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Kitchener’s Alt.Country’s MATTHEW BURKHART Releases Stunning Debut Album “Slow Burn”

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Kitchener, ON’s alt country-rock artist Matthew Burkhart is basking in the warmth of Slow Burn, his artist’s debut album, available now.

“I’m the only one in my family with a musical bone,” Burkhart offers. “I had to be making noise at all times. Music has always helped me channel my streams of consciousness and tell stories.”

Having taken his turn playing in bands and performing live, the choice to embark on a solo offering was both a creative necessity and fitting step for the multi-talented singer/songwriter. It came together quickly, too — the seeds and sparks of each song aligning just right.

“I wrote Slow Burn during my two-week quarantine in mid-March,” Burkhart recalls of the album’s initial process. “I had taken a trip with my family down to Scottsdale, Arizona over March Break which was right as the pandemic really started raging; it was strange seeing that happen in real-time in a foreign country.

“The day after we arrived back in Toronto, the borders closed,” he continues. “I received word about having to quarantine and, all of a sudden, had two weeks of solitude to write about everything.”

The result is a seamless synergy of music and words sheathed within a six-track EP.

Lyrically, Slow Burn journeys a variety of aspects — from finding new love in “Good Place to Start,” to pushing through life with your inner voice in “Back Down the Road,” to “Wind Song,” rife with social commentary touching on economic oppression and the current societal and political status quo.

From there, Burkhart’s rock-driven track “A Place in My Mind” touches on acknowledging and removing a toxic state of mind, while the subtle and more melancholy “No Better Time Than Now” perfectly punctuates his expansive sonic range. “Volcano” is a metaphoric exploration into the powerful feeling of allowing yourself to love again.

“These songs are about finding the truth about how I feel right now,” Burkhart says. “It’s never been easier to get dragged down by simply observing the world around us; the longer this goes on, the heavier the weight is on everyone.

“I had a lot on my mind after witnessing the pandemic’s breakout the way that I had,” he continues. “I had also found a new love in my life, and it was a connection that was tough to be away from for that many weeks.

“All of these things came out and it was nice to allow myself the creative freedom to put pen to paper. That time gave me a chance to filter my thoughts and ideas into melodies and words, and was incredibly liberating.”

If the album was inspired by events that transpired around COVID-19, it’s fitting it was recorded within the parameters of it as well. “Last December I had approached Brandon Fehderau about recording my first single, ’Unaware,’” Burkhart explains of connecting with the Kitchener-based producer in 2019. “I loved his spontaneous approach to recording without sacrificing the integrity of the song, so I reached out again about recording Slow Burn.

“We had pre-production meetings over Zoom and it was definitely different, but ended up being more efficient than spending an afternoon or day in the studio. The whole EP was recorded in three days, with Brandon taking up the rhythm section duties, leaving me with the guitar and vocals.

“It was incredible how smooth the whole process was, and I credit that to both Brandon and I being super prepared and working with intention.

“This album is a labour of love, and something I knew I needed to get out to people.”

Toronto’s MAUVE Gets 2+ Million Plays, Continues Electro Chill-Pop With “Right”

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Topping more than 2+ Million plays across platforms, award-winning Toronto’s electro chill-pop artist Mauve delivers a rush of synth-pop grooves in her newest single, “Right” — available now.

“I wanted this song to bring out the feeling like you’re under the glimmering lights at a party,” she muses. “Even if it’s a self-isolation party…

“There’s a lot of uncertainty going on in the world this year, but the message from this song is all about that person who is a much-needed balm to those stresses,” she continues. “‘Right’ reflects the freedom and fun of not having to go about the serious stuff alone because this person is by your side, and gleeful intoxication in connecting with that special someone as they help you see the better things in life.”

With continued support from Medium, CBC Music, Virgin Radio, Sirius XM, MediaPro Music, Spotify’s hottest playlists, and more, the disco-influenced and retro-pop revival complements Mauve’s growing body of work brimming with the Toronto-area singer, songwriter and producer’s signature smooth vocals and uplifting, melodic bops.

Celebrating the release of her most recent EP, 2019’s Palette, a series of follow-up singles — including this year’s “Must Be” and “Out of Nowhere” — she also took top prize, winning the 2019 InterContinental Music Award for ‘Best of North America.’

Her releases have been featured in and on, but not limited to, NBC-2, FOX40 News, ABC7 News, CBC Music, 107.3 Virgin Radio, Buzz Music LA, Talk About Pop Music, WFMZ-TV 69, Best Kept Montreal, Tinnitist, KOTV-TV CBS-6, IndieCan Radio on SiriusXM, MediaPro Music, Beat Lounge, Canadian Beats, Cashbox Canada, The Girls at the Rock Show, Daily Herald, 100FM, CHUO FM, and more. A frequent live performer, she has taken the stage at events such as YOUTH DAY Global at Yonge-Dundas Square, and the 2020 Toronto Music Expo.

8-Time Maple Blues Award Winner STEVE HILL Goes Off-Road in New & Eighth Album, Desert Trip

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One of Canada’s most prolific guitarists Steve Hill is taking audiences along on his Desert Trip with the release of his latest album, and single “Rain” — available now.

A multi-talented instrumentalist with a JUNO, eight Maple Blues Awards and well over 2,500 live concerts notched on his axe, it was a previous solo sojourn into the dusty, dusky wide open that would inspire and transpire into most of this year’s release.

“In the fall of 2016, I went to California with some friends to attend the Desert Trip Festival in Coachella,” Hill recalls. “I had an amazing time while I was there and decided to hang around LA a little longer.

“After a couple of days in the city, I felt an urge to move and a need to explore,” he continues. “I rented a camper van and criss-crossed the state for about three weeks.

“I bought a guitar, too, and wrote some tunes at night while camping in Death Valley, Big Sur, Yosemite, San Rafael, and many other wild places.

“The world has become a very different place since then,” Hill considers. “Somehow, though, these songs make more sense to me lately. They’re a journey through my state of mind at the time, and maybe a foretelling of the way I feel now.

“There’s a few vamped-up oldies on there as well,” he reveals. “It’s as if they had been written on the same trip… I hope they bring others a little joy and comfort, too, in these troubled times.”

Now 27 years and millions of streams into his storied career, Hill has performed alongside the likes of Ray Charles, B.B. King, and ZZ Top, has taken the stage with Kent Nagano and the Montreal Symphonic Orchestra, performed at some of the country’s biggest music festivals, and dabbled in every genre from rock, to country, to folk, and back — all while fusing it with his first and foremost love, the blues.

A multi-nominee across his previous releases, The One Man Blues Rock Band (2018), Solo Recordings, Vol.’s 1 (2012), 2 (2014), 3 (2016), The Damage Done (2009), Devil at My Heels (2007), and Domino (2007), Steve Hill has won a JUNO Award for Blues Album of the Year, the Memphis International Blues Challenge for Best Self-Produced CD, and eight Maple Blues Awards — including three Electric Act of the Year Awards, two Entertainer of the Year Awards, two Guitarist of the Year Awards, and an Album of the Year Award.

Long known for his extensive breadth of sonic skill, earlier this year his outfit Steve Hill & The Devil Horns released “All About The Love” — a rollicking musical mashup of 70s rock mixed with 60s gospel and soul.

My Next Read: “Do You Feel Like I Do?: A Memoir” by Peter Frampton

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Do You Feel Like I Do? is the incredible story of Peter Frampton’s positively resilient life and career told in his own words for the first time. His monumental album Frampton Comes Alive! spawned three top-twenty singles and sold eight million copies the year it was released (more than seventeen million to date), and it was inducted into the Grammy Hall of Fame in January 2020.
Frampton was on a path to stardom from an early age, first as the lead singer and guitarist of the Herd and then as cofounder — along with Steve Marriott — of one of the first supergroups, Humble Pie. Frampton was part of a tight-knit collective of British ’60s musicians with close ties to the Rolling Stones, the Beatles, and the Who. This led to Frampton playing on George Harrison’s solo debut, All Things Must Pass, as well as to Ringo Starr and Billy Preston appearing on Frampton’s own solo debut. By age twenty-two, Frampton was touring incessantly and finding new sounds with the talk box, which would become his signature guitar effect.
Frampton remembers his enduring friendship with David Bowie. Growing up as schoolmates, crossing paths throughout their careers, and playing together on the Glass Spider Tour, the two developed an unshakable bond. Frampton also shares fascinating stories of his collaborative work with Harry Nilsson, Stevie Wonder, B. B. King, and members of Pearl Jam. He reveals both the blessing and curse of Frampton Comes Alive!, opening up about becoming the cover boy he never wanted to be, his overcoming sub-stance abuse, and how he has continued to play and pour his heart into his music despite an inflammatory muscle disease and his retirement from the road.
Peppered throughout his narrative is the story of his favorite guitar, the Phenix, which he thought he’d lost in a fiery plane crash in 1980. But in 2011, it mysteriously showed up again — saved from the wreckage. Frampton tells of that unlikely reunion here in full for the first time, and why the miraculous reappearance is emblematic of his life and career as a quintessential artist.

Award-Winning Multimedia Artist ZAHED SULTAN Reimagines Classic 70s Lebanese Disco Track into Today’s “Layl” — Available Now!

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International award-winning multimedia artist, culture producer, and social entrepreneur Zahed Sultan has reimagined a 70s disco classic with a personal connection in this, his new release — “Layl” is available now.

Originally “Do You Love Me,” a famous Lebanese song from the 70s by the Bendaly Family, the track has been reframed as a cinematic piece and placed in a more melancholic and somber space.

Featuring spirally vocals, deep synths, and rich textures from the violin, Sultan’s spin lends the gem greater meaning through its haunting music video. “I expanded on its themes of love and loss,” he shares. “It felt particularly fitting in light of the tragic explosion in Beirut, and the crippling of its creative community.”

In addition to the song sparking his creative inspiration amidst the COVID-19 lockdown, Sultan hosts a personal connection in “Layl” through the original version’s music video. “It was shot in Kuwait on the Waterfront,” he explains. “That location was a project designed by my late father, Ghazi Sultan.”

The release of “Layl” marks a new path for Zahed Sultan as he dedicates himself to rethinking Arab culture through music and multimedia performance; his work frequently recaptures nostalgia to craft a sound all his own.

Currently based in London, the award-winning multimedia artist of Kuwaiti-Indian heritage has had his music licensed for television and film syncs, Sultan’s entire ethos orbits the concept of community through social impact programs and collaborative arts projects — including 2018’s project exploring the cultural bridge between Jamaica and Kuwait via Bob Marley’s Tuff Gong Studio, Vibrations — EP.

Victoria/Halifax/Ottawa Trio thechroniclesofcure Connect for a Cause with Debut Album, ‘Social Distant Story Book’

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With a heady combo of edgy synth pop, alt rock, and singer-songwriter vibes, Canadian trio thechroniclesofcure have combined quarantine-created music with a quarantine-related cause for their debut album Social Distant Story Book — available now.

Bandmates Claire Warren, James Feschuk, and Camille Irvine — who also produced the record — came together in April 2020 with a mission of making great music and donating to a great cause: providing elderly residents of long-term care facilities with technology to stay socially connected during COVID-19.

“We didn’t really know each other at all beforehand,” Irvine says, “but we ended up having a really fun time working with each other.

“We found that sending each other tracks back and forth was the best part of our socially isolated weeks.”

With that, the album’s process shines insight on its ultimate title — Social Distant Story Book. “It’s our story of how being in isolation doesn’t mean you’re alone,” Irvine explains. “It’s that, although we can’t meet in person, we can still create and connect with one another.

“The privilege we have had making music virtually, however, is something not everyone is able to do,” she continues. “Not everyone has access or know-how for using technology to connect — especially the elderly.”

“These vulnerable populations are experiencing severe isolation, many without consistent access or ability to use technology, so by donating our streaming revenue and additional contributions raised from our website, we hope to translate the privilege we’ve had to make music into providing the elderly with access and ability to connect with their loved ones.

As for the music, thechroniclesofcure drew inspiration from the likes of The Cars, Peach Pit, and City and Colour to master a release that teems with nostalgic lust for memories — growing up, being in love, and just having good old-fashioned fun. Previous singles have included “Playground Fantasy” and “Domino.”

“The pandemic has shown us how valuable connection with others is, and how dark and bleak life can be without it,” Irvine shares. “That’s why the album starts with the ‘end’ and finishes with the ‘beginning’ — we started writing while feeling isolated and ended on a hopeful and excited note, patiently waiting for the days when we get to play as a band together.

“This album, to me, is about the struggles of growing up and, more than that, the oscillating experience of being a human — an experience encased by love, loneliness, insecurity, lust, and joy,” she muses. “Just like those emotions make you see life in different colours, I hope each of these songs make you feel in a kaleidoscope of different ways.

“For example, ’Artificial Nostalgia’ is an intentionally busy song,” Irvine offers. “I wanted it to feel like you just walked into a crowded room full of your favourite people; it’s something I’ve craved during quarantine.

“And if it’s something I’ve craved, and I can log on easily to connect with my favourite people, I can only imagine the struggle of an elder in our community who doesn’t have the same opportunity.

“We look forward to helping with that.”

JUNO Award Winning Brandi Disterheft Trio with George Coleman Ride the Bossa Nova Wave in ‘Surfboard’

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Award-winning Canadian jazz contrabassist, singer and composer Brandi Disterheft and her Trio ride the wave of exploring bossa nova in a contemporary light with the release of her new album, Surfboard — available now via Justin Time Records.

The release joins the album’s previously released title track, “Surfboard,” and is touted among Disterheft’s most accomplished yet.

Joined by two octogenarian masters — virtuoso tenor saxophonist George Coleman and the definitive Brazilian drummer Portinho — and world-class pianist Klaus Mueller, Disterheft authoritatively and organically guides the flow on a varied program that reflects her capacious interests. On “Surfboard,” most notably, the artists nothing short of shine with their slick vignette arrangements and fitting homages to composer and co-creator of bossa nova Carlos Jobim, and bassist Sam Jones throughout. Inspired by documentary tandem surfing footage for the video, Portinho shines his signature groove on this pull from the Brazilian Songbook Standards with unrivalled finesse.

Her fifth studio album release, Disterheft’s kinetic, harmonically erudite basslines throughout Surfboard anchor ensemble interpretations of choice tunes culled from the blues, mainstream jazz, and the Great Brazilian and American Songbooks. She sings those Songbook numbers, and her own evocative lyrics, with an instantly recognizable voice that conveys vulnerability and emotional intelligence, and matches the high bar set by her partners on a series of creative solos with deft ease.

For the album’s origins, the project had gestated in Disterheft’s decade-long musical relationship with Portinho, whom she met through Mueller soon after moving to New York from Canada in 2010. Their simpatico developed during years as a working band on numerous Canadian concerts led by Disterheft and Portinho’s five-sets-a-night weekend sinecure at a Brazilian churrascaria in Manhattan.

“I wanted to record us,” she says. “Porto has a way of uplifting the beat. It’s so funky, with such an infectious groove, and he has so much dynamic range.

“He has strict rules,” she continues, “but once you learn them, he wants you to break away. He’s always anticipating, turning around the phrases. It’s so much fun.”

Brandi Disterheft has long-captivated audiences throughout Canada, Europe, Japan, China, and Haiti, — including performing at the coveted Carnegie Hall — with not only her fiery bass playing, but also her innovative live shows as she sings in both English and French showcasing her ambient and dreamy voice.

A featured soloist with the Canada’s Pops Orchestra at just the age of 21, Disterheft began performing in her teens with her mother, a Chicago-born pianist and B3 Organist. Having been under the apprenticeship of Miles Davis’ bassist, Ron Carter, since she relocated to NYC, she has also recorded with icons Oliver Jones and Hank Jones on the album Pleased To Meet You, as well as Benny Green on Anne’s Drummond’s album Revolving, and Cyrus Chestnut and Jeremy Pelt on Vincent Herring’s albums Uptown Shuffle and Night and Day.

Disterheft’s first recording Debut (2008) won a JUNO Award in the Traditional Jazz Album category, and her critically acclaimed Second Side (2009) was picked by The Globe and Mail as one of the ten greatest albums of 2009. Disterheft’s skills as a bassist and composer are clear at every turn on her breathtaking and JUNO Award-nominated follow-ups Gratitude (2012) and Blue Canvas (2016) — the latter featuring an all-star New York City line-up with jazz master Harold Mabern and the great Joe Farnsworth.

Hamilton, ON’s Bryce Clifford & Brother Superior Vow that “Tomorrow We Break Up With Ourselves”

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Bryce Clifford & Brother Superior have set a deadline in “Tomorrow We Break Up With Ourselves” — the latest single off their forthcoming album, Rebounder.

The video features freshly digitized VHS clips of Clifford skateboarding with his brother and friends in the 90’s.

With added influences of post-punk, blues and old-school soul woven in, the band’s newly minted third album sews in a bow the frontman’s storied 10-year sojourn to Austin, Texas and back.

“The journey of creating Rebounder starts in Austin, Texas,” Clifford recalls. “There, I’d been in a new relationship I was excited about when, out of the blue, it disintegrated in one night.

“Literally.

“It was one of those rug-pulled-out-from-under-you kind of moments,” he continues. “I think I took it pretty well, but I also decided it’d be a good idea to pack everything and drive to Canada the next day.”

“People have different ways of dealing with this kind of thing; mine was to throw myself into making a new album from scratch. I imagined myself pressing it to vinyl and mailing her a copy one day. At that time, imagining it’d win her back. It was a grandiose and far-fetched idea, but at least I have a record to show for it.”

The track “Tomorrow We Break Up With Ourselves” came as a reaction to writing one-too-many slow and introspective songs. Clifford considers, “You can only work on those ‘downers’ for so long until you need to shake it off and play something irreverent and poppy.

“This one flips-the-script on the ‘hopeless-romantic’ narrator and asks, ‘is it possible that you’re the problem?”

“I’d held onto the song title for years. A friend came up with the saying one night at the Elephant Room, a jazz club in Austin. We’d been comparing and joking over some of our relationship woes and she said, ‘Tomorrow, Bryce, we break up with ourselves.’

“I always laughed at how she added ‘tomorrow’, indicating there’s very little determination towards this effort of self-improvement…”

The story behind this album was initially a difficult one to talk about, Clifford shares — not because of the hard feelings behind the breakup at its centre, but for what he wondered was a “regrettably trite scenario…”

“I seethe at the idea of being lumped in with those lame ‘singer/songwriter seclusion’ stories,” he says, half-groaning, half-laughing. “In all seriousness, though, I hope it isn’t filed under ‘pain makes art,’ but something more like ‘art as survival.’”

Gravitating north back ‘home’ to Canada, with no plan except to mine the circumstances for a collection of songs, the 2,500-odd kilometre drive confirmed to Clifford two things: he had a record and he couldn’t let it get away.

“I would make voice memos in the car, or stop off from the highway — preferably at a Waffle House — to knock out some chords and melodies. Like a common cold, I knew I’d get better so I had to chase the ideas while I was still on the bad side of symptoms. I was afraid the adrenaline would wear off, so I worked on the songs nonstop for the first several weeks.

“I set up recording gear in an abandoned RV my family had been storing on some empty farmland near London, Ontario. It was self-imposed isolation before that was a thing, pre-pandemic; I was surrounded by snow-covered cornfields and I shut off the social media for months. It was the perfect place for silence and experimentation. It was very freeing to allow myself to be off the grid and off the hamster wheel for a while.

“Based on the overwhelming feelings, and a racing mind, this goal of making a record served as an antidote to a bruised heart in free fall,” he continues. “Neuron-firing creativity has a way of absorbing letdowns, like a built-in defense mechanism.

“I relied on that.”

Before this year’s release, it had been ten years since Bryce Clifford & Brother Superior’s debut LP, Hail Tapes (2010), and another four since the sophomore EP, Whatever Coach (2016). The band has toured, performed and been featured extensively, including at or on NXNE, MTV, CBS, The Syfy Channel, Bravo Canada, The CW, and in the award-winning film, Here We Are.

For its part, Rebounder lands as a 12-track tome to a relationship that was, wasn’t and could be again.

Its early pre-release success includes showcases at Austin’s DIY Conference, Toronto’s Indie Week, and filming at YouTube’s headquarters; Bryce Clifford & Brother Superior were recently CD Baby’s Artist of the Month for August.

“I think the songs do a good job of reflecting the mood swings in a person when the bottom drops out,” Clifford says of the release. “It documents a sort of manic confusion, the tangents from disbelief, to loss, to a ‘rock and roll’ defiance.

“The songs don’t wallow too long, either,” he adds. “It’s balanced with songs that reach back in time for the bright moments.”

“Heartbreak is universal, and everyone gets their turn. I just feel lucky to have had a place to put it.”

Ottawa, ON’s Andrew Cassara Says “Gimme More Bass” with the Release of New Single & Album, Freak On Repeat

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Canadian pop dynamo Andrew Cassara ushers and envelops listeners deep into his dazzling world with the release of his newest album, Freak On Repeat (Deluxe Version), concert video, and single “Gimme More Bass” — all available now.

“Gimme More Bass is one of those songs that kind of surprised me,” Cassara shares. “It happened so quickly; at the beginning it was just a melody that was really catchy and it felt like in the blink of an eye it came to life.

“Growing up, I was the biggest Backstreet Boys fan and ‘Gimme More Bass’ feels like I’m sticking to my roots, but that I’ve fused that ‘boy band’ pop sound with my love for retro funk and disco.

“It’s groove pop and it just feels like home to me.”

As for the album, its title alone telegraphs Cassara’s determination to blaze his own path and encourage others to do the same. “Freak on Repeat is actually a line from one of the songs, ‘Bad Bad,’ and I think it describes this record authentically. It’s about having the best time you can have, being yourself and having fun in the moment.”

Nowhere is that more evident than that first single, a track that channels the glitz and glitter of 70’s era disco while sounding cutting-edge current, and which Cassara describes as, “A fun, party tune about a night of lust and fun with a kind of Saturday Night Fever vibe.”

Although infectiously hooky, groove-driven tracks like “Fever (Bring the F**K mix)” and “Funkadelic” encourage listeners to celebrate life, Cassara’s drive to write about his own experiences with complete honesty finds him covering rougher ground as well. “I wanted to spread a positive message, but I also wanted to write about topics that are sometimes difficult to talk about.”

“You Are” for example, Cassara explains, was written explicitly about his personal struggles with mental health issues. “With ‘You Are’ I had a mission in mind: to tell my story and provide positive reinforcement to anyone listening by repeating lines like ‘you are loved’ and ‘you are strong’. It’s my story, but it’s also a message of inspiration I hope will help people tackle their own issues and give them a positivity boost.”

Similarly, “My Love Again” deals with the lingering feeling that although something’s ended, a new start may be possible. “That’s also a real story,” Cassara says. “It’s a message that, rather than send directly to someone, I wrote into a song.”

“This is probably one of my all-time favourite songs I’ve written to this very day,” Cassara shares of the album’s most recent single and video, “Shock.” “I’m always pushing myself to try writing and singing what feels right for the song while also pushing myself out of my comfort zone to try something new.

“‘Shock’ did just that for me.

“When I was writing it,” he continues, “funnily enough I couldn’t help but picture myself in the movie Grease in the role of ‘Danny’ singing this song… It’s a feel-good song, and it’s a creation I want people to get off their feet for, to dance to and have the time of their life with.

“There’s just this energy that rushes through me whenever I hear it.”

Describing Canadian pop dynamo Andrew Cassara’s style in words doesn’t do it justice; hearing and feeling his music are really the only ways to fully appreciate the 24-year-old’s singular blend of funk, disco and pop. Fuelled by influences ranging from Shawn Mendes, to the Bee Gees, to artists like Jamiroquai – who, like Cassara, blur stylistic lines fluidly – both “Shock” and Freak on Repeat (SGMGroupArtists), may sound familiar, but are absolutely impossible to pigeonhole.

Music has been Cassara’s go to means of expression since first hearing the Backstreet Boys at age four. “They were so inspiring. When I was a kid, I actually won a karaoke contest singing and dancing to their songs. They really paved the way for my passion for music.” His lifelong love affair with music, his determination to write, record and perform, however, is also rooted in his parent’s divorce and father’s subsequent move to the US, which happened right when he started getting into music. “I guess I was just looking for more positivity in my life. Now, when I write, it brings back a lot of those emotions and that plays a big role in my music.”

That said, Cassara’s insistence on replacing negatives with positives and his desire to lift people up permeates every tune on Freak on Repeat and is summed up handily with the stand-out album closer, “Stay Rockin.” “That’s my motto,” Cassara says; his way of dealing with whatever life throws his way. “And putting it at the end of the record, I think, ties the whole album together.”

With previous releases including Lavender Feels, The Big Bang, and Freak on Repeat in its first iteration — as well as a series of singles — Cassara has performed in the US, South Korea, Singapore, Japan and Sweden and shared the stage with artists such as Shawn Mendes, Chromeo, Tyler Shaw, Lauv, and more. He’s also headlined the Youth X Canada Tour, performing for and engaging with audiences at youth centres across Ontario in an effort to encourage young people to share their own stories and mental health struggles.

Why Music Matters When Playing Bingo Games Online

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Bingo is a very popular old-school game. You might think that these kinds of games are outdated, but this couldn’t be further from the truth. In fact, they are more popular than ever. Why? Simply because they have been digitized and introduced to the online world. 

People can now enjoy their favorite games online. What’s even better is the fact that they can always find other players online. In the past, you had to find someone to play a game of bingo with you. Furthermore, the online version of the game is always open. 

No matter when you have time during your daily schedule, you can always go online and play a game of bingo. This new gaming model also offers a variety of other benefits. You are playing from the comfort of your home, and you can eat your favorite food, wear comfortable clothes, and listen to your favorite music while playing. 

Where to Play Bingo Online?

You can play bingo games online at many different websites. Each of those sites has its own strengths and weaknesses. They offer different payment options, game styles, number of players, security, and so on. The important thing is to check user reviews about a site before testing it out. 

On the other hand, they are designed differently, along with the bingo games they offer. So it’s all about personal preference and finding a site that suits your needs. No matter what you do, take the time to do a bit of research and see which gaming sites are the best out there. 

How is Bingo Played?

Every bingo player gets a ticket with rows filled with numbers. You wait for the numbers to show on your screen and see if you have the number. In case you do, you have to cross off those numbers. The cycle repeats with each spin, and the player that crosses off all the numbers first wins. 

However, most bingo games today offer rewards when crossing off numbers in a single line. Simply put, you can win rewards even if you don’t get all of the numbers on your ticket. When you get all the numbers, it’s called a “full house”. 

It’s as simple as that. Online platforms have games starting every couple of minutes. Players have to get their tickets, and the game starts. Some digital versions automatically cross off numbers, while some require players to do this themselves. 

Where Does Music Fit?

Bingo is a fun game that has a lot of players. Even though the gameplay is fairly simple, it has a soothing quality to it. In the past, many bingo clubs played music when the balls were being mixed, which brings in more excitement, suspense, and adrenaline into the mix. 

With online bingo, players can listen to whatever music they want. After all, they are at home sitting in front of a computer or phone. They have the option to listen to their best tunes and enjoy the moment. Instead of just listening to music or playing bingo, why not do both? 

There are other similar games you can play while listening to music. Check out House of Fun free slots if you want to mix it up a bit. 

How Music Affects Us?

Music does wonders for our brains. We aren’t aware of this, but a lot of research has proven the magical effects of music. First of all, music can help improve your memory. When we listen to our favorite songs, we memorize them. Essentially we are enhancing our memory skills. 

It can even be very helpful for playing bingo as we need to keep track of the numbers. Music also helps us relax, reduces anxiety and stress. It can help you enjoy your game of bingo and decompress your mind. It also improves visual attention, which can directly help you while playing bingo. 

Can it Improve Winning Chances?

Yes, it might, especially when you are playing even more complex games. Staying focused and being relaxed is essential when playing games with other people. When we win at our favorite games, we are happy, it’s a completely natural thing. 

Music can further enhance that feeling and help you enjoy the moment. After all, this is why there are a lot of casino-inspired songs. If you haven’t heard any of them, check them out in this article: https://www.obscuresound.com/2020/10/top-three-casino-inspired-songs-you-need-to-hear/

Conclusion 

Music and bingo are both amazing. Why not enjoy them both since they go so well together? There’s really no reason not to.