Grammy-winning global superstar Tyla is back and brighter than ever with WWP, her first new project since her historic debut album. Out now, the four-track collection showcases her effortless blend of Afropop, R&B, and global rhythm, proving why she remains one of the most exciting artists in music today.
Produced by P. Prince and Sammy Soso, WWP features the hit singles “Bliss” and “Is It,” alongside two brand-new tracks: “Dynamite” featuring WizKid and the irresistibly smooth “Mr. Media.” The project captures Tyla’s signature mix of sensual vocals, danceable grooves, and radiant self-assurance — all while hinting at the artistic evolution she’s undergone since her debut.
“Dynamite,” her much-anticipated collaboration with WizKid, has quickly become a standout. After teasing the song for months during her global appearances, Tyla finally delivered what fans have been waiting for. “When I thought of doing a mixtape called WWP, I went back to all my old demos and I remembered the Wiz one,” she told fans at a London listening session earlier this year. “And it was still good, like, after three years! I just told him, ‘Let’s finish it because I want to drop it.’”
The project’s release follows a year of triumphs for Tyla, who recently wrapped a string of homecoming shows in South Africa before returning to the studio. She continues to build on her record-breaking success as the highest-charting African female soloist in Billboard 200 and Hot 100 history, and as a Grammy winner with multiple gold-certified singles from her deluxe album Tyla+, including “Push 2 Start” and “Jump.”
“Bliss,” already featured in Coca-Cola’s global “Road Trip” campaign, has dominated charts and playlists alike, while Tyla’s summer performances at Open’er Festival in Poland and Tipsy Festival in Barbados reaffirmed her reputation as an electrifying live performer. Next up, she’s set to take the stage at the Global Citizen Festival in New York, continuing her unstoppable rise as one of Africa’s most radiant expor
Maren Morris has never sounded more fearless. The Grammy-winning singer-songwriter’s new single “Be a Bitch” is out now, offering a raw, moody, and unapologetically honest look at reclaiming power and humor after heartbreak. Produced by Jimmy Robbins and co-written with longtime collaborator Laura Veltz, the track marks the first of four new songs featured on Dreamsicle (Deluxe), out now via Columbia Records.
On the cutting new anthem, Morris swaps politeness for power. “After telling my friends in the session about a recent traumatic dating story, I said everything that became a lyric: ‘my reputation precedes me, your hairline recedes you,’ thinking nothing would actually go into the song because it’s ‘too mean,’” she explains. “Then I realized I occasionally water my thoughts down to spare a person’s feelings. Who is that helping? I don’t need to be a pristine heroine you screwed over, I deserve to be mad and eternalize that ego bruise into song. ‘Be a Bitch’ is for anyone who ever let themselves down by being too nice to someone who was going to take advantage either way.”
The Dreamsicle (Deluxe) edition expands on Morris’s acclaimed fourth album, featuring three additional new tracks: the soft and dreamy “In Love With Me,” the freedom-chasing summer anthem “Running,” and the grounding, ethereal closer “Earth Angle.” Each song further cements Morris’s evolution as a songwriter unafraid to explore emotional depth and sonic experimentation.
Following her powerful set at Newport Folk Festival, Morris is currently on The Dreamsicle Tour, a sprawling 40-date run across North America, the UK, and Europe that continues through late November. Blending intimate headlining shows with major festival appearances, the tour captures the full spectrum of her artistry — fierce, funny, vulnerable, and free.
With Dreamsicle, Maren Morris steps confidently into her most personal era yet — one that radiates honesty and growth while embracing imperfection as strength. It’s a reminder that sometimes empowerment sounds a little bit like anger, and that’s exactly what makes it beautiful.
Machine Gun Kelly is back with a burst of color and confidence on his new single “Miss Sunshine,” out now. The track captures MGK’s latest creative chapter — a genre-blending, southern rock-meets-modern pop anthem that feels tailor-made for summer drives and late-night escapes. With a sound steeped in freedom and optimism, “Miss Sunshine” adds another vibrant piece to what MGK calls his Lost Americana mosaic.
Directed by longtime collaborator Sam Cahill, the “Miss Sunshine” video takes the concept of scale and surrealism to new heights, literally. MGK and his band are depicted as giants in a miniature world, performing in playful, dreamlike settings that mirror the song’s carefree, sun-soaked energy. It’s a visual love letter to escapism — and another reminder of MGK’s flair for cinematic storytelling.
The track follows his recent singles “Vampire Diaries” and “Cliché,” both on his album, out now. The record promises a bold continuation of MGK’s evolution, bridging rock grit with emotional introspection and melodic polish.
Beyond the music, MGK continues to celebrate his roots. Earlier this week, he teased his annual MGK Day weekend celebration in his hometown of Cleveland, Ohio — a three-day event featuring music, art, community projects, and philanthropy that honors his impact both locally and globally.
Fans will have plenty of chances to catch MGK live this fall. He’s headlining the 30th Anniversary Vans Warped Tour in Orlando, FL on November 15–16, and the Mobile Zone at Sphere Stage during the Formula 1 Heineken Las Vegas Grand Prix from November 20–22.
Alt-metal powerhouses From Ashes To New have unleashed their explosive new single “New Disease,” out now via Better Noise Music. The track delivers a scathing critique of trend-chasing and social validation, pairing crushing riffs with razor-sharp lyrics that pull no punches. It arrives ahead of the band’s highly anticipated New Disease Tour and festival appearances this fall.
“Every day there’s a new trend,” says frontman Matt Brandyberry. “Every day, there’s a new wave of people going out of their way to be recognized no matter the cost. We are hypnotized by our vices… we will kill ourselves to be noticed.” His words echo the song’s dark undercurrent — a powerful reflection on identity, self-destruction, and the desire for authenticity in an attention-obsessed world.
“New Disease” amplifies the band’s signature blend of metal, hip-hop, and melody while expanding their creative reach. It follows “Live Before I’m Dead (Hours),” one of six new tracks from the Blackout (Deluxe) edition released in June 2024, marking another step forward for the genre-defying outfit.
From Ashes To New 2025 New Disease Tour Dates: Nov 1 – McKees Rocks, PA @ Roxian Theatre Nov 2 – Norfolk, VA @ The NorVa Nov 4 – Albany, NY @ Empire Live Nov 5 – Boston, MA @ Big Night Live Nov 7 – Portland, ME @ Aura Nov 8 – Sayreville, NJ @ Starland Ballroom Nov 9 – Baltimore, MD @ Baltimore Soundstage Nov 11 – Atlanta, GA @ The Masquerade Nov 12 – Charlotte, NC @ The Underground Nov 14 – Fort Lauderdale, FL @ Revolution Live Nov 15 – Orlando, FL @ Warped Tour
Critically acclaimed singer-songwriter Reneé Rapp is taking her explosive new era global. The rising pop powerhouse has announced her biggest European headline tour to date — the Bite Me 2026 UK/European Tour — launching next March in support of her upcoming sophomore album Bite Me, out now via Polydor Records. The run includes arena stops in Manchester and London, marking her largest UK performances yet.
“Leave Me Alone” in particular has set the tone for what’s to come, pairing cutting honesty with irresistible hooks. The new material promises to translate perfectly to the stage, giving fans Rapp’s most dynamic and confident live show yet.
Reneé Rapp 2026 UK/European Tour Dates: Mar 11 – Antwerp, Belgium @ Lotto Arena Mar 12 – Amsterdam, Netherlands @ AFAS Live Mar 13 – Berlin, Germany @ Uber Eats Music Hall Mar 15 – Cologne, Germany @ Palladium Mar 16 – Paris, France @ Zenith Paris – La Villette Mar 18 – Manchester, UK @ AO Arena Mar 19 – London, UK @ OVO Arena Wembley
First impressions matter. Sugar96 presents itself like your local—friendly, efficient, and geared for Australians over 18 who like things done properly in AUD. The tone is refreshingly no-nonsense: the site greets you with a clean lobby, bold “Play Now” call-to-action, and a clear promise to keep gameplay smooth and payouts local. Sugar96 is licensed in Curaçao and talks openly about RNG checks and data security, the sort of transparency you actually feel while browsing.
Ready to see how the offers line up? Let’s open the cupboard and look at the goodies.
Bonuses & promos that make a bright start
Sugar96 kicks things off with a playful, very “Aussie” set of promos—simple rules, quick crediting, and amounts you can picture on your card statement. Here’s the shape of it so you can plan your first sessions:
A Sign-Up Sparker: AUD $9.60 lands after email verification—“no deposit”;
A 50% first-deposit match from $20 up to $500 for a strong start;
A Daily 10% Booster you can apply to one deposit with just 3× turnover;
Unlimited 5% cashback on top-ups with a light rollover;
VIP Sunrise Perks from $110+, where loyalty extras stack up for regulars.
Stack cleverly, and you’re effectively playing with house credit while you feel the lobby out (tip: confirm the specific game eligibility in the promo panel before you deposit so you optimise that booster).
Before we talk pokies, a quick scene-setter. Aussies love high-RTP classics, and Sugar96 leans into that with a line-up that feels both familiar and lively.
Pokies line-up Australians already recognise
The “Popular Slots” row features names most Aussie players will clock instantly when they land on the lobby. You’ll see Book of Dead, Legacy of Dead, Elvis Frog in Vegas, Fortune Coin Link: Running Wins, and Sizzling Eggs Football Edition, among others. If you like bouncing between fan-favourites and modern twists, you’ll feel at home.
For readers who like the numbers (and quick scenarios to picture the gameplay), here are five fixtures you can use to plan your first spins. The RTP figures below are typical public configurations and a handy compass when you’re choosing where to start.
Game (provider)
RTP (typical)
What it plays like (quick scenario Aussies get)
Book of Dead (Play’n GO)
96.21%
Classic “ancient tomb” thrill: you’re chasing a 10-spin free games round where one symbol expands—think of it like the moment a test batsman finally finds his rhythm and the boundaries start to flow.
Legacy of Dead (Play’n GO)
96.58%
A modernised cousin of the above: expanding symbols again, but with a slicker tempo—when the shrine scatters drop, it’s that “last-over lift” feeling as the crowd leans in.
Elvis Frog in Vegas (BGaming)
95.3%
Coin Respin and jackpots give it a fun party rhythm; imagine ducking out for a flat white, tapping spin, and landing a respin chain before your order’s called.
Sizzling Eggs Football Edition (Wazdan)
96.12%
Collector symbols and a tidy free spins route; it’s like building pressure across a set of plays until a clean through-ball opens the goal.
Fortune Coin Link: Running Wins (Fugaso)
96.00%
A straightforward jackpot-chaser: settle in for steady base spins while you hunt the coin features—nice for “one more spin” energy on a Friday arvo.
If you’re new to RTP: it’s a long-term average, not a promise. Still, choosing solid configurations is smart bankroll behaviour. Check the in-game info panel to confirm the version you’re playing.
Before we jump into banking, one more thing Aussies often ask: “Is there live dealer?” Yes—Sugar96 lets you flick from pokies to live blackjack without losing your seat (comfortably handled on mobile, too).
Banking in AUD that keeps pace with your day
You shouldn’t have to wonder when money lands. Sugar96 lists deposit and withdrawal speeds clearly, and everything is in AUD so you’re not fighting exchange hiccups. On the payments page you’ll find quick options like PayID, regulars like Visa/Mastercard and Aussie bank transfer, plus PayPal, Skrill and Bitcoin for those who prefer e-wallets or crypto. Typical timings are below—use them to decide the lane that suits your week.
PayID — deposits are instant; withdrawals commonly 1–2 days;
Bank transfer — deposits around 1–2 hours; withdrawals 2–3 days;
Bitcoin — deposits in ≤10 minutes; withdrawals 1–2 days.
Sugar96 aims to push withdrawals through in roughly 72 hours, then it’s down to your bank’s final mile; having your verification squared away helps everything fly.
Next up, how it actually feels to play on your phone—because that’s where most Aussies spin these days, on the couch or the train to Parramatta.
Mobile app & UX: designed for thumbs, not desktops
This is where Sugar96 feels very Aussie in practice. Open the app (or your browser) and the lobby refactors neatly to your home screen: big spin buttons, legible fonts, and thumb-sized sliders so you can tweak bet size without fat-fingering. On a patchy connection, the table and slot transitions stay smooth, and you can switch to live blackjack in a tap without losing your place. It’s the sort of mobile polish that makes quick “coffee-line spins” actually enjoyable.
Before we wrap, a few practical, good-habits notes. These aren’t rules—just field-tested advice that helps Aussies play smart.
Conclusion
Sugar96 feels like it was designed by people who actually play: bonuses that make sense, a lobby full of recognisable pokies, and payment lanes that suit how Aussies move money. The site keeps everything in AUD, the mobile experience is genuinely thumb-first, and switching from a few spins to a live table is seamless. If you’re 18+ and want a bright, breezy place to play with a welcome nudge and fast PayID, Sugar96 is a natural fit.
FAQ
How do I claim the Sugar96 sign-up and first-deposit offers?
Verify your email to trigger the AUD $9.60 spark, then make a first deposit from $20 to receive the 50% match—check the promo panel for eligible games and apply the Daily Booster when you need it.
Which pokies should I try first at Sugar96?
Start with high-profile staples like Book of Dead or Legacy of Dead if you value clear features and competitive RTP; then branch to Elvis Frog in Vegas or Sizzling Eggs Football Edition for different vibes.
Does Sugar96 support Aussie-friendly payments?
Yes—PayID, bank transfer, Visa/Mastercard, PayPal, Skrill, and Bitcoin are on the menu, all in AUD; deposits are instant for most methods, while withdrawals generally clear within 1–3 days after processing.
Can I play Sugar96 on my phone while I’m out and about?
Absolutely. The site adapts to your screen with big buttons and crisp feeds; you can jump between pokies and live blackjack without losing your seat—ideal for quick sessions on the commute.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
Swedish metal titans Sabaton are marching into a new chapter with Legends, their eleventh studio album and first release under Better Noise Music, out now. Known for their bombastic blend of power metal and historical storytelling, the band promises a record that dives deep into the lives of history’s most remarkable figures, from Joan of Arc and Napoleon to Julius Caesar and Japan’s legendary samurai, Miyamoto Musashi.
To mark the occasion, Sabaton have released two blistering new singles: “The Duelist” and “Lightning at the Gates.” These tracks follow the earlier drops of “Templars” and “Hordes of Khan,” each showcasing the band’s signature mix of thunderous riffs, cinematic production, and triumphant choruses. As frontman Joakim Brodén’s vocals soar over relentless drums and choral harmonies, Legends cements Sabaton’s reputation for transforming history into an electrifying metal saga.
Among its unique offerings, Legends will be available in multiple formats—including CD, 2 CD digibook and earbook (each with the exclusive Storyteller Edition), 11 unique vinyl editions themed around historical icons, a colored cassette, and a limited-edition box set. The “Hannibal Edition” and “Miyamoto Musashi Edition” correspond with today’s new singles, giving fans a collectible experience that ties each song to its own mythic persona.
This project marks a milestone for Sabaton: the first time all band members collaborated on the songwriting process. Recorded once again with longtime producer Jonas Kjellgren at Sweden’s Black Lounge Studios and featuring artwork by Peter Sallai, Legends pushes the boundaries of Sabaton’s sound while staying true to the anthemic metal storytelling that made them global icons.
By intertwining melody, might, and meticulous research—bolstered by their Sabaton History Channel collaborations—the band continues to bridge past and present through heavy music that honors those who shaped the world. As Sabaton put it, Legends isn’t just an album; it’s a chronicle of courage, legacy, and defiance set to roaring guitars and soaring choirs.
Live music has never been bigger — or more profitable. With streaming reshaping the music industry, artists have turned touring into a global phenomenon, and the numbers are staggering. From Taylor Swift’s record-shattering Eras Tour to Coldplay’s ongoing Music of the Spheres World Tour, these are the tours that have rewritten the economics of live entertainment.
The concert industry’s modern boom traces back decades, but it’s in the 21st century that revenues truly skyrocketed. The first tours to break $100 million were Michael Jackson’s Bad World Tour and Pink Floyd’s Momentary Lapse of Reason Tour in the late 1980s, setting the stage for today’s billion-dollar juggernauts. In 2023, Taylor Swift became the first artist to cross $1 billion in gross revenue, before closing The Eras Tour in December 2024 with a jaw-dropping $2.07 billion — the first tour in history to surpass $2 billion.
Close behind, Coldplay’s Music of the Spheres World Tour continues to draw massive crowds worldwide, officially passing the $1.5 billion mark in 2024 with shows still ongoing. Elton John’s five-year farewell trek, Farewell Yellow Brick Road, ranks third, earning $939 million across 330 shows, cementing his final bow as one of the most successful tours ever staged.
Other heavy hitters include Ed Sheeran’s two consecutive top-grossing tours (+−=÷× and ÷), U2’s 360° Tour — which redefined stadium production design — and Bruce Springsteen’s marathon E Street Band Tour, which continues through 2025. Meanwhile, The Weeknd’s futuristic After Hours til Dawn Tour and Harry Styles’ fan-favorite Love On Tour highlight the power of pop to move both hearts and ticket sales.
From the road warriors of classic rock to the pop icons of today, these artists have turned live performance into both art and empire.
Top 10 Highest-Grossing Tours of All Time:
Taylor Swift – The Eras Tour (2023–2024) – $2,077,618,725
Coldplay – Music of the Spheres World Tour † (2022–2025) – $1,524,423,680
Elton John – Farewell Yellow Brick Road (2018–2023) – $939,100,000
Ed Sheeran – +−=÷× Tour (2022–2025) – $875,700,000
Ed Sheeran – ÷ Tour (2017–2019) – $776,200,000
U2 – 360° Tour (2009–2011) – $736,421,586
Bruce Springsteen & The E Street Band – 2023–2025 Tour (2023–2025) – $729,700,000
The Weeknd – After Hours til Dawn Tour † (2022–2025) – $635,500,000
Harry Styles – Love On Tour (2021–2023) – $617,325,000
In an era where streaming defines global music culture, these 50 songs have shaped playlists, memories, and milestones across generations. From timeless rock anthems to chart-topping pop hits, this list reflects not just what people listen to, but how music travels through time and technology. The Weeknd’s synth-soaked masterpiece Blinding Lights leads the way with over 5 billion streams, while classics like Queen’s Bohemian Rhapsody and The Police’s Every Breath You Take prove that great music never fades.
Ed Sheeran remains the platform’s reigning pop storyteller with multiple entries, including Shape of You, Perfect, and Thinking Out Loud. Meanwhile, Harry Styles, Billie Eilish, and Taylor Swift show that modern pop can sit comfortably alongside decades-old icons. Below are the top 50 most-streamed songs, ranked by total global streams.
Top 50 Most-Streamed Songs of All Time
Blinding Lights – The Weeknd (5.109B)
Shape of You – Ed Sheeran (4.620B)
Starboy – The Weeknd and Daft Punk (4.176B)
Sweater Weather – The Neighbourhood (4.132B)
Someone You Loved – Lewis Capaldi (4.109B)
As It Was – Harry Styles (4.097B)
Sunflower – Post Malone and Swae Lee (4.006B)
One Dance – Drake with Wizkid and Kyla (3.854B)
Stay – The Kid Laroi and Justin Bieber (3.707B)
Perfect – Ed Sheeran (3.687B)
Believer – Imagine Dragons (3.630B)
Heat Waves – Glass Animals (3.565B)
Lovely – Billie Eilish and Khalid (3.519B)
Closer – The Chainsmokers and Halsey (3.466B)
Say You Won’t Let Go – James Arthur (3.443B)
I Wanna Be Yours – Arctic Monkeys (3.391B)
Something Just Like This – The Chainsmokers and Coldplay (3.391B)
The Night We Met – Lord Huron (3.387B)
Yellow – Coldplay (3.380B)
Riptide – Vance Joy (3.350B)
Dance Monkey – Tones and I (3.345B)
Another Love – Tom Odell (3.285B)
Rockstar – Post Malone and 21 Savage (3.270B)
Take Me to Church – Hozier (3.233B)
Counting Stars – OneRepublic (3.201B)
Birds of a Feather – Billie Eilish (3.170B)
Photograph – Ed Sheeran (3.163B)
Señorita – Shawn Mendes and Camila Cabello (3.155B)
Watermelon Sugar – Harry Styles (3.127B)
Cruel Summer – Taylor Swift (3.127B)
Die with a Smile – Lady Gaga and Bruno Mars (3.108B)
Can’t Hold Us – Macklemore & Ryan Lewis ft. Ray Dalton (3.085B)
Don’t Start Now – Dua Lipa (3.071B)
Viva La Vida – Coldplay (3.031B)
Die for You – The Weeknd (3.012B)
Lucid Dreams – Juice WRLD (2.998B)
Every Breath You Take – The Police (2.988B)
Circles – Post Malone (2.984B)
Goosebumps – Travis Scott and Kendrick Lamar (2.981B)
Rock powerhouse Daughtry are ready to turn up the voltage again with Shock to the System (Part Two), out now via Big Machine Rock. The follow-up to the band’s hit Part One EP, this new collection continues frontman Chris Daughtry’s creative evolution — bold, honest, and unapologetically raw.
Following April’s haunting single “The Day I Die,” Daughtry offers another glimpse into the project with “The Bottom,” now available on all streaming platforms. Driven by a grinding groove and layered distortion, the track sees Chris Daughtry at his most vulnerable and defiant. His gripping vocal performance builds toward a cathartic refrain: “I was down in a hole until I clawed my way back from the bottom.”
“Shock to the System is about facing the things we’ve ignored and confronting the wake-up calls that force us to go deeper and get honest,” says Chris Daughtry. “These songs unlocked something in me as a writer and a human being. Part Two is the result of that journey.”
The new EP follows the success of Shock to the System (Part One), which delivered two consecutive #1 hits at active rock radio with “Artificial” and “Pieces.” With Part Two, the band continues to merge introspective lyrics with arena-ready power, capturing both the struggle and the triumph that define Daughtry’s sound.
