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Lowest of the Low Bring ‘Shakespeare My Butt’ to Fallsview Casino This November

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Lowest of the Low are heading to the OLG Stage at Fallsview Casino on Saturday, November 21, 2026, for a full performance of their landmark debut album ‘Shakespeare My Butt’, celebrating its 35th anniversary. Junkhouse joins as very special guest. Tickets go on sale Friday, April 24 at 10:00am through ticketmaster.ca.

‘Shakespeare My Butt’ became the best-selling independent release in Canadian history at the time of its release, and Chart Magazine placed it in the top 10 of the Top 100 Canadian Albums of All Time in 1996, 2000, and again in 2005. The album earned Gold certification in 2008, the same year Lowest of the Low were inducted into the Canadian Indie Rock Hall of Fame. Hits include “Rosey and Grey,” “Bleed a Little While Tonight,” “Salesmen, Cheats and Liars,” and “Subversives.”

“This is a band our guests have been eager to see,” said Cathy Price, Vice President of Marketing and Resort Operations at Niagara Casinos, “and we’re excited to bring them to the OLG Stage at Fallsview Casino.” The band built their reputation on joyous live shows, sharp wordplay, razor-edged hooks, and harmonies that hit every time. Hearing ‘Shakespeare My Butt’ performed in full is going to be something special.

Show Details:

Lowest of the Low with Very Special Guest Junkhouse

Saturday, November 21, 2026

8:00pm

OLG Stage at Fallsview Casino

CMA Fest Presented by SoFi Adds New Performers to Its Massive June Lineup in Nashville

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CMA Fest presented by SoFi runs June 4 through 7 in Nashville, and the Country Music Association has just revealed another wave of performers joining an already packed four-day festival. From Platform Stage rising stars at Nissan Stadium to free daytime sets across multiple outdoor stages, the additions stretch across every corner of the event. Tickets are on sale now at CMAfest.com.

Inside Nissan Stadium, the Platform Stage will feature Emily Ann Roberts, The Jack Wharff Band, Kaitlin Butts, Kat Luna, Laci Kaye Booth, Maggie Antone, Scoot Teasley, Vincent Mason, Willow Avalon, and Zach John King. Clay Walker, Jo Dee Messina, Rhett Akins, and Sara Evans will open the nightly stadium shows, with Caylee Hammack performing the national anthem on Thursday night.

The free outdoor stages bring their own energy. Brandon Lake headlines Cowboy Church at the Chevy Riverfront Stage on Sunday morning, while CeCe opens the stage Thursday with the national anthem. The Dr Pepper Amp Stage welcomes Filmore on Friday and Gabriella Rose and Nappy Roots on Sunday. MÅŒRIAH joins the Chevy Vibes Stage on Thursday, Love and Theft on Sunday, and the Wrangler Remix Stage adds Omer Netzer on Saturday and MORGXN on Sunday.

SoFi and Kelsea Ballerini have also launched the Amplify Your Ambitions contest, offering a $200,000 grand prize and two $50,000 runner-up prizes for emerging artists. Submissions are open now through April 30, with three finalists performing at an intimate Nashville concert on June 4, where the grand prize winner will be announced by a panel of judges and public vote.

CMA Fest will be filmed for a national television special airing on ABC and Hulu this summer, executive produced and written by Robert Deaton and directed by Alan Carter. The festival has drawn an estimated 95,000 daily attendees and has been running since 1972, making it the longest-running country music festival in the world. A portion of proceeds supports music education initiatives nationwide through the CMA Foundation.

YoungBoy Never Broke Again’s Record-Breaking MASA Tour Hits Theaters With ‘American YoungBoy’

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YoungBoy Never Broke Again’s concert film ‘American YoungBoy’ is in theaters nationwide today, April 22, and it’s the full story of one of the most significant tours in recent hip-hop history. The film documents last year’s ‘Make America Slime Again’ Tour across 42 sold-out arena shows, with stage footage, fan energy, backstage moments, and a candid look into YoungBoy’s personal life. Tickets are on sale now at americanyoungboy.com.

The ‘Make America Slime Again’ Tour broke the record for the highest-grossing debut headlining tour by a rapper, and The New York Times named it the number one music moment of 2025. YoungBoy is the most-streamed artist in the world, the most RIAA-certified rapper in history, and the only hip-hop artist to debut three consecutive number one albums. ‘American YoungBoy’ gives fans rare access to an artist who, despite his massive reach, remains intensely private.

Creatively directed by Nico Ballesteros and produced and distributed by Foundation Media Partners in partnership with YoungBoy’s own production company 38 Heights Film and Productions, the film premieres on 1,000 screens nationwide. 38 Heights is powered by Kyle Montana Claiborne, Antoine Fee Banks, and Alex Junnier, marking YoungBoy’s formal entry into filmmaking and visual storytelling.

Alex Zhang Hungtai’s Ambitious Double Album ‘Orion/Mother’ Arrives June 19

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Alex Zhang Hungtai has announced ‘Orion/Mother’, a new double album due June 19 on American Dreams, and he’s sharing two lead singles today to mark the occasion. “Sidewinder,” the opener from ‘Orion’, and the title track from ‘Mother’ are both out now, each exploring what Zhang describes as “the primordial state within the unconscious that leads to a confrontation with what is unspoken and hidden.”

The New York-based Taiwanese-Canadian artist, musician, and actor built the project by revisiting home recordings made with some of the city’s finest improvisers, then composing over them using Ableton to cut and match sessions together. The collaborators include percussionist Che Chen, Korean gong resonator and experimentalist Leo Chang, clarinetist Madison Greenstone, flautist Laura Cox, cellist Lester St. Louis, noise artist Kwami Winfield, and tap dancer Melissa Almaguer.

Zhang improvised on trumpet over live samples of those chopped sessions, with the instrument becoming, in his words, the “grounding force” and conceptual narrator of the entire record. The whole thing was written and recorded over two intensive weeks at a New York rehearsal space during a period of personal transition. “The major contributor to the completion of this double album,” he says, “is the removal of doubt.”

The music moves across a striking range of terrain, trumpet flying above thrumming electronics, navigating percussion strikes, communing with explosive sounds, and dissolving into silence. It’s the sound of an artist pulling unresolved fragments from his past into the present and building something entirely new from them. “The music,” Zhang says, “sounds like something that was dormant is starting to awaken.”

Zhang has spent years working outside easy categorization, releasing solo piano records, improvised music, and sound collage work since retiring his Dirty Beaches moniker in 2016. His parallel career as an actor and film scorer has taken him from David Lynch’s Twin Peaks: The Return to composing the soundtrack for Hlynur Pálmason’s acclaimed Godland. ‘Orion/Mother’ is his second project of 2026 and one of the year’s most compelling releases.

‘Orion/Mother’ Tracklist:

Orion

01 “Sidewinder”

02 “Nataraja”

03 “Shadow Integration”

04 “Orion”

05 “Tannhauser Gate”

Mother

01 “Kali”

02 “Mother”

03 “Earth Orbit”

04 “American Burial”

05 “Tuğçe”

Video: Korn Turned Summer Breeze Open Air Into 40,000-Person Controlled Chaos

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Korn headlined Summer Breeze Open Air in Dinkelsbühl, Germany on July 16, 2017, closing out a massive day that also featured Parkway Drive and Powerwolf in front of 40,000 people. With Brian “Head” Welch back in the fold alongside James “Munky” Shaffer, the dual 7-string guitar attack was locked in and relentless, anchored by Fieldy’s bass and Ray Luzier’s drums while Jonathan Davis pushed the emotional intensity to the limit. They ran through “Blind,” “Freak on a Leash,” “Got the Life,” “Coming Undone,” “Here to Stay,” and “Falling Away from Me,” a setlist that hit the full weight of their catalog and turned the festival grounds into pure mayhem.

Video: Grammy-Winning Country Powerhouse Keith Urban Lights Up SXSW at the iTunes Festival

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Keith Urban brought his country rock firepower to the iTunes Festival at SXSW in Austin in 2014, and the result was a high-energy set that showcased both his vocal range and his reputation as one of the most formidable guitarists in the genre. Urban moved fluidly between heartfelt ballads and full-throttle anthems, with his guitar work front and center throughout. It’s a sharp, compelling document of an artist completely in his element on a major stage.

Watch Queens of the Stone Age Deliver a Ferocious Desert Rock Set at Reading Festival 2014

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Queens of the Stone Age hit the Reading Festival stage in 2014 riding the momentum of ‘…Like Clockwork’, their critically acclaimed 2013 record, and delivered a set that moved between brutal power and hypnotic groove with total command. Josh Homme led the band through “You Think I Ain’t Worth a Dollar, But I Feel Like a Millionaire,” “No One Knows,” “Little Sister,” “Go With the Flow,” “I Sat by the Ocean,” and “Smooth Sailing,” a lineup that balanced catalog heavyweights with fresh material and hit hard from the first note.

Video: Lenny Kravitz Tears Through a Five-Song Firecracker Set at the iHeartRadio Music Festival

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Lenny Kravitz opened the 2023 iHeartRadio Music Festival at Las Vegas’s T-Mobile Arena on September 22, and he wasted no time. He launched with a scorching cover of The Guess Who’s “American Woman,” then drove straight into “Fly Away,” “It Ain’t Over ‘Til It’s Over,” “Believe,” and “Again” before closing the whole thing down with “Are You Gonna Go My Way.” Five songs, full throttle, no filler.

John Lennon and Yoko Ono’s Legendary 1972 Madison Square Garden Shows Finally Hit the Big Screen

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A performance clip of “Instant Karma!” is out now, and it’s your first real look at what’s coming. Power To The People: John & Yoko/Plastic Ono Band with Elephant’s Memory and Special Guests, Live at the One To One Concert, New York City, 1972 arrives in cinemas worldwide starting April 29, for a limited engagement only. Tickets are on sale now at powertothepeoplefilm.com.

This is the only footage of John Lennon performing full-length concerts after leaving The Beatles. That alone makes it essential. The August 30, 1972 shows at Madison Square Garden drew a combined audience of 40,000 people and raised over $1.5 million (equivalent to $11.5 million today) for children with intellectual and developmental disabilities. The history here is real and it’s substantial.

The restoration took twenty years. Every frame, physically and digitally cleaned by hand. The definitive version has been re-edited and remixed by a seven-times GRAMMY Award-winning team, led by Sean Ono Lennon. Music production is by Sean Ono Lennon, mixed and engineered by Paul Hicks and Sam Gannon. The result is a full creative reconstruction, meticulous and deliberate from start to finish.

The setlist is stacked. John’s “New York City,” “Imagine,” and “Mother” sit alongside Yoko’s “Don’t Worry Kyoko” and “Open Your Box,” with rousing group takes on “Come Together” and “Hound Dog.” The encore is “Give Peace a Chance,” performed with a roster of special guests that includes Stevie Wonder, Sha Na Na, and Melanie Safka-Schekeryk. The “Instant Karma!” clip already sounds like a room on fire, big, alive, and completely in the moment.

Directed for the 2026 version by Simon Hilton, edited by Ben Wainwright-Pearce, and produced by Peter Worsley and Sean Ono Lennon, the film is released in partnership with Mercury Studios and distributed by Trafalgar Releasing. Audio is available in 5.1 Surround or Dolby Atmos at select locations.

20 Tracks That Celebrate Friendship

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A good friendship playlist does not happen by accident. It takes songs that actually mean something, tracks that capture the specific feeling of having someone in your corner who has seen you at your worst and stuck around anyway. Here are twenty that do the job.

“That’s What Friends Are For” by Dionne Warwick and Friends

Released in 1985 and featuring Elton John, Gladys Knight, and Stevie Wonder, this one set the gold standard for the genre. It raised millions for AIDS research and somehow still sounds like a warm hug every single time.

“Friends Forever” by Thunderclap Newman

A 1969 deep cut that never got the recognition it deserved, built around a deceptively simple melody and a lyric about holding onto the people who shaped you. Pete Townshend produced it and it sounds like nothing else from that era.

“We Are Family” by Sister Sledge

Written and produced by Nile Rodgers and Bernard Edwards in 1979, this one transcended its disco origins almost immediately and became the universal shorthand for collective belonging. Every sports team, every school gymnasium, every wedding dance floor in the world has heard this song. There is a reason for that.

“Lean on Me” by Bill Withers

Written in one sitting in 1972, Withers drew on his small-town West Virginia upbringing to capture something universal. The simplicity of the message is exactly why it has never stopped resonating.

“Count on Me” by Bruno Mars

Gentle, warm, and built around a fingerpicked acoustic guitar, this 2010 track does not try to be anything other than exactly what it is. Bruno Mars at his most sincere.

“You’ve Got a Friend” by James Taylor

Carole King wrote it, James Taylor made it his own, and the 1971 recording became one of the defining songs of an era. It still holds up as one of the most honest statements about what friendship actually feels like.

“You’re My Best Friend” by Queen

Written by bassist John Deacon and released on A Night at the Opera in 1975, this is the one that often gets overshadowed by the small matter of Bohemian Rhapsody sitting on the same album. That is understandable but unfair. Deacon wrote it for his wife and it shows, built around a Wurlitzer electric piano that gives it a warmth no guitar could replicate. Freddie Mercury initially resisted recording it but delivered one of his most charming vocals. A perfect pop song hiding inside one of the greatest rock albums ever made.

“With a Little Help from My Friends” by The Beatles

Ringo gets the spotlight on this 1967 Sgt. Pepper track and absolutely earns it. Joe Cocker later turned it into something almost unrecognizable, but the original is a perfect piece of breezy, generous pop.

“I’ll Stand by You” by The Pretenders

Chrissie Hynde wrote this in 1994 as something closer to a love song, but its unconditional quality has made it a go-to for anyone who has ever needed to tell a friend they are not going anywhere. It holds enormous emotional weight.

“Wind Beneath My Wings” by Bette Midler

Yes, it is unabashedly sentimental. No, that is not a criticism. The 1988 recording from Beaches remains one of the most emotionally direct tributes to the person standing quietly behind you while you take all the credit.

“Seasons of Love” by the Cast of Rent

Five hundred twenty-five thousand six hundred minutes. The opening number of the 1996 musical asks how you measure a year, and the answer it lands on is love and connection. Hard to argue with that.

“Graduation (Friends Forever)” by Vitamin C

Released in 2000 and built around a sample of Pachelbel’s Canon, this one soundtracked the end of an era for an entire generation of high school students. Deeply uncool in certain circles, completely unavoidable at every graduation ceremony for a decade, and quietly perfect at what it sets out to do.

“Ebony and Ivory” by Paul McCartney and Stevie Wonder

A 1982 collaboration that wore its message on its sleeve and did not apologize for it. Critics have been sniffy about it for decades, but the spirit behind it remains completely earnest and the melody is impossible to shake.

“Wannabe” by Spice Girls

Underneath the zig-a-zig-ah and the platform shoes was a genuine anthem about female friendship and loyalty. The 1996 debut single announced five distinct personalities bound together by something real, and a generation of girls understood it immediately.

“Thank You for Being a Friend” by Andrew Gold

Written and recorded in 1978, this is arguably the most literal friendship anthem in the entire pop canon, and it earns every word of it. Most people know it as the Golden Girls theme, but Gold’s original recording has a looseness and charm that the TV version only hints at. A genuinely great song that has spent decades living in the shadow of a sitcom, which is both its curse and the reason it will never go away.

“What I Got” by Sublime

Broderick is gone but this 1996 track from the self-titled album endures as a loose, sun-baked reminder to be grateful for the people and moments you have right now. It sounds effortless because it basically was.

“Greatest Love of All” by Whitney Houston

Self-love and self-respect as the foundation for loving anyone else. The 1985 recording showcases a voice at the peak of its powers, and the message underneath the gospel-tinged production is one worth revisiting regularly.

“Old Friends” by Simon and Garfunkel

From the 1968 Bookends album, this quietly devastating two-minute meditation on aging and loyalty imagines two old men sitting on a park bench. Paul Simon was 26 when he wrote it. Somehow he got it exactly right.

“You’ve Got a Friend in Me” by Randy Newman

Written for Toy Story in 1995 and performed with deceptive simplicity, this one has worked its way so deep into the cultural fabric that it barely registers as a movie song anymore. It just registers as true.

“Stand by Me” by Ben E. King

Written in 1961 and drawing on a gospel tradition that goes back decades further, this one is as close to a perfect song as popular music has ever produced. Ben E. King’s vocal is unhurried and completely confident, and the message has not aged a single day.