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Cedarsmoke Illuminate the Emotional Spectrum with New Album ‘Under The Rainbow’

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Brisbane/Meanjin indie-folk rockers Cedarsmoke return with their third album, ‘Under The Rainbow,’ a kaleidoscopic exploration of emotion, colour, and renewal. Out today, the record dives deep into the psychology of colour, mapping the full emotional spectrum through ten vivid songs that blend organic warmth with electronic experimentation. Recorded at Incremental Studios with longtime collaborator Cam Smith, the album drifts between tender intimacy and textured disarray, with acoustic guitars, pianos, loops, and modular synths creating a soundscape as layered as the emotions it captures. “’Under The Rainbow’ is a concept album that interprets the emotional spectrum of colour through the lens of colour psychology,” says frontman Jon Cloumassis. “It marks our most ambitious step yet, blending organic instruments with electronic textures to create a palette as diverse and fluid as the colours it represents.”

Each track embodies a distinct hue and mood—from the sardonic black reflections of ‘Don’t Fear The Reaper’ to the fiery rebirth of ‘Madame Psychosis’ and the serene white calm of closing track ‘Water.’ Tamala Wright’s ethereal vocals, Cloumassis’s wry lyricism, and the band’s evolving chemistry give life to a collection that feels both intimate and cinematic. Almost a decade into their journey, Cedarsmoke continue to uncover beauty in uncertainty and grace in the everyday, with ‘Under The Rainbow’ standing as their most cohesive and emotionally resonant statement yet.

Cattle Country Festival Returns to Texas in 2026 with Koe Wetzel, Randy Houser, Treaty Oak Revival, and More

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The Cattle Country Festival is back and bigger than ever for its third year, taking place April 10–12, 2026, on the scenic 400-acre ranch known as The Boot in Gonzales, Texas. Tickets are officially on sale today for the beloved music and camping festival, which will feature headliners Koe Wetzel, Treaty Oak Revival, Randy Houser, Robert Earl Keen, and Josh Abbott Band. Fans can also look forward to performances from Paul Cauthen, Corey Kent, Casey Donahew, Stoney LaRue, Deana Carter, and many more across three unforgettable days of country music under the Texas sky.

This year introduces the Whiskey Jam stage, spotlighting rising artists including Brooke Baird, Brandi Behlen, and Ellis Bullard. Festivalgoers can expect even more GA and VIP camping options, expanded glamping accommodations with private lounges, and new Fast Pass perks for quicker entry and bar access. Nestled along the Guadalupe River and shaded by 150 acres of Texas pecan trees, The Boot provides a perfect mix of music, relaxation, and community. With Cowboy Coves swimming areas, local food and drink vendors, and the camaraderie of fans and artists alike, the 2026 Cattle Country Festival promises another unforgettable weekend of sound, spirit, and Southern hospitality.

Ona Mafalda Redefines Herself with Bilingual Indie Brilliance on New Album ‘Reset’

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Ona Mafalda is entering a new era with her bold, bilingual album ‘Reset,’ a record born from transformation, courage, and creative renewal. Blending the electric charge of indie-rock with the shimmer of pop, she crafts a sound that moves fluidly between Spain and the United Kingdom, singing in both English and Spanish. Having opened for Coldplay on their Music of the Spheres tour and performed at major festivals like Primavera Sound and The Great Escape, Ona is now set to headline The Victoria Dalston in London on November 19.

‘Reset’ channels the energy of artists such as The Strokes, Florence and the Machine, and PJ Harvey while maintaining Ona’s distinctive voice — one that’s equally fierce and vulnerable. Recorded in London with Mac Wetha, Dan Holloway, Sour Sync, and Khotton, the album thrives on raw guitars and lyrics about finding strength through reinvention. It features new tracks ‘Harta,’ ‘Broken Games,’ and ‘Running,’ each revealing a different side of Ona’s artistry. “Harta is my way of releasing everything I’ve been holding in,” she says. “It’s about letting go of noise, drama, and expectations, and taking your power back.” On ‘Broken Games,’ she embraces lighthearted freedom: “It’s flirty, mischievous, and reminds women they can own their desires without apology.”

Shoegaze Titans NOTHING Announce New Album ‘a short history of decay’ and Launch Slide Away Festival

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Philadelphia shoegaze icons NOTHING have announced their fifth studio album, ‘a short history of decay,’ arriving February 27 via Run For Cover Records. Described as their most expansive and emotionally raw work yet, the record finds frontman Domenic “Nicky” Palermo confronting aging, illness, and memory’s fragile weight with a disarming honesty. Backed by a revitalized lineup—featuring Doyle Martin (Cloakroom), Bobb Bruno (Best Coast), Zachary Jones (MSC, Manslaughter 777), and Cam Smith (Ladder To God, Cloakroom)—NOTHING have created an album that expands their industrial-gaze sound into something both immense and intimate. The band also shared the lead single and video, “cannibal world,” a haunting yet heavy glimpse into their new era.

To celebrate, NOTHING will headline their own festival, Slide Away, across multiple cities in North America. The event will mark the 10th anniversary of their landmark album ‘Tired of Tomorrow,’ with special guest performances from Hum, Chapterhouse, Swirlies, and more. With ‘a short history of decay,’ NOTHING continues to evolve the boundaries of modern shoegaze while cementing their legacy as one of the genre’s most fearless and emotionally resonant bands.

Slide Away Tour Dates:
15th May – Brooklyn, NY @ Brooklyn Paramount
16th May – Brooklyn, NY @ Brooklyn Paramount
23rd May – Chicago, IL @ Aragon Ballroom
29th May – Los Angeles, CA @ Hollywood Palladium
30th May – Los Angeles, CA @ Hollywood Palladium

Krisj Wannabe Returns with Fierce New Single ‘Just Sit Here’

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Following the success of his critically acclaimed Mirror EP, Krisj Wannabe pushes his sound into bolder territory with his new single ‘Just Sit Here,’ out now on all major streaming platforms. Recorded at Pol[ip]o Studio in Bologna, the track features production by Luca Jacoboni and drums by Jack Ganzerli. Where Mirror explored the daily grind of alienation and repetition, ‘Just Sit Here’ zeroes in on the moment when quiet endurance erupts into defiance—a direct confrontation with oppression and control.

Driven by lo-fi grit and post-punk energy, ‘Just Sit Here’ feels like a primal scream from the margins. Wannabe’s raw vocals and Jacoboni’s tense, layered production create a sense of suffocating intensity, while Ganzerli’s grounded rhythm propels the track forward with unrelenting urgency. “The song is the scream of the repressed against the paranoid fears of a relentless oppressor,” says Wannabe, capturing the emotion that threads through every beat.

Born in the US, raised in Italy, and now based in Tokyo, Krisj Wannabe channels the restlessness of modern life into socially charged art. Blending lo-fi, grunge, and post-punk elements, he continues to turn unease into sound, reflection into resistance. ‘Just Sit Here’ stands as both a statement and an invitation—a rallying cry for those tired of sitting still.

Marc Anthony Announces First-Ever Las Vegas Residency ‘Vegas… My Way!’ at Fontainebleau

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Fontainebleau Las Vegas has announced Vegas… My Way!, the first-ever residency from global Latin music icon Marc Anthony. The historic residency kicks off in 2026 at the BleauLive Theater and will include 10 spectacular performances beginning in February. For the first time, Anthony will perform a mix of English and Spanish-language hits spanning his extraordinary 30-year career. Fans can look forward to hearing timeless classics, chart-topping favorites, and reimagined renditions that showcase the heart and soul of his artistry.

“This residency marks a new chapter in my journey,” says Anthony. “Las Vegas has always been about reinvention and timeless entertainment, and this show embodies that spirit. It’s a celebration of my history, my roots, and the music that has connected me to audiences around the world. With Vegas… My Way!, I’m inviting fans to experience my story in a more personal, intimate, and powerful way than ever before!”

Marc Anthony will perform at the BleauLive Theater on February 13, 14, 15, 20, and 21; July 24, 25, 29, and 31; and August 1, 2026, with additional dates to be announced. Presales begin Wednesday, November 5, followed by general on-sale tickets starting Thursday, November 6 at 10 a.m. local time.

Irish Folk Band Some One’s Sons Capture Escapism and Hope with New Single ‘The Chance to Feel Alive’

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Irish folk quintet Some One’s Sons return with their stirring new single ‘The Chance to Feel Alive,’ out October 31. Written by Daniel Allen, the track is a heartfelt folk anthem about escapism and the search for fleeting relief in hard times. Set against a backdrop of soaring rents, friends emigrating, and modern fatigue, its refrain—“10 pints of porter and the chance to feel alive”—rings out as both a rallying cry and a lament. “Sometimes the easiest place to find hope is at the bottom of a pint,” says Allen, perfectly summing up the song’s bittersweet heart.

Blending Celtic folk textures with cinematic western tones, ‘The Chance to Feel Alive’ combines bouzouki-led arrangements and storytelling worthy of Ireland’s great troubadours. The hypnotic chant of “Na na na…” that follows the line “And the drink is singing” mirrors the push and pull of indulgence and escape—hope and heartbreak in equal measure. It’s a sound that places the Sons alongside kindred spirits like Ispíní na hÉireann, The Scratch, and The Highwaymen, while carving out their own distinct path.

Following a packed summer tour with standout performances at Galway Folk Fest, Fleadh Cheoil, and Electric Picnic, the Mullingar band—Daniel Allen, Joe Monaghan, Ross Gavin, and brothers Greg and Ger Dunne—are gearing up for a 2026 UK tour and an upcoming EP. Known for songs like ‘The Banshee Wall’ and ‘Paddy O,’ Some One’s Sons continue to tell Ireland’s modern stories through melody and grit, turning life’s struggles into songs of defiance and connection.

Upcoming Gigs:
November 22 – The Haven, Waterford
December 6 – The Cobblestone, Dublin
December 26 – Mullingar Arts Center, Mullingar

SiriusXM Launches Alison Brown’s New Show ‘Pick Like a Girl’ on Bluegrass Junction

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SiriusXM’s Bluegrass Junction (ch. 77) is adding a new highlight to its lineup with ‘Pick Like a Girl,’ a weekly radio show hosted by GRAMMY-winning banjoist, producer, and Compass Records co-founder Alison Brown. Premiering Tuesday, November 4, the program will air weekly on Tuesdays at 12 PM ET, with replays on Thursdays at 3 PM ET, Sundays at 9 PM ET, and anytime on the SiriusXM app.

‘Pick Like a Girl’ will shine a well-deserved spotlight on the women of bluegrass—both legendary trailblazers and today’s groundbreaking new voices. “The original architects of bluegrass music were all men. But I believe that women are creating some of the most compelling bluegrass that’s ever been made,” says Brown. “I hope that ‘Pick Like a Girl’ will draw new listeners to the music and help inspire the next generation of women to see a place for themselves in bluegrass.”

Each episode will feature music from acclaimed artists such as Sierra Hull, Della Mae, Sister Sadie, Molly Tuttle, Laurie Lewis, and many more, along with interviews and live in-studio performances. With Brown at the helm, ‘Pick Like a Girl’ promises to be both a celebration and evolution of bluegrass, honoring the genre’s roots while amplifying the voices shaping its future.

FIFTY FIFTY Return with Vibrant New Album ‘Too Much Part 1’ and Electrifying Single ‘Eeny Meeny Miny Moe’

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K-pop sensation, FIFTY FIFTY, makes a bold return with their latest album, Too Much Part 1, now available on all streaming platforms. The project marks a new chapter in the group’s musical journey, capturing the modern sentiment of embracing love’s beginnings with fearless yet playful curiosity.
 
The new body of work brings to life the flutter, tension, and unpredictable energy that comes with overwhelming emotions. Inspired by motifs such as “a psychological game of confessing love as a playful challenge” and “the moment emotions burst into color,” the single perfectly balances raw intensity with FIFTY FIFTY’s signature vibrancy and playful charm. This release continues to pioneer “Fifty Pop,” a genre defined by honesty, energetic expression, and emotional nuance. Too Much Part 1 invites fans to experience the excitement of love’s early moments, transforming vulnerability into a lively, colorful musical journey. 
 
The main track being “Eeny meeny miny moe” is a  thrill of a first crush turned into pop perfection. With a chanty hook, fluttering “Ba ba ba Badam” beats, and bright synths, the quintet makes the nervous excitement of young love irresistibly catchy. Skittlez makes emotions explode like a rainbow of candy in this playful, sensual track. Minimalist hip-hop vibes meet glossy vocals, making every lyric pop with color and energy. “Eeny meeny miny moe (Eng. ver)” is a global version of the hit that retains its cute, lively charm while adding a confident, universal pop flair.  FIFTY FIFTY proves once again they’re masters of turning love, playfulness, and emotion into infectious music. The beloved girl group has been making significant strides in the global music scene. Their breakout hit, “Cupid”, not only became the longest-charting K-pop song in Billboard Hot 100 history at 25 consecutive weeks but also made them the first female K-pop act to reach the top 10 on the UK Singles Chart, peaking at number eight. The group further solidified their rising star status by winning the K-Pop Song of the Year for “Cupid (Twin Version)” at the 2024 iHeartRadio Music Awards. Further solidifying their position as a global force in the music industry, they captivated audiences with shows during their U.S. tour last year and an album release earlier this year.
 
The five-piece collective continues to expand their artistic horizons while staying true to the heartfelt storytelling that defines their music. With a variety of on-going music projects in the upcoming months, the group aspires to demonstrate their versatility as artists and work hard to build upon their growing success. 
 
FIFTY FIFTY debuted in Nov 2022 and experienced a commercial breakthrough with their song “Cupid”, which became the longest-charting K-pop song in Billboard Hot 100 history at 25 consecutive weeks (peaking #17) and reached #2 on the Billboard Global 200. The song became popular on TikTok due to a dance trend launched by the group, with over 2 million video creations on the ‘twin’ version and more on sped-up audios. Rather than most K-pop groups which focus initially on the local market and Korean-language repertoire, FIFTY FIFTY’s songs leaned more heavily into Western pop sounds and English-language hooks, as seen in other tracks like “SOS” and “Gravity.” Just last year, they inked a U.S. record deal with Arista Records and released their comeback EP Love Tune. So far, the group has released two EPs – The FIFTY and Love Tune – along with one LP, The Beginning. They also contributed a song to the soundtrack of the blockbuster Barbie movie. 

Jimmy Eat World Announce ‘The Something(s) Loud EP’ Featuring Vinyl Debuts, New Track ‘Failure’

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Jimmy Eat World have announced the release of their new project, ‘The Something(s) Loud EP,’ arriving Friday, November 14, 2025, via their own Exotic Location Recordings. Available on standard vinyl and in limited signed editions through the band’s webstore, the EP collects fan-favorite singles alongside rare material and a previously unreleased song. The record marks the vinyl debut of “Something Loud,” “Place Your Debts,” and their Crooked Fingers cover “Call to Love” featuring Bethany Cosentino, as well as new versions of both singles and a long-lost track titled “Failure.”

Originally recorded in 2019 during the Surviving sessions, “Failure” was co-produced by the band and Justin Meldal-Johnsen and engineered by Failure frontman Ken Andrews. Reflecting on the collection, Jim Adkins shared, “Coming out of the pandemic, it didn’t feel right to tour without offering something more, so we took the chance to share a few more tracks we’d been working on.” Other highlights include “Something Loud,” a classic guitar-driven anthem with soaring emotion, and “Place Your Debts,” co-written with Clark Baechle and Denver Dalley, featuring reflective lyrics layered over atmospheric textures. The art for ‘The Something(s) Loud EP’ was designed by Nick Steinhardt, who also created the packaging for the band’s 2019 album Surviving.