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How to Get Loads with a Power Only Truck

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By Mitch Rice

Power Only trucking has become one of the most flexible and opportunity-rich segments in the transportation industry. Instead of pulling your own trailer, you haul a customer’s pre-loaded trailer, container, or mobile unit. This model helps carriers reduce equipment costs, avoid deadweight, and stay on the road more consistently. But the main question for any owner-operator remains the same: how do you reliably find Power Only loads?
 Below are the most effective strategies that work in today’s competitive market.

1. Use Specialized Load Boards with Power Only Filters

Many load boards now offer dedicated Power Only categories. Popular platforms such as DAT, Truckstop, and 123Loadboard allow you to filter loads by trailer type, distance, rate, and urgency.
 To get the most out of load boards:

  • Set up instant notifications for new Power Only postings
  • Keep your profile complete and updated
  • Respond quickly — these loads are often time-sensitive
  • Track average market rates to negotiate confidently

2. Build Long-Term Partnerships with Brokers

Brokers are one of the strongest sources of consistent Power Only freight. When a broker knows you are reliable, on time, and flexible, they will prioritize you for repeat loads.
 A few tips to build long-term cooperation:

  • Communicate professionally and frequently
  • Provide tracking and updates without being asked
  • Complete paperwork fast and accurately
  • Be available for last-minute drop-and-hook opportunities

3. Work Directly with Shippers

Many shippers prefer Power Only carriers because it allows them to keep their own trailers in rotation without hiring extra drivers. Reaching out directly to manufacturers, retailers, construction companies, and event businesses can secure high-paying contracts.
 Direct shipper relationships often lead to:

  • Better per-mile rates
  • Lower competition
  • Consistent lanes
  • Seasonal or multi-month commitments

4. Join a Dispatching Service

A professional power only dispatch services can fill your schedule with well-paying Power Only loads, handle rate negotiations, and reduce your administrative work.
 Dispatchers can help you:

  • Find back-to-back loads with minimal downtime
  • Avoid long deadhead miles
  • Organize routes for better profit
  • Access loads that aren’t publicly posted

5. Leverage Load-Matching Apps

Modern logistics is becoming more digital. Power Only carriers can now access freight through mobile platforms like Convoy, Uber Freight, C.H. Robinson’s Navisphere, and others.
 Advantages include:

  • Quick booking
  • Transparent rates
  • Automated paperwork
  • Real-time tracking features

6. Keep Your Compliance and Equipment Ready

Shippers want a Power Only truck that is ready to go without delays. Make sure you maintain:

  • Updated DOT and MC authority
  • Valid insurance
  • Working ELD system
  • Necessary straps, chains, and safety equipment

A clean inspection history and up-to-date documents increase your chances of winning better loads and higher rates.

Conclusion

Getting loads with a Power Only truck is easier when you combine several strategies: using load boards, working with reliable brokers, building direct shipper relationships, and partnering with a strong dispatching service. The more consistent and professional you are, the more opportunities you’ll unlock — from drop-and-hook freight to long-term contracts across the country.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Skindred Announce New Album ‘You Got This’ Out April 17 via Earache Records

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Welsh ragga metal icons Skindred return with their ninth studio album ‘You Got This,’ set for release April 17 via Earache Records. The title track and lead single arrives today, loaded with Mikey Demus’ bone-crushing riffs, Arya Goggin’s relentless percussion, and frontman Benji Webbe’s unmistakable fire—equal parts ferocious and uplifting. Inspired by a stroke survivor’s determination at the gym, the song channels the empowering mantra “You got this” into a thunderous anthem for resilience and self-belief.

Produced by Grammy-winner Jay Ruston, ‘You Got This’ captures everything fans love about Skindred—massive hooks, pounding grooves, and unstoppable positivity. Following their chart-topping success with 2023’s ‘Smile,’ a #2 U.K. album and multiple award wins, the band continues to cement their reputation as one of the world’s most electrifying live acts. ‘You Got This’ promises hard-hitting anthems, dancehall energy, and a full-force reminder that in Benji’s words, “songs that lift people… are what I’m put on this planet to do.”

Big Big Train Announce 16th Studio Album ‘Woodcut’ Out February 6 via InsideOutMusic

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Progressive rock collective Big Big Train will release their 16th studio album ‘Woodcut’ on February 6, 2026, via InsideOutMusic. The landmark record marks the band’s first-ever full-length concept album, weaving a continuous narrative about creativity, sacrifice, and the fine line between inspiration and madness. The seven-member lineup, spanning six countries, delivers a sprawling 66-minute opus featuring 16 interconnected tracks.

The album’s first single, “The Artist,” arrives alongside a visually stunning video by Crystal Spotlight. “Woodcut tells the story of a character we call The Artist, who is struggling with his creativity and with life,” explains bassist Gregory Spawton. Produced by frontman Alberto Bravin, the album features over 400 recorded tracks and a striking woodcut cover design by Dorset-based artist Robin Mackenzie. Available in multiple formats — including Dolby Atmos and 5.1 surround editions — ‘Woodcut’ stands as a handcrafted testament to Big Big Train’s enduring artistry and progressive ambition.

Live Nation Report Finds People Now Prefer Concerts Over Sports, Movies, and Even Sex

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Live Nation, the global leader in live entertainment, today released Living for Live — its largest global report to date — revealing that live music has overtaken sports, film, and even sex as the world’s top form of entertainment.

Based on a survey of 40,000 people across 15 countries, the report captures a powerful shift in how people spend their time, express their identities, and connect with others through live experiences.

“This report confirms what we’re seeing on the ground everywhere,” said Russell Wallach, Live Nation’s Global President of Media and Sponsorship. “Live music isn’t just growing, it’s shaping economies, influencing brands, and defining culture in real time. Fans have made live the heartbeat of global entertainment, and it’s now one of the most powerful forces driving connection and growth worldwide.”

Fans Choose Concerts as the World’s #1 Entertainment
Nearly four in 10 people globally (39%) say if they could only choose one type of entertainment for life, they’d choose live music — ranking it above movies and sports. When faced with an even starker choice, 70% said they’d rather see their favorite artist live than have sex.

Fans Go to Shows to Show Who They Are
For 85% of fans, music defines who they are — and for 84%, live experiences give them the most life. What they wear, share, and experience at concerts has become part of how they express themselves and connect with others.

Concerts Are the New Life Milestones
Fans save, plan, and even commemorate concerts permanently – 75% say they plan their calendars early around shows, one in four have gotten a temporary or permanent tattoo to mark a live music memory, and nearly 80% say concerts bring their family closer together.

Global Stages, Global Fans
Fans are proving that music speaks every language. In 2024, they traveled 40 billion miles for concerts — equal to 83,000 trips to the moon — with 71% of people globally listening to artists outside their native tongue and 84% saying live music unites across borders.

When Fans Move, Economies Move
Nearly six in 10 fans travel for shows yearly, creating ripple effects across hotels, restaurants, and retail. From stadium tours to festival weekends, concerts have catalyzed tourism and local economic growth.

Fans Crave Real Experiences
In an age of digital saturation, 93% of fans say they attend shows because they crave real experiences over virtual ones, and 80% would rather spend money on experiences than things. For most, concerts remain the most emotionally charged shared-experience on earth.

Live music has become a central driver of global culture — the place where attention, loyalty, and influence meet. What was once entertainment is now infrastructure, and the next decade of culture will be built live.

To explore Living for Live and its nine key global fan trends, visit livingforlive.com

Sources: 

  • Live Nation Living for Live Global Study 2025. Findings based on a sample of 40,000 respondents 18–54 across 15 countries.
  • Live Nation Custom Global Study, 2025. Findings based on a sample of 1,000+ heavy social media users 18+ across 8 countries.

Swedish Pianist Builds Underwater Piano to Teach an Octopus to Play

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In what might be the most chaotic crossover between marine biology and music theory, Swedish piano wizard Mattias Krantz spent six months building an underwater keyboard to teach an octopus named Tako how to play piano. Turns out, teaching a creature with eight arms and no attention span to master Chopin is harder than it sounds. After testing endless methods, Krantz’s experiment proves one thing: humans may have opposable thumbs, but octopi have impeccable range.

Peter Bagge’s ‘The Complete Hate Volume 1’ Collects Classic 1990s Alternative Comics in One Definitive Edition

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Peter Bagge, along with the Hernandez brothers and Daniel Clowes, is one of the primary architects of the alternative comics genre that exploded in the 1980s and 1990s. His compelling and best-selling comic book series Hate chronicled the exploits of Buddy Bradley and his gang of lovable losers through the rise and fall of the grunge era, and beyond. Going beyond mere satire, Bagge’s observations helped fashion the aesthetics and attitudes of the only significant youth movement to emerge from the Pacific Northwest.

The Complete Hate is a new paperback series that includes the original 30-issue run from 1990–1998, the nine subsequent Hate Annuals, and tons of other Hate-related comics, illustrations, and ephemera created for books, magazines, comics, toys, and other merchandise. Bagge combined his cartoony drawing style with uncomfortably real Gen X characters, and the comic books resonated with readers. Volume 1 collects the first major arc of the series, (Hate 1-15), focusing on young Buddy Bradley’s travails in early 1990s Seattle, with a lengthy introduction by Bagge. Each volume contains new covers, endpapers, title pages, and other surprises by the author.

Stephen Wilson Jr. Announces 2026 ‘Gary The Torch’ Tour

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Stephen Wilson Jr. has announced his 2026 Gary The Torch Tour, the follow-up to his globe-spanning Søn of Dad Tour. The run begins March 6 in Columbus, Ohio, with stops in Toronto, Boston, Brooklyn, Philadelphia, Chicago, and more. Tickets go on sale Friday, November 14, at 10 a.m. local time.

Before the tour launches, Wilson Jr. will perform at the 59th Annual CMA Awards, where he’s nominated for New Artist of the Year and will share the stage with Shaboozey for their collaboration “Took A Walk.” He’ll close 2025 with two sold-out nights at Nashville’s Ryman Auditorium and return to the road in 2026 following standout performances at Red Rocks, Newport Folk Festival, and Under The Big Sky Festival.

Gary The Torch Tour Dates:
Jan 27-31 – Key West, FL @ Mile 0 Festival
Feb 17 – Houston, TX @ White Oak Music Hall
Feb 26 – Tulsa, OK @ BOK Center
Feb 27 – Fort Worth, TX @ Dickies Arena
Feb 28 – Austin, TX @ Moody Center
Mar 6 – Columbus, OH @ KEMBA Live!
Mar 7 – Grand Rapids, MI @ GLC Live at 20 Monroe
Mar 10 – Cleveland, OH @ The Agora
Mar 11 – Detroit, MI @ The Fillmore
Mar 14 – Toronto, ON @ HISTORY
Mar 18 – Boston, MA @ Citizens House of Blues
Mar 21 – Brooklyn, NY @ Brooklyn Paramount
Mar 22 – Port Chester, NY @ The Capitol Theatre
Mar 25 – Philadelphia, PA @ The Fillmore
Mar 28 – Silver Spring, MD @ The Fillmore
Apr 11 – Bossier City, LA @ The Paradise Theater at Margaritaville Bossier City
Apr 15 – St. Louis, MO @ The Pageant
Apr 17 – Kansas City, MO @ The Midland Theatre
Apr 18 – Denver, CO @ Mission Ballroom
Apr 22 – Omaha, NE @ Steelhouse Omaha
Apr 24 – Madison, WI @ The Sylvee
Apr 25 – Chicago, IL @ The Salt Shed
Jun 6 – Lexington, KY @ Railbird Music Festival
Jul 18 – Whitefish, MT @ Under The Big Sky Festival

The Man From Delmonte Return with New Single ‘Every Time’ and Upcoming Album ‘Better Things’

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Beloved Manchester indie band The Man From Delmonte are officially back with their first new album in 35 years and a brand-new single, ‘Every Time.’ The track captures the group’s unmistakable charm — Mike West’s songwriting, Martin Vincent’s shimmering guitars, and Sheila Seal’s rich harmonies — while offering a matured, heartfelt sound rooted in nostalgia. The single’s B-side features a live recording of their 1980s debut ‘Drive, Drive, Drive,’ recorded at a sold-out Manchester Academy show this spring.

Following two sold-out reunion gigs and the success of their reissued albums ‘Big Noise’ and ‘Good Things in Life,’ The Man From Delmonte will release a limited-edition 7” of ‘Every Time’ and ‘Drive, Drive, Drive (Live)’ on colored vinyl, with proceeds benefiting Stretford Food Bank. Fans can grab a copy at the band’s Fountain Records signing on Nov. 15 or see them live at Manchester’s O2 Ritz on Dec. 21 for the launch of their long-awaited new album ‘Better Things.’

Organoclorados Unveil Haunting Visual for ‘Take Me Down’

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Brazilian post-punk band Organoclorados have released the music video for “Take Me Down,” a dark, cinematic piece that deepens the band’s growing international presence. The independently produced video captures the song’s tension between surrender and resistance, with shadow-drenched visuals and introspective performances that mirror its emotional core.

“Take Me Down” fuses post-punk urgency and classic rock richness through haunting guitars, pulsing bass, and plaintive vocals. The video alternates between band shots and symbolic imagery of falling and rebirth, creating a dialogue between fragility and defiance. Sung in English and produced with minimalist precision, the track continues Organoclorados’ evolution as one of Brazil’s most compelling independent exports.

BENEE Announces 2026 North American ‘Particles Tour’

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BENEE is ready to get personal. With her new album Ur an Angel I’m Just Particles now out in the world, the genre-bending singer is taking her introspective sound and surreal pop energy back to the stage. Her freshly announced “Particles Tour” begins Feb. 27 in Sacramento and winds through 23 cities across North America, finishing Apr. 3 in Los Angeles.

Fans can expect a show that captures BENEE’s signature mix of humor, heart, and hazy production — music that feels as unpredictable as the thoughts it was born from. Known for her magnetic live presence and relatable storytelling, she’s built a reputation for turning personal chaos into euphoric sing-alongs. With tracks from her new album and a setlist that threads between vulnerability and groove, “Particles” promises to be her most immersive tour yet.

“Particles Tour” 2026 Dates:
Feb 27 – Sacramento, CA – Goldfield Trading Post
Feb 28 – San Francisco, CA – The Fillmore
Mar 2 – Portland, OR – Wonder Ballroom
Mar 3 – Seattle, WA – The Crocodile
Mar 4 – Vancouver, BC – Hollywood Theatre
Mar 6 – Salt Lake City, UT – The Grand at The Complex
Mar 7 – Denver, CO – Gothic Theatre
Mar 9 – Minneapolis, MN – Varsity Theater
Mar 10 – Chicago, IL – Metro
Mar 12 – Toronto, ON – The Concert Hall
Mar 13 – Buffalo, NY – Electric City
Mar 14 – Boston, MA – Paradise Rock Club
Mar 16 – Philadelphia, PA – Brooklyn Bowl Philadelphia
Mar 19 – New York, NY – Irving Plaza
Mar 20 – Washington, DC – 9:30 Club
Mar 21 – Carrboro, NC – Cat’s Cradle
Mar 23 – Nashville, TN – The Basement East
Mar 24 – Atlanta, GA – Terminal West
Mar 26 – Dallas, TX – The Echo Lounge & Music Hall
Mar 27 – Austin, TX – Scoot Inn
Mar 30 – Phoenix, AZ – Crescent Ballroom
Mar 31 – San Diego, CA – House of Blues San Diego
Apr 3 – Los Angeles, CA – The Fonda Theatre