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How to Keep Pianos Sounding Their Best

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Pianos may look like large, sturdy instruments, but musicians know that looks can be deceiving. They’re actually quite delicate and include thousands of wood, metal, felt, cloth, and wool parts. To keep a piano sounding its best, musicians need to take certain steps to ensure the instrument is receiving proper care. Read on to find out what it takes to maintain a piano’s perfect sound.

Proper Positioning

Pianos should be located against internal walls and as far as possible from windows and doorways. The room must be kept at a consistent temperature, so avoid placing a piano against west-facing walls that tend to get hot in the summer and place them far from heaters and air conditioners. Try to avoid placing them in direct sunlight, as well.

Humidity Regulation

Wood is very responsive to environmental changes. Changes in humidity cause it to expand and contract, which can loosen turning pins, alter the action on the keys, and cause the piano to go out of tune. Excess humidity can also damage the felt pads and cause the steel strings to rust, making an already bad situation even worse.

In the summer, consider running a dehumidifier to combat excess humidity. In the winter, make sure the air doesn’t get too dry. If the musicians’ skin feels dry, the chances are their pianos are suffering, too. The best solution is to install a humidity control system.

Proper Handling

Moving any large object safely can be a challenge. Moving pianos without taking proper precautions to protect them can be disastrous. The only way to ensure a piano’s safety when moving it to a new home is to hire a company like Piano Movers of Texas that has access to skilled personnel, specialized moving equipment, and trucks capable of safely transporting these large but delicate instruments.

Frequent Tuning

Most home pianos need to be tuned twice a year to accommodate changes in weather. The speed at which the instrument will go out of tune depends on several factors, including:

  • Frequency of use
  • Pianists’ playing styles
  • The piano’s age and condition
  • Humidity and temperature levels
  • Whether the piano has been moved recently

Expect to have a piano tuned after every move. Even moving a piano across the room can cause it to go out of tune. New pianos also need to be tuned more frequently, typically at least once per season for the first year. Tuning pianos is incredibly difficult, so it’s always a task best left to professionals.

Regulate As Needed

Just having a piano tuned regularly won’t keep it in perfect playing condition. Tuning doesn’t affect the action of the keys or how the piano plays. That requires a different process known as regulation.

It’s difficult to give a set time frame for how often pianos should be regulated, as factors like wear and tear, excessive expansion and contraction of wood, felt compression, damage to steel strings, or even insect infestations can all affect how a piano plays. Just have the piano regulated whenever the action seems to be changing for the worse. The technician will provide an in-depth inspection of the piano and adjust mechanical parts as needed to restore the instrument to perfect playing condition.

Address Unwanted Changes in Tone with Voicing

Voicing is a process that alters the tone quality of each note. It involves adjusting the tension of the hammer felt, which requires specialized tools and experience. The technician will use needles or specialized chemicals to affect the pliability of the felt, changing the tone of the piano. Before having a piano voiced, have it tuned and regulated.

As with regulation, there’s no way to make accurate generalizations about how often pianos need voicing. Here are some signs it’s time to look into this option:

  • The tone has changed for the worse since purchasing the piano
  • The piano doesn’t sound good even directly after tuning
  • The tone varies substantially between notes
  • Musicians can no longer play softly
  • Maintain the Finish

Musicians can clean their pianos’ exteriors by lightly dusting the surface with a soft cloth or a piano feather duster. Avoid using chemical wipes and cleaning agents not specifically designed for use on pianos. Some waxes and polishes can be used to maintain the piano’s finish, but check with an expert before buying these products as not all of them are acceptable for this use.

Keep the Keyboard Clean

Clean the keyboard frequently by wiping it down with a soft cloth. If there’s noticeable dirt on the keyboard, pianists can dampen the cloth in a diluted detergent solution and wring it out to make dusting easier. Avoid using alcohol, which can cause the keys to crack, and minimize the need for frequent cleaning by asking guests to wash their hands before sitting down to play the piano.

Prevent Scratches

Never place objects directly on the piano’s surface. If piano owners must place anything on their pianos, they should place a soft cloth beneath them to avoid scratching the finish. Keep in mind when cleaning that dust is abrasive, so it’s best to use a feather duster or a microfiber cloth to keep the dust at bay.

Keep Liquids Away

Never put water glasses on the piano. Never put plants on the piano. Never put any container filled with a liquid of any sort on the piano. If it spills, the results could be disastrous. Even if it doesn’t spill, the condensation can damage the wood, so just avoid it.

Practice Regularly

No matter their skill levels, pianists should play their instruments regularly. Musicians will benefit from the extra practice, and they’ll be more likely to notice minor problems before they escalate. If anything seems amiss during a routine practice session, call a piano tuner or technician to resolve the problem as soon as possible.

The Bottom Line

Pianos are beautiful instruments, but they’re also complex pieces of machinery that require specialized care. Musicians can do their part by providing home maintenance such as humidity control and periodic careful cleaning. The rest should be left to tr

Duane Allman’s Last Show Found, To Be Released On CD October 16

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An extraordinary piece of rock history will finally be heard this October with the release of the ALLMAN BROTHERS BAND‘s last show with founder and guitarist DUANE ALLMAN. Recorded October 17, 1971 at the Painters Mill Music Fair in Owings Mills, MD, the recording marks Duane’s last show, as he was tragically killed in a motorcycle accident 12 days later. Recorded on a hand-held cassette machine by 18-year-old radio journalist Sam Idas, this music will be released for the first time on October 16.

The ALLMAN BROTHERS BAND were riding a wave of great success in late 1971 and wrapped up an intense summer of touring with the two shows at Painters Mill that day. The July 1971 release of their breakthrough At Fillmore East live album had brought them critical acclaim, hordes of new fans, and even a little money. The band-DUANE ALLMAN, GREGG ALLMAN, DICKEY BETTS, JAIMOE, BUTCH TRUCKS and BERRY OAKLEY-had toured all summer long and were looking forward to some time off before heading back to the studio.

The Final Note package features some remarkable never-before-published photos from that night’s show, extensive liner notes from ABB archivist John Lynskey plus a photo of the actual cassette Idas used. On hand to interview Gregg Allman after the concert, Idas recalls how it happened: “My only intention was to record the interview. This was a brand-new cassette recorder with an internal microphone, and I had one 60-minute cassette tape. I was sitting there with the recorder in my lap, and I remember thinking ‘Why don’t I try this out? I can record the concert!’ It was a totally spontaneous decision. I’d been to many concerts, but this was the only time I had the thought-and the motivation-to record the show.” The cassette went forgotten by Idas until a few years ago when his old roommate asked him if he still had it. Word of this incredible piece of ABB history reached the group’s manager Bert Holman, who immediately knew the importance of this find.

Captured on this simple audience recording were eight tracks from the band’s standard setlist, including smoking versions of “Statesboro Blues,” Hot ‘Lanta” and “Whipping Post.” Despite the obvious limitations that come with a 50-year-old cassette tape, modern technological enhancements help restore the magic of this significant night. The Final Note is a must-have for anyone who appreciates the musical excellence of the original Allman Brothers Band.

The Final Note (October 17, 1971)
–Statesboro Blues
–Trouble No More
–Don’t Keep Me Wondering
–One Way Out
–In Memory Of Elizabeth Reed
–Hot ‘lanta
–Whipping Post

Bat Disco

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Das Kraftfuttermischwerk created this dark and mysterious video reminding me of the old club days. This time, only using bats.

Photo Gallery: The Sheepdogs with Terra Lightfoot at Toronto’s OLG Play Stage

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

The Sheepdogs
The Sheepdogs
The Sheepdogs
The Sheepdogs
The Sheepdogs
The Sheepdogs
The Sheepdogs
The Sheepdogs
The Sheepdogs
The Sheepdogs
The Sheepdogs
Terra Lightfoot
Terra Lightfoot
Terra Lightfoot
Terra Lightfoot
Terra Lightfoot
Terra Lightfoot

1-minute tip for artists: Milestones! Yay!

Congratulations on reaching whatever you just did! You rock!

TPOH -> Universal Honey -> Saskatoon, SK’s TUCKER LANE Releases New Single Paper Wings

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Canadian alt-country rockers Tucker Lane are soaring high on “Paper Wings” with this, the release of their newest single — available now.

“This song is about taking a chance on love, even though you might get burned,” the band says of the track’s meaning, begging the question: “Is the fire going to be uplifting? As in a spark? Or will it be devastating, like a house fire?”

Featuring Platinum- and Gold-selling The Pursuit of Happiness and Universal Honey alums Leslie Stanwyck and Johnny Sinclair, as well as Brent Carlin and Warren Medernach, the song lands ahead of the award-nominated Americana act’s forthcoming album, available this Fall.

The release follows both Tucker Lane’s debut 2015 offering, West of Minnesota, North of North Dakota, as well as a lengthy separation due to COVID-19.

“We made it a point to follow the guidelines provided, and when we first began rehearsals for completing the album, we all included each other as part of our social bubbles,” Stanwyck shares. “It had been a while; after the lockdown first started in March, the band didn’t see each other until June. Getting together after a long separation fuelled a level of inspiration and creativity we feel is evident in the finished album.”

Mixed by industry heralded music master Bart McKay (Gord Bamford, Brett Kissel, Kevin Churko), the song — and album — was recorded entirely at Stanwyck and Sinclair’s Honeytunes production studio.

For the album, Tucker Lane added Sam Derbawka’s mandolin, violin, and Pedal Steel into the repertoire, adding “just the right amount of flavour to help us achieve that paisley, California, ‘easy going’ vibe,” Sinclair says. “The album is a collection of songs compiled much in the same manner as Some Girls by the Rolling Stones; we have lots of variety with no track ever sounding out of place.”

Ottawa’s Blues/Hip Hop Duo DRAE’s Political Prediction Comes True in “Take Cover”

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Funnelling explosive blues-rock riffs into heady alt-hip hop rhythms and immersive electronic arrangements comes award-winning Ottawa, ON duo DRAE’s timely and culturally prescient new single “Take Cover” — available now.

“The revolution won’t be televised”

“This song was written as a hypothetical view of a world where a government and its systems — particularly law enforcement — have turned on its own citizens,” says frontman and producer Andre Thibault. “Unfortunately we are seeing this become a reality, both with our neighbours south of the border, as well as our own federal police force with minority groups and Indigenous peoples.”

“It’s a rally cry of sorts,” drummer and percussionist Matt Robillard adds. “A declaration that real change doesn’t come from burying our faces in screens and staying informed, it comes from confronting the source of the issue head on, no matter how ugly that may be.”

“Take Cover” is the premiere single to land ahead of the Ottawa-based duo’s forthcoming EP, TARDIGRADE — set for release this year via Montreal’s Dance Plant Records.

With a Toronto Independent Music Award to their credit, DRAE have performed at JUNOFest, RBC Bluesfest, Canadian Music Week, Northern Touch Music Festival, and more, and received radio-play and critical acclaim across previous releases TRI (2018), E/Scape (The Live Sessions) (2017), and E/Scape (2016).

Blue Frog Studios Announce First Fall 2020 Concert Streams with Legendary Blues Man Jim Byrnes — Plus Tributes to Heart, AC/DC & MORE

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Canada’s Blue Frog Studios has announced their exclusive Fall 2020 concert lineup — including premium, high definition livestreamed tributes to Heart and AC/DC via Barracuda and Live Voltage, respectively, and a special upcoming concert series with the multi-award winning legendary blues icon himself, Jim Byrnes. Tickets can be purchased here.

The homegrown ‘first-and-only of its kind’ series of live-streamed concerts from the British Columbia-based broadcast and recording theatre are an experience for the ages, and feature everything audiences traditionally enjoy from a live show: premium production, incredible acoustics, stunning visuals…

Only thing missing is a drink spilled on your shoe!

“This is a way for audiences to support and enjoy live music from their comfy couch,” Blue Frog Studios co-owner Kelly Breaks says. “We connect Canadians with performers and immerse them in the best concert sound they’ll ever experience at home.”

Artists agree: GRAMMY and JUNO Award-winning singer/songwriter Dan Hill says “I want to kidnap Blue Frog Studios and take it around the world with me. I can’t wait to come back!” while Platinum-selling and one of Rolling Stone Magazine’s Greatest Singers of All Timers Paul Rodgers says “LOVE Blue Frog… What a great room.”

Located in the west coast beach town of White Rock, Blue Frog’s state-of-the-art concert theatre was already a jewel on the Canadian concert scene long before COVID-19 and the resulting concert cancellations factored in. Able to accommodate up to an 80-piece orchestra plus an intimate 100-seat audience, the studio provides world-class sound, lighting, video and audio recording technology — all helmed by an unparalleled production team.

Tickets for concerts at Blue Frog Studios range from $5.29 to $9.50 for individual shows, or music lovers can subscribe to the Studio’s Blue Frog TV. The $7.99 monthly ‘ticket’ of sorts includes a virtual seat to all upcoming live streams, exclusive behind-the-scenes content, and extended access to Blue Frog’s full library of archived shows — including the Philosopher Kings, Jane Bunnett, Kenny “Blues Boss” Wayne, Crystal Shawanda, Jefferson Starship, Sue Foley, Daniel Wesley, Powder Blues, and (many) more.

Upcoming Concert Lineup at Blue Frog Studios:

Barracuda – Heart Tribute — LIVESTREAM
Saturday, September 19th @ 7pm PST / 10pm EST
Livestream Tickets – $9.50

Live Voltage – AC/DC Tribute — LIVESTREAM
Saturday, September 26th @ 7pm PST / 10pm EST
Livestream Tickets – $9.50

Jim Byrnes — LIVESTREAM
Saturday, October 3rd @ 7pm PST / 10pm EST

The Lonely – Roy Orbison Tribute — LIVESTREAM
Saturday, February 27th @ 7pm PST / 10pm EST

 

 

Toronto’s Alessandro Montelli & Karizma Amplify Messages of Equality, Justice & Humanity in New Collab, “1 Race”

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At 10,000 streams across platforms, Karizma and Alessandro Montelli continue to amplify messages of equality, justice and humanity in their new collaborative track, “1 Race.”

“This is a song that represents the change we want to see in the world right now,” they say. “It’s inspired by everything that’s been going on in our world with police brutality, racism, and injustices.

“It also looks at the tough times, especially recently, and is wishing for everyone to stay safe and keep social distancing for a better world to minimize the spread of COVID-19.”

Having met in April 2020 during a street performance in partnership with Kisani Hub and Canadian Stage, Montelli jumped at the chance to work on the song that had yet to be finished by Toronto-based rapper Karizma (Brent Doctolero). They recorded in Montelli’s home studio with final production credits extending to James Taylor (Jay-Boz) and mastering by John Longley.

The collaborative foundation of the track doesn’t end there; the song’s first video is a lyric visual and features a compilation of videos from the pair’s fans around the world, as well as recognizable faces from the Canadian scene such as Ezra Jordan, Mike Ruby, Max Parker, Lorraine Lawson, Crash Adams, Nicole Haber, Sheena Osman, Sarah Jordan, Matt Von, Devin Moody, Joshua Sade James, MC Sulek, RRAQS, and more.

“Also, my friend and photographer Daniel Dorta, who edited the first video, had participated in one of the peaceful protests in Toronto and has some shots from the event,” Montelli adds. “I asked to pick one for the song’s cover art and, as you can see, it worked out perfectly; we couldn’t have found a better shot to represent the song and the movement we’re trying to create.”

“For the video concept in general, it wasn’t about us being in front of the camera,” Karizma shares. “We didn’t want to make an official music video because, for us, it was all about the message of the song; we wanted people to just focus on the lyrics.

“But people were reaching out to us and wanted an official one!”

The result is a secondary video release, filmed and directed by Renjie Li and Akiem Ra-Zhi, featuring on-the-ground footage from this summer’s #blacklivesmatters protests downtown Toronto.

The 7th Annual South Coast Jazz & Blues Festival Will Be Livestreamed Free THIS Weekend

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The South Coast Jazz & Blues Festival is gearing up for its seventh annual iteration this weekend, this time as a free online live streamed production featuring the styles of Jackie Richardson, Micah Barnes, John Finley, Queen Pepper & more.

Set to take centre stage direct to your streaming device starting each day at 6:00pm EST this September 18th, 19th and 20th, the 2020 Festival will also include Jazz West, Aleef Mehdi, Ben Duff, The Jesse Murphy Trio, Aaron Bell, Gail Fuller, Ian Bell and the Shotts.

South Coast Jazz & Blues Festival is offering a special $25 VIP price for your own copy of the show, as well as a free-access virtual streaming option each day via their website.