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Turner Classic Movies debuts a new TCM Original celebrating the arrival of Looney Tunes into its programming lineup, placing the iconic cartoons alongside the classic films they originally accompanied. The special features filmmaker Joe Dante, Patton Oswalt, Dana Gould, Bill Hader, and animation historians Jerry Beck and Mark McCray discussing the enduring comic force of Bugs Bunny, Daffy Duck, and the wider animated ensemble. For the first time since their theatrical runs, these shorts return to a curated classic film context, reconnecting slapstick timing and sharp satire to the big screen tradition that launched them.
In 1996, the first ever Pokemon commercial introduced audiences to a new handheld gaming universe that would expand across generations. The spot is fast, bright, and packed with early era Game Boy energy, presenting pocket monsters as something to collect, battle, and trade.
Caedmon TC 1543 presents an abridged ‘James and the Giant Peach’ read by Roald Dahl himself, recorded at CBS Studios in London in 1977 and pressed to vinyl. The author’s voice carries the rhythm, humor, and bite of the story with direct, unfiltered presence. As far as documented, this recording has not circulated digitally until now, making the preserved vinyl transfer a significant archival moment. Hearing Dahl narrate James, the aunts, and the oversized insect crew offers a rare connection to the storyteller behind the page.
Five years after Daft Punk formally ended the project, a new visual for “Human After All” arrives, built from scenes taken from their 2006 film Electroma and edited by Cedric Hervet. The video reconnects the 2005 single to its stark cinematic universe, where chrome helmets and desert isolation shaped the duo’s mythology. Thomas Bangalter and Guy-Manuel de Homem-Christo remain separate creatively, yet this release places their robotic era back into motion, aligning the track with the imagery that defined its original cycle.
Jay Som storms the KEXP studio with a four song set recorded December 19, 2025, airing February 20, 2026, opening with “What You Need” and moving through “Appointments,” “Casino Stars,” and “Float” with tight, immersive focus. Melina Duterte leads on vocals and guitar, joined by Joao Gonzalez, Carey Clayton, Eric Derwallis, and Aubrey Situmorang, building a layered, live-wire indie rock atmosphere that feels intimate and expansive at once. Hosted by Evie Stokes, the session captures a band fully locked in.
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In 1986, Japanese pop star Akina Nakamori stepped onto the Yoru no Hit Studio stage and delivered “Back Door Night” and “Marionette” with razor-sharp presence. The lighting glows, the band locks in, and Nakamori moves with total control, her voice cutting clean through the mix.
A young Jimi Hendrix tears into “Shot Gun” alongside Buddy and Stacey in a 1965 television performance that crackles with raw electricity. Years before global stages and psychedelic landmarks, Hendrix stands focused and fierce, slicing sharp rhythm lines with effortless swagger.
Caedmon TC 1476 captures Roald Dahl reading ‘Charlie and the Chocolate Factory’ in 1975, pressed to vinyl and running just over 67 minutes across two sides. Side A clocks in at 33:44, Side B at 33:47, delivering the story in the author’s own unmistakable voice. The pacing is playful, the phrasing sharp, the characters alive with mischievous energy. Hearing Dahl narrate his own words adds a new layer of magic to the chocolate river, the golden tickets, and Willy Wonka’s world. It is a literary time capsule, rescued from vinyl and preserved in full.