that Lone Star energy, featuring Stewart performing on horseback through Austin’s streets, intercut with slow-motion rodeo footage and full-band performances at Dallas’s legendary Longhorn Ballroom and Benson’s own studio in Austin. It’s a vibrant visual love letter to Texas music, history, and the band’s enduring roots.

“Riding High In Texas” follows the earlier singles “Texas In My Soul” and “Texas,” further cementing the band’s half-century-long devotion to the state that shaped their sound. Their mix of Western swing, country, and bluegrass has made Asleep At The Wheel an institution across generations — a bridge between Texas tradition and modern Americana.

This summer marks another milestone: the band’s induction into the Texas Country Music Hall of Fame, a fitting honor for their 50 years of musical storytelling. With Riding High In Texas, Ray Benson and company prove that five decades in, they’re still riding tall — and swinging higher than ever.

Warren Haynes Delivers Soulful Clarity On New Album ‘The Whisper Sessions’ Featuring Derek Trucks

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Grammy-winning singer, songwriter, and Gov’t Mule frontman Warren Haynes unveils The Whisper Sessions, out now via Fantasy Records. The nine-track digital album offers a raw, intimate take on Haynes’ acclaimed Million Voices Whisper, stripping each song down to its emotional core. Leading the project is the new single “You Ain’t Above Me,” a blues-infused soul ballad that showcases Haynes’ distinctive vocals, guitar work, and unshakable authenticity.

“This stripped-down version is actually the only time I’ve ever performed it this way,” Haynes shares. “I played it on my new Signature Gibson Les Paul with P-90 pickups which offers a cleaner and brighter sound than most folks would expect from me, which worked perfectly for the rhythm accompaniment of this kind of soul ballad.”

The Whisper Sessions finds Haynes reconnecting with longtime Allman Brothers Band collaborator Derek Trucks, who appears on three songs including “These Changes” and the reimagined ABB classic “Melissa.” The record also features “This Life As We Know It,” which hit the Top 15 on the Americana chart and Top 40 at Triple A radio, and “Real Real Love,” co-written with Trucks and inspired by lyrics started by the late Gregg Allman. Together, these tracks offer a front-row seat to Haynes’ mastery of storytelling through restraint, melody, and heart.

Beyond the studio, Haynes and Gov’t Mule continue celebrating their 30th anniversary on the road. The band’s Back In The Saddle Tour is underway, covering the East Coast and Midwest through November 1. The run includes a special headlining show in Louisville, festival sets at FloydFest 25 ~ Aurora and Flood City Music Festival, and a six-date co-headlining stretch with the Tedeschi Trucks Band.

With The Whisper Sessions, Warren Haynes captures the quiet power behind his music — a reminder that sometimes the loudest truths are whispered.

Tyler Reese Tritt Embraces Love’s Rush On New Single ‘Another High’ From Forthcoming EP ‘Wild At Heart’

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Rising country star Tyler Reese Tritt is hitting her stride with her latest single “Another High,” out now on all streaming platforms via Three Feathers Productions. The track marks the second release from her forthcoming debut EP Wild At Heart, arriving later this month, and captures the electrifying rush of falling in love with a nostalgic, windows-down feel.

“I’m so excited for everyone to indulge in this new song,” Tritt shares. “It’s so nostalgic and something you can roll the windows down to, sing along with in the car, and truly feel. I think so many people can relate to that exhilarating rush of falling in love – that unforgettable high.”

Following the emotional resonance of her previous single “You Lost Me,” which reflected on heartbreak and self-discovery, “Another High” showcases a brighter, more carefree side of Tritt’s artistry. Produced by Matt McClure, the song blends modern polish with classic country charm, setting the tone for Wild At Heart — a five-track debut that highlights her versatility, confidence, and storytelling depth.

A Georgia native and daughter of country legend Travis Tritt, Tyler Reese has been forging her own path in the genre with a voice that blends soulful grit and heartfelt sincerity. She first caught national attention at just 14, duetting with her father on “Sometimes Love Just Ain’t Enough,” and has since built a loyal following with singles like “Porch Light” and “Texas Hold Him.” Her live shows have earned her spots opening for artists including Sheryl Crow and Runaway June, solidifying her place as one of country music’s most promising new voices.

With “Another High,” Tyler Reese Tritt continues her ascent — a reminder that while her roots run deep in country tradition, her sound and spirit are entirely her own.

Walker Hayes Reflects On Faith, Family, And Growth With New Album ‘17 Problems’

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Country hitmaker Walker Hayes turns the page on a new chapter with 17 Problems, out now via RCA Records. The deeply personal album captures Hayes at his most honest and introspective, blending the plainspoken charm and emotional candor that have defined his career with a newfound sense of reflection and faith.

Through unfiltered storytelling, 17 Problems explores the friction between past and present — from youthful missteps and bittersweet nostalgia to the realities of raising kids, grieving a parent, and finding light in uncertain times. Hayes threads these moments together with his signature warmth and wit, creating a body of work that feels both personal and universal.

In celebration, Hayes has released “17 Year Old Problems,” a heartfelt new song written solely by him and produced by Billy Dawson. The acoustic-driven track recalls small-town teenage memories — fake IDs, curfews, and late nights at Waffle House — while facing the weight of adulthood. Hayes sings, “Now I’m supposed to know so many things that I don’t / Lord, I try to close my eyes at night but they won’t / She used to pick me up from practice / Now she’s pickin’ me up from rehab / I want my 17-year-old problems back.” It’s a line that hits like a gut punch — simple, honest, and deeply human.

A native of Mobile, Alabama, Hayes first exploded into the mainstream with his 2021 smash “Fancy Like,” which spent more than six months at #1 on Billboard’s Hot Country Songs chart, reached the Top 5 on the Billboard Hot 100, and earned him a Grammy nomination. Since then, he’s continued his streak with hits like “AA,” “Y’all Life,” “U Gurl,” and “Good With Me.”

Following his 2023 release New Money and 2024’s Sober Thoughts EP, 17 Problems finds Walker Hayes embracing both vulnerability and gratitude — proof that even after global success, he’s still writing for the everyday listener, one song at a time

Our Lady Peace Reclaim Their Legacy With ‘Whatever (Redux)’ And Complete 30th Anniversary EP Series

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Iconic Canadian rock band Our Lady Peace are closing out their 30th anniversary celebration with a powerful statement. The band has released “Whatever (Redux),” a reimagined version of their long-shelved 2003 track, marking both a reclamation of the song and a renewed commitment to mental health awareness.

Originally written for the WWE and used by Canadian wrestler Chris Benoit, “Whatever” was pulled from the band’s live sets in 2007 following the tragedy surrounding Benoit’s death. Despite that, the song has remained one of the most streamed tracks in the OLP catalog. With “Whatever (Redux),” produced by Nick Raskulinecz (Foo Fighters, Deftones, Evanescence), the band revisits the song’s core themes of isolation and resilience, channeling them toward hope and healing.

“It’s been 23 years since the tragic events surrounding WWE wrestler Chris Benoit and the theme song we wrote for him,” says frontman Raine Maida. “We feel that enough time has passed that it was necessary to re-record ‘Whatever’ to help shine a light on suicide prevention and mental health awareness.” In keeping with that mission, proceeds from the new version will be donated to mental health and suicide prevention initiatives.

“Whatever (Redux)” first reappeared during the band’s OLP30 tour earlier this year, where fans enthusiastically embraced its return. The re-recording stands as both a tribute to the band’s loyal fanbase and a reflection of their ongoing artistic evolution.

The new single caps off a milestone year for Our Lady Peace, who marked their 30th anniversary with a trilogy of retrospective EPs. OLP30 Vol. 1 (released September 2024) included the new song “Sound The Alarm” alongside hits like “Clumsy” and “Superman’s Dead.” OLP30 Vol. 2 (November 2024) featured “I Wanna Be Your Drug” and early favorites including “One Man Army” and “Thief.” The final installment, OLP30 Vol. 3 (February 2025), celebrated their early 2000s output with “No Angels In This Town” and classics from Gravity and Healthy In Paranoid Times.

With “Whatever (Redux),” Our Lady Peace bring their anniversary full circle — reclaiming a song once shadowed by tragedy and transforming it into a message of awareness, strength, and compassion for a new era.

BIA Heats Up With Vibrant New Single And Video ‘One Thing’

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Grammy-nominated global star BIA is owning the summer once again with her new single “One Thing,” out now. The tropical-inspired track, produced by AzizTheShake and Hidde, channels carefree island energy and effortless swagger, spotlighting BIA’s signature blend of confidence, melodic finesse, and razor-sharp lyricism.

“One Thing” arrives as the Massachusetts-born rapper’s second release of the year, following her May hit “We On Go,” the official anthem of the WNBA. The new single feels like a natural evolution — lush, rhythmic, and bursting with color — showcasing BIA at her most self-assured yet.

The accompanying video, directed by BenMarc, brings the song’s vibrant world to life. Filmed in the Bahamas, it follows BIA as she dances and connects with locals against a backdrop of turquoise waves and sun-soaked streets. Her charisma radiates in every frame, paired with her trademark smirks and high-fashion looks that turn the clip into a visual escape.

BIA’s unstoppable rise continues to gain momentum. In addition to her hit singles, she’s forged high-profile partnerships with the WNBA, NHL, and Apple, solidifying her reputation as both an artist and entrepreneur. Her presence at this year’s WNBA All-Star festivities in Indianapolis showcased that dual power — from her national TV performance of “We On Go” on Good Morning America to her dynamic pre-game performance at the All-Star introductions, she proved she’s as comfortable commanding arenas as she is the charts.

With “One Thing,” BIA captures the essence of summer freedom while reaffirming her position as one of hip-hop’s most versatile and magnetic voices.

Tyla Returns In Full Force With New Four-Track Project ‘WWP’ Featuring WizKid

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Grammy-winning global superstar Tyla is back and brighter than ever with WWP, her first new project since her historic debut album. Out now, the four-track collection showcases her effortless blend of Afropop, R&B, and global rhythm, proving why she remains one of the most exciting artists in music today.

Produced by P. Prince and Sammy Soso, WWP features the hit singles “Bliss” and “Is It,” alongside two brand-new tracks: “Dynamite” featuring WizKid and the irresistibly smooth “Mr. Media.” The project captures Tyla’s signature mix of sensual vocals, danceable grooves, and radiant self-assurance — all while hinting at the artistic evolution she’s undergone since her debut.

“Dynamite,” her much-anticipated collaboration with WizKid, has quickly become a standout. After teasing the song for months during her global appearances, Tyla finally delivered what fans have been waiting for. “When I thought of doing a mixtape called WWP, I went back to all my old demos and I remembered the Wiz one,” she told fans at a London listening session earlier this year. “And it was still good, like, after three years! I just told him, ‘Let’s finish it because I want to drop it.’”

The project’s release follows a year of triumphs for Tyla, who recently wrapped a string of homecoming shows in South Africa before returning to the studio. She continues to build on her record-breaking success as the highest-charting African female soloist in Billboard 200 and Hot 100 history, and as a Grammy winner with multiple gold-certified singles from her deluxe album Tyla+, including “Push 2 Start” and “Jump.”

“Bliss,” already featured in Coca-Cola’s global “Road Trip” campaign, has dominated charts and playlists alike, while Tyla’s summer performances at Open’er Festival in Poland and Tipsy Festival in Barbados reaffirmed her reputation as an electrifying live performer. Next up, she’s set to take the stage at the Global Citizen Festival in New York, continuing her unstoppable rise as one of Africa’s most radiant expor