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Luke Combs Saddles Up With NASCAR Legends in New Single and Video “Back in the Saddle”

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Luke Combs is officially “Back in the Saddle.” The multi-platinum country powerhouse has released his brand-new single and music video, out now via Columbia Nashville. Directed by Tyler Adams, the high-octane clip stars NASCAR icons Dale Earnhardt Jr. and Richard Petty — a full-circle moment for Combs, whose lifelong love of racing makes this release one of his most personal yet.

“So much work goes into making these songs, so much time we spend making them, from the studio writing them to the videos,” Combs shares. “I got to make the video with Dale Jr. and Richard Petty, which is a total dream come true. My grandpa would be rolling over in his grave in a good way if he knew that I got to hang out with Richard Petty and Dale Jr.”

Written by Combs alongside Dan Isbell and Jonathan Singleton, and produced by Combs, Singleton, and Chip Matthews, “Back in the Saddle” blends Combs’ signature storytelling with a fiery, road-tested groove that mirrors the spirit of the racetrack. It’s both a celebration of hard work and a reminder of where grit and passion can take you.

The single arrives during another landmark year for Combs, who is headlining an extensive festival run that cements his global reach. Following historic sets at Bonnaroo and New Orleans JazzFest, Combs is slated to headline Newport Folk Festival, Lollapalooza, and Austin City Limits — making him the first country artist to ever top the bills at both Bonnaroo and Lollapalooza.

A Grand Ole Opry member and winner of 11 CMA, 4 ACM, and 6 Billboard Music Awards, Combs recently became the second most RIAA-certified country artist of all time with 155.5 million certified units. He also made history as the first country artist with four Diamond singles and two songs surpassing one billion Spotify streams. His latest album Fathers & Sons continues to earn acclaim for its emotional depth, with NPR calling it proof that “he’s going beyond the country realm” and The Wall Street Journal hailing its “unexpected warmth and vulnerability.”

Combs’ unstoppable momentum has only grown through major collaborations with Post Malone, Bailey Zimmerman, Jon Bellion, and an unforgettable Grammy duet with Tracy Chapman. His heart remains firmly tied to his roots, as shown by his recent “Concert for Carolina” alongside Eric Church, Billy Strings, and James Taylor — a benefit that raised over $24.5 million for Hurricane Helene relief.

“Back in the Saddle” is more than a song — it’s a victory lap for an artist at the top of his game, still hungry, still grounded, and still leading the charge for country music around the world.

Surf-Rock Revivalists The Modbeats Hit the Gas With New Single “Frankie” Ahead of Debut Album

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The Modbeats are keeping rock ’n’ roll wild and alive with their new single “Frankie,” out now on all major streaming platforms. The fast-driving, sun-soaked anthem fuses retro surf rock, garage grit, and classic pop nostalgia into a cinematic escape from city life — a celebration of freedom, youth, and the open road.

The track arrives as the final release ahead of their debut LP, due September 5 via Mayleen Records. Written during the tail end of the pandemic, “Frankie” channels the hunger for joy and connection that comes after isolation. “We suspect that those who reside on the coasts will dig the vibe verbatim — hopping in the convertible with your best friends, getting the hell out of the city, and heading to the shore blasting rock ’n’ roll en route to one hell of a party,” the band shares. “Perhaps at said party you meet someone who will change your life? Perhaps you don’t. It doesn’t matter… You take your chances. You plead your case.”

Recorded in Asbury Park, NJ, “Frankie” was written and composed by frontman Philip Dunn, who brought his Fender Stratocaster to the forefront of the mix. The result: a Chuck Berry-meets-Eddie Van Halen-meets-Beach Boys guitar solo that captures the song’s infectious energy. “It’s a fun song,” Dunn says. “A summer song for blasting in the car, hopefully en route to a party with some rockabilly music!”

Lyrically, “Frankie” feels straight out of a drive-in movie: “There’s a rockabilly party on a Saturday night / Driving up from Philly beneath the pale moonlight / ’57 Chevy rolling on to the shore / Nights like this are getting rare anymore.” By the time the Jim Morrison-inspired declaration hits — “We’re gonna have our kicks before the whole sh*thouse goes up in flames” — the spirit of rebellion is undeniable.

The Modbeats — Philip Dunn (vocals, guitar), Scott Matison (bass), Fizz (drums), and Joe Mandia (guitar) — have been shaking up the modern rock landscape since forming in 2023. Their explosive live energy and fearless blend of surf, rockabilly, and jangle-pop have earned them praise from The Philadelphia Inquirer, Rock at Night, Grimy Goods, and Powerpopaholic, as well as a spot on WXPN’s Power Pop Extravaganza and Music Connection’s Hot 100 Live Unsigned Artists and Bands of 2024.

“Frankie” isn’t just a single — it’s a reminder that rock music still belongs behind the wheel, windows down, engine roaring, and heart wide open.

Helloween Launch Into the Cosmos With Epic New Single “Universe (Gravity For Hearts)” and 40th Anniversary Tour

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Metal fans, fasten your seatbelts — Helloween are blasting off again. The legendary German power-metal icons have unleashed their cosmic new single “Universe (Gravity For Hearts),” out now, following the adrenaline rush of their lead single “This Is Tokyo.” Written by guitarist Sascha Gerstner, the track takes listeners on an eight-and-a-half-minute voyage through galaxies of sound and emotion, proving that even after four decades, Helloween are still reaching for new frontiers.

Universe (Gravity For Hearts)” opens with shimmering guitar textures and Michael Kiske’s soaring vocals before launching into a storm of riffs, basslines, and double-kick drumming that define Helloween’s unmistakable sound. The result is a massive, cinematic track that captures both the vastness of space and the intimate gravity of human emotion. “Everything in the universe is connected, and what looks like infinite stars could in reality be moments, hearts, and choices,” explains Gerstner.

This isn’t just another single — it’s a declaration of creative vitality. With relentless drumming, intergalactic guitar work, and an explosive solo section, “Universe (Gravity For Hearts)” joins the ranks of Helloween’s epic classics like “Halloween,” “Keeper Of The Seven Keys,” and “Skyfall.” It’s an invitation to dream, to explore, and to remember that no horizon is ever too far away.

The track is part of the band’s upcoming album Giants & Monsters, produced by Charlie Bauerfeind and Dennis Ward. Recorded with meticulous detail — including drummer Dani Löble using three different drum kits to capture the perfect sound for each song — and mixed at Wisseloord Studios in Hilversum, the album showcases Helloween’s unmatched precision and passion for sonic adventure.

Fans can also celebrate with the band in person as Helloween mark their 40th anniversary with a massive world tour. The European leg kicks off in mid-October, with several dates already sold out and new shows added in Madrid and Bochum. Expect an ultimate setlist spanning their entire career — a live journey through four decades of metal mastery that shows why Helloween continue to rule the genre they helped shape.

Halsey Marks 10 Years of ‘Badlands’ With ‘Badlands Decade Edition,’ Live Album, and ‘Badlands: Anthology’ Out Now

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Halsey is celebrating a decade of Badlands in a big way. The diamond-certified, Grammy-nominated artist has released Badlands Decade Edition, Badlands: Live From Webster Hall, and Badlands: Anthology—three special anniversary projects out now via UMe/Astralwerks/Capitol Records. The releases honor the tenth anniversary of her groundbreaking debut album, a record that redefined pop and introduced the world to one of its most fearless voices.

The milestone follows the conclusion of Halsey’s record-breaking For My Last Trick Tour, the best-selling tour of her career. Reflecting on the anniversary, Halsey shared, “I can’t believe it’s been 10 years. So much has happened in the last decade, but Badlands remains the most exciting musical journey of my life. I have so many unbelievable things planned for this month to celebrate the album that changed my life and introduced me to the fans I’ll love forever. This is just the beginning.”

Originally released on August 28, 2015, Badlands became an instant phenomenon. It has since sold over three million albums adjusted in the U.S. and earned more than nine billion on-demand streams worldwide. Every song on the album has been certified gold, platinum, or multi-platinum by the RIAA, cementing its place among the most successful debut albums in pop history.

Badlands: Anthology arrives as a triple-disc vinyl, featuring orchestral versions, never-before-heard demos, official remixes, and rare recordings that trace the evolution of Halsey’s earliest vision. Paired with Badlands Decade Edition and the live album Badlands: Live From Webster Hall, the new collection offers fans the definitive look at the project that started it all—a complete sonic time capsule of Halsey’s artistic beginnings and enduring influence.

A decade later, Badlands still feels vital, defiant, and entirely its own. With this trilogy of releases, Halsey invites fans to revisit where it all began—and see just how far the journey has come.

Bryson Tiller Unleashes ‘The Vices,’ the First Half of His Double Album ‘Solace & The Vices’

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Bryson Tiller is turning up the heat with The Vices, the first installment of his double album Solace & The Vices, out now. The project marks a bold new chapter for the multi-platinum artist, blending sharp-edged confidence with the sleek production and introspective writing that have defined his career.

Produced by a dynamic lineup including Charlie Heat, Teddy Walton, Hitmaka, and Gravez, The Vices dives into Tiller’s grittier, more energetic side. The beats hit harder, the bars cut deeper, and the attitude is pure momentum. Known for his effortless ability to switch between melody and flow, Tiller takes this project as a chance to explore his rap instincts without losing his signature R&B soul.

If The Vices captures Tiller’s impulsive, high-octane energy, its upcoming counterpart Solace will serve as the reflection that follows the storm. “Solace is my own personal therapy session,” Tiller explains, describing the companion record as a deep, emotional exploration of growth, clarity, and renewal. Together, the two halves promise to present the full scope of his artistry — unfiltered and unrestrained.

The release of The Vices also arrives as Tiller celebrates a major milestone: the tenth anniversary of his breakthrough debut T R A P S O U L. That 2015 classic redefined modern R&B and launched him into global stardom. A decade later, The Vices proves that Bryson Tiller is still evolving — still pushing boundaries and still writing the next chapter of his legacy.

Oxymorrons Detonate With Fierce Independence on New EP ‘Create. Destroy. Rebuild. Repeat.’ Out Now

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New York’s genre-bending punks Oxymorrons are breaking boundaries once again with their explosive new EP Create. Destroy. Rebuild. Repeat., out now. The release arrives alongside the gripping official video for “BLK SHEEP,” a raw and defiant statement against performative systems and modern hypocrisy that perfectly encapsulates the band’s fearless energy.

The “BLK SHEEP” video is pure chaos and catharsis — a visual onslaught that mirrors the song’s intensity. Fast cuts, confrontational imagery, and a frenzied aesthetic push the band’s message forward: truth, no matter how uncomfortable, deserves to be shouted. The track is a protest anthem wrapped in punk urgency and hip-hop swagger, proof that Oxymorrons remain one of the most innovative forces in modern alternative music.

Written, recorded, and produced entirely by the band — brothers Deee and KI, along with guitarist Jafé Paulino — Create. Destroy. Rebuild. Repeat. represents a new era of total creative freedom. It’s their first fully independent release as a three-piece, and every note pulses with self-definition and raw intent. “Create, Destroy, Rebuild, Repeat is more than just the title of our new EP! It’s the cycle we’ve been living,” the band shares. “From love and cancel culture to women empowerment and unapologetic truths! We poured our full selves into this. We refuse to be boxed in. We’re artists first. This is our sound, our truth, our cycle.”

The EP expands on the foundation laid by Melanin Punk while taking the band’s identity and social commentary even deeper. With new drummer DJ joining the lineup after Matty’s departure to pursue his passion for food, Oxymorrons have turned transition into triumph, creating something urgent, inspiring, and completely their own.

Track Listing (Create. Destroy. Rebuild. Repeat.):

  1. C.D.R.R.
  2. LAUGHING WHILE CRYING
  3. CREATE INTERLUDE
  4. COOL BEING YOU
  5. NO LIES DETECTED (BLIND)
  6. BLK SHEEP
  7. DESTROY INTERLUDE
  8. BULLETPROOF VEST
  9. REBUILD INTERLUDE
  10. SHE GOT GAME
  11. REPEAT INTERLUDE
  12. LUCKY ONE

OneRepublic Release New Single “Beautiful Colors (from Kaiju No. 8)” Under New Global Deal With BMG

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Grammy-nominated pop-rock hitmakers OneRepublic are starting a new chapter with the release of their latest single, “Beautiful Colors (from Kaiju No. 8),” out now. The song marks the band’s first release under their new global recordings partnership with BMG and serves as the ending theme for season two of the wildly popular Japanese anime Kaiju No. 8.

“Beautiful Colors” continues OneRepublic’s creative streak with the franchise, following “Nobody (from Kaiju No. 8)” and “Invincible (from Kaiju No. 8).” The new single blends soaring melodies, cinematic production, and Ryan Tedder’s signature anthemic vocals, perfectly complementing the emotional world of the anime while standing strong as a pop-rock powerhouse on its own.

The release also marks a new era for OneRepublic, who recently signed their first new label deal since their 2007 debut. “We’re excited to join the BMG family to keep releasing music that our fans will love,” says frontman Ryan Tedder. “Jon and Dan have already been such incredible partners throughout this whole process and we’re looking forward to their continued support. We can’t wait for our fans to hear our new single ‘Beautiful Colors’ inspired by the Japanese anime series Kaiju No. 8.”

With over 18 billion Spotify streams and a catalog that includes global hits like “Apologize,” “Counting Stars,” and “I Ain’t Worried,” OneRepublic remain one of the defining pop-rock acts of the modern era. Their latest studio album Artificial Paradise (2024) continued that legacy with massive success, including the quadruple platinum single “I Ain’t Worried” from Top Gun: Maverick.

Now, with “Beautiful Colors (from Kaiju No. 8)” out across all platforms, OneRepublic are blending East and West, anime and arena pop, in a way that only they can — cinematic, heartfelt, and undeniably universal.

Feminist Punk Firebrands Cheap Perfume Erupt With ‘Don’t Care. Didn’t Ask.’ Out Now

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Cheap Perfume are turning rage into revolution. The feminist punk powerhouse have unleashed their explosive new album Don’t Care. Didn’t Ask., out now via Snappy Little Numbers. Fueled by blistering guitars, fearless lyrics, and a no-apologies attitude, the record is a full-throttle scream against capitalism, oppression, fascism, and genocide — and a rallying cry for empathy in an era of exhaustion.

Don’t Care. Didn’t Ask. is an uninhibited call to anti-capitalist revolution presented as a collection of punk rock protest songs, breakup songs and party songs,” shares vocalist and guitarist Jane No. “It stays true to Cheap Perfume’s signature angry-yet-melodic sound while railing against systems of oppression and America’s descent into fascism.”

The album channels righteous fury and vulnerability in equal measure, featuring the rebellious singles “Down to Riot” and “Woke Mind Virus.” Each track pushes back against indifference with biting humor, sharp hooks, and relentless energy. This is punk that not only demands to be heard — it demands that you feel something.

With Don’t Care. Didn’t Ask., Cheap Perfume prove that rebellion and joy can coexist, that protest can still be catchy, and that a band unafraid to confront power can also bring a community together on the dance floor. It’s cathartic, unapologetic, and utterly alive.

Track Listing (Don’t Care. Didn’t Ask.):

  1. Probably It’s Capitalism
  2. Start Shit
  3. Dead If I Do
  4. Anytown, USA
  5. Woke Mind Virus
  6. No Men
  7. Okay Party
  8. Blood On Your Hands
  9. Desert
  10. Down To Riot
  11. I Get Wet

Robert Jon & The Wreck Keep Rolling With Soulful New Single “I Wanna Give It” From ‘Heartbreaks & Last Goodbyes’

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Southern California’s Robert Jon & The Wreck are keeping the momentum alive with “I Wanna Give It,” the latest single from their album Heartbreaks & Last Goodbyes, out now via Joe Bonamassa’s Journeyman Records. The track captures the band’s signature blend of heartfelt storytelling and road-tested rock-and-soul, wrapped in a wistful, country-leaning groove.

Co-written during a stretch when touring had come to a standstill, “I Wanna Give It” was born from late-night acoustic jam sessions on a porch in San Juan Capistrano. “It was a bit of a throwback,” says guitarist Henry James. “We’d play acoustic guitars into the early hours, doing whatever we could to keep our minds at ease.”

Written alongside longtime friends Ian Cullen and Shane Krevoy — who also co-wrote fan favorite “Oh Miss Carolina” — the song came to life under the production of Dave Cobb. The result is a warm, reflective track that channels both timeless Americana spirit and modern rock precision. “It doesn’t necessarily have a happy ending,” James says, “but it’s told with no regrets. Love can blind us sometimes, but it can also inspire us to live boldly. That’s something we all deserve to feel.”

“I Wanna Give It” follows a run of powerhouse singles that have defined Heartbreaks & Last Goodbyes: the smoldering “Keep Myself Clean,” the haunting “Dark Angel,” the swaggering “Better Of Me,” the electrifying “Highway,” and the reflective “Ashes in the Snow.” Recorded in Savannah, Georgia, with producer Dave Cobb and mixed by Greg Gordon (Chris Stapleton, Sturgill Simpson), the album showcases the band’s unmatched chemistry and expansive emotional range.

With Heartbreaks & Last Goodbyes out now on CD, digital platforms, and limited-edition colored vinyl, Robert Jon & The Wreck continue to push roots rock forward while honoring its timeless heart. For a band that thrives on connection, this record is a love letter to the journey itself — bold, soulful, and beautifully alive.

Baha Men Celebrate 25 Years of ‘Who Let The Dogs Out’ With High-Energy Remix by Wuki and DJ Susan

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The party anthem that defined a generation just got a new jolt of energy. Grammy Award-winning Bahamian group Baha Men are celebrating the 25th anniversary of their global smash “Who Let The Dogs Out” with a high-octane remix by Wuki and DJ Susan, out now via UMe. The revamped version turns the timeless hit into a modern dancefloor stormer, ready to set clubs ablaze once again.

Grammy-nominated producer Wuki and electronic powerhouse DJ Susan crank up the BPMs and reshape the song into a kinetic house track bursting with color and chaos. Their remix preserves the iconic chant—“Who let the dogs out!”—while layering it with thundering percussion, frenetic synths, and perfectly timed barks. It’s nostalgic and futuristic all at once, bringing the 2000 classic roaring into 2025.

The release arrives as Baha Men mark 25 years since their triple-platinum album Who Let The Dogs Out climbed into the Billboard 200’s Top 5 and won a Grammy Award for Best Dance Recording. The song has since become one of pop culture’s most instantly recognizable anthems, soundtracking everything from Rugrats in Paris: The Movie and South Park to major sports events around the world.

The track’s wild legacy even inspired filmmaker Brent Hodge’s acclaimed 2019 documentary Who Let The Dogs Out, which premiered at SXSW and explored the strange, fascinating journey behind the song. Most recently, the timeless hook made a barking return in a Super Bowl 2025 commercial for Spruce Weed & Grass Killer, proving that, 25 years later, the dogs are still very much out.