During Lollapalooza weekend in Chicago, Paste Studio “On the Road” captured something special when rock duo Girl Tones — sisters Kenzie and Laila — lit up Salon 61’s cozy Library room. Stripping back their setup without losing an ounce of fire, the pair delivered an electrifying, punk-charged performance fueled by chemistry and charm. Songs like “Volcano” and “Blame” showcased their tight bond and fearless energy, turning the elegant venue into a spontaneous celebration of family, music, and rebellion. It was punk with polish, and pure joy from start to finish.
Progressive Metal Trio Transgalactica Break Boundaries With “Peace on Earth”
Poland’s progressive metal trio Transgalactica just dropped their most explosive track yet, “Peace on Earth,” from their upcoming album Onwards and Upwards — and it’s a thunderclap of riffs, rage, and reflection. Built around a Tool-inspired groove and crowned by a Rachmaninov twist straight from “Island of the Dead,” the song smashes metal’s boundaries with symphonic precision and raw emotion. One reviewer nailed it, calling it “modern serious music.”
Written in 2021, before Russia’s full-scale invasion of Ukraine, “Peace on Earth” channels the timeless ache of war, fear, and fragile hope. “Iron dice began to roll… Mushroom cloud is looming large,” sings the band in lyrics that hit harder with every headline. For the video, Transgalactica abandoned their trademark irony in favor of sincerity, dedicating the clip to Ukrainian soldiers. Created with a Sri Lankan collaborator, it’s a global tribute to humanity’s shared grief — and a warning that peace, though distant, is still worth fighting for.
Despite their futuristic sound, Transgalactica are proudly human-made. Every note on Onwards and Upwards was recorded before the AI era, though the band now uses artificial intelligence for visual storytelling and concept videos. “AI is just another tool,” they say — “like lithography or film — it can enhance creativity when used consciously.” Their visuals may be digital, but their heart is pure analog passion.
The band’s very name came from a dream — Tomasz imagining a spaceship called Transgalaktyk, ferrying Polish settlers to Mars while their music played in orbit. That dream now fuels their art: cosmic, fearless, and defiantly alive. Onwards and Upwards is shaping up to be their boldest voyage yet — proof that metal can question, confront, and still believe in peace on Earth.
Indie-Pop Band Low Girl Soar With Emotion on New Single “White Gown”
Low Girl are turning up the volume on emotion and euphoria with their brand-new single “White Gown,” out now via AWAL. The indie-pop risers deliver one final tease ahead of their debut album ‘Is It Too Late To Freak Out?,’ dropping this Friday, and it’s everything fans could hope for: shimmering hooks, infectious energy, and that unmistakable Low Girl magic that blends raw vulnerability with sky-high melodies.
The track follows a string of beloved singles—“Handbrake,” “No Reasons,” and “Overgrown”—each building anticipation for their long-awaited LP. “White Gown” takes the band’s songwriting to new heights, written and recorded between Bedford and rural Yorkshire, where sonic experimentation met emotional honesty. Influenced by the dreamy tones of Alvvays and guitarist Bradley Taylor’s emo heart, the album is a testament to the band’s devotion to crafting something bold, heartfelt, and alive.
Frontwoman Sarah Cosgrove calls “White Gown” a song born from personal chaos and rediscovery. “The experience of starting a relationship at the start of your twenties, reaching all the expected milestones of moving in together, engagement, and then breaking up in your late twenties, is quite disorientating,” she said. “It was one of those songs where once we started jamming it out, the whole thing came together with surprising speed. The end result is something we are so excited about and proud of, and it feels like the energetic crux of the album.”
With BBC 6 Music and Radio 1 already championing their sound, and festival appearances from SXSW to Reading & Leeds under their belt, Low Girl are on the cusp of something big. Their upcoming UK headline tour kicks off this November, promising fans the full force of their high-octane live show. ‘White Gown’ is streaming now everywhere—press play, turn it up, and let Low Girl soundtrack your next beautiful mess.
A Cappella Icons Pentatonix Light Up New York With Holiday Album ‘Christmas in the City’
Pentatonix are bringing the magic of the holidays straight to the Big Apple with their brand-new album Christmas in the City, out now via Republic Records. The release arrives with a dazzling music video for the title track and marks the group’s eighth holiday collection — proof that nobody wraps a Christmas classic quite like them.
Channeling the wonder and rush of New York at Christmastime, the 16-track album blends re-imagined favorites, heartfelt originals, and rare collaborations. Among its highlights: a dream-come-true duet with Frank Sinatra on “I’ve Got My Love to Keep Me Warm,” seamlessly pairing Pentatonix’s soaring harmonies with Ol’ Blue Eyes himself. Elsewhere, JoJo joins the quintet for “Snowing in Paris,” an instant modern-day holiday staple bursting with warmth and cinematic charm.
Fans will also find spirited new takes on “Silver Bells” and “Holly Jolly Christmas,” plus a show-stopping “Christmas Classics Medley.” And for the first time ever, Pentatonix expand beyond a cappella — adding live instruments to their lush arrangements. It’s a bold, joyful leap that keeps their signature sound intact while giving their holiday tradition a fresh spark.
“We were so inspired by the feeling of New York City during the holidays,” says Scott Hoying. “The process of arranging, recording and making this album felt like the magic of when Pentatonix first started making music together.” Christmas in the City captures that timeless mix of wonder, excitement, and love — the sound of a band that still believes in the magic of the season.
Alt-Rock Artist Mel Denisse Embraces Shadows and Strength on “going nowhere”
Mel Denisse isn’t just writing songs – she’s building worlds. Her new single “going nowhere” is a haunting alt-rock/shoegaze dream inspired by The Serpent & the Wings of Night by Carissa Broadbent. With swirling guitars and cinematic melancholy, the track captures what it feels like to keep moving even when there’s nowhere left to land – torn between loyalty, self-preservation, and the shadows that keep us safe.
Blending grit with grace, Mel’s sound lives where distortion meets delicacy. Raised between Florida and Turkey, she channels a lifetime of dualities into her music – Eastern scales, raw guitar energy, and ethereal vocals that slip between whisper and wail. “I like to ‘frankenstein’ a track,” she says. “If a heavy riff and a delicate melody look wrong together on paper, that’s exactly what pulls me in.”
Her music has already turned heads at BBC Radio 1’s Alternative Show, OnesToWatch, and LADYGUNN, with Spotify spotlighting her on All New Rock. Critics have praised her “reckless ambition of ’90s guitar-rock grit” and her hypnotic blend of fantasy and feeling. Now, “going nowhere” marks the beginning of a new chapter, leading into her highly anticipated EP arriving early 2026 – a collection she says is directly influenced by the books and characters she escapes into.
In the studio, Mel Denisse has collaborated with heavyweights like Carlos de la Garza (Paramore, Best Coast), Ken Andrews (M83), and Micah Tawlks (Hayley Williams, Noah Kahan). But offstage, she’s still the same kid who fell in love with her dad’s guitar – gaming, reading, and dreaming up stories that eventually become songs. “If the song makes you feel a gentle gut-punch, that’s the point,” she says. “I’m slipping mirrors into the track so you have to sit with whatever stares back.”
Indie Pop Artist Will Ettante Serves Existential Fun on New Single “Oatmeal Can Slap”
Some songs make you dance. Some make you cry. Will Ettante’s might make you question everything — while laughing through a mouthful of oatmeal. His latest single, “Oatmeal Can Slap,” is an ode to the absurdity of adulthood, served with a wink, a groove, and a spoon. It’s existential comedy disguised as indie pop brilliance — and yes, it’ll make you crave breakfast.
The musical alter ego of singer-songwriter Will Tynan, Will Ettante has mastered the art of turning everyday chaos into catharsis. “Oatmeal Can Slap” captures the messy, funny, and strangely moving contradictions of millennial life — the kind that make you laugh, cry, and text your therapist all before noon. It’s the third single leading up to his upcoming debut album Vdad, a record that promises to be as heartfelt as it is hilarious.
While his humor shines here, Ettante’s musical chops are no joke. A seasoned performer, he’s graced stages like SXSW and the El Rey Theatre in Los Angeles, blending fingerstyle guitar, folk roots, and sharp wit into something uniquely his own. His songs sound like if John Prine and Bo Burnham got stuck in traffic together and decided to write an anthem about it.
Now taking his charm directly to fans, Will’s Living Room Tour brings the show home — literally. Performing in intimate house shows across ten-plus cities, he’s stripping it all back to what matters most: connection, laughter, and maybe a good bowl of oatmeal. With Vdad on the horizon, Will Ettante is proving that sometimes, the best way to face the chaos of modern life is to sing, strum, and laugh right through it.
Country Star Robyn Ottolini Looks Back With Heart on New Single “Way Back”
Robyn Ottolini is taking fans “Way Back” — and she’s bringing all the memories with her. The platinum-selling, CCMA Award-winning country star has dropped her brand-new single “Way Back,” a nostalgic, heart-tugging anthem that perfectly sets the stage for her upcoming Way, Way Back Tour. Equal parts reflection and celebration, it’s Robyn at her most relatable — looking back on love, youth, and all the moments that shaped her.
“It was so fun to capture this familiar, bittersweet nostalgia of a past love from my younger days,” Ottolini shares. “You might’ve moved on and both be in a completely different place in your life, but all it takes is something as little as spotting their truck and the next thing you know, you’re driving down memory lane… This tour is going to capture that feeling – things reminiscent of ‘the good ole days’ – while also celebrating the joys of the present moment.”
The Way, Way Back Tour kicks off November 6, bringing Ottolini’s powerhouse vocals and candid storytelling to fans across Ontario and Montreal. With stops in Hamilton, Toronto, Ottawa, and beyond, each show promises that perfect Robyn blend — country heart, big hooks, and fearless honesty.
Her latest radio hit “Airplane Bottle” continues to climb the Canadian Country charts, spending over 13 weeks in the Top 40 and earning rave reviews from fans and critics alike — with Holler calling it “the song of the week, of the year, of the rest of our lives.” Now proudly independent, Ottolini is gearing up for her debut album, and with “Way Back,” she’s proving that sometimes, the best way forward is to remember where it all began.
Tour Dates:
November 6 – Hamilton, ON – Bridgeworks (Support: Parker Graye)
November 7 – Kitchener, ON – The Hub (Support: Parker Graye)
November 8 – Guelph, ON – Sonic Hall (Support: Vibi)
November 9 – St. Catharines, ON – The Warehouse (Support: Vibi and Lucas Mason)
November 13 – Oshawa, ON – The Biltmore Theatre (Support: Jessica Sevier and Laila)
November 15 – Toronto, ON – Lee’s Palace (Support: Jessica Sevier and Laila)
November 20 – Kingston, ON – The Broom Factory (Support: Dave Sampson)
November 21 – Ottawa, ON – The 27 Club (Support: Dave Sampson and Tanaeya)
November 22 – Montreal, QC – Le Petit (Support: Savannah Jade and Dave Sampson)
Progressive Bluegrass Trailblazers The Infamous Stringdusters Shine With “The Light at the End of the Day”
The Infamous Stringdusters are lighting the way forward. The GRAMMY-winning, Billboard chart-topping progressive bluegrass trailblazers return with their stirring new single “The Light at the End of the Day,” out now via Americana Vibes. Following the buzz of “Dead Man Walking,” recently named one of Billboard’s 5 Best New Country Songs, the band continues to redefine modern bluegrass with a song that shines with heart, hope, and dobro-driven soul.
“I really wanted to write a song of hope for this record,” says dobroist and vocalist Andy Hall. “At a time when things can seem strange, scary, and dark, I wrote this for myself more than anything… This song tries to reassure the listener that there’s always someone you can reach out to in those tough times. A light in the darkness.” With Hall’s warm vocals guiding the way, the song builds from intimate reflection to soaring optimism — the kind of melody that feels like sunrise after a long night.
“The Light at the End of the Day” is the third single from 20/20, The Infamous Stringdusters’ landmark 20th studio album arriving February 13, 2026. Celebrating two decades of sonic innovation, the band — Chris Pandolfi, Travis Book, Jeremy Garrett, Andy Hall, and Andy Falco — continues to push boundaries between bluegrass, Americana, country, and indie-folk, always with a fearless spirit and unmatched musicianship.
Formed in Nashville in the early 2000s, the Stringdusters have spent twenty years turning tradition on its head while keeping its heart intact. 20/20 marks more than just an anniversary — it’s a reflection of their journey, their bond, and their belief in the power of song to heal, inspire, and remind us that, no matter how dark it gets, the music will always find the light.
Tour Dates:
10/29 – Spartanburg, SC – Spartanburg Memorial Auditorium ++
10/30 – Live Oak, FL – Hulaween
10/31 – New Orleans, LA – The Joy Theater &&
11/01 – New Orleans, LA – The Joy Theater &&
11/02 – Decatur, AL – Princess Theatre ++
11/04 – Lexington, KY – Manchester Music Hall ++
11/05 – Whitestown, IN – Moontown Brewing Company
11/06 – St. Louis, MO – Old Rock House ++
11/07 – Oklahoma City, OK – Tower Theatre ++
11/08 – Dallas, TX – Ferris Wheelers Backyard !!
11/09 – Austin, TX – Radio/East !!
12/11 – 12/15 – Puerto Morelos, Q.R. – Strings & Sol
12/31 – Asheville, NC – ExploreAsheville.com Arena ##
01/21 – Patchogue, NY – Patchogue Theatre for the Performing Arts
01/22 – New York, NY – Bowery Ballroom
01/23 – Beverly, MA – Cabot Theater
01/24 – Stowe, VT – Spruce Peak Performing Arts Center
01/25 – Portland, ME – State Theatre
01/27 – Buffalo, NY – Electric City
01/28 – Cleveland, OH – Globe Iron $$
01/29 – Cincinnati, OH – Taft Theatre $$
01/30 – Chicago, IL – Thalia Hall $$
01/31 – Appleton, WI – Ice Dance Music Festival
02/01 – Stoughton, WI – Stoughton Opera House
02/20 – 02/22 – Telluride, CO – Sheridan Opera House
02/24 – Boise, ID – Knitting Factory
02/25 – Jackson, WY – Jackson Hole Center for the Arts
02/26 – 02/27 – Salt Lake City, UT – Commonwealth
03/18 – Rutland, VT – Paramount Theatre
03/28 – EMS Spring Bluegrass Festival
^^ w/ Leftover Salmon & Kitchen Dwellers
** w/ California Honeydrops
++ w/ Johnny Mullenax
&& w/ Moe.
!! w/ Bronwyn Keith-Hynes
w/ The Avett Brothers
Electronic Pioneer deadmau5 Announces New Album and Single “Ameonna” Ahead of 2026 Return
Get ready, mau5heads. World-renowned electronic pioneer deadmau5 has announced his long-awaited return with a brand new artist album arriving in 2026 — his first in a decade — alongside the release of his latest single “Ameonna,” out now on his label mau5trap. The track signals a bold new era for the producer who changed the face of electronic music with classics like “Faxing Berlin” and “Strobe.”
Built from pressure-cooked synths and hypnotic atmospherics, “Ameonna” swells into a cinematic storm — a taste of what’s to come on the upcoming LP. It’s a reminder of deadmau5’s unmatched ability to blend precision, emotion, and power, creating soundscapes that feel like they’re made for both headphones and festival stages.
This fall, deadmau5 will retire his legendary Cube live production for good, making way for an all-new show debuting November 7 and 8 at Colorado’s iconic Red Rocks Amphitheatre. The annual Day of the deadmau5 celebrations will feature a five-hour conceptual set, including his techno alter-ego testpilot, new deadmau5 music, and a mau5 drum & bass finale — all brought to life with brand-new visuals, lights, and technical wizardry that only he could dream up.
Fans in Denver can also visit the mau5hop pop-up at 95 S Cherokee Street, featuring exclusive merch, vinyl, and the debut of the “Atari x deadmau5 Meowingtons’ Revenge” 7800 game cartridge. With meet-and-greets, surprises, and a new musical world on the horizon, 2026 marks the rebirth of deadmau5 — louder, brighter, and more unpredictable than ever.
Pop Icon The Weeknd Teams Up With Toronto Blue Jays for Historic World Series Collection
Toronto just hit the biggest crossover of the year. Global superstar The Weeknd has joined forces with Fanatics, the Toronto Blue Jays, and Major League Baseball for a special World Series Collection — marking the team’s first championship appearance in over 30 years. It’s the ultimate homecoming for one of Toronto’s biggest cultural icons, celebrating a city that’s ready to make history again.
The Weeknd x Toronto Blue Jays Fanatics World Series Collection features the singer’s unmistakable XO logo alongside official Blue Jays and World Series marks, splashed across a sleek lineup of hoodies and tees in signature black and blue. Designed and produced by Fanatics, the collection captures the intersection of music, fashion, and sports — Toronto style.
Available now at Fanatics.com, MLBShop.com, and the Blue Jays’ flagship store at Rogers Centre, the limited-edition drop arrives just in time for Game One of the 121st World Series. With the Jays back on baseball’s biggest stage for the first time since 1993, this collaboration isn’t just merch — it’s a moment.
As the nation tunes in through Sportsnet and FOX’s global coverage, Toronto’s pride will be everywhere — from the ballpark to the stage to the streets. The Weeknd’s XO meets the Blue Jays’ bird, and for fans across Canada, it feels like destiny in full swing.
