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Pop Punk Revivalist Dylan Espeseth Ignites “Circles” With Raw Emotional Fire

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Pop-punk revivalist Dylan Espeseth unloads bottled frustration on “Circles,” a high-octane anthem that captures burnout, anxiety and the dizzying trap of repetition. Driven by pounding drums and urgent guitars, the track barrels forward with early-2000s pop-punk punch filtered through a modern emotional lens. It is fast, cathartic and brutally honest.

“I feel like I’ll never get better,” Espeseth admits. “Everything just happens over and over. I make the same mistakes, relive the same anxieties, sit and stare at the same walls. No matter how hard I try I feel like my life is just a cycle of misery.” The vulnerability fuels the hook, turning self-doubt into a rallying cry.

“Circles” marks the first taste of his debut full-length, fully produced by Aaron Sprinkle. The album, set for release in 2026, sharpens Espeseth’s blend of melodic instinct and emotional urgency. The production hits hard while keeping the confession front and center.

Raised on vinyl with his father and shaped by school orchestra, Espeseth draws from Fall Out Boy, Dashboard Confessional, Juice WRLD, Lil Peep and Bob Dylan. After teaching himself production during the pandemic, he carved a lane built on truth and connection. “Circles” surges forward with defiant energy.

Soul Artist Katie Tupper Shares “Right Hand Man” From ‘Greyhound’

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Prairie-born soul indie artist Katie Tupper announces her debut album ‘Greyhound,’ arriving January 21, alongside new single “Right Hand Man.” Raised in Saskatoon, Saskatchewan, Tupper blends smoky alto vocals with soul, indie and alternative R&B, threaded with subtle folk twang. “Right Hand Man” leans into a funkier groove, expanding the emotional and sonic palette of the record.

On the album’s title, Tupper explains, “Greyhounds that race on tracks are given these parameters and rabbit decoys to chase that are unreachable. If the front or fastest dog gets close to the decoy it just speeds up to make them run faster. The dogs think they are chasing something reachable but by design it will always be slightly ahead of them. It made me think about my relationships and how I act in the world. I am often both the Greyhound and the decoy — chasing something unreachable and being the thing that cannot be caught.”

“Right Hand Man” explores the tension of emotional dependency. “This song is about the weight and pressures someone puts on you in a relationship — when you become someone’s only source of happiness and they are vocal about it,” she says. “It becomes a compromising place to be in and clouds your decision making about the relationship.” The groove is warm, the lyrics sharp and unguarded.

With comparisons to Olivia Dean and Charlotte Day Wilson, Tupper steps forward with a debut that bridges prairie roots and a broadened perspective. ‘Greyhound’ shapes up as a defining introduction to a voice grounded in independence and emotional depth.

Montreal Punk Firestarters NOBRO Unleash Raw New Single “DOOMTOWN”

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JUNO Award-winning Montreal punk outfit NOBRO return with “DOOMTOWN,” a garage-rock adrenaline blast that signals a more vulnerable chapter for the band. Centered around Kathryn McCaughey and Karolane Carbonneau, the track keeps their tornado energy intact while digging into grief, dread and uncertainty that surfaced during a period of personal upheaval.

Right as the band celebrated a JUNO win, half the lineup departed. Carbonneau lost her father, while McCaughey began navigating her own father’s dementia. Those experiences pulse through “DOOMTOWN,” which confronts existential questions head-on. “Will I be singing about pussy and drugs in the nursing home?” McCaughey asks, a line that lands with both bite and brutal honesty.

Recorded, produced and mixed by John Agnello, the song balances sharp hooks with emotional weight. The guitars snarl, the rhythm section surges and the lyrics refuse to look away. This is NOBRO sitting with discomfort instead of outrunning it, turning chaos inward and giving it shape.

The single arrives with a striking animated visualizer by Mi’gmaw filmmaker Christopher Grant. Following a lone figure wandering city streets in search of connection, the video mirrors the song’s isolation and intensity. “DOOMTOWN” hits hard, fearless and unfiltered.

British Indie Songwriter Jude Lilley Launches Crook Decker With ‘Graffiti Lagoon’

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British indie singer-songwriter Jude Lilley steps into a new chapter with Crook Decker, a solo venture that channels urban dissonance into murky, hypnotic alt-pop. The debut album ‘Graffiti Lagoon’ is out now via Seb Wildblood’s all my thoughts label, with focus track “Living In Paradise” leading the charge. The project reframes city life as something mythic and surreal, where Peckham morphs into a digital swamp.

Born during lockdown in 2020, Crook Decker began as a sonic alter ego and evolved into a fully realized world. Over five years, Lilley shaped a sample-driven, intimate sound that feels both lo-fi and cinematic. The textures blur between grit and melody, creating a hazy atmosphere that pulls the listener deeper with each track.

“‘Living In Paradise’ kinda speaks for itself,” Crook Decker says. “It took me some hard truths to realise I’ll never be a better person when my back is turned. It was time to put some effort into embracing my new urban environment and take some accountability by adjusting my attitude and listening to the chaotic beauty around me.” The track lands as reflective, restless and immersive.

Drawing loose parallels to Pavement, Mac DeMarco, Guided By Voices, Beck and Tom Waits, Crook Decker carves its own swampy territory. The project signals a bold artistic evolution for Lilley beyond his work with Moreish Idols, presenting a debut that feels strange, personal and vividly alive.

London Western Pop Storyteller Erica Manzoli Unveils “Dear Other Woman”

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London singer-songwriter Erica Manzoli returns with “Dear Other Woman,” a cinematic, slow-burning western-pop confessional that examines love, intimacy and imagination with fearless honesty. Framed as a letter to a hypothetical rival, the track closes a year of creative momentum that included live shows alongside Remy Bond, Zinadelphia, Gabriela Bee and Kings Elliott.

“‘Dear Other Woman’ came from a place of questioning,” Manzoli explains. “It’s a fictional letter that imagines a situation I’ve thought about how I might actually feel if someone else crossed a boundary with the person I love.” The song unfolds as a thought experiment, tracing the tension between emotional closeness and physical connection.

“It’s not about wanting that but about exploring how emotional and physical intimacy can sometimes pull in different directions,” she continues. “As someone who sits somewhere on the asexual spectrum, I wanted to be honest about the confusion that can come with that and start a conversation about something that isn’t often spoken about.” The result is reflective, vulnerable and strikingly composed.

Following “Burn The Internet” and her breakout “My Best Friend Is My Therapist,” Manzoli continues to transform personal observation into pointed commentary. With “Dear Other Woman,” she deepens her exploration of modern love, delivering a beautifully restrained and emotionally rich statement.

Bill Bruford Breaks Down “What Shall We Do With The Drunken Sailor?”

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Progressive rock legend Bill Bruford, renowned for his work with Yes, Genesis and King Crimson, offers a masterclass in groove with his demonstration of “What Shall We Do With The Drunken Sailor?” In the clip, Bruford shows how he teaches young drummers by starting away from the kit, encouraging them to sing and clap the melody before translating it into different rhythmic feels. “If you can’t sing it or clap it, you can’t play it on a drum kit,” he explains, underscoring the deep connection between speech rhythms and musical phrasing. It is a clear, hands-on reminder that great drumming begins with internalising the pulse.

Devo Launch 2026 “Mutate, Don’t Stagnate” West Coast Tour

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Legendary post-punk innovators Devo return to the stage in 2026 with their “Mutate, Don’t Stagnate” Tour, a West Coast run leading into their Coachella appearances. The trek launches April 3 in Wheatland, California, before hitting Reno, Salt Lake City and Phoenix. Known for their pioneering sound and striking visuals, Devo promise a fully immersive live experience.

“We can’t wait to hit the road in 2026 and perform for our fans across the West Coast,” the band share. “It’s incredible to see our music resonate with fans of all ages. From those who’ve been with us since the beginning, more than 50 years ago, to a whole new generation discovering Devo for the first time. This tour is a celebration for everyone who’s been part of our journey.”

The announcement follows a Grammy nomination for Devo’s feature documentary in the category of Best Music Film, now streaming globally on Netflix. The recognition underscores the band’s lasting cultural impact and renewed momentum heading into another busy year.

Beyond the U.S. dates, Devo also expand their global reach with UK shows alongside The B-52s on the “Cosmic De-Evolution” Tour, including stops at The O2 in London and AO Arena in Manchester. Decades into their career, Devo continue to mutate, evolve and electrify.

Devo 2026 US Tour Dates:

Apr 3 – Wheatland, CA @ Hard Rock Live Sacramento
Apr 4 – Reno, NV @ Grand Sierra Resort and Casino
Apr 7 – Salt Lake City, UT @ The Complex – Rockwell
Apr 10 – Indio, CA @ Coachella
Apr 13 – Phoenix, AZ @ The Van Buren
Apr 17 – Indio, CA @ Coachella

Tori Amos Revisits ‘Strange Little Girls’ With Expanded Edition

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Alternative trailblazer Tori Amos revisits her daring 2001 concept album ‘Strange Little Girls’ with an expanded edition, out now via Rhino Records. The Grammy-nominated project features Amos reinterpreting songs written by men, shifting each into a female perspective through 12 distinct personas she created. It remains one of her most conceptually ambitious works.

The expanded edition combines the original album and B-sides with two previously unreleased covers from the sessions, including Bruce Springsteen’s “Growin’ Up,” now available digitally. A vinyl pressing arrives with one of 12 alternate covers, each reflecting a different character Amos embodied, originally brought to life alongside makeup artist Kevyn Aucoin.

Recorded at her Martian Engineering studio in Cornwall with Matt Chamberlain, Jon Evans, Adrian Belew and John Philip Shenale, the album spans The Beatles, Depeche Mode, Tom Waits and The Velvet Underground. Amos’ transformation of Eminem’s “’97 Bonnie & Clyde” and Slayer’s “Raining Blood” stands as bold reinterpretation at its most fearless.

Debuting at No. 4 on the Billboard 200, the album earned Grammy nominations for Best Alternative Music Album and Best Female Rock Vocal Performance. Amos will tour the UK and Europe this spring in support of her 18th studio album ‘In Time Of Dragons,’ bringing her singular artistry back to the stage.

Track Listing:

  1. New Age – Originally by Velvet Underground
  2. ’97 Bonnie & Clyde – Originally by Eminem
  3. Strange Little Girl – Originally by The Stranglers
  4. Enjoy The Silence – Originally by Depeche Mode
  5. I’m Not In Love – Originally by 10cc
  6. Rattlesnakes – Originally by Lloyd Cole & The Commotions
  7. Time – Originally by Tom Waits
  8. Heart Of Gold – Originally by Neil Young
  9. I Don’t Like Mondays – Originally by The Boomtown Rats
  10. Happiness Is A Warm Gun – Originally by The Beatles
  11. Raining Blood – Originally by Slayer
  12. Real Men – Originally by Joe Jackson
  13. Growin’ Up – Originally by Bruce Springsteen [Previously Unreleased]
  14. Hoover Factory – Originally by Elvis Costello [Previously Unreleased]
  15. After All – Originally by David Bowie
  16. Only Women Bleed – Originally by Alice Cooper

Christian Music’s Biggest Night GMA Dove Awards Set 2026 Nashville Return

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The 57th Annual GMA Dove Awards return to Nashville’s Bridgestone Arena on October 6, 2026, bringing Christian and gospel music’s biggest celebration back to the heart of Music City. The annual gathering continues its legacy of spotlighting artists who shape faith-driven music across genres, from worship and gospel to contemporary Christian and inspirational pop.

Fans can secure seats during an exclusive pre-sale ahead of the general on-sale. For those seeking a deeper immersion, the 2026 Music City Fan Experience delivers a full weekend in Nashville, including a worship night at the Ryman Auditorium, a New Artist Showcase, exclusive previews from faith-based creators, a Riverboat Lunch Cruise with live performances, premium awards seating and a three-night stay at the Sheraton Grand.

Last year’s ceremony delivered landmark moments and arena-filling performances. For King + Country opened with “World On Fire,” while Ben Fuller welcomed Carrie Underwood for a powerful duet. Steven Curtis Chapman united with Lady A and Vince Gill for a special Opry celebration. CeCe Winans, Brandon Lake, Jelly Roll and Jon Batiste brought emotional and high-impact finales.

The Dove Awards continue to stand as a defining night for the Christian music community, uniting artists, songwriters and fans under one roof for an evening of celebration and worship.

Electric Forest Reveals 2026 Lineup Led By Illenium

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Michigan’s immersive music festival Electric Forest returns to Rothbury from June 25-28 with an expansive first wave lineup featuring 100 artists. Known for its art installations, community-driven spirit and late-night discoveries, the 2026 edition brings together electronic heavyweights, crossover innovators and genre-defying live acts in one woodland playground.

Headliners include Illenium, Excision and Kaskade, alongside two sets from GRiZ, including a Chasing The Golden Hour performance. Chris Lake joins jam icons The String Cheese Incident, who will deliver multiple incidents, including a special Shebongle Shebang. A first-time DJ Diesel B2B T-Pain Bass DJ Set adds a curveball moment to the weekend.

The electronic spectrum runs deep with Eli Brown, Purple Disco Machine, ISOxo, Ganja White Night, LSDream, Madeon and Wilkinson. Andy C and Ivy Lab bring drum and bass precision, while Odd Mob, Devault and Sidepiece anchor the house contingent. From UKG via MPH and Oppidan to bass innovators Wooli and Ravenscoon, the Forest pulses across styles.

Beyond the dancefloor, Daniel Donato’s Cosmic Country, Frost Children, Underscores, INIKO, Jean Dawson and SBTRKT expand the festival’s creative reach. The reveal unfolded through riddles, poems and a curated EF Radio broadcast, turning the announcement into a shared celebration. Electric Forest 2026 shapes up as another multi-sensory gathering in the Michigan woods.