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Country Star Scotty McCreery Brings Holiday Warmth With New Rendition of “White Christmas”

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Multi-platinum and award-winning country music star Scotty McCreery is getting us all in the holiday spirit with the release of his rendition of the classic Christmas tune, “White Christmas,” out now via Triple Tigers. Written in 1942 by Irving Berlin, the song has long been a holiday standard that elicits a feeling of nostalgia and being close to the ones you love. McCreery’s take, produced by Frank Rogers, is a seamless extension of the song’s legacy and invites everyone to huddle around the fireplace surrounded by friends and family.

“I love Christmas music and sing it throughout the year,” McCreery says. “For a long time, ‘White Christmas’ has been one of my favorite Christmas songs. I especially love The Drifters’ version as well as Elvis’s version. I decided it was now time to do my own version. Hope everyone likes it!!”

Recently, McCreery was presented with an RIAA gold plaque for his seventh No. 1 hit, “Bottle Rockets” featuring Hootie & The Blowfish, making this his 11th song to receive either a gold, platinum, or triple platinum certification. The summertime anthem is featured on McCreery’s recently released EP, Scooter & Friends, as the perfect soundtrack to summer. The five-song collection also includes McCreery’s collaborations with one of his greatest musical heroes, R&B icon Charlie Wilson (“Once Upon a Bottle of Wine”) and with Country music hitmaker Lee Brice (“Whiskey Said”).

Up next, he will be co-headlining the Two for the Road Tour with fellow country star Dustin Lynch. The run kicks off on November 6th in Saginaw, MI. These will be the North Carolina native’s first concerts since the September birth of his second son, Oliver Cooke McCreery.

Rock Legends Aerosmith and Yungblud Team Up With Steve Martin for “My Only Angel (Desert Road Version)”

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Aerosmith and Yungblud have shared “My Only Angel (Desert Road Version),” a stripped-back reinterpretation of the lead single from their upcoming collaborative EP One More Time, out November 21st via Capitol Records.

Inspired by the original track’s emotional core, the band and Yungblud returned to the studio to explore its more vulnerable side. During the session, Tyler—a longtime admirer of Grammy Award-winning musician Steve Martin—imagined the distinctive sound of a banjo bringing the song to a close. He reached out to Martin, who accepted the invitation and recorded his part remotely. The addition gives the new version its defining final moment: a soulful ending that trades the drive of the original for a grounded, textured feel, with Martin’s standout banjo solo carrying the song to its finish.

Serving as an introduction to the forthcoming EP, the original “My Only Angel” and its companion visual were released on September 19th, marking Aerosmith’s first new music in more than twelve years. The track opens with a stacked harmonic a cappella vocal from Tyler and Yungblud —“Will you cry if I called you my angel? Would you leave me one more time?”—the song builds around echoing guitars, a steady beat, and a rumbling bassline before swelling into the hypnotic harmony shared by Tyler and Yungblud. Perry’s signature solo closes the track, underscoring the chemistry between two generations of rock.

“My Only Angel” debuted at No. 1 on Billboard’s Hot Hard Rock Songs chart, where it remained in the Top 10 for three weeks, and landed in the top 40 on the Mainstream Rock Airplay chart, marking Aerosmith’s 45th appearance on the tally. It also entered at No. 20 on the Hot Rock Songs chart and No. 23 on the Hot Rock & Alternative Songs chart. In its first week, the track amassed over two million streams, 1.4 million radio impressions, and 5,000 U.S. sales. Since its release, it has earned over 3,600 spins across nearly 70 active rock stations (currently charting at No. 11) and has surpassed ten million total streams.

Yungblud (real name Dominic Harrison) first linked with Aerosmith during a studio session for a guest feature on the nine-minute epic “Hello Heaven, Hello.” Their instant chemistry sparked a full writing session that led to the five-track EP with four original songs co-written by Aerosmith and Yungblud (with both frontmen sharing vocals) plus a newly remixed “Back In The Saddle.” Produced by Matt Schwartz, the collection captures Yungblud’s undeniable talent colliding with Aerosmith’s legendary musicianship: Perry’s guitars blaze with trademark grit and Tyler’s unmistakable voice intertwines with Yungblud’s across each track. Longtime friend Matt Sorum (former Guns N’ Roses and Velvet Revolver drummer) rounds out the lineup behind the kit.

Rock Duo Girl Tones Bring Punk Spirit and Sisterhood to Paste Studio’s Lollapalooza Session

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During Lollapalooza weekend in Chicago, Paste Studio “On the Road” captured something special when rock duo Girl Tones — sisters Kenzie and Laila — lit up Salon 61’s cozy Library room. Stripping back their setup without losing an ounce of fire, the pair delivered an electrifying, punk-charged performance fueled by chemistry and charm. Songs like “Volcano” and “Blame” showcased their tight bond and fearless energy, turning the elegant venue into a spontaneous celebration of family, music, and rebellion. It was punk with polish, and pure joy from start to finish.

Progressive Metal Trio Transgalactica Break Boundaries With “Peace on Earth”

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Poland’s progressive metal trio Transgalactica just dropped their most explosive track yet, “Peace on Earth,” from their upcoming album Onwards and Upwards — and it’s a thunderclap of riffs, rage, and reflection. Built around a Tool-inspired groove and crowned by a Rachmaninov twist straight from “Island of the Dead,” the song smashes metal’s boundaries with symphonic precision and raw emotion. One reviewer nailed it, calling it “modern serious music.”

Written in 2021, before Russia’s full-scale invasion of Ukraine, “Peace on Earth” channels the timeless ache of war, fear, and fragile hope. “Iron dice began to roll… Mushroom cloud is looming large,” sings the band in lyrics that hit harder with every headline. For the video, Transgalactica abandoned their trademark irony in favor of sincerity, dedicating the clip to Ukrainian soldiers. Created with a Sri Lankan collaborator, it’s a global tribute to humanity’s shared grief — and a warning that peace, though distant, is still worth fighting for.

Despite their futuristic sound, Transgalactica are proudly human-made. Every note on Onwards and Upwards was recorded before the AI era, though the band now uses artificial intelligence for visual storytelling and concept videos. “AI is just another tool,” they say — “like lithography or film — it can enhance creativity when used consciously.” Their visuals may be digital, but their heart is pure analog passion.

The band’s very name came from a dream — Tomasz imagining a spaceship called Transgalaktyk, ferrying Polish settlers to Mars while their music played in orbit. That dream now fuels their art: cosmic, fearless, and defiantly alive. Onwards and Upwards is shaping up to be their boldest voyage yet — proof that metal can question, confront, and still believe in peace on Earth.

Indie-Pop Band Low Girl Soar With Emotion on New Single “White Gown”

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Low Girl are turning up the volume on emotion and euphoria with their brand-new single “White Gown,” out now via AWAL. The indie-pop risers deliver one final tease ahead of their debut album ‘Is It Too Late To Freak Out?,’ dropping this Friday, and it’s everything fans could hope for: shimmering hooks, infectious energy, and that unmistakable Low Girl magic that blends raw vulnerability with sky-high melodies.

The track follows a string of beloved singles—“Handbrake,” “No Reasons,” and “Overgrown”—each building anticipation for their long-awaited LP. “White Gown” takes the band’s songwriting to new heights, written and recorded between Bedford and rural Yorkshire, where sonic experimentation met emotional honesty. Influenced by the dreamy tones of Alvvays and guitarist Bradley Taylor’s emo heart, the album is a testament to the band’s devotion to crafting something bold, heartfelt, and alive.

Frontwoman Sarah Cosgrove calls “White Gown” a song born from personal chaos and rediscovery. “The experience of starting a relationship at the start of your twenties, reaching all the expected milestones of moving in together, engagement, and then breaking up in your late twenties, is quite disorientating,” she said. “It was one of those songs where once we started jamming it out, the whole thing came together with surprising speed. The end result is something we are so excited about and proud of, and it feels like the energetic crux of the album.”

With BBC 6 Music and Radio 1 already championing their sound, and festival appearances from SXSW to Reading & Leeds under their belt, Low Girl are on the cusp of something big. Their upcoming UK headline tour kicks off this November, promising fans the full force of their high-octane live show. ‘White Gown’ is streaming now everywhere—press play, turn it up, and let Low Girl soundtrack your next beautiful mess.

A Cappella Icons Pentatonix Light Up New York With Holiday Album ‘Christmas in the City’

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Pentatonix are bringing the magic of the holidays straight to the Big Apple with their brand-new album Christmas in the City, out now via Republic Records. The release arrives with a dazzling music video for the title track and marks the group’s eighth holiday collection — proof that nobody wraps a Christmas classic quite like them.

Channeling the wonder and rush of New York at Christmastime, the 16-track album blends re-imagined favorites, heartfelt originals, and rare collaborations. Among its highlights: a dream-come-true duet with Frank Sinatra on “I’ve Got My Love to Keep Me Warm,” seamlessly pairing Pentatonix’s soaring harmonies with Ol’ Blue Eyes himself. Elsewhere, JoJo joins the quintet for “Snowing in Paris,” an instant modern-day holiday staple bursting with warmth and cinematic charm.

Fans will also find spirited new takes on “Silver Bells” and “Holly Jolly Christmas,” plus a show-stopping “Christmas Classics Medley.” And for the first time ever, Pentatonix expand beyond a cappella — adding live instruments to their lush arrangements. It’s a bold, joyful leap that keeps their signature sound intact while giving their holiday tradition a fresh spark.

“We were so inspired by the feeling of New York City during the holidays,” says Scott Hoying. “The process of arranging, recording and making this album felt like the magic of when Pentatonix first started making music together.” Christmas in the City captures that timeless mix of wonder, excitement, and love — the sound of a band that still believes in the magic of the season.

Alt-Rock Artist Mel Denisse Embraces Shadows and Strength on “going nowhere”

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Mel Denisse isn’t just writing songs – she’s building worlds. Her new single “going nowhere” is a haunting alt-rock/shoegaze dream inspired by The Serpent & the Wings of Night by Carissa Broadbent. With swirling guitars and cinematic melancholy, the track captures what it feels like to keep moving even when there’s nowhere left to land – torn between loyalty, self-preservation, and the shadows that keep us safe.

Blending grit with grace, Mel’s sound lives where distortion meets delicacy. Raised between Florida and Turkey, she channels a lifetime of dualities into her music – Eastern scales, raw guitar energy, and ethereal vocals that slip between whisper and wail. “I like to ‘frankenstein’ a track,” she says. “If a heavy riff and a delicate melody look wrong together on paper, that’s exactly what pulls me in.”

Her music has already turned heads at BBC Radio 1’s Alternative Show, OnesToWatch, and LADYGUNN, with Spotify spotlighting her on All New Rock. Critics have praised her “reckless ambition of ’90s guitar-rock grit” and her hypnotic blend of fantasy and feeling. Now, “going nowhere” marks the beginning of a new chapter, leading into her highly anticipated EP arriving early 2026 – a collection she says is directly influenced by the books and characters she escapes into.

In the studio, Mel Denisse has collaborated with heavyweights like Carlos de la Garza (Paramore, Best Coast), Ken Andrews (M83), and Micah Tawlks (Hayley Williams, Noah Kahan). But offstage, she’s still the same kid who fell in love with her dad’s guitar – gaming, reading, and dreaming up stories that eventually become songs. “If the song makes you feel a gentle gut-punch, that’s the point,” she says. “I’m slipping mirrors into the track so you have to sit with whatever stares back.”

Indie Pop Artist Will Ettante Serves Existential Fun on New Single “Oatmeal Can Slap”

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Some songs make you dance. Some make you cry. Will Ettante’s might make you question everything — while laughing through a mouthful of oatmeal. His latest single, “Oatmeal Can Slap,” is an ode to the absurdity of adulthood, served with a wink, a groove, and a spoon. It’s existential comedy disguised as indie pop brilliance — and yes, it’ll make you crave breakfast.

The musical alter ego of singer-songwriter Will Tynan, Will Ettante has mastered the art of turning everyday chaos into catharsis. “Oatmeal Can Slap” captures the messy, funny, and strangely moving contradictions of millennial life — the kind that make you laugh, cry, and text your therapist all before noon. It’s the third single leading up to his upcoming debut album Vdad, a record that promises to be as heartfelt as it is hilarious.

While his humor shines here, Ettante’s musical chops are no joke. A seasoned performer, he’s graced stages like SXSW and the El Rey Theatre in Los Angeles, blending fingerstyle guitar, folk roots, and sharp wit into something uniquely his own. His songs sound like if John Prine and Bo Burnham got stuck in traffic together and decided to write an anthem about it.

Now taking his charm directly to fans, Will’s Living Room Tour brings the show home — literally. Performing in intimate house shows across ten-plus cities, he’s stripping it all back to what matters most: connection, laughter, and maybe a good bowl of oatmeal. With Vdad on the horizon, Will Ettante is proving that sometimes, the best way to face the chaos of modern life is to sing, strum, and laugh right through it.

Country Star Robyn Ottolini Looks Back With Heart on New Single “Way Back”

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Robyn Ottolini is taking fans “Way Back” — and she’s bringing all the memories with her. The platinum-selling, CCMA Award-winning country star has dropped her brand-new single “Way Back,” a nostalgic, heart-tugging anthem that perfectly sets the stage for her upcoming Way, Way Back Tour. Equal parts reflection and celebration, it’s Robyn at her most relatable — looking back on love, youth, and all the moments that shaped her.

“It was so fun to capture this familiar, bittersweet nostalgia of a past love from my younger days,” Ottolini shares. “You might’ve moved on and both be in a completely different place in your life, but all it takes is something as little as spotting their truck and the next thing you know, you’re driving down memory lane… This tour is going to capture that feeling – things reminiscent of ‘the good ole days’ – while also celebrating the joys of the present moment.”

The Way, Way Back Tour kicks off November 6, bringing Ottolini’s powerhouse vocals and candid storytelling to fans across Ontario and Montreal. With stops in Hamilton, Toronto, Ottawa, and beyond, each show promises that perfect Robyn blend — country heart, big hooks, and fearless honesty.

Her latest radio hit “Airplane Bottle” continues to climb the Canadian Country charts, spending over 13 weeks in the Top 40 and earning rave reviews from fans and critics alike — with Holler calling it “the song of the week, of the year, of the rest of our lives.” Now proudly independent, Ottolini is gearing up for her debut album, and with “Way Back,” she’s proving that sometimes, the best way forward is to remember where it all began.

Tour Dates:

November 6 – Hamilton, ON – Bridgeworks (Support: Parker Graye)
November 7 – Kitchener, ON – The Hub (Support: Parker Graye)
November 8 – Guelph, ON – Sonic Hall (Support: Vibi)
November 9 – St. Catharines, ON – The Warehouse (Support: Vibi and Lucas Mason)
November 13 – Oshawa, ON – The Biltmore Theatre (Support: Jessica Sevier and Laila)
November 15 – Toronto, ON – Lee’s Palace (Support: Jessica Sevier and Laila)
November 20 – Kingston, ON – The Broom Factory (Support: Dave Sampson)
November 21 – Ottawa, ON – The 27 Club (Support: Dave Sampson and Tanaeya)
November 22 – Montreal, QC – Le Petit (Support: Savannah Jade and Dave Sampson)

Progressive Bluegrass Trailblazers The Infamous Stringdusters Shine With “The Light at the End of the Day”

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The Infamous Stringdusters are lighting the way forward. The GRAMMY-winning, Billboard chart-topping progressive bluegrass trailblazers return with their stirring new single “The Light at the End of the Day,” out now via Americana Vibes. Following the buzz of “Dead Man Walking,” recently named one of Billboard’s 5 Best New Country Songs, the band continues to redefine modern bluegrass with a song that shines with heart, hope, and dobro-driven soul.

“I really wanted to write a song of hope for this record,” says dobroist and vocalist Andy Hall. “At a time when things can seem strange, scary, and dark, I wrote this for myself more than anything… This song tries to reassure the listener that there’s always someone you can reach out to in those tough times. A light in the darkness.” With Hall’s warm vocals guiding the way, the song builds from intimate reflection to soaring optimism — the kind of melody that feels like sunrise after a long night.

“The Light at the End of the Day” is the third single from 20/20, The Infamous Stringdusters’ landmark 20th studio album arriving February 13, 2026. Celebrating two decades of sonic innovation, the band — Chris Pandolfi, Travis Book, Jeremy Garrett, Andy Hall, and Andy Falco — continues to push boundaries between bluegrass, Americana, country, and indie-folk, always with a fearless spirit and unmatched musicianship.

Formed in Nashville in the early 2000s, the Stringdusters have spent twenty years turning tradition on its head while keeping its heart intact. 20/20 marks more than just an anniversary — it’s a reflection of their journey, their bond, and their belief in the power of song to heal, inspire, and remind us that, no matter how dark it gets, the music will always find the light.

Tour Dates:

10/29 – Spartanburg, SC – Spartanburg Memorial Auditorium ++
10/30 – Live Oak, FL – Hulaween
10/31 – New Orleans, LA – The Joy Theater &&
11/01 – New Orleans, LA – The Joy Theater &&
11/02 – Decatur, AL – Princess Theatre ++
11/04 – Lexington, KY – Manchester Music Hall ++
11/05 – Whitestown, IN – Moontown Brewing Company
11/06 – St. Louis, MO – Old Rock House ++
11/07 – Oklahoma City, OK – Tower Theatre ++
11/08 – Dallas, TX – Ferris Wheelers Backyard !!
11/09 – Austin, TX – Radio/East !!
12/11 – 12/15 – Puerto Morelos, Q.R. – Strings & Sol
12/31 – Asheville, NC – ExploreAsheville.com Arena ##
01/21 – Patchogue, NY – Patchogue Theatre for the Performing Arts
01/22 – New York, NY – Bowery Ballroom
01/23 – Beverly, MA – Cabot Theater
01/24 – Stowe, VT – Spruce Peak Performing Arts Center
01/25 – Portland, ME – State Theatre
01/27 – Buffalo, NY – Electric City
01/28 – Cleveland, OH – Globe Iron $$
01/29 – Cincinnati, OH – Taft Theatre $$
01/30 – Chicago, IL – Thalia Hall $$
01/31 – Appleton, WI – Ice Dance Music Festival
02/01 – Stoughton, WI – Stoughton Opera House
02/20 – 02/22 – Telluride, CO – Sheridan Opera House
02/24 – Boise, ID – Knitting Factory
02/25 – Jackson, WY – Jackson Hole Center for the Arts
02/26 – 02/27 – Salt Lake City, UT – Commonwealth
03/18 – Rutland, VT – Paramount Theatre
03/28 – EMS Spring Bluegrass Festival
^^ w/ Leftover Salmon & Kitchen Dwellers
** w/ California Honeydrops
++ w/ Johnny Mullenax
&& w/ Moe.
!! w/ Bronwyn Keith-Hynes

w/ The Avett Brothers