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“Take Me Away” Says Toronto Rock Duo ECLECTICUS with the Release of Fourth Album — Available Now

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Canadian rock duo Eclecticus says Take Me Away with the release of their fourth and newest album and single, “Movin’ On” — both available now.

Rich and rife with all the makings of a stellar rock release — soaring vocals, driving riffs, haunting keys, and dynamic percussion — the savoury release was carefully crafted by the Toronto-based couple during the nation’s designated social isolation period this year.

“The album reflects the current environment,” Gar Reid shares. “We worked tirelessly in our studio to really convey a sound and feeling like you’re in the room with us.”

“For us, this was a very creative time,” co-front Tiina LeMay adds. “Considering the historical circumstances we are living in right now, I think many singer-songwriters have found they are inspired to write during this time.”

Teeming with heart and soul reflective of both the timing and the band’s songwriting style, Take Me Away follows previous releases So Illogical (2018), Hole Hearted (2012), and Eclecticus I (2009).

Music’s Preeminent Biographer Peter Guralnick Returns With “Revelatory”

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On October 27, Little, Brown will publish Looking To Get Lost: Adventures in Music and Writing, the first book in five years by best-selling and award-winning author Peter Guralnick. Nearly fifty years after the publication of his first anthology of music writing, Guralnick is sharing his most personal collection to date as he pulls back the curtain on the writing process itself, and some of his memorable encounters with music icons like Ray Charles, Chuck Berry, Johnny Cash, Tammy Wynette, Eric Clapton, Elvis Costello, Allen Toussaint, Howlin’ Wolf, Solomon Burke, Merle Haggard, and Dick Curless. A starred Kirkus review calls it “revelatory” while historian Douglas Brinkley has hailed it as “a pulsing jukebox of a memoir and cultural history…a literary masterpiece.”

While Guralnick is perhaps best known as one of our preeminent biographers — winning numerous awards and “Book of The Decade” honors for his definitive works on Elvis Presley, Sam Cooke, Robert Johnson, and Sun Records founder Sam Phillips — Looking To Get Lost is a diverse, wide-ranging anthology recalling his ground-breaking ‘70s collection Feel Like Going Home.

Some of the stories featured in Looking To Get Lost include Guralnick’s novella-length account of the life and hard-then-redemptive times of Dick Curless, along with masterful portraits of Merle Haggard, caught at a particularly fragile moment in his personal and professional life, and songwriter Doc Pomus, of whom it has been said, “If the music business had a heart, it would be Doc Pomus.” There are also jewel-like profiles of Chuck Berry, Willie Dixon, Jerry Lee Lewis, and Howlin’ Wolf as well as an epic new portrait-in-three-parts of Solomon Burke, the “King of Rock ‘n’ Soul,” through the filter of a 30-year friendship, not to mention a fresh take on Elvis Presley’s career through a unique (and very personal) portrait of his tirelessly innovative manager Colonel Tom Parker called “Me and the Colonel.”

Through his books, Guralnick has earned an illustrious list of on-record fans and collaborators, including Bob Dylan, Ta-Nehisi Coates, Ken Burns, Lucinda Williams, Bruce Springsteen, Martin Scorsese, Chuck D, , Leonardo DiCaprio, and Mick Jagger; Jagger and DiCaprio are currently working on a film adaption of Guralnick’s most recent book, 2015’s Sam Phillips: The Man Who Invented Rock ‘n’ Roll. His Presley biographyLast Train To Memphis was named one of the Books of The Decade by Esquire and Entertainment Weekly, while Sweet Soul Music, his epic account of the rise of Southern Soul and Lost Highway have been prominently placed on Best Music Books of All Time lists by Pitchfork, VIBE, and Billboard. The late Lester Bangs once said that “You put [his] book down feeling that its sweep is vast, that you have read of giants who walked among us.” Social and cultural historian Nat Hentoff compared Guralnick’s work to Chekhov’s, and Greil Marcus hailed his first book as “the most loving book I have ever read about American popular music, and one of the more savvy.”

ABBA’s “Dancing Queen” on a 100-year-old organ

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ABBA’s Dancing Queen played on a Hooghuys Organ built in 1914. You are the dancing queen, young and sweet, pnly one hundred and seeevennteeen.

Building a Musical Instrument Out Of Teeth

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Teeth! Music! Wall! Simone Giertz built her weirdest invention to date: musical teeth.

“Toward A Greater University” film in 1964 featuring a young Jim Morrison

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“Toward A Greater University” film which, in two brief scenes [4:33/5:17], features a young Jim Morrison years before he would become lead singer for The Doors. The film emphasized the need for more college-educated Floridians to work in the state’s rapidly expanding industries.

https://youtu.be/58Zqcpzkpgs

Etta James’ Isolated Vocals For “At Last”

Etta James’s signature song and was the third in a string of successful songs from her Argo Records debut album, At Last!. In April 1961, it became her second number two R&B hit single and crossed over to pop radio, reaching number 47 on the Billboard Hot 100.

The Trailer For “Sound of Metal” Is Here And It’s a Must-See For Music Fans…and Everyone

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A heavy-metal drummer’s life is thrown into freefall when he begins to lose his hearing. The plot and the main characters are based on Derek Cianfrance’s unfinished docufiction film “Metalhead”, in which the drummer of a heavy metal duo blows his eardrums out and must learn to adapt to a world of silence.

Starring Riz Ahmed and Olivia Cooke, Sound of Metal hits theaters November 20th and streaming services December 4th.

Watch Ozzy Osbourne Be Adorable In The New Animated Video For “Crazy Train”

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40 years ago, the Prince of Darkness released Blizzard of Ozz, and now you can listen to the new expanded 40th anniversary edition of the album, with 7 bonus live tracks previously unavailable digitally, available now! https://ozzyosbourne.lnk.to/Blizzard40

Video: Beavis and Butt-Head reviewing Radiohead’s “Creep” in 1994

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Beavis: What’s going on? How come they just don’t play that cool part through the whole song? Hehe?”

Butt-Head: “Well Beavis, if they didn’t have like a part of the song that sucked, than it’s like, the other part wouldn’t be as cool.”

Beavis: “Really? You’re pretty smart Butt-Head.”