Actress and singer-songwriter Michelah Desnai returns with “James & Nikki,” a striking new single inspired by the legendary 1971 conversation between James Baldwin and Nikki Giovanni. The song captures the raw, complicated emotion of love that’s both intoxicating and destructive—a theme that feels timeless and deeply human.
Built on soulful vocals and smooth production that blends pop, jazz, and rock, “James & Nikki” showcases Desnai’s powerful storytelling and musical range. Her background in theater adds dramatic tension to every verse, while her global perspective—born in Virginia, now based in Glasgow—infuses the track with a universal resonance.
“I know the truth, but I deny it for you,” Desnai confesses on the song, followed by the unforgettable line, “If loving you’s a crime, then tell the world I’m a dangerous criminal.” It’s an honest admission of self-betrayal in the name of love, sung with both ache and grace. The result is haunting yet undeniably beautiful.
Calling it her strongest work to date, Desnai shares, “I believe this is the best song I have written.” “James & Nikki” is a confession turned into melody—a song about the lies we tell ourselves for love, and the truth that still finds its way through.
Florence + The Machine are ready to return to the stage in 2026 with The Everybody Scream Tour of North America. The announcement follows the reveal of Florence Welch’s sixth studio album, Everybody Scream, set for release on October 31. The highly anticipated tour will kick off April 8 in Minneapolis and hit major arenas across the U.S. and Canada—including two nights at Los Angeles’ Kia Forum and stops at New York’s Madison Square Garden and Barclays Center—before wrapping May 20.
Supporting acts across select dates include Rachel Chinouriri, SOFIA ISELLA, CMAT, and Mannequin Pussy. Fans can sign up for artist presales and get full details at florenceandthemachine.net/tour. The new album, Everybody Scream, features the singles “Everybody Scream” and “One of the Greats,” written and produced with longtime collaborators Mark Bowen (IDLES), Aaron Dessner, and Mitski. The album’s themes—recovery, spirituality, and self-reckoning—mark a haunting continuation of Florence’s fearless artistic journey.
After enduring lifesaving surgery during the Dance Fever tour, Florence channeled her recovery into a creative rebirth inspired by mysticism, witchcraft, and folk horror. Everybody Scream explores the blurred lines between pain and transcendence, womanhood and mortality, life and decay—all wrapped in the sweeping soundscapes that have made Florence + The Machine one of the defining voices of a generation.
With five critically acclaimed albums and countless sold-out shows worldwide, Florence continues to captivate audiences with her powerful voice and transcendental performances. The Everybody Scream Tour promises to be another stunning chapter—an immersive celebration of rebirth, ritual, and the relentless beauty of being alive.
Florence + The Machine – The Everybody Scream Tour 2026: April 8 – Minneapolis, MN – Target Center (with Rachel Chinouriri) April 10 – Chicago, IL – Allstate Arena (with Rachel Chinouriri) April 13 – Detroit, MI – Little Caesars Arena (with Rachel Chinouriri) April 15 – Montreal, QC – Bell Centre (with Rachel Chinouriri) April 16 – Toronto, ON – Scotiabank Arena (with Rachel Chinouriri) April 18 – Washington, D.C. – Capital One Arena (with SOFIA ISELLA) April 19 – Boston, MA – TD Garden (with SOFIA ISELLA) April 21 – New York, NY – Madison Square Garden (with SOFIA ISELLA) April 24 – New York, NY – Barclays Center (with SOFIA ISELLA) April 25 – Philadelphia, PA – Xfinity Mobile Arena (with SOFIA ISELLA) April 28 – Tampa, FL – Benchmark International Arena (with CMAT) April 29 – Miami, FL – Kaseya Center (with CMAT) May 1 – Atlanta, GA – State Farm Arena (with CMAT) May 2 – Nashville, TN – Bridgestone Arena (with CMAT) May 4 – Austin, TX – Moody Center (with CMAT) May 5 – Houston, TX – Toyota Center (with CMAT) May 7 – Fort Worth, TX – Dickies Arena (with CMAT) May 9 – Glendale, AZ – Desert Diamond Arena (with Mannequin Pussy) May 12 – Seattle, WA – Climate Pledge Arena (with Mannequin Pussy) May 13 – Portland, OR – Moda Center (with Mannequin Pussy) May 15 – San Francisco, CA – Chase Center (with Mannequin Pussy) May 19 – Los Angeles, CA – Kia Forum (with Mannequin Pussy)
After lighting up the Hollywood Palladium with a sold-out performance, Grammy-nominated superstar Demi Lovato has officially announced her long-awaited return to touring. The It’s Not That Deep Tour, produced by Live Nation and featuring special guest Adela, will bring Lovato’s dazzling new dance-pop era to stages across the U.S. and Canada in 2026. Marking her first major headlining run in three years, the 23-city tour kicks off April 8 in Charlotte, NC, and wraps May 25 in Houston, TX.
Lovato’s upcoming tour will celebrate her latest album, It’s Not That Deep (DLG Recordings/Island Records), alongside fan-favorite hits from her powerful career. The record revives her love of high-energy dance-pop, combining sleek electronic grooves with self-assured anthems about freedom, control, and joy. Singles like “Fast,” “Here All Night,” and “Kiss” have already lit up streaming platforms, with the album’s lyrical hook—“It’s not that deep, unless you want it to be”—defining this new era of confidence and fun.
Fans who attended her Hollywood Palladium show on October 25 got a first glimpse of the energy coming to the It’s Not That Deep Tour: a glittering, feel-good spectacle full of infectious beats and powerhouse vocals. The setlist blended her newest material with classics that turned the night into a full-on dance celebration.
Presales for the tour begin Thursday, October 30, with general tickets available Friday, October 31 at 10 a.m. local time. VIP packages offer early access, exclusive merch, and entry to a pre-show lounge experience. With her blend of charisma, heart, and unshakable artistry, Demi Lovato’s It’s Not That Deep Tour promises an electrifying journey through one of pop’s most vibrant reinventions.
Demi Lovato – 2026 It’s Not That Deep Tour Dates: April 8 – Charlotte, NC – Spectrum Center April 10 – Orlando, FL – Kia Center April 12 – Atlanta, GA – State Farm Arena April 14 – Nashville, TN – Bridgestone Arena April 16 – Washington, DC – Capital One Arena April 18 – Philadelphia, PA – Xfinity Mobile Arena April 20 – Toronto, ON – Scotiabank Arena April 22 – Boston, MA – TD Garden April 24 – New York, NY – Madison Square Garden Arena April 27 – Columbus, OH – Nationwide Arena April 29 – Detroit, MI – Little Caesars Arena May 1 – Chicago, IL – United Center May 2 – Minneapolis, MN – Target Center May 5 – Denver, CO – Ball Arena May 8 – Las Vegas, NV – MGM Grand Garden Arena May 9 – Anaheim, CA – Honda Center May 11 – San Francisco, CA – Chase Center May 13 – Seattle, WA – Climate Pledge Arena May 16 – Los Angeles, CA – The Kia Forum May 19 – Glendale, AZ – Desert Diamond Arena May 22 – Dallas, TX – American Airlines Center May 24 – Austin, TX – Moody Center May 25 – Houston, TX – Toyota Center
Ashley McBryde is giving fans even more reasons to celebrate on Lower Broadway. The Grammy-winning singer-songwriter has announced the 2026 extension of The Redemption Residency at Eric Church’s Chief’s, returning to the intimate Neon Steeple stage for four themed sets of unforgettable performances. Each run will deliver a completely different experience, solidifying McBryde’s reputation for heartfelt storytelling and her unique ability to connect with audiences through music and honesty.
January and March will bring Just Me And My Shadow, a series of stripped-down acoustic performances that put McBryde’s songwriting and storytelling front and center. February’s Postcards From Lindeville double-header dives into fan-favorite characters from her catalog, spanning from Jalopies & Expensive Guitars to The Devil I Know. Finally, April’s Mixtape From The Mixed Up Years celebrates the songs that shaped McBryde’s musical journey, featuring covers of the artists and tracks that inspired her along the way.
Tickets for The Redemption Residency go on pre-sale tomorrow, October 28, for McBryde’s Trybe Fan Club members, followed by access for Eric Church’s Church Choir members on October 29. General on-sale begins Friday, October 31. Premium Trybe members can also enjoy exclusive perks, including early pre-sale access, entry to the intimate Trybe Coffee Tours at the Redemption Bar, and a priority line for faster entry into Chief’s.
Located on the fifth floor of Chief’s, McBryde’s non-alcoholic-forward Redemption Bar has quickly become a Nashville standout, inspired by her own path to sobriety. With its small troubadour-style stage and focus on original music, the venue reflects the spirit of Music City itself — raw, personal, and full of stories. Fans attending The Redemption Residency can expect more than a concert; they’ll be part of an intimate journey through McBryde’s artistry, influences, and heart.
Ashley McBryde – 2026 The Redemption Residency at Chief’s Neon Steeple: January 22 – Just Me And My Shadow January 23 – Just Me And My Shadow February 19 – Postcards From Lindeville February 20 – Postcards From Lindeville March 19 – Just Me And My Shadow March 20 – Just Me And My Shadow April 17 – Mixtape From The Mixed Up Years April 18 – Mixtape From The Mixed Up Years
GUV is back and brighter than ever. The long-running, shape-shifting project of Ben Cook—known for his work with No Warning and Fucked Up—has announced its next bold chapter with Warmer Than Gold, set for release January 30 via Run For Cover Records. The new record finds Cook expanding his signature guitar pop into a kaleidoscopic fusion of Britpop hooks, breakbeats, and shimmering indie textures. To mark the announcement, he’s shared the vibrant lead single “Let Your Hands Go,” a euphoric burst of jangly guitars and pulsing rhythms that recalls Top of the Pops circa 1990.
Warmer Than Gold was crafted across continents with a dream lineup of collaborators including James Matthew Seven, Darcy Baylis, Hatchie, Meg Mills of Turnstile, and more. The album builds on Cook’s acclaimed Young Guv releases but injects them with a newfound sense of rhythm and motion. “Warmer Than Gold is about slipping through two worlds,” Cook explains. “One ruled by luxury and the worship of status, and another that feels like an escape, a dream you can almost touch. It’s about buses, trains, planes, about big dreams in solitude, finding something real despite everything trying to erase it.”
Drawing from influences like Madchester, trip-hop, and early shoegaze, Warmer Than Gold is a cinematic and deeply personal work—one that reflects Cook’s life moving between Toronto and London. It’s filled with soaring choruses, lush soundscapes, and heart-on-sleeve lyricism. Songs like “Blue Jade,” “Chasin Luv,” and “Seaside Story” evoke the rush of late-night city lights and fleeting connections, while tracks like “Never Should Have Said” (featuring Hatchie) and the title cut offer poignant reflections on beauty, loss, and rediscovery.
At once nostalgic and forward-looking, Warmer Than Gold captures Ben Cook’s evolution as a musician and storyteller. “I’ve been searching for ways to bring the fleeting into focus,” he says. “To make the invisible parts of myself real. Warmer Than Gold is another step in that journey.”
At just 13 years old, Seattle’s own Vox Realis is already commanding attention in the global guitar and metal scene. His debut single, “Overkill,” arrives as a high-voltage statement of intent, produced by Adair Daufembach (Angra, Megadeth, Kiko Loureiro) and featuring Felipe Andreoli (Angra) on bass and Dirk Verbeuren (Megadeth) on drums. With Vox himself handling guitar duties, the track showcases a player whose skill, tone, and compositional maturity defy his years.
“‘Overkill’ is more than just a debut—it’s a statement,” says producer Adair Daufembach. “Vox Realis is the rare kind of player who combines feel, speed, and purpose. He’s not just talented for his age—he’s talented, period.” The track bursts with technical precision, molten riffs, and melodic weight, channeling the fire of guitar legends like Marty Friedman, Joe Satriani, and Dimebag Darrell while carving a path that’s uniquely his own.
Already recognized as one of the youngest rising stars in the guitar world, Vox has been featured in Guitar World Magazine as a “young artist to watch” and has appeared on The Kelly Clarkson Show, Seattle Refined, KING 5, and KEXP Radio—where he made his broadcast debut at just 10 years old. He continues to hone his craft under the mentorship of GRAMMY-winning guitarist Kiko Loureiro (Megadeth, Angra), combining formal training with boundless creativity.
Outside the studio, Vox hosts his own viral series Metal For Breakfast, where his jaw-dropping performances and imaginative takes on iconic solos have drawn fans from across the world. With “Overkill,” he proves he’s not just a prodigy—he’s a full-fledged artist ready to redefine the sound and spirit of modern guitar music. Backed by some of metal’s finest, Vox Realis is not just the future of guitar—he’s the now.
IV4, the artist formerly known for her viral pop hits and magnetic online presence, has officially entered a bold new era with her electrifying new single “Still Alive.” Blending grunge, metal, and alternative rock, the track showcases a fearless evolution for the Los Angeles–based artist, born Ivana Petrovic, who has captivated over half a million followers on TikTok with her unapologetic authenticity and dynamic artistry.
“Still Alive” is more than a comeback—it’s a battle cry. “It’s about surviving yourself as much as everything else,” IV4 shares. “It came from a place of raw emotion. The split between anger and vulnerability. When you’re trying to reclaim who you are after losing control for too long. It’s not about being untouched by the chaos, it’s about feeling every part of it and realizing you’re still here, still standing, still alive.” Her words mirror the grit and catharsis of the song itself, a storm of distorted guitars, crashing drums, and soaring vocals that blur the line between pain and power.
The single marks a radical reinvention for IV4, following past successes like “Stroke” featuring Jeremih and “Swimming” featuring Trippie Redd. After years in the pop mainstream, she’s traded glossy production for raw emotion, embracing a sound that channels the spirit of 90s alternative and modern metal alike. It’s an evolution that feels inevitable—a culmination of her journey toward self-ownership and fearless creative freedom.
With “Still Alive,” IV4 continues to prove that rebirth isn’t about leaving your past behind—it’s about transforming it into art. The single’s accompanying video amplifies that energy with striking visuals of defiance and rebirth, capturing IV4’s signature mix of vulnerability and power. It’s a new chapter for a genre-defying artist who’s breaking rules, shattering expectations, and reminding everyone watching that survival can sound like liberation.
Savannah Pope has never been one to color inside the lines, and her new single “Terrible Thing” proves just how powerfully she can turn vulnerability into art. A baroque, flamenco-tinged confessional, the track grapples with the paradox of love that’s long desired but impossible to fully hold. With sweeping instrumentation, world-music influences, and an emotional rawness reminiscent of Lorde, Leonard Cohen, and Muse, “Terrible Thing” stands as her most ambitious work yet—a haunting portrait of longing and self-reckoning.
“This song is about needing something you have no place to put,” Savannah explains. Inspired by her travels to Spain and a rekindled love for Flamenco, “Terrible Thing” embodies her fascination with rhythm, emotion, and storytelling that transcends genre. “These are the kinds of things you can’t just say out loud,” she says. “You need a song to say them.” The single serves as a centerpiece of her forthcoming EP, which explores identity, repression, and survival through lush arrangements and cinematic scope.
Known for her operatic vocals and visually striking performances, Savannah Pope’s artistry blends theatricality and intimacy in equal measure. Her creative evolution—from recording her first songs after a near-fatal accident to building a DIY empire of music videos, costumes, and surrealist visuals—has shaped her into one of Los Angeles’ most fearless performers. Co-writing with Adam Gimenez and working with producers Joshua Sadlier-Brown and All Made Up, she treats each recording as an act of emotional alchemy. Her upcoming EP continues the visionary streak that began with her breakout album Pandemonium, diving even deeper into the human psyche and the beauty found in brokenness.
This fall, Savannah joins Andy Bell of Erasure on tour, bringing her haunting art-rock presence to stages across North America. From New York’s Gramercy Theatre to Los Angeles’ Fonda Theater, fans can expect a performance that’s as cinematic as it is soul-baring—an experience where every note feels like a revelation.
With “Terrible Thing,” Savannah Pope continues to expand the boundaries of modern rock and avant-pop. Her music dares listeners to confront the beautiful and the painful in equal measure, transforming confession into connection and vulnerability into strength.
Savannah Pope – Tour Dates Supporting Andy Bell (Erasure): October 23–25 – New York, NY – Gramercy Theatre October 28 – Pittsburgh, PA – Roxian Theatre October 29 – Bethlehem, PA – Wind Creek Event Center October 31 – Red Bank, NJ – The Vogel November 1 – Boston, MA – The Wilbur November 4 – Cleveland, OH – House of Blues November 7–8 – Chicago, IL – Metro November 9 – Cincinnati, OH – Bogart’s November 11 – Indianapolis, IN – Egyptian Room November 13 – New Orleans, LA – Orpheum Theater November 14 – San Antonio, TX – Aztec Theater November 15 – Dallas, TX – Majestic Theater November 18 – Oklahoma City, OK – Tower Theatre November 20 – Denver, CO – Summit Music Hall November 21–22 – Park City, UT – The Marquis November 25 – Sacramento, CA – Crest Theatre November 26 – Menlo Park, CA – Guild Theatre November 28–29 – San Francisco, CA – Palace of Fine Arts December 2 – Portland, OR – Newmark Theatre December 3 – Vancouver, BC – Vogue December 4 – Seattle, WA – Showbox at the Market December 6 – Stateline, NV – Harrah’s Lake Tahoe December 9 – Phoenix, AZ – Van Buren December 10 – San Diego, CA – Music Box December 12–13 – Los Angeles, CA – The Fonda Theater
Taylor Acorn is back and bolder than ever. The unapologetic pop punk force has released her highly anticipated sophomore album Poster Child, her first full-length since signing to Fearless Records earlier this year. Featuring the hard-hitting singles “Crashing Out,” “Hangman,” and “Goodbye, Good Riddance,” the record cements Acorn’s status as one of the most powerful voices in modern alt-pop punk.
To accompany the album drop, Acorn shared a brand-new music video for “Home Videos,” one of the record’s most personal moments. “‘Home Videos’ is one of my favorites on the entire record,” says Acorn. “Growing up is such a privilege but at the same time I find it so weird how far away from our pasts we end up. I find myself a lot of the time dreaming of being back in my childhood… I’m really proud that we were able to capture the feeling of that in this song.”
Since its release, Poster Child has gained major traction on streaming platforms including Spotify, Apple Music, Amazon, and Pandora, earning placements on playlists like Pop Punk’s Not Dead, Women of Rock, All New Rock, and Relationship Goals. With its explosive energy and lyrical honesty, the album channels a generation finding its voice amid chaos, nostalgia, and resilience.
Following standout sets at When We Were Young Festival in Las Vegas alongside blink-182, Avril Lavigne, Panic! At The Disco, and Weezer, Acorn will bring Poster Child to life on her full U.S. headline tour this fall, beginning with a special album release show in Nashville on October 29. She’ll also make a festival stop at Vans Warped Tour in Orlando on November 16 before wrapping up in Cleveland on December 6.
Taylor Acorn – 2024 U.S. Tour Dates: October 29 – Nashville, TN – Cannery Hall (Album Release Show) November 4 – Boston, MA – Brighton Music Hall November 6 – New York, NY – Gramercy Theatre November 7 – Washington, DC – Atlantis November 8 – Allentown, PA – Arrow November 10 – Buffalo, NY – Rec Room November 11 – Toronto, ON – Annabel’s Music Hall November 13 – Pittsburgh, PA – Thunderbird Cafe November 14 – Charlotte, NC – Amos Southend November 15 – Jacksonville, FL – Jack Rabbits November 16 – Orlando, FL – Vans Warped Tour ** November 18 – Austin, TX – Antones November 19 – Dallas, TX – Cambridge Room at House of Blues November 21 – Phoenix, AZ – Crescent Ballroom November 22 – Los Angeles, CA – Echoplex November 23 – Roseville, CA – Goldfield Trading Post November 25 – Seattle, WA – Madame Lou’s November 26 – Portland, OR – Aladdin Theatre November 28 – Salt Lake City, UT – Soundwell November 29 – Denver, CO – Marquis Theater November 30 – Lawrence, KS – Bottleneck December 2 – Chicago, IL – Lincoln Hall December 3 – Detroit, MI – Shelter December 5 – Columbus, OH – A&R Music Bar December 6 – Cleveland, OH – Beachland Ballroom (** Indicates festival date)
With Poster Child, Taylor Acorn captures the chaos, heart, and healing of growing up without losing her spark. From her introspective songwriting to her fearless performances, Acorn continues to lead the new wave of women redefining pop punk.
Symphonic metal powerhouse Beyond The Black are back with a thunderous new single, “Can You Hear Me,” featuring Asami, lead vocalist of Japanese power metal band Lovebites. The song marks the fourth release from the band’s highly anticipated sixth studio album, Break The Silence, arriving January 9, 2026, via Nuclear Blast Records. The track is a soaring anthem that unites East and West, pairing two commanding voices in an emotionally charged duet sung in both Japanese and English.
“Can You Hear Me” tackles the universal struggle of finding true connection in an increasingly chaotic world. “Can You Hear Me is a song about the shared longing for true connection – two voices from different worlds breaking through the noise of a hyperconnected yet disconnected world to truly be heard,” says lead singer Jennifer Haben. Asami adds, “I’m truly excited to be part of ‘Can You Hear Me’ with Beyond The Black. It’s a powerful song and working together across countries and cultures has been an inspiring experience. We hope the message reaches people everywhere.” The single is accompanied by a stunning animated music video now streaming on YouTube.
Break The Silence blends melodic metal with global influences, exploring themes of resilience, communication, and emotional rebirth. Tracks like “Let There Be Rain,” “(La Vie Est Un) Cinéma,” “Ravens,” and “The Flood” expand Beyond The Black’s sonic range while preserving the sweeping grandeur that made them one of the genre’s defining forces. Since their award-winning 2015 debut Songs Of Love And Death, the band has topped charts, sold out tours, and played alongside icons such as Aerosmith, Korn, Scorpions, and Within Temptation, earning a devoted worldwide following.
Following the album’s release, Beyond The Black will hit the road for their Rising High European headline tour, bringing their grand symphonic sound to fans across 14 countries. From Manchester to Helsinki, the band is ready to deliver an unforgettable live spectacle of soaring vocals, cinematic production, and emotional power.
BEYOND THE BLACK – RISING HIGH TOUR 2026 January 15 – Manchester, UK – O2 Ritz January 16 – London, UK – O2 Shepherd’s Bush Empire January 17 – Paris, FR – Bataclan January 19 – Zurich, CH – X-Tra January 20 – Munich, DE – Tonhalle January 22 – Budapest, HU – Barba Negra January 23 – Vienna, AT – Arena January 24 – Geiselwind, DE – MusicHall January 26 – Stuttgart, DE – Wagenhallen January 27 – Wiesbaden, DE – Schlachthof January 28 – Hanover, DE – Capitol January 30 – Warsaw, PL – Proxima January 31 – Leipzig, DE – Haus Auensee February 1 – Berlin, DE – Huxleys February 3 – Hamburg, DE – Insel Park Arena February 4 – Antwerp, BE – Trix February 5 – Oberhausen, DE – Turbinenhalle February 6 – Nijmegen, NL – Doornroosje February 8 – Copenhagen, DK – Pumpehuset February 9 – Gothenburg, SE – Pustervik February 11 – Oslo, NO – Vulkan February 12 – Stockholm, SE – Kollektivet Livet February 14 – Helsinki, FI – Aäniwalli
