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18 Songs That Make You Want to Call Your Best Friend

Some songs hit like a memory. Others feel like a late-night text that turns into a two-hour call. These are the tracks that remind you who’s been there through heartbreak, chaos, bad decisions, and the best nights of your life. Different genres, different eras, same instinct: reach for your phone.

“Lean on Me” – Bill Withers
A masterclass in simplicity. Just piano, voice, and a message that has outlived every trend since 1972. This is friendship reduced to its most essential promise: I’ve got you.

“Wannabe” – Spice Girls
Strip away the pop chaos and you’ll find a manifesto. Before romance, before drama, before anything else, friendship comes first. It’s loud, messy loyalty – and that’s the point.

“Count on Me” – Bruno Mars
Built like a campfire song but polished for the streaming era. There’s a childlike sincerity here that makes you want to text your ride-or-die immediately.

“I’ll Be There for You” – The Rembrandts
Yes, the Friends theme. But beyond the sitcom glow, it’s a tight, jangly 90s pop-rock anthem about chosen family in your 20s when nothing makes sense.

“See You Again” – Wiz Khalifa ft. Charlie Puth
What started as a film tribute became a global elegy. It captures that ache of missing someone who shaped your story – and the need to say it out loud.

“Stand by Me” – Ben E. King
An immortal bassline and one of the most durable choruses in popular music. This is friendship in the face of literal darkness. Sixty-plus years later, it still works.

“Umbrella” – Rihanna ft. Jay-Z
Pop, R&B, hip-hop fusion at its sleekest. Beneath the swagger is a simple pledge: when it rains, we stand together. The hook practically demands a group chat response.

“You’ve Got a Friend” – Carole King
Laurel Canyon warmth, handwritten vulnerability. King turns reassurance into something sacred – like a late-night kitchen-table conversation set to melody.

“Graduation (Friends Forever)” – Vitamin C
Pure Y2K nostalgia. It plays at proms and farewell assemblies for a reason – it understands that endings don’t erase bonds.

“No New Friends” – DJ Khaled ft. Drake, Rick Ross & Lil Wayne
Braggadocious on the surface, but underneath it’s about loyalty. In a world of shifting alliances, it’s a reminder to protect the ones who were there early.

“Best Friend” – Saweetie ft. Doja Cat
Glossy, confident, and unbothered. It reframes friendship as hype, celebration, and mutual elevation – a soundtrack for your loudest nights out.

“With a Little Help from My Friends” – The Beatles
Written by Lennon and McCartney, sung by Ringo, owned by everyone. It’s communal by design – almost impossible to sing alone.

“True Colors” – Cyndi Lauper
An 80s ballad that feels like emotional armor. Lauper’s voice wraps around you and says what good friends do: I see you. Fully.

“We’re Going to Be Friends” – The White Stripes
Minimalist, almost childlike. It captures the innocence of first friendships – before ego, before complications.

“Best Friend” – Queen
Freddie Mercury channeling warmth instead of bombast. Under the glossy 70s production is a deeply personal tribute to chosen companionship.

“Thank You for Being a Friend” – Andrew Gold
Before it was the Golden Girls theme, it was a songwriter’s thank-you note. Earnest, un-ironic, and enduring.

“Bros” – Wolf Alice
Indie rock that feels like running through suburban streets at dusk. It bottles that specific intensity of teenage best-friend energy.

“Good as Hell” – Lizzo
Not explicitly about friendship, but functionally one. This is the song your best friend sends when you’re spiraling – and suddenly you’re not.

Across soul, pop, rock, hip-hop, and indie, one thing stays constant: music understands friendship. It knows the late-night confessions, the borrowed clothes, the shared playlists, the inside jokes no one else gets.

Now go ahead. Call them.

Oliver “Power” Grant, Wu-Tang Clan Co-Founder And Executive Producer, Dies At 52

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Oliver “Power” Grant, the executive producer and business architect behind the Wu-Tang Clan’s rise, has died at 52. His passing was confirmed by the group on social media with the message, “Rest in Power, Power.” No cause of death has been publicly disclosed.

Grant played a foundational role in building the Wu-Tang empire from Staten Island to global dominance. He helped finance the group’s early recordings, served as executive producer on their landmark debut ‘Enter the Wu-Tang (36 Chambers)’, and co-founded Wu-Tang Productions. Beyond music, he launched Wu Wear, turning the group’s iconic logo into a multimillion-dollar clothing brand that expanded hip-hop’s cultural footprint.

Members of the collective shared tributes across social media. Method Man wrote, “Paradise my Brother safe Travels!! Bruh I am not ok.” GZA posted, “We couldn’t have done it without him. Wu wouldn’t have come to fruition without Power.” Grant’s legacy lives on in the sound, business model, and global influence of one of hip-hop’s most important collectives.

Jeff Galloway, Olympic Distance Runner And Run Walk Pioneer, Dies At 80

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Jeff Galloway, the 1972 U.S. Olympian who helped reshape American distance running through his widely adopted run-walk-run method, has died at 80. His family said he passed away in Pensacola, Florida, following complications from a stroke. For decades, Galloway stood at the center of the modern running movement, bridging elite competition and everyday participation.

A former national record holder in the 10-mile run, Galloway competed in the 10,000 meters at the Munich Olympics. While contemporaries like Frank Shorter and Bill Rodgers fueled the American running boom with major victories, Galloway focused on expanding the sport’s reach. His run-walk-run strategy, developed in the 1970s, reframed endurance training by integrating planned walk breaks to reduce injury risk and build confidence.

Through books, clinics, and training programs, Galloway guided hundreds of thousands of runners, from first-time 5K participants to marathoners. He opened one of the country’s earliest specialty running stores and became a trusted coach for recreational athletes nationwide. His influence lives on in finish lines crossed by people who once believed distance running was out of reach.

Robert Cosby Jr., Son Of The Real Housewives of Salt Lake City Star Mary Cosby, Dies At 23

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Robert Cosby Jr., the 23-year-old son of The Real Housewives of Salt Lake City star Mary Cosby, has died. Salt Lake City police confirmed they responded to an overdose call Monday evening that became a death investigation. A medical examiner is determining the official cause of death. Mary Cosby shared the news publicly, writing that her son “has been called home to the Lord,” adding that while their hearts ache, they take comfort in their faith.

Robert appeared alongside his mother on RHOSLC and, in recent seasons, spoke candidly about his struggles with substance abuse and depression. His on-camera conversations with Mary were among the most vulnerable moments in the franchise, showing a mother and son navigating addiction in real time. In interviews, Mary later said those discussions were unplanned and unfolded naturally as they talked.

Bravo released a statement expressing heartbreak over the loss, calling Mary “a cherished member” of the network’s family. Executive producer Andy Cohen also shared his condolences, describing the situation as “every parent’s worst nightmare.” Cast members and fellow Housewives posted messages of support across social media, surrounding Mary and her family with public expressions of grief.

Robert’s death comes after a period marked by legal issues and efforts toward recovery that were discussed both on and off the show. As tributes continue to pour in, the focus remains on a young life cut short and a family mourning an unimaginable loss.

If this story connects to you personally in any way, and you need support, you don’t have to carry that alone. In Canada, you can call or text 9-8-8 for the Suicide Crisis Helpline. In the U.S., you can also call or text 988 for the Suicide & Crisis Lifeline.

Las Vegas Punk Trio We Might Die Ignite With “ICED OUT”

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Rising Las Vegas punk trio We Might Die return with their most confrontational release yet, the blistering new single “ICED OUT,” arriving February 27, 2026. Written from the perspective of an ICE agent, the track delivers a searing satirical strike at state violence and the rhetoric used to defend it. Loud, fast, and furious, it stands in the protest lineage of “Police Truck” by Dead Kennedys while carving its own volatile path.

Driven by a sharp push and pull between accusation and self-defense, “ICED OUT” channels the band’s hardcore velocity and hook-heavy attack into three minutes that reject neutrality. It responds directly to what the band see unfolding across the United States, neighbors killed, families separated, communities targeted. The song moves with confrontation and purpose, demanding engagement rather than distance.

The single marks the first new material since their 2025 full-length ‘Hate You’, an 11-song statement that cemented We Might Die as one of underground punk’s most urgent new voices. Formed in 2024, the trio, Liv on bass and vocals, Travis on guitar and vocals, and Chance on drums, transform anxiety and lived experience into explosive catharsis.

Upcoming Shows:

MAR 14 – Las Vegas, NV – The Space

MAR 15 – Pomona, CA – The Haven

MAR 17 – Eureka, CA – Savage Henry’s

MAR 18 – Portland, OR – Wyrd Hut

MAR 19 – Olympia, WA – The Mortuary

MAR 20 – Tacoma, WA – Real Art Tacoma

MAR 21 – Seattle, WA – Lucky Liquor

MAR 23 – Pocatello, ID – The Chop Shop

MAR 24 – Ogden, UT – Black Lung Society

April 5 – Las Vegas – Sidereal

April 10 – Las Vegas – Voodoo Brew

Dublin Shoegaze Psych Force Sun Mahshene Surge Forward With “Waves”

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Dublin shoegaze and psych juggernauts Sun Mahshene return with their high-octane new single “Waves,” a towering blast of atmosphere and emotional charge. The five-piece have built serious heat, delivering electrifying opening sets for The Brian Jonestown Massacre and The Underground Youth, alongside appearances at Vantastival and The Crowbar Terrace. Momentum carried through the release of “Life Is Joy,” which closed out a defining year with national support.

Their debut album “A Place We’ve Never Been” launched them to national prominence in 2024, earning exclusive support slots with The Brian Jonestown Massacre at Dublin’s 3Olympia Theatre and Belfast’s Ulster Hall. Recorded at Trackmix Studio in Dublin with Michael Richards and mixed and mastered by James Aparicio, “Waves” drives deeper into their wall of sound. The band state: “‘Waves’ captures the tension of reaching an age where life is supposed to make sense—only to find the plan unraveling.” The result is expansive, immersive, and built for volume.

LA Indie Pop Artist BEL Joins The Happy Fits On “Lovesick Tour 2026” With ‘Holy Grail’

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LA-based indie pop artist BEL, born Isabel Whelan, joins The Happy Fits as direct support on the nationwide “Lovesick Tour 2026,” bringing her debut album ‘Holy Grail’ to stages across the country. The run marks a major step forward as BEL builds momentum following the release of her long-awaited full-length via Nettwerk. The road stretches coast to coast, and BEL steps into it with a record built for connection.

Produced by Jason Vance Harris (Role Model, Juliet Ivy), ‘Holy Grail’ unfolds as a cinematic, emotionally charged collection rooted in shimmer and self-reflection. BEL moves between magic, melancholy, and hope with diaristic precision. Onstage, those songs expand into a dynamic live set powered by warmth and presence.

“I started writing my debut album two years ago when I wrote the title track ‘Holy Grail.’ At the time, I wanted so many things for my life and career that all seemed so out of reach. Every song on the album is an archive of my hopes, dreams, joys, sorrows, and self-reflections in my quest for the Holy Grail. Everything is paired to a visual world that references my childhood dreams. ‘Holy Grail’ gives a window into what it feels like to go all in on your dreams and surrender to the unknown.”

The Happy Fits – Lovesick Tour 2026:
March 13 – Burlington, VT – Higher Ground Ballroom
March 14 – Albany, NY – Empire Live
March 15 – Buffalo, NY – Electric City
March 17 – Cincinnati, OH – Bogart’s
March 18 – Indianapolis, IN – Old National Center
March 20 – Lansing, MI – Grewal Hall
March 21 – Madison, WI – Majestic
March 23 – Milwaukee, WI – The Rave
March 24 – Des Moines, IA – Wooly’s
March 26 – Omaha, NE – The Slowdown
March 28 – Boulder, CO – Boulder Theater
March 31 – Sacramento, CA – Ace of Spades
April 1 – Santa Cruz, CA – The Catalyst
April 2 – San Luis Obispo, CA – Fremont Theater
April 4 – San Diego, CA – Observatory North Park
April 5 – Santa Ana, CA – The Observatory
April 7 – Tucson, AZ – Rialto Theater
April 8 – Albuquerque, NM – Sunshine Theater
April 10 – San Antonio, TX – Aztec Theater
April 11 – Oklahoma City, OK – Tower Theater
April 14 – Tampa, FL – Jannus Live
April 15 – Jacksonville, FL – FIVE
April 17 – Gainesville, FL – Heartwood Stage
April 18 – Pensacola, FL – Vinyl Music Hall
April 20 – Athens, GA – Georgia Theater
April 21 – Louisville, KY – Mercury Ballroom
April 23 – Asheville, NC – Orange Peel
April 24 – Raleigh, NC – Lincoln Theatre
April 25 – Virginia Beach, VA – Elevation 27
April 27 – Charlottesville, VA – Jefferson Theater
April 29 – Harrisburg, PA – XL Live
May 1 – Baltimore, MD – The Recher
May 2 – Providence, RI – Fete Music Hall
May 3 – New Haven, CT – Toad’s Place

Grace Jones, Candi Staton and UB40 Lead Electric Paradise, the UK’s New Disco, Funk and Soul Festival

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A brand new UK festival is arriving with serious ambition and an even more serious lineup. Electric Paradise lands at the Milton Keynes National Bowl on Saturday, August 8, bringing up to 50,000 people into one of the country’s most iconic outdoor concert venues for a full-day celebration of disco, funk, soul, and house music. Promoted by JBM Music, the festival spreads across multiple stages with a cross-generational lineup that reaches from the genre’s founding architects to its contemporary torchbearers.

Grace Jones, Candi Staton, and UB40 headline a bill that also includes Cameo, Earth Wind & Fire By Al McKay, Kool & The Gang, and Sister Sledge featuring Kathy Sledge on the main stage. Armand Van Helden, Dimitri From Paris, Roger Sanchez, and Graeme Park bring house and electronic weight to the lineup, while Alison Limerick, Shalamar, Jocelyn Brown, and Heather Small hold down the Big Love Stage. The depth here is extraordinary, and every corner of the program delivers.

The Glitterbox Stage leans deep into house and disco culture with Fat Tony, Barbara Tucker, Julie McKnight, and Colleen Cosmo Murphy. The Fool’s Paradise Stage covers timeless house in all its styles, from Mark Knight, Todd Terry, Dave Lee, and Michael Gray to soul selections from Norman Jay and a set from Fleetmac Wood. The Clockwork Orange Stage delivers classic dance heritage through Danny Rampling, Baby D, K-Klass ft. Bobbi, Livin Joy ft. Luzuahnn, Rozalla, and Andy Manston & Danny Clockwork.

Rounding out the program, the Data Transmission and Disco Infiltrators Stage brings Ron Mexico, Hobbs, Carlos Van D, Slick Pete Flash, Oh! L’Amour, The Goddess Music, and Lizzie Curious. JBM Music describes Electric Paradise as “a long-term festival concept that will become an essential date on the annual festival calendar for years to come,” and the ambition behind the debut edition makes that case convincingly. The Natural Bowl’s high-spec production, premium sound, and large-scale staging set the stage for something built to last.

First-release tickets start at £59.50, with VIP packages from £150. General on sale opens Friday, February 27 at 9am. Electric Paradise takes place Saturday, August 8 at the Milton Keynes National Bowl.

UK Indie Rockers VILLANELLE Reflect On Definitely Maybe Tour And ‘Measly Means’

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UK indie rock band VILLANELLE sit down with Dan O’Connell to unpack a milestone moment, stepping onto the stage during the Definitely Maybe tour. Gene Gallagher and Ben Taylor describe the nerves, the rush, and the weight of the room as they brought their songs to a crowd tuned to Britpop history. It was a high-stakes set, loud, immediate, and charged with adrenaline.

The conversation moves fast, from tour stories to their growing bond with Miles Kane, now firmly in their orbit, and into the DNA of their new EP ‘Measly Means’. The band outline what drives the record, tight songwriting, sharp edges, and momentum built for the stage. This is a group leaning forward, moving with speed, and speaking with confidence about what comes next.

DOC: “I mean, I guess the Definitely Maybe tour was probably the baptism of fire. Did it feel different in terms of pressure between the Miles Kane tour and Definitely Maybe?”

GG: “I was more locked in for Miles than Definitely Maybe. Definitely Maybe, like, I didn’t even know what I was doing. I didn’t even know what a tour was, or, like, how to do it!”

BT: “I mean, Definitely Maybe was as far as being thrown into the deep end as you could possibly be. I’d say even now we wouldn’t be ready for a tour that big.”

GG: “I don’t think anyone ever really is.”

BT: “Yeah. But it was one of those where we were as ready as we could have ever been. But in terms of the Miles tour, we went in with, I think, a lot more conviction. Because the EP is done, we know what we are as a band far more than we ever did on the Definitely Maybe tour. As amazing as that was, but I think we had a lot more purpose on this tour.”

DOC: “Not that it matters what I think at all, but I would say I couldn’t tell that that was the case, if that’s how you felt going out on stage.”

GG: “What, for Definitely Maybe?”

DOC: “The Definitely Maybe tour.”

GG: “I couldn’t sleep the night before. I was, I didn’t, because I was, like, what was so unknown to me? Yeah, because I was like… It was so unknown to me. I put on a brave face.”

Alt-Pop Auteur Joji Takes ‘Piss In The Wind’ to Arenas Worldwide on the “Solaris Tour”

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Joji is taking his biggest album to the biggest stages of his career. The Japanese-born, alt-pop singer and producer has announced the “Solaris Tour,” a global arena run spanning North America, Europe, Asia, Australia, and New Zealand beginning June 16 in Newark, New Jersey. Live Nation promotes the tour, which features an all-new production built around a fully immersive experience. Tickets go on general sale Friday, March 6 at 10am local time.

The tour follows the release of ‘Piss In The Wind,’ a twenty-one track record out now via Palace Creek that lands Joji squarely in arena-sized territory. It debuted at #5 on Billboard’s Top 200, hitting #1 on Current Alternative Albums, Current Pop Albums, and Indie Store Album Sales simultaneously. Internationally, it charted Top Ten in Australia, the UK, Germany, and the Netherlands, with new peak positions in each. Collaborators include Giveon, 4batz, Yeat, and Don Toliver.

The record has already drawn serious attention. CLASH calls Joji “one of the most interesting artists in the alternative, anti-pop sphere,” and Hypebeast says he’s “answering his true calling.” ‘Piss In The Wind’ balances brooding, melancholic songwriting with gritty atmospheric production, landing somewhere between quiet and overwhelming in the best possible way. The “Solaris Tour” marks the first time these songs get performed live.

North American dates run June through July, with support from Nate Sib and Corbin. The European and Australia/New Zealand legs feature Tommy Richman as support. Stops include Scotiabank Arena in Toronto (June 19), Barclays Center in Brooklyn (June 26), Intuit Dome in Los Angeles (July 11), The O2 in London (August 13), and Rod Laver Arena in Melbourne (November 17), among many others.

The setlist draws from across Joji’s catalog, including “Glimpse of Us” and “SLOW DANCING IN THE DARK,” alongside new material from ‘Piss In The Wind.’ Artist presale registration is open now at jojimusic.com, with presales beginning Wednesday, March 4 at 10am local time. General on sale opens Friday, March 6. Full tour routing below.

Tuesday, June 16 — Newark, New Jersey — Prudential Center

Friday, June 19 — Toronto, Ontario — Scotiabank Arena

Saturday, June 20 — Montreal, Quebec — Bell Centre

Tuesday, June 23 — Chicago, Illinois — United Center

Thursday, June 25 — Boston, Massachusetts — TD Garden

Friday, June 26 — Brooklyn, New York — Barclays Center

Monday, June 29 — Charlotte, North Carolina — Spectrum Center

Wednesday, July 1 — Orlando, Florida — Kia Center

Thursday, July 2 — Atlanta, Georgia — State Farm Arena

Monday, July 6 — Austin, Texas — Moody Center

Wednesday, July 8 — Dallas, Texas — American Airlines Center

Friday, July 10 — Phoenix, Arizona — Mortgage Matchup Center

Saturday, July 11 — Los Angeles, California — Intuit Dome

Tuesday, July 14 — San Francisco, California — Chase Center

Saturday, July 18 — Portland, Oregon — Moda Center

Sunday, July 19 — Seattle, Washington — Climate Pledge Arena

Tuesday, July 21 — Salt Lake City, Utah — Maverik Center

Thursday, July 23 — Denver, Colorado — Ball Arena

Tuesday, August 11 — Dublin, Ireland — 3Arena

Thursday, August 13 — London, United Kingdom — The O2

Sunday, August 16 — Manchester, United Kingdom — Co-Op Live

Wednesday, August 19 — Cologne, Germany — Lanxess Arena

Friday, August 21 — Copenhagen, Denmark — Royal Arena

Sunday, August 23 — Warsaw, Poland — COS Torwar

Tuesday, August 25 — Amsterdam, Netherlands — Ziggo Dome

Thursday, August 27 — Brussels, Belgium — Forest National

Saturday, August 29 — Berlin, Germany — Velodrom

Monday, August 31 — Zurich, Switzerland — Hallenstadion

Tuesday, September 1 — Paris, France — adidas arena

Thursday, September 3 — Milan, Italy — Unipol Forum

Wednesday, November 11 — Brisbane, Australia — Brisbane Entertainment Centre

Saturday, November 14 — Sydney, Australia — Qudos Bank Arena

Tuesday, November 17 — Melbourne, Australia — Rod Laver Arena

Thursday, November 19 — Auckland, New Zealand — Spark Arena

Saturday, November 21 — Singapore — Venue TBA

Sunday, November 22 — Singapore — Venue TBA

Tuesday, November 24 — Bangkok — Venue TBA

Friday, November 27 — Hong Kong — Venue TBA

Sunday, November 29 — Kaohsiung — Venue TBA