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My Next Read: “Brother Robert” Growing Up with Robert Johnson” by Annye C. Anderson

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This intimate memoir by blues legend Robert Johnson’s stepsister includes new details about his family, music, influences, tragic death, and musical afterlife.

Though only twenty-seven years young and relatively unknown at the time of his tragic death in 1938, Robert Johnson’s enduring recordings have solidified his status as a progenitor of the Delta Blues style. And yet, while his music has retained the steadfast devotion of modern listeners, much remains unknown about the man who penned and played these timeless tunes. Few people alive today actually remember what Johnson was really like, and those who do have largely upheld their silence — until now.

In Brother Robert, nonagenarian Annye Anderson sheds new light on a real-life figure largely obscured by his own legend: her kind and incredibly talented stepbrother, Robert Johnson. This book chronicles Johnson’s unconventional path to stardom — from the harrowing story behind his illegitimate birth, to his first strum of the guitar on Anderson’s father’s knee, to the genre-defining recordings that would one day secure his legacy.

Along the way, Anderson not only shares personal anecdotes, but also colorful recollections of Johnson passed down by members of their family — the people who knew him best. She also outlines the contours of Johnson’s working life in Memphis, never-before-disclosed details about his romantic history, and all of his favorite things, from foods and entertainers to brands of tobacco and pomade. Together, these stories don’t just bring the mythologized Johnson back down to earth; they preserve both his memory and his integrity.

For decades, Anderson and her family have ignored the tall tales of Johnson “selling his soul to the devil” and the speculative to fictionalized accounts of his life that passed for biography. Brother Robert is here to set the record straight. Featuring a foreword by Elijah Wald and a Q&A with Anderson, Lauterbach, Wald, and Peter Guralnick, this book paints a vivid portrait of an elusive figure who forever changed the musical landscape as we know it.

Video: Sam Cooke and Jackie Wilson Are Having A Rehearsal Party in 1964

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Sam Cooke is just minding his own business, lip-syncing during a camera rehearsal for a local Memphis music show, when Jackie Wilson comes in and wreaks havoc with the entire event back in 1964.

Video from 1985: The 30-Minute Cartoon Featuring Nothing But The Music Of Rush

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…and now for something completely different, here’s Body Electric, a 30-minute animated science fiction TV movie based on songs by Rush from 1985.

20 years ago, someone in made a Latin-style lounge music tribute album to Kraftwerk.

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Señor Coconut is actually the alias of the German electronic musician Uwe H. Schmidt, who also releases under the stage names Atom™ and Atom Heart.

Today’s 1-minute tip for artists stuck on social media: Find an old photo.

But not one from your phone. I’m talking about one from a camera.

2020 Top 100 CBC Searchlight Finalist ALEXIS LYNN Says “I Can’t Relate” In New Single & Video — Available Now!

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Top 100 2020 CBC Searchlight finalist Alexis Lynn says “I Can’t Relate” in this, her newest single and video — available now!

The Canadian urban pop dynamo’s second single of the year lands after February’s “Circles” and September 2019’s breakthrough debut, Things Get Good. The seven-track release — and each single thereafter — teems with the First Nations artist’s irrefutable musical magnetism and signature songwriting, delving deep into topics of love, lust, vulnerability, self-awareness, and everything in between.

“It’s about looking in on a friend’s toxic relationship, and reflecting what I might do in that situation while also trying to help them see they’re worth more,” Lynn shares about “I Can’t Relate” and its inspiration; she drew from personal experience as the scenario was one Lynn frustratingly found herself in. “I was venting to my co-writers that I didn’t understand how my friend couldn’t see what I saw was going on, and couldn’t see that she deserved so much more.

“I was also saying how I would never put up with the type of treatment she was receiving.

“I was coming from a place of love and concern, and wanted to be really careful not to come across as ‘preachy’ or ‘bragging,’” she continues, noting the delicate line she walked penning the track. “I didn’t want to sound like I was somehow ‘better’ than someone by saying I wouldn’t put up with that, but rather give them all the reasons they themselves shouldn’t put up with it.”

The video paints a decidedly vibrant picture, and “a real throwback to a 90s/00s vibe with the track and sound,” she says. “For the video, we bounced a lot of ideas around and Carlos, the director, came up with the concept of me playing a therapist running a consulting firm for broken hearts. We wanted to go with something funny and colourful, and decided last minute I should play each of the ‘clients’ as well.

“It was important I stay cautious about ‘preaching’ to other people or acting like I know what’s best,” she reflects. “This was critical so we figured, if I played both parts, I’d be giving myself my own advice.”

“I Can’t Relate” is available now.

Winnipeg’s JAMES COHEN AND THE PRAIRIE ROOTS ROCKERS Offer The Balm to Soothe With New Video for “These Long Nights”

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James Cohen and the Prairie Roots Rockers are exactly who they say they are.

And nowhere can you hear just what the Winnipeg-based outfit means — or how awesome that is — than on their new video for their long-loved single, “These Long Nights,” available now.

“The origins of this song go back several years,” frontman and band namesake James Cohen considers. “The general theme is one of loneliness and isolation which, unfortunately, are sentiments many of us can relate to during these difficult times currently.

“The video attempts to convey a longing for someone special who was perhaps met long ago, not unlike reminiscing about a long-lost romantic partner who we have lost track of and wonder about today.”

“The song isn’t necessarily meant to be sad,” he insists. “But… The D minor key it was written in lends itself to a melancholy tone.”

Sadness be darned, to say the song is a must-play for James Cohen and the Prairie Roots Rockers would be an understatement; it was featured in the movie Gone Tomorrow and has been a recurring mainstay on the setlist ever since.

“It’s one of the audience’s favourites when we play it live,” he adds. “We add a long keyboard solo to it, too, which always goes over well.”

First on the scene for their 2011 self-titled debut via Soccermom Records / Warner Music Canada, the album’s banner single “So Long Sweet Deception” charted for 16 weeks, hitting the Rock Top 50 along the way.

An alumni from Hollywood, California’s prestigious Guitar Institute of Technology, Cohen and co have performed at Canadian Music Week, the Grey Cup Festival, and more. A forthcoming album in the works, James Cohen and the Prairie Roots Rockers are also set to perform with the Winnipeg Symphony Orchestra in 2021.

“These Long Nights” is available now.

JESSE COOK – Multi-Award Winning Internationally Acclaimed Guitarist, Composer & Producer – Celebrates “Tempest” 25 Years Later With a New Version

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Award-winning, multi-platinum and gold selling, and Internationally acclaimed guitarist, composer and producer Jesse Cook knows a thing or two about unexpected turns in the road.

In fact, his whole storied career is because of one.

For starters, the multi-talented virtuoso was one foot out the door, just about to set out on his highly anticipated Tempest 25 Tour this past March — a celebratory 25-date cross-country concert special marking 25 years of music — when the country shut down for COVID-19.

The unforeseen delay inspired Cook to pivot; he released a new version of the song, the creation of which also served as an experiment of sorts along the way.

“The recording started as a simple idea,” he explains. “I’d use this pandemic time to record a new version of ‘Tempest’ and see if it would sound different.

“Have I changed as a musician, or as a producer?

“Oddly enough, the process seemed familiar,” he continues. “25 years ago, the original was created with me alone at my house, playing all the instruments because I couldn’t afford to hire musicians. This time, it was me alone because of social distancing.”

The 2020 version of “Tempest” propelled by a global pandemic as an impromptu happening in Cook’s career rings similar to the song in its original format, considering it delivered unexpected results from its release as well.

“25 years ago, I released this little song called ‘Tempest’ on a record bearing the same name,” Cook considers. “Never in my wildest dreams did I imagine what would follow. At the time, I had no idea it would change my life.

“Considering I didn’t rap or sing, no one was more surprised by all of this than me.”

He’s referring, of course, to his ten gold and platinum studio albums with combined sales exceeding two million copies, five concert DVDs and live discs, five PBS specials, multiple awards including a JUNO win, 11 nominations, three Canadian Smooth Jazz Awards, a Gemini Award, and an Acoustic Guitar Magazine Player’s Choice Silver Award — plus thousands of concerts around the world over and above millions of views and streams across platforms.

“Hearing your songs on the radio, or in the Olympic Games, or in ‘Sex and the City’…” he muses. “And then there was that massive Bollywood hit…

“But don’t get me started.

“When you write these things, at first, they’re like your kids,” he continues, breaking it down. “You think of them as yours.

“But then they grow up and start to live a life all their own. Other people record them, use them in their own work, or get married to them, live, celebrate, even heal to them.

“If you had asked me at age 22, I would have said I would never, never make music for the public,” Cook adds with a laugh. “If you had asked me what I wanted to do with my life, I would have told you I was happy in my solitude. I would have told you the public is much too fickle… They may love you one minute and forget you the next.

“Well… It turns out I did the thing I said I’d never do, and somehow it’s worked out.

“I owe a huge debt to this little song,” he says of “Tempest.” “It opened the world to me and allowed me to live a life beyond my dreams.

“For that, I am forever grateful.”

“Tempest 25” is available now.

Video: Little Richard on discovering The Beatles

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The late great Little Richard discusses the artists he helped put on the map during his second stint on The Dick Cavett Show.