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Linkin Park Celebrate Hybrid Theory 20th Anniversary Edition By Dropping Previously Unreleased Song “She Couldn’t”

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Linkin Park Celebrate Hybrid Theory 20th Anniversary Edition By Dropping Previously Unreleased Song “She Couldn’t”

Celebrating one of the most influential, inimitable, and impactful albums of the past two decades, LINKIN PARK announce the release of Hybrid Theory: 20th Anniversary Edition on October 9, 2020.

HYBRID THEORY, “the best-selling debut of the 21st century,” will be the centerpiece of this new collection, complete with never-before-heard demos from the time, rarities, B-sides, DVDs, 95+ minutes of never-before-seen footage, and other extras. In order to prepare this special edition, Linkin Park engaged longtime fans around the world to contribute and share art, photos, and memories from the band’s earliest days. The reissue will be available in multiple configurations, including a Super Deluxe Box, Vinyl Box Set, Deluxe CD, and Digital. This notably stands out as the first-ever Hybrid Theory box set.

To celebrate the news, the group also shared the long sought-after 1999 demo “She Couldn’t” today.

 

The Limited Edition Super Deluxe Box consists of five CDs—the original Hybrid Theory, double-platinum accompanying remix record Reanimation, B-Side Rarities with 12 previously-released tracks from the album era, LPU Rarities with 18 tracks only circulated through the Linkin Park Underground (LPU) fan club, and Forgotten Demos with 12 unreleased tracks, including “She Couldn’t.”

Additionally, the Super Deluxe Box boasts three DVDS, including a direct replica of the original FRAT PARTY AT THE PANKAKE FESTIVAL, PROJEKT REVOLUTION 2002 capturing one hour of unseen live footage from Las Vegas and San Diego (plus the 45-minute sequel to FRAT PARTY AT THE PANKAKE FESTIVAL entitled The Sequel To The Worst Name We’ve Ever Come Up With comprised of previously unavailable backstage footage and interviews), and another LIVE DVD with full concerts from The Fillmore 2001 in San Francisco and Rock AM Ring 2001 in Germany. Plus, it includes three vinyl LPS: the original Hybrid Theory (1 LP), Reanimation (2 LP), and available for the first-time on vinyl the Hybrid Theory EP—a six-track LP with etching on side 2. In addition to the original street team 2-track Cassette, fans also receive a stunning 80-page illustrated book with contributions from band members and unseen photographs as well as a replica tour laminate and oversized poster of late vocalist Chester Bennington. Additionally, band members Mike Shinoda and Joe Hahn and original Hybrid Theory art director and reissue art director Frank Maddocks supplied three lithographs of new art to the Super Deluxe Box.

The Hybrid Theory Vinyl Box Set comprises the original Hybrid Theory (1 LP) and Reanimation (2 LP) as well as the B-Side Rarities (1 LP). This will be the only format to include a vinyl of B-Side Rarities. Pre-Order HERE. The Deluxe CD showcases the original Hybrid Theory and B-Side Rarities with a 16-page booklet. Pre-Order HERE.

October 24, 2000: Linkin Park’s debut album galvanized, captivated and defined a generation. Hybrid Theory established a new course for music with its inspired combination of heavy alternative rock, hip-hop, and electronic. Hybrid Theory emerged as “the best-selling album of 2001 in the US,” selling 11 million copies stateside, achieving the rare “Diamond Award” (10 million) from the RIAA, and selling over 25 million albums worldwide. The fans elevated Linkin Park to rarified air among a small handful of legends. Nonstop touring ushered them from clubs to arenas and stadiums as singles “One Step Closer,” “Crawling,” and “In The End” became embedded in popular culture. This summer, #1 pop single “In The End” just crossed the 1-billion view threshold on YouTube—their second video to do so following “Numb.” The band also took home their first GRAMMY Award in the category of “Best Rock Performance” for “Crawling.”

Last week, Linkin Park transformed their website, LinkinPark.com, into a retro-style turn-of-the-century computer desktop full of folders and files. The site was updated daily to reveal new clues about the upcoming Hybrid Theory 20th Anniversary and culminated with the reveal of a video trailer on the site announcing the details of the release.

Experience Hybrid Theory like never before in 2020.

HYBRID THEORY: 20th ANNIVERSARY EDITION

SUPER DELUXE BOX SET

5 CDs

  1. Hybrid Theory
  2. Reanimation
  3. B-Side Rarities
  4. LPU Rarities
  5. Forgotten Demos

3 DVDs

  1. FRAT PARTY AT THE PANKAKE FESTIVAL
  2. LIVE PROJEKT REVOLUTION 2002 (NEVER-BEFORE-RELEASED)
  3. LIVE THE FILLMORE 2001 // LIVE ROCK AM RING 2001

3 LPS

  1. Hybrid Theory 
  2. Reanimation 
  3. Hybrid Theory EP

EXTRAS:

80-page book featuring contributions from the band and previously unseen photos

Cassette reproduction of original 2-track street team sampler

18×24 Poster of Chester Bennington

3 Lithographs featuring new art by Mike Shinoda, Joe Hahn, & Frank Maddocks

Replica tour laminate

SUPER DELUXE VINYL SET

3 LPS

  1. Hybrid Theory 
  2. Reanimation 
  3. B-Side Rarities 

SIDE A

  1. “One Step Closer (Rock Mix)”
  2. “It’s Goin’ Down”
  3. “Papercut (Live from the BBC)”
  4. “In The End (Live BBC Radio One)”
  5. “Points Of Authority (Live BBC Radio One)”
  6. “High Voltage”

SIDE B

  1. “Step Up (1999 Demo)”
  2. “My December”
  3. “A Place For My Head (Live at Docklands Arena, London)”
  4. “Points Of Authority (Live at Docklands Arena, London)”
  5. “Papercut (Live at Docklands Arena, London)”
  6. “Buy Myself Remix (Marilyn Manson)”

DELUXE CD

2 CDS

  1. Hybrid Theory 
  2. B-Side Rarities

DIGITAL

All audio tracks on the album will be available to stream or download.

With 500,000+ Streams, ROOM 217 FOUNDATION’s Music Collections Help Canadians Struggling with Increased Anxiety, Depression

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With 500,000+ Streams, ROOM 217 FOUNDATION’s Music Collections Help Canadians Struggling with Increased Anxiety, Depression

With a recent report from Mental Health Research Canada citing the rate of anxiety quadrupling in the wake of COVID-19, an increasing number of Canadians are seeking additional tools to ease their days. One such resource has been Canadian health arts organization Room 217 Foundation and the newly expanded release of their highly innovative non-pharmacological music care collections for digital streaming — available now.

Room 217 music is produced with defined therapeutic and artistic values, including familiar songs and sounds in comforting styles, 60-minute continuous play, with a mix of instrumental-only and albums with vocals — both gently arranged for up to six voices or instruments. Tempos are paced between 54 – 72 beats per minute to entrain with a resting heart rate, and the collections have been streamed upwards of 500,000 times since launching.

“Since we’ve been under social isolation rules, there has been all kinds of social chatter about people experiencing sleep disturbances, sadness, anxiety and depression,” says Room 217 Foundation Executive Director Bev Foster. “Living with these weights on our shoulders, especially as we are socially isolated from the people we love and who support us, is affecting many people’s mental health.

“Our library offers demonstrated relief for care providers, family members, frontline workers, and self-care alike.”

Initially designed as an accessible comfort tool in the resource kits of nursing and care staff, volunteers, hospices, palliative care units, long-term care and assisted living homes, Room 217’s increased availability offers unprecedented access for home and personal use within families.

A world leader in music care, Room 217’s expanded digital availability adds to already more than 45,000+ copies sold worldwide, and includes this season’s newest releases: Collection 3: Diverse Sounds, Collection 4: Boomer Tracks.

Also available are Collection 1: Soul Comfort and Collection 2: Memorable Moments. Each collection features six full-length albums.

“Room 217 Music Collections were initially designed to be a cost-effective comfort tool to meet the psychosocial and spiritual needs of persons in palliative and end-of-life care,” Foster shares. “We are forerunners in bringing the caregiver, especially the family caregiver as a vital care partner, into the music and health sector.

“Our Music Collections can be used in self-care, too — especially among those suffering forms of insomnia, burnout, compassion fatigue, or increased anxiety and depression.”

Her recommendations? “If you’re experiencing trouble sleeping, I’d start with Gentle Waters, British Invasion, or Lotus Blossom,” she offers. “My favourite for starting the day off is Road Trip, and Broadway Melodies, and Bamboo Garden is perfect if you’re trying to focus while working or reset in the afternoon.”

Promoting sleep and a general sense of peacefulness, Room 217 Music Collections have been proven to help alleviate agitation and anxiety, provide comfort and a distraction from pain, make eating more enjoyable, assist in closure and relationship completion, enhance communications through reminiscence, and more, as well as de-stress caregivers and make care and dying spaces beautiful.

Since its creation, Room 217 has dedicated itself to be a world- and industry-leader wholly focused on developing, producing and delivering research-informed music care products, education, training, and research.

“Music care is the intentional use of music by anyone to improve health and well-being,” Foster explains. “Music care integrates sound, silence and music into the circle of care, paying close attention to how interpersonal connection and human contact is enhanced through musical associations.

“I’ve been so encouraged by the number of videos shared since the start of COVID-19 featuring singing and music as a coping mechanism,” she continues. “In addition to tapping music for stress or emotional relief, it can be used to celebrate, feel connected, and as a means of expression.

“There’s even history on the use of music in other pandemics.”

Room 217 is a Canadian music-based health arts organization and social enterprise providing innovative approaches to well-being through a philosophy of music care. Collaborating with a top-notch team of skilled music educators, music therapists, music and health researchers, and community musicians and artists, the organization produces and delivers music care products, education, and training to help carers integrate music into their regular practice to enhance quality of life and improve the care experience.

In its 11 years of groundbreaking work, the impact Room 217 Foundation has had on those both receiving and providing care is immense. Through the development of numerous music care conferences, education platforms and products currently implemented within care settings across the country and around the world — including the Pathways Singing Program for dementia care, Conversation Cards for music sharing, Recollections for reminiscence, and Music Collections for palliative and end-of-life care — the Foundation is considered a national and international leader within the industry.

Room 217 Music Collections 1 – 4 are available now.

This baby sings ‘Thunderstruck’ by AC/DC

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This baby sings ‘Thunderstruck’ by AC/DC

You’ve been….Thunderstruck!

1-minute tip for artists: Answer your comments.

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1-minute tip for artists: Answer your comments.

Say thanks to the good ones, delete the bad.

Buffalo Rocker ERIK EIMILLER Captures Fear, Paranoia & a New Wave Vibe in Debut Single, “Cross the Ocean” — Available Now!

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Buffalo Rocker ERIK EIMILLER Captures Fear, Paranoia & a New Wave Vibe in Debut Single, “Cross the Ocean” — Available Now!

“It was an amazing dream,” rocker and multi-instrumentalist Erik Eimiller says, setting the scene for how his debut 80s-esque new wave-vibe single, “Cross the Ocean” came to mind. “Vivid. Palpable.”

Okay, yes. Tell us more.

“It was like a full-on music video,” the Buffalo-based artist obliges, detailing his REM cycle. “The singer was running towards the camera, and running away from something terrifying, whatever it was, that was chasing him.

“The chorus for what would become ‘Cross the Ocean’ was blasting inside my subconsciousness, and the chord progression and melody line were ingrained in my mind as I awoke. I quickly grabbed my phone and recorded a voice message, humming the vocal line while clicking my teeth to the beat.

“I couldn’t quite remember all of the words, but I had what I needed.”

With much of the track locked in, the only elements remaining were the verses. Enter: COVID-19.

“A month after this dream, the pandemic strikes our world and the media coverage, naturally, is non-stop. Just 24/7, every news channel, every radio station… It’s just about impossible to block out.”

It was here that Eimiller — a life-long accomplished musician who’s played thousands of stages as a drummer — took a step to the side, observing the happenings from an empathetic and storytelling perspective, as he aims to do in his richly descriptive songwriting. “The coverage started to consume some people to the point of paranoia.

“I feel for those people because I understand that fear is real.

“Perhaps the only solution would be to ‘run away from the television’ because ‘you’ve got time to make yourself feel right’ — which is the chorus of the single. Once I realized the fear, the verses hit me like a ton of bricks.”

The video for “Cross the Ocean” serves as the perfect complement, and weaves the storyline and vibe together with striking visuals, colour processing, and overall mood. This, of course, is by no accident. “My sister Amy created the video, and she harnessed that nostalgic, yet futuristic feel with perfection,” Eimiller says of the song’s visual representation.

“Cross the Ocean” is available now.

Burning Man Meets Skate Park: Alt Rock EDM Toronto’s KRONIS Shatters Sonic Norms with “Against The World”

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Burning Man Meets Skate Park: Alt Rock EDM Toronto’s KRONIS Shatters Sonic Norms with “Against The World”

Canadian outfit KRONIS debuts their firm yet inventive footing on the fault line between alt rock and EDM with the release of their newest single, “It’s Time For Love,” and breakthrough album Against The World — both available now!

“I spent three years in the studio with Parker creating Against The World,” Toronto and Los Angeles, California-based frontman Aaron Kronis says, name checking mix engineer and producer Parker Ament of XLNTStudios. “We didn’t know what the title would be, or the number of tracks, but we knew we were onto something.”

That ‘something’ is alt rock streamed live with live guitars, live vocals, and Ableton. It’s guitars into cell phones while on hoverboards. It’s the essence of skateboarding at Burning Man channeled into a technologically enabled sonic sojourn spanning the ages.

“KRONIS has become the final evolution of a lead singer and an extraordinary guitar player who’s into electronic sounds and manipulations of waveforms to create something new that sounds familiar,” Kronis says. “And Against The World wholly captures the constant stamina required to endure this music industry based on my life in Los Angeles, and the world today.”

There’s a lot of moving pieces to the project, including contributions from musicians Matt Starr (Mr. Big, Ace Frehley), Chris Moore (RockOfAges Tour, Project Nfidelikah), and Andy Sansei (Missing Persons, Frankie Valli). There’s live performances at the links of the Viper Room, and features on KLOS Los Angeles and 102.1 The Edge with Alan Cross’ Ongoing History of New Music.

And there’s a lot more to come, Kronis adds. “We already have enough material for two or three more albums, so we’re just continuously working on tracks and live performance setups going forward.

‘Everything’s on a cob,” he continues, bringing his focus back to this Summer 2020’s debut LP, Against The World. “I mean, I watch just as much inter dimensional cable as the next guy, but this album seriously has zero compromises — and I never ever say that about a project.

“Why, though, for this one? Because it was my final say, and I gave the other artists involved the freedom to express themselves as they felt.

“It provided me with the best results imaginable.”

Hear just what that means on “It’s Time For Love” and Against The World. Both are available now.

Legendary Canadian Band HONEYMOON SUITE Hit Top 30 Rock Charts for First Time in 19 Years

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Legendary Canadian Band HONEYMOON SUITE Hit Top 30 Rock Charts for First Time in 19 Years

36 years on, that headline above makes the fact all the more impressive. Canadian classic rockers Honeymoon Suite hope you “Find What You’re Looking For” in this, their newest single — available now!

The newest preview for the iconic band’s forthcoming album, “Find What You’re Looking For” has been eagerly ushered in by fans and critics alike, hitting the Top 30 rock charts in Canada in no time flat. It’s their first chart-climber in 19 years, and follows late 2019’s “Tell Me What You Want” — their first single release since 1992.

The two tracks lift the curtain, revealing the latest in what’s to come from the band who’ve long made themselves a household name. Early listens show the release has an unmistakably fresh energy to it, while still keeping true to the classic Honeymoon Suite sound fans have loved for nearly four decades.

First formed in 1981, Honeymoon Suite first broke onto the scene thanks to hit single “New Girl Now” taking the cake in a ‘Homegrown’ radio station contest put on by Toronto’s Q107. Founding members Johnnie Dee and Derry Grehan would soon be joined by Gary Lalonde, Dave Betts, and Peter Nunn, and go on to win a JUNO Award for ‘Group of the Year’, countless nominations, and continued International recognition over their near-40 years.

“Sometimes you just know when everything starts lining up, and sounding really good early on,” says Honeymoon Suite. “This new album will be the strongest new music we’ve released in a long time.”

“Find What You’re Looking For” is available now.

40,000+ Streams & 600+ Playlist Adds, Hamilton, ON’s Hip Hop/Popster TONYTONE’s New Single “Poppin” Is THE Summer Anthem

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40,000+ Streams & 600+ Playlist Adds, Hamilton, ON’s Hip Hop/Popster TONYTONE’s New Single “Poppin” Is THE Summer Anthem

TonyTone has Summer 2020 “Poppin” with the release of his new single, an upbeat, modern hip hop track complete with heavy 808’s and catchy chorus melodies — available now!

“This track was meant and inspired to be a great party or event song for the summer,” the Hamilton-area artist says. “There’s influences from emo and cloud-style pop rap in there, as well as unique flute melodies.”

With over ~ 40,000 total streams across platforms, and included on upwards of 600+ Spotify playlists to date, the latest from TonyTone — aka Anthony Marzanek — falls seamlessly inline for his brand of lounge beats and an ambient moods that nod to both hip hop and indie influences, while staying pop-centric at its core.

TonyTone’s knack for the craft is easily apparent in breakout singles “Shaded” (2018), “Losing Control” (2019) and “Two Roses” (2019). Early 2020 saw the release of “Fade Away” and “Mental,” tracks with ~ 200,000 streams across platforms. “‘Fade Away’ is a good example of a track I wrote, recorded, mixed and mastered myself,” he says. “It was not meant to fall into any sort of genre… I just play around with sounds and write until I come up with something I like.

“I taught myself how to use recording software,” he recalls of his sleeves-rolled-up start. “Doing the production and mixing process makes me feel like I’m really in control during the creative process and final sound.”

“Poppin” is available now.

Swedish Electro Pop Riot Grrrl Punksters THE MAGNETTES Deliver Runaway Fever Dream Hit in NEW Single, “American” — Available Now!

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Swedish Electro Pop Riot Grrrl Punksters THE MAGNETTES Deliver Runaway Fever Dream Hit in NEW Single, “American” — Available Now!

Swedish alt-electro pop x riot grrrl punk outfit The Magnettes mince no words when it comes to delivering their anthemic, angst-ridden, runaway drama-laden new single, “American” — available now.

Landing as a certifiable 21st century wall-of-sound, the indie treasures that be Rebecka Digervall and Sanna Kalla — along with guitarist, keyboardist, and producer Tomas Bäcklund Tuneström — deliver layers of dreamy guitar, thunderous drums, hard-hitting piano, and vintage string machines in the driving, Springsteen-esque opus.

“Since we were babies, we’ve lived through our TV set,” Digervall says. “Growing up in a remote, small arctic town in Sweden, the way out was through American movies, music, sitcoms, and reality shows.”

“It taught us what love was and how to ‘live the dream,’” Kalla adds. “Like junkies, we swallowed it in chunks: the twist and turns of teenage drama, the cute narratives, and the noble ideals that real life continuously fails to live up to…”

“But ‘American’ isn’t really about America at all,” the duo sum up. “It’s about finding that rush, having that runaway, ‘ride or die’ feeling in your crappy hometown, and abandoning that last shred of romance for a taste of the real thing.”

With SXSW, CMJ, a Netflix sync for the show Elite, and main subjects in the film fest fêted documentary Pajala State of Mind (Hans-Erik Therus) on their roster, The Magnettes first released their debut album, Ugly Youth, in 2017.

Dubbed one of the ‘Best Albums of the Year’ by PopCrush, the band has been critically acclaimed across radio and media around the world, including Earmilk, Perez Hilton, The 405, Elle Sweden, Cosmopolitan (Russia), and more.

Hailing from Pajala, Sweden — a sleepy Arctic Circle town of ~ 2,000 — and with Digervall and Kalla having first met at age six, The Magnettes weave the remote region’s once-forbidden minority language of Meänkieli, and the area’s traditional folk music, into their now-signature infectious and inimitable brand of glitter punk pop.

“Our manifesto is to ‘say what you want to say, and do it as loud as you want,’” Kalla says. “We say, ‘be weird, be ugly, be too much, eff as much as you want…

“And question everything,” Digervall nods.

“We describe ourselves as non-normative, as witches, and as sisters of the ugly youth,” Kalla continues. “We’re reclaiming the word ‘ugly.’ Why does ‘beautiful’ have to be the standard? We have no regrets. We’re saying exactly what we want to say.”

“Something happened in Nashville when we went for a songwriting session,” Digervall says. “We were just like, ‘yeah, it’s time to be fearless and write whatever the eff we want.

“So we did!”

“There’s some sort of Northern rebellion,” Tuneström offers. “We don’t want to be your average self-obsessed diary entries. We aim to do something bigger, but we want to do it without moving to Stockholm, London, or LA, and without writing songs about ‘beaches’ and ‘being super fit’ because, what’s interesting about that?”

With “American,” that’s not a worry. Hear what that means; “American” is available now.

John Oates & The Good Road Band ‘Live In Nashville’ Set For September 18th Release

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John Oates & The Good Road Band ‘Live In Nashville’ Set For September 18th Release

Rock & Roll Hall of Famer John Oates has had a home in Nashville for more than a decade, performing with some of the city’s most sought-after musicians. John’s Thirty Tigers debut, Arkansas, performed with The Good Road Band, was released in 2018, proving a critical and commercial success in the Americana and roots community, a combination of originals with classic songs popularized by Mississippi John Hurt, Jimmy Rodgers and Don Gibson.

After two-plus solid years of honing their chops through touring, that group – mandolin stalwart Sam Bush, pedal steel maestro Russ Pahl (Dan Auerbach), electric guitar whiz Guthrie Trapp, expert bassist Steve Mackay, cello prodigy Nate Smith (Kacey Musgraves) and drummer/percussionist extraordinaire Josh “Daddy” Day – returns intact for Live In Nashville, set for release on September 18 on all major digital streaming platforms. The set was recorded last January 9 at Station Inn, the legendary intimate listening room in The Gulch section of Nashville where the band first took shape.

“This album represents a full-circle moment for me,” said John, in quarantine with his family in his adopted Music City home. “It feels like the culmination of the Arkansas project, being able to bring these guys back, and to be able to make this record after touring and playing so many shows together.”

Inspired by Mississippi John Hurt, Live in Nashville features songs like the gospel-blues opener, “Lord Send Me,” the Delta blues of the standard “Stack o Lee” and an electrified take on “Make Me a Pallet on Your Floor,” dubbed “Pallet Soft and Low,” where John manages to show off some of his well-honed rock guitar skills. In yet another “full circle moment,” John pays tribute to his own childhood with a cover of Don Gibson’s “Oh Lonesome Me,” the first song he learned to sing and play on guitar as a six-year-old after hearing it on the radio. Several of the songs come with Oates’ own stories about the songs, connecting the dots as to their connections, including popular hits of the era like the Mississippi Sheiks’ 1930 success, “Sittin’ on Top of the World,” Emmett Miller’s 1924 breakthrough, “Anytime” and Jimmy Rogers’ 1932 classic, “Miss the Mississippi and You.”

“I was always fascinated by this rural Americana Appalachian music, which opened the door for me to John Lee Hooker and other blues artists long before the British Invasion turned kids on to them. I always preferred the originals myself.”

Live in Nashville traces how country, blues and gospel bubbled up from Mississippi and New Orleans and landed in northern urban cities like Chicago, St. Louis, and New York. John describes the sound as, “Dixieland, dipped in bluegrass, and salted with Delta blues.”

“Something magical happened,” said John about his first time playing with The Good Road Band in the studio. “The thing you pray for, but so rarely achieve. My producer just said, ‘I don’t know what this is, John, but keep doing it because it’s cool.’”

Live in Nashville shows what they are capable of on any given night, and in lieu of being able to see them in concert, this is the next best thing.

“This experience has made me a better player,” said John referring to what he’s learned with his work in Daryl Hall and John Oates. “Playing with this caliber of musicians has really elevated my game and my ability to play guitar. As a musician, it helps me articulate what I need to do in a better way. I’m an improved singer, my vocal chops are stronger. For Daryl and I, our writing styles are totally predicated on how good we are as singers and musicians. I’ve been working my ass off. There’s nothing like touring to keep you sharp.”

Live in Nashville offers concrete proof of that.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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