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Mickey Guyton Sweetens The Season With Festive New Song “Sugar Cookie”

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Mickey Guyton shares “Sugar Cookie,” a bright, playful holiday track that leans into warmth, romance, and seasonal joy. The song sparkles with cozy imagery and flirtatious charm, pairing Guyton’s expressive vocal with lyrics that feel intimate and fun without overthinking it. It’s light on its feet, full of color, and made to soundtrack fireside moments and shared smiles. This one is pure holiday delight, sweet without being sugary.

“Sugar Cookie” appears on Guyton’s holiday album ‘Feels Like Christmas’, out now, marking her first full-length seasonal release and another showcase of her range as an artist. The album follows a run of standout moments that span genres, stages, and global audiences, from celebrated live performances to international television milestones. There’s a sense of ease and confidence running through this release, and “Sugar Cookie” fits right into that stride, sounding joyful, inviting, and ready to be played on repeat.

Austin Meade Lets It Rip On “BAD DAYS” From ‘ALMOST FAMOUS’

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Austin Meade releases “BAD DAYS,” a straight-shooting, cathartic blast that captures the daily swing between frustration and release with grit and humor intact. Built on red dirt roots, grunge bite, and vintage rock muscle, the song lands fast and loud, pairing southern swagger with a heavy breakdown that hits with purpose. It’s the kind of track that feels instantly lived-in, turning ordinary chaos into something loud, fun, and honest. This one flies on instinct and attitude, and it absolutely rips.

“BAD DAYS” appears on Meade’s upcoming album ‘ALMOST FAMOUS’, out now, a record shaped by home recordings, sharp wit, and unfiltered storytelling. Recorded between a Nashville garage and his Texas bedroom studio, the album leans into identity, nostalgia, and self-awareness without dressing anything up. There’s real joy in how direct this music feels, and “BAD DAYS” stands tall as a rallying cry for outsiders finding clarity through volume. It’s a blast of confidence and heart, the sound of an artist saying exactly what he means and enjoying every second of it.

Choir! Choir! Choir! Unite With Patti Smith And Stewart Copeland In New York

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Choir! Choir! Choir! shared the stage with Patti Smith and Stewart Copeland for a stirring performance of “People Have the Power” at the Onassis Festival 2019 in New York City. Joined by 250 voices from the audience, the rendition transformed Smith’s 1988 anthem into a living, breathing moment of collective energy, filling the room with joy, conviction, and lift. It’s the kind of performance that reminds you how songs grow bigger when everyone sings them together.

The appearance took place during Onassis Festival 2019: Democracy Is Coming, co-presented by The Public Theatre and Onassis USA. With Copeland adding percussion flair using a Brazilian samba frying pan, the performance carried spontaneity and spirit, blending generations, genres, and voices into one shared surge of sound. It’s a joyful, unforgettable example of music creating real momentum in the room, powered by voices raised as one.

Jim Peterik Celebrates Collaboration On ‘River Of Music The Power Of Duets Vol. 1’

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Jim Peterik returns with a deeply collaborative statement on ‘River Of Music The Power Of Duets Vol. 1’, out now, a project that places connection and shared storytelling at its center. Created with World Stage, the album unfolds as a series of conversations set to melody, with Peterik trading vocals and emotion with artists across generations. The new single “The Cadence of Things,” featuring Jason Scheff, captures that spirit beautifully, moving with warmth and reflection as it explores the rhythms that shape love, loss, and everyday life. It’s a graceful, thoughtful song that settles in and stays there.

Produced by Ron Nevison, the album carries the glow and clarity of classic AOR while feeling intimate and current. Across ten tracks, Peterik’s melodic instincts shine as he connects with voices like Kevin Cronin, Cathy Richardson, Toby Hitchcock, Bree Gordon, and Kaity Heart. The father son performances with Colin Peterik add an especially personal dimension, grounding the album in family, legacy, and continuity. This record feels generous and full, a reminder of how powerful songs become when they are shared.

With Volume 1 setting such a strong foundation and another installment already on the horizon, ‘River Of Music’ flows with confidence and heart. Every duet adds a new color, and together they form a record that feels welcoming, timeless, and emotionally rich. It’s a celebration of songwriting, voices, and the simple magic that happens when artists meet in the middle and sing it together.

Track Listing:

  1. River of Music (Jim Peterik & Colin Peterik)
  2. Waiting For You (Dave Mikulskis & Bree Gordon)
  3. The Cadence of Things (Jim Peterik & Jason Scheff)
  4. Soul of My Being (Toby Hitchcock & Bree Gordon)
  5. Between Two Fires (Jim Peterik & Kevin Cronin)
  6. Double Rainbow (Jim Peterik & Cathy Richardson)
  7. Slow Lightning (Jim Peterik & Colin Peterik)
  8. In Good Faith (Toby Hitchcock & Kaity Heart)
  9. I’m a Survivor (Jim Peterik & Kaity Heart)
  10. Everything You Need (Colin Peterik & Jim Peterik)

Miguel Deepens The Caos World With Hypnotic New Track “Rip”

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Miguel pushes his Caos vision further with “Rip,” a charged new release that leans into temptation, surrender, and the rush that follows when instinct takes over. The song moves with heat and tension, embracing pleasure without apology and letting momentum drive the experience. The artwork draws from Danza de los Diablos, an Afro-Mexican dance rooted in freedom, resistance, and cultural pride, grounding the track in history while expanding the visual language of Caos. This is bold, immersive, and magnetic, a moment that pulls you straight into Miguel’s orbit.

“Rip” follows recent releases “El Pleito” and “New Martyrs (Ride 4 U),” continuing a run of music that feels personal, expressive, and unafraid to confront power, identity, and desire. Alongside direct fan releases through his S1C platform, Miguel is building Caos as a living world rather than a single statement. There’s real electricity in how these pieces connect, and “Rip” stands out as a striking chapter, driven by rhythm, meaning, and a sense of creative freedom that feels fully unlocked.

The Temper Trap Soar High On Euphoric New Single ‘Giving Up Air’

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The Temper Trap continue their return with ‘Giving Up Air’, a sweeping, synth-powered single that rises with scale, emotion, and momentum. Built around a massive chorus designed for open spaces and shared release, the song balances euphoric lift with deeply personal reflection. Frontman Dougy Mandagi brings a striking vocal performance that carries the song’s emotional arc, giving it a sense of movement and catharsis that feels both intimate and expansive. This track opens wide and stays there, glowing with energy and feeling.

Produced by Styalz Fuego, ‘Giving Up Air’ follows recent comeback single ‘Lucky Dimes’ and arrives with a sense of clarity and confidence. Hearing the band channel their history into something this open and powerful feels genuinely exciting, especially as their catalog continues to find new life through collaborations, remixes, and renewed global attention. This release lands with weight and warmth, showing The Temper Trap stretching out again and letting emotion and melody carry them forward together.

Metal Blade Records Forge Official Coffee With Concept Cafes

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Metal Blade Records step beyond vinyl and into the cup with their first official private label coffee, created in collaboration with Concept Cafes. Built with the same spirit that helped launch generations of heavy music, the release draws from classic metal fantasy, early thrash mythology, and modern extremity, blending visual world-building with a sense of fun and obsession. The concept nods to everything from early Metallica-era ferocity to neoclassical shred and pop-culture fantasy touchstones, wrapped in packaging that feels like metal lore brought to life. This collaboration is pure joy for anyone who lives loud, drinks strong, and loves when worlds collide.

Crafted by Coterie Coffee Co., the brew itself delivers on the promise of the art, bold, intense, and unapologetic, with flavor that matches the imagery. There’s something deeply satisfying about seeing metal culture extend into everyday ritual, and this release nails that feeling without irony or compromise. It’s creative, immersive, and made with genuine care, a reminder that metal has always been about building worlds and inviting people into them, one riff or one cup at a time.

Tate McRae Drops Sharp New Pop Cut “Tit For Tat”

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Tate McRae releases “Tit For Tat,” a sleek and cutting new pop song that lands with confidence and bite. Arriving fresh off a showstopping VMAs performance, the track taps into her knack for pairing emotional edge with undeniable hooks. It’s crisp, controlled, and packed with attitude, capturing the tension and push-pull that McRae delivers so effortlessly in her music. This song feels sharp and immediate, the kind that snaps into place on first listen.

The release comes as McRae continues the North American leg of her sold-out Miss Possessive arena tour, with multiple nights at the Kia Forum in Los Angeles and upcoming shows in Seattle before closing the run back in Los Angeles. Earlier this year, she hit a major milestone with her third album ‘So Close To What’, which debuted at #1 on the Billboard 200 and produced chart-topping tracks like “Revolving Door” and “It’s Ok I’m Ok.” With billions of streams and a growing list of awards, “Tit For Tat” fits naturally into a moment where everything is clicking, sounding bold, self-assured, and ready for the biggest stages.

Ten Years After Expand ‘Ssssh’ With Deluxe Edition And Unearthed 1969 Live Set

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Ten Years After see their 1969 breakthrough ‘Ssssh’ return in a beautifully expanded deluxe edition, out now from Chrysalis Records. Newly mixed from the original quarter-inch multi-track tapes by Charlie Russell, the album reveals added depth, separation, and detail while preserving the grit and drive that made it a landmark release. The set also includes the original 1969 mix, offering a fascinating window into how the record first hit the world.

The true revelation comes with a newly discovered live recording from Helsinki, captured at Kulttuuritalo Hall in December 1969, just months after the band’s Woodstock performance. Drawn from Finnish radio archives, the set bristles with urgency and extended blues fire, showcasing the band at full throttle onstage. With new liner notes by Nigel Williamson, reflections from Joe Bonamassa, and previously unseen photographs, the collection feels carefully curated and deeply respectful of the band’s legacy. This release is a gift to anyone who loves hearing classic records open up and breathe again.

Also available as a 2LP set cut at half-speed at AIR Mastering by Phil Kinrade, the vinyl edition pairs the new stereo mix with highlights from the Helsinki performance. As Leo Lyons notes, ‘Ssssh’ marked the band’s first time recording on eight-track, and this edition finally lets those tapes speak in full color. It’s a thrilling listen, rich with nuance and power, and it brings a defining album back into the spotlight with clarity and excitement.

TRACKLISTINGS:

3CD DELUXE EDITION

CD1: 2025 Stereo Mix * 

  1. Bad Scene
  2. Two Time Mama
  3. Stoned Woman
  4. Good Morning Little Schoolgirl
  5. If You Should Love Me
  6. I Don’t Know That You Don’t Know My Name
  7. The Stomp
  8. I Woke Up This Morning

CD2:  Original 1969 Mix

  1. Bad Scene
  2. Two Time Mama
  3. Stoned Woman
  4. Good Morning Little Schoolgirl
  5. If You Should Love Me
  6. I Don’t Know That You Don’t Know My Name
  7. The Stomp
  8. I Woke Up This Morning

CD3: Live in Helsinki, 1969 *

  1. Spoonful
  2. I May Be Wrong, But I Won’t Be Wrong Always
  3. The Hobbit
  4. Good Morning Little Schoolgirl
  5. No Title
  6. I Can’t Keep From Crying Sometimes

2LP VINYL EDITION
 

LP1: 2025 Stereo Mix *
Side A

  1. Bad Scene
  2. Two Time Mama
  3. Stoned Woman
  4. Good Morning Little Schoolgirl

Side B

  1. If You Should Love Me
  2. I Don’t Know That You Don’t Know My Name
  3. The Stomp
  4. I Woke Up This Morning

LP2: Live in Helsinki, 1969 *

Side C

  1. Spoonful
  2. I May Be Wrong, But I Won’t Be Wrong Always
  3. Good Morning Little Schoolgirl

Side D

  1. No Title

I Can’t Keep From Crying Sometimes

Spencer Mackenzie Brings Fire And Reflection To ‘Empty Chairs’

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Spencer Mackenzie returns with ‘Empty Chairs’, a new studio album arriving February 20, 2026, and it digs deep into the heart of blues rock with grit, soul, and muscle. Produced by Ross Hayes Citrullo, the record blends reverence for blues tradition with the charge of modern rock, carried by electrifying guitar lines, punchy rhythms, soaring organ, and dynamic vocals. There’s a raw immediacy running through these songs, the kind that feels lived-in and honest, and it makes every note hit with purpose and weight. This record feels alive, bold, and fully committed.

Leading the way is the single “What You Do,” out now, a high-energy blues rock cut that cuts straight to the tension between truth and self-protection. The song moves with urgency and clarity, pairing sharp riffs with lyrics that linger long after the final chord. Captured live at Festival d’ete de Quebec, the performance underscores how naturally these songs thrive onstage. ‘Empty Chairs’ captures honesty and fire in equal measure, and it stands as a powerful statement of where Spencer Mackenzie is headed next.