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British Alt-Metal Risers NIGHT THIEVES Unleash “Mycelia” From Debut ‘Metaxis’

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Firing straight out of the nation’s capital, British alt-metal force NIGHT THIEVES return with new single “Mycelia,” out now ahead of debut album ‘Metaxis,’ arriving March 20. The track drives on pounding riffs and rising choruses, balancing weight with melody and locking into the band’s signature arena-ready hook work. The accompanying video captures that same intensity, focused and direct.

Renowned for their blend of striking alt-metal and emotionally led songwriting, NIGHT THIEVES have earned support from Metal Hammer, Kerrang!, BBC Radio One and Planet Rock. They have also shared stages with Marisa and the Moths and Chuggaboom, building a live reputation grounded in precision and impact. Each release has expanded their reach.

Building on 2024’s ‘Polarity’ EP, produced by Grammy-nominated Romesh Dodangoda, the band reunited with Dodangoda to shape ‘Metaxis.’ The result is a bold, expansive debut that sharpens their sound without losing its edge. With “Mycelia” setting the tone, NIGHT THIEVES step confidently into their next chapter.

Brass Against Reimagine Pink Floyd With “The Great Gig In The Sky”

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Brass Against deliver a towering take on Pink Floyd’s “The Great Gig In The Sky,” now streaming alongside its official video. Arranged by Andrew Gutauskas and led by Brad Hammonds, the performance surges with brass firepower and seismic rhythm. Morgan James commands the spotlight, channeling the emotional force of Clare Torry’s original vocal with grit and soul. Filmed and edited by Alexa San Roman, the video captures every swell and crescendo in vivid detail.


Rock Supergroup The Hollywood Vampires Storm Europe On 2026 Arena Run

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Hard rock supergroup The Hollywood Vampires return to the stage with a 2026 U.K. and European tour, their first in nearly three years. Led by Alice Cooper, Joe Perry, Johnny Depp and Tommy Henriksen, the band launch the run in August with arena and outdoor headline shows across the U.K., Germany, France and Italy.

Joining them in the U.K. are The Jesus and Mary Chain, while The Damned lead the featured guests across mainland Europe. The last time the Vampires toured in 2023, their setlist fused originals with staples like “I’m Eighteen” and “Walk This Way,” alongside tributes including “Baba O’Riley,” “Break on Through (to the Other Side),” “People Who Died” and “Heroes.” The chemistry is loud, loose and built for big rooms.

The Hollywood Vampires channel classic rock history through a modern live charge. Gold and platinum legacies converge onstage, powered by decades of arena experience. This return run lands with scale and weight, bringing the spectacle back to European crowds.

Tickets go on sale in January, with artist pre-sale and general on-sale launching ahead of the August kickoff. These shows mark a major live return for one of rock’s most recognizable lineups.

The Hollywood Vampires 2026 Tour Dates:
Aug 12 – London, UK – The O2
Aug 14 – Cardiff, UK – Depot Live Cardiff Castle
Aug 15 – Scarborough, UK – Scarborough Open Air Theatre
Aug 18 – Manchester, UK – AO Arena
Aug 19 – Birmingham, UK – Utilita Arena
Aug 21 – Colchester, UK – Colchester Castle Summer Series
Aug 22 – Halifax, UK – Live at the Piece Hall
Aug 25 – Nuremberg, DE – PSD Bank Nurnberg Arena
Aug 26 – Paris, FR – Adidas Arena
Aug 28 – Cologne, DE – Lanxess Arena
Aug 30 – Hamburg, DE – Barclays Arena
Sep 01 – Milan, IT – Parco Della Musica
Sep 02 – Este, IT – Castello Carrese

The Neighbourhood Expand ‘(((((ultraSOUND))))))’ With “(((((ultraSOUND))))))+” Deluxe

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West Coast alt-rock band The Neighbourhood announce ‘(((((ultraSOUND))))))+’ the deluxe edition of their recent album ‘(((((ultraSOUND)))))). The expanded release adds five new tracks, “Start,” “Good Grief,” “Lulu,” “Red Flag,” and “Bed.” The project deepens the album’s emotional arc while sharpening its electronic edge.

The new songs thread heartbreak and self-realization through vocal samples, vocoders and a full EDM-style drop on “Red Flag.” The atmosphere is darker, sleeker and wired with tension. It feels immersive and immediate, a late-night drive with the volume pushed high.

Originally released in November, ‘(((((ultraSOUND))))))’ marked the band’s first full-length album in five years. Produced by Justyn Pilbrow and Jono Dorr, the record reaffirmed The Neighbourhood’s signature West Coast alt-rock sound. Singles “Hula Girl,” “Private,” and “Lovebomb” arrived with official videos, while “Hula Girl” sits in the Top 20 on U.S. Alternative Radio.

The deluxe edition lands digitally and on CD and vinyl, expanding the physical and digital tracklists into a 20-track experience. From the opening pulse of “Start” to the closing stretch of “Stupid Boy,” ‘(((((ultraSOUND))))))+’ widens the scope and turns the dial further into the band’s shadowed sonic world.

Track List For Physical CD And Vinyl:
Hula Girl
OMG
Lovebomb
Private
Lil Ol Me
Planet
Holy Ghost
Rabbit
Tides
Daisy Chain
Zombie
Mama Drama
Crushed
Mute
Stupid Boy
Start
Good Grief
Lulu
Red Flag
Bed

Track List For Digital Album:
Start
Good Grief
Lulu
Red Flag
Bed
Hula Girl
OMG
Lovebomb
Private
Lil Ol Me
Planet
Holy Ghost
Rabbit
Tides
Daisy Chain
Zombie
Mama Drama
Crushed
Mute
Stupid Boy

Post Punk Pioneers Death Cult Ignite Manchester On ‘Paradise Live’

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British post-punk pioneers Death Cult return with ‘Paradise Live,’ a 16-track document of their 40th anniversary resurrection. Recorded at the Albert Hall in Manchester, Billy Duffy’s hometown, the album captures the band on Nov. 18, 2023, with no overdubs. Pressed on 2LP, CD and digital formats, this is the sound of a legacy stepping back into the fire.

In 2023, Ian Astbury and Billy Duffy revived Death Cult for a special run of shows, joined by John Tempesta on bass and Charlie Jones on drums. What began as a limited celebration gathered momentum. These performances place Death Cult back onstage with The Cult, reigniting the gothic futurist charge that shaped an era.

As New Noise Magazine wrote, “Ian and Duffy are brothers in musical cause and are counterparts to a quintessential era of Gothic New Wave or First Wave, Camden-era punk. Death Cult were the brothers of The Clash and Siouxsie and The Banshees. They were in the scene.” The bond is audible across every cut. The chemistry is immediate and locked tight.

The tracklist spans origins and evolution, from “83rd Dream” and “Christians” to “Rain,” “Moya” and “She Sells Sanctuary.” These songs laid the groundwork for The Cult’s rise from Southern Death Cult to global stages. ‘Paradise Live’ stands as a raw, unfiltered testament to that lineage, captured in real time, in a room that roared back.

Tracklisting:
1/A1 83rd Dream
2/A2 Christians
3/A3 Gods Zoo
4/A4 Brothers Grimm
5/B1 Ghost Dance
6/B2 Butterflies
7/B3 A Flower in the Desert
8/B4 Resurrection Joe
9/C1 Horse Nation
10/C2 Go West
11/C3 Hollow Man
12/C4 Dreamtime
13/D1 Spiritwalker
14/D2 Rain
15/D3 Moya
16/D4 She Sells Sanctuary

London Alt-Rockers Wildernesses Bloom With “Maintenance” From Debut ‘Growth’

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London based alt-rock quartet Wildernesses announce debut album ‘Growth,’ out now via Floodlit Recordings, and share new single “Maintenance.” Rooted in modern folk storytelling and shaped by lived experience, the band move between shoegaze glow, post-rock scale and intimate songwriting. “Maintenance” shimmers with tension, circling routine, survival and the rituals that keep a fractured world steady.

“‘Maintenance’ lives in the small, repetitive habits of day-to-day life – the odd things you do to feel okay,” says vocalist Phillip Morris. “Lyrically it’s tongue-in-cheek and self-aware and that unease bled into the artwork and video with these collage masks and ‘eyeless’ faces mirroring the song’s warped perspective.” The track glows with atmosphere and restraint, carrying emotional weight without losing lift.

The video, shot by Joey Aitchison at the Cooperage on Brick Lane, places the band behind oversized collage masks crafted by Morris from cut and layered photographs of their own faces. Identity dissolves into texture. Performance becomes sculpture. It is a bold visual statement that mirrors the song’s warped interior lens.

‘Growth’ spans nine tracks, recorded at No Studio in Manchester with producer Joe Clayton. Seven songs carry lyrics, two unfold instrumentally, tracing insomnia, inheritance and hidden histories. Formed by Morris, Ryan Browne, Mark Portnoi and Sam Howe, Wildernesses channel Hull riverside grit, East London streets and West Sussex roots into expansive, emotionally charged alt-rock. This is a debut that lands with scale.

To mark the release of ‘Growth,’ Wildernesses tour throughout March:
Jan 31 – London @ Folklore
Feb 8 – London, Celestial Diadem Weekender @ 229
Mar 18 – Hull @ Divehu5
Mar 19 – Leeds @ Opporto
Mar 20 – Nottingham @ JT Soar
Mar 21 – Manchester @ Old Pint Pot
Mar 22 – Birmingham @ Dead Wax
Mar 24 – Bristol @ Exchange
Mar 25 – Cardiff @ Fuel
Mar 26 – Brighton @ Rossi
Mar 27 – London @ Folklore

London Garage Punk Trio Hot Face Unleash “Bumble Been” From ‘Automated Response’

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London garage punk trio Hot Face fire out new single “Bumble Been,” lifted from debut album ‘Automated Response,’ out now via Speedy Wunderground. The record was captured live in one take at Abbey Road Studios in front of an audience. Three takes. One day. Straight to tape. Twenty five minutes of voltage pressed into wax.

“Bumble Been is a 70 second blast of straight up garage rock delivered to the main line. Half rebel outcry, half call for the plight of the bumble bee – a short lived assault that doesn’t stop stinging until it does,” says guitarist and vocalist James Bates. The track rips through its micro runtime with teeth bared and amps wide open.

‘Automated Response’ began after a chaotic midnight headline show at Left of The Dial in Rotterdam, when producer Dan Carey reconnected with the band to cut a full album. Days later, a late night call led them into Studio Three at Abbey Road. Carey produced and mixed, manipulating the band’s sonic mayhem live alongside them. What happened in that room is what you hear.

“‘Automated Response’ was put together with the live show in mind,” Bates says. “We wanted it to be a powerful jab to the cranium – a sonic freight train that leaves you spinning long after it’s passed.” The album moves on energy and impact. A raucous ode to live music, committed to tape, eye to eye with the crowd.

South Milan Cowpunk Trio MaveriX Rip Loud With “MaveriX Radio”

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South Milan cowpunk trio MaveriX return at full throttle with new single “MaveriX Radio.” The track surges on melodic punk drive and country bite, fusing speed, grit and barroom swagger into one sharp strike. It hits fast and stays loud. This is a band locking into its own frequency and pushing the signal into the red.

“MaveriX Radio” tears through fake smiles and plastic poses with breakneck riffs and shout-along hooks. The rallying cry of “HEY HO! LET’S GO!” detonates at the center, built for sweat-soaked floors and packed rooms. The energy is immediate and physical. It demands movement. It commands volume.

The single builds on the momentum of debut album ‘COWPUNK!,’ released via Rocketman Records, which drew strong acclaim across European webzines and fanzines. MaveriX formed in South Milan with Nicc, Drago and Teo, seasoned players who moved quickly and carved out a presence in just two years. Their sound earned the tag “the European Social Distortion” and the label fits the charge.

A new EP lands this March, launching an extensive European tour that rolls into June with a major slot at Switzerland’s Summerside Festival alongside Helloween, P.O.D. and Billy Talent. MaveriX move with speed and purpose. “MaveriX Radio” flips the dial and kicks the door wide open.

Brighton Punk Trio Self Torque Unleash Garage-Hardcore Ripper ‘High Temperature Serpent’

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Brighton punk trio Self Torque strike hard with new single “High Temperature Serpent,” out now via Sugar-Free Records alongside a volatile new video. The track barrels forward on San Diego garage rock muscle, laced with old-school hardcore snap. It is relentless by design. No soft edges. No breather. Just pressure, distortion and bite.

“The idea behind this song was just to be heavy all the way through without any “nice” bits. A reflection of the subject matter. This is a character assassination of the worst person you know. You want everyone to know how much they suck because they are so good at playing everyone,” says vocalist and guitarist Gabriel MacKenzie. The message lands like a lit match in a dry room.

The single drives toward the band’s debut album, ‘A Brutal Nadir,’ out now via Brighton indie Sugar-Free Records. Recorded at Brighton Electric, the record was produced and mixed by Mark Roberts, with additional engineering by Alex Gordon. It opens with “Wicker Incident,” expands into the spaghetti western sway of “Del Shannon,” and includes lead cut “(All The Things I) Wannabe.”

Self Torque rose from the Brighton DIY circuit, forged by MacKenzie alongside Luke Ellis on drums and Jay Cross on bass. Their live shows lock tight and detonate fast. ‘A Brutal Nadir’ moves with grit, melody and nerve. It hits with force and refuses to blink.

40 Of The Happiest Songs of All Time That Practically Manufacture Sunshine

Every generation has its emergency mood lifters. The tracks you reach for when the sky feels grey, the coffee has not kicked in, or you just need to remind yourself that joy is still a thing. Below are 40 certified serotonin boosters, each delivering its own brand of sunshine.

“A Beautiful Morning” – The Rascals
Pure 1968 optimism bottled in three minutes. No matter what the forecast says, this one convinces you the day is wide open and full of possibility.

“All You Need Is Love” – The Beatles
Brassy, bold, and built for a global singalong. The message is simple, the melody is bright, and the mood shift is immediate.

“Best Day of My Life” – American Authors
Built like a victory parade, this 2013 indie pop anthem is all stomp, clap, and shout along optimism. It feels tailor made for montages, road trips, and spontaneous high fives.

“Blister in the Sun” – Violent Femmes
That jittery bassline alone could power a city block. Offbeat, quirky, and impossible not to strut to.

“Can’t Hold Us” – Macklemore and Ryan Lewis feat. Ray Dalton
A victory lap disguised as a single. The chorus explodes with the kind of triumphant energy that makes you feel unstoppable.

“Can’t Stop the Feeling” – Justin Timberlake
Engineered for maximum bounce. From the first beat, it is all hips, smiles, and involuntary dance moves.

“Dance to the Music” – Sly and the Family Stone
The title is less a suggestion and more a command. Horns, harmonies, and groove collide in pure celebration.

“Dancing Queen” – ABBA
Disco royalty at its peak. The piano intro alone signals that happiness is about to take over the room.

“Dog Days Are Over” – Florence and the Machine
That slow burn intro exploding into pounding drums is pure emotional release. It sounds like running downhill toward something better with your arms wide open.

“Don’t Stop Me Now” – Queen
Often cited by neuroscientists as a top feel good track thanks to its tempo and major key. Freddie Mercury sounds like joy personified.

“Don’t Worry, Be Happy” – Bobby McFerrin
Minimalist and relentlessly optimistic. It is hard to stay tense when the entire arrangement is built from vocal playfulness.

“Feel Right” – Mark Ronson feat. Mystikal
Throwback funk with modern swagger. It hits like a party already in full swing.

“Good as Hell” – Lizzo
Self confidence set to a beat. By the time the chorus lands, you are walking taller.

“Good Vibrations” – The Beach Boys
A sonic ray of sunshine. That swirling production feels like summer in stereo.

“Groove Is in the Heart” – Deee-Lite
Slide whistles, Bootsy Collins bass, and pure 90s color. It is chaotic joy in dance form.

“Happy” – Pharrell Williams
Built as an antidote to a bad day. The handclaps and buoyant rhythm sparked a global dance movement.

“Here Comes the Sun” – The Beatles
Gentle, glowing optimism. It does not shout happiness, it radiates it.

“I Can See Clearly Now” – Johnny Nash
Blue skies and rainbows in musical form. The chorus feels like stepping into fresh air after a storm.

“I Got You (I Feel Good)” – James Brown
Funk distilled to its most ecstatic essence. JB practically shouts joy into existence.

“I Really Like You” – Carly Rae Jepsen
A sugar rush of pop euphoria. It captures that giddy, heart racing stage before love fully lands.

“I Wanna Dance With Somebody (Who Loves Me)” – Whitney Houston
Yearning in the verses, fireworks in the chorus. When Whitney hits that hook, the dance floor belongs to everyone.

“I’m Coming Out” – Diana Ross
A declaration wrapped in disco sparkle. Every note sounds like liberation.

“It’s Oh So Quiet” – Bjork
Whispers to full on brass blasts. Love’s emotional roller coaster has never sounded this gleeful.

“Kites Are Fun” – The Free Design
No hidden meaning. Just sunshine, harmonies, and childlike wonder set to melody.

“Let’s Go Crazy” – Prince
A sermon disguised as a party anthem. The guitar solo alone could reboot your mood.

“Love On Top” – Beyonce
Classic Motown exuberance with modern polish. Each key change raises the happiness bar even higher.

“Lovely Day” – Bill Withers
Serene, steady joy. That 18 second sustained note feels like holding onto a perfect moment.

“On Top of the World” – Imagine Dragons
Whistling hook, driving beat, and lyrics about finally arriving where you dreamed of being. It captures the grin you cannot wipe off your face after a long awaited win.

“Roam” – The B-52s
An ode to wanderlust and following love wherever it leads. Bright, buoyant, and endlessly replayable.

“Send Me On My Way” – Rusted Root
From the first yelped vocal and bouncing rhythm, this 90s staple feels like sunshine through trees on a road trip. Carefree in the best possible way.

“September” – Earth, Wind and Fire
The groove is seamless and the “Ba-dee-ya” refrain is instant serotonin. No calendar required.

“Shiny Happy People” – R.E.M.
Colorful harmonies and unapologetic cheer. Cynics may roll their eyes, but the chorus wins anyway.

“Shout” – The Isley Brothers
Escalating, explosive joy. It builds and builds until you have no choice but to let loose.

“Sir Duke” – Stevie Wonder
A brass fueled tribute to musical heroes. You can feel it all over.

“This Will Be (An Everlasting Love)” – Natalie Cole
Bright horns, soaring vocals, and unstoppable groove. It is romantic joy turned all the way up.

“Tightrope” – Janelle Monae
Confidence wrapped in funk. It dares you to keep moving no matter who is watching.

“The Way You Make Me Feel” – Michael Jackson
Swagger, groove, and primal joy. The rhythm alone pulls you into its orbit.

“Three Little Birds” – Bob Marley and the Wailers
Reassurance in its purest form. That refrain feels like a hug set to reggae.

“Walking on Sunshine” – Katrina and the Waves
Horn blasts and pure pop rush. It is elation, no filter.

“You Make My Dreams” – Hall and Oates
Doo wop energy meets 80s polish. Few choruses feel this genuinely ecstatic.

Line them up and you will hear something bigger than hooks and horns. You will hear decades of artists chasing the same thing: that lift in the chest, that spark behind the eyes, that moment where everything feels lighter. Press play accordingly.