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Ed Sheeran Releases New Version Of ā€œLife Goes On (Featuring Luke Combs)ā€

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Global superstar Ed Sheeran has released a studio recording of ā€œLife Goes On (featuring Luke Combs)ā€ available everywhere now.

Sheeran and Combs revealed the surprise release after their show-stopping, live performance of ā€œLife Goes Onā€ on the 2023 Academy of Country Music Awards tonight. The original version of the track appears on Sheeran’s sixth studio album, ā€œ – ā€œ which also features lead single ā€œEyes Closed.ā€ Combs, is currently celebrating the release of his new album ā€œGetting’ Oldā€ – a companion piece to his acclaimed 2022 record ā€œGrowin’ Up.ā€

Released last week, ā€œ – ā€œ is the result of Sheeran pushing the boundaries of his songcraft, as he delivers the most profound songwriting of his career. Teaming-up with Aaron Dessner (The National) on writing and production after the pair joined forces following an introduction from mutual friend Taylor Swift, Ed and Aaron began crafting the album in February last year. Writing over 30 songs during their month-long studio stint in Kent, UK, the album’s fourteen tracks are seamlessly tied together by exquisite production from paired back, folk-leaning textures to bolder, full-band/orchestral arrangements.

Blending never-before-seen personal archive, interviews and performances, the four-part docu-series ā€œEd Sheeran: The Sum of It Allā€ is streaming on Disney+ now. Timed with the arrival of ā€œ – ,ā€ the intimate documentary explores how his personal experiences have shaped him to become the artist he is today.

Ed is currently amid his massive “+ – = Ć· x TOUR”, hitting stadiums across North America now. Fourteen of these stops will coincide with his recently announced “- TOUR”, a run of intimate shows in theaters and auditoriums across 14 cities in North America. These shows coincide with the previously announced tour.

Remember This Name – Preston Pablo – You’re Going To Hear A LOT From Him This Year

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Out of the small town of Timmins, Ontario, Preston Pablo has emerged as one of the most exciting new voices in pop and R&B, and he’s wrapped up a deal with Universal Music. In his tiny rural community of 42,000, music provided a window to a much bigger world. ā€œI grew up very differently from most artists in today’s age,ā€ he shares. ā€œMy music is raw, because I was so isolated.ā€

In senior year of high school, Preston dropped his debut solo single ā€œOMOā€ and amassed over half a million Spotify streams right out of the gate. In 2021, Preston signed to 31 East Inc./Universal Music Canada and released his major label debut ā€œFlowers Need Rainā€ in 2022, in collaboration with production duo Banx & Ranx. The song has since gone triple platinum, amassed over 26M global streams, and reached the #1 spot at Mainstream AC radio in Canada. Most recently, Preston performed ā€œFlowers Need Rainā€ at the 2023 JUNO Awards where he was named Breakthrough Artist Of The Year.

This begs the question ā€œhow could Preston possibly follow up such a massive hit?ā€ Of course, the answer is simple: with another one.

Today Preston Pablo drops his summer-ready smash ā€œFor Keeps.ā€ ā€œThis song is about shooting your shot,ā€ says Preston. ā€œEven after you’ve been constantly missing. It’s a very lighthearted and playful take on a classic love story. When someone is playing hard to get it typically makes the one who’s chasing work a little harder to get what they want. That’s the motive behind this record.ā€ The song arrives with a music video shot at Niagara Falls’ legendary arcade, the Great Canadian Midway.

Preston just wrapped up a ten-city supporting tour across Canada, a sold-out headline concert in Toronto, and performed on the season finale of La Voix. You can catch him performing on some huge stages this summer, supporting Johnny Orlando and Walk Off The Earth at Budweiser Stage and his debut performance at this year’s Osheaga Festival in Montreal.

Musician Created A New Song After Asking People – And A Dog – To Just Submit One Note

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Lous Zong sorted notes by pitch, converted the videos into wavs and grouped them into a single file in audacity then by dropping them into the Slicex plugin in FL Studio and matching his MIDI keyboard with the slices he could play them like a keyboard.

In other words, he took over 200 submissions of people and – wait for it – one dog, and mashed them to make a single song.

Spotify Original Podcast ā€˜Stolen’ Adds a Pulitzer and Peabody

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Earlier this year, thanks to its impactful reporting, the Spotify Original podcastĀ Stolen: Surviving St. Michael’sĀ won anĀ Alfred I. duPont-Columbia University Award. Now the series is adding the prestigious Pulitzer and Peabody awards to its list.Ā StolenĀ is the first podcast series to win both a Pulitzer Prize and Peabody Award in the same year.

Photo credit: Robert McGee

ā€œHonestly, I’ve been pinching myself over this news. It is such an incredible honor for our work onĀ Surviving St. Michael’sĀ to receive this recognition. It feels like proof that Indigenous stories matter and that Indigenous people should be supported to help tell them,ā€ saidĀ Connie Walker, an Okanese First Nation (Cree) investigative reporter and the host ofĀ Stolen. ā€œAbove all, our team hopes that this means that more people will hear the stories of the survivors who bravely shared their experiences with us and recognize that this is just the beginning in terms of what it means to learn the truth and try to collectively grow and heal from our past.ā€

Connie and Spotify’s Gimlet Media team were awarded a 2023 Pulitzer Prize in the Audio Reporting category. The Pulitzer Prize marks excellence in the fields ofĀ newspaper, magazine, online journalism, literature, and musical composition.

Peabody Awards are also a great honor, given to the most powerful, enlightening, and invigorating stories in television, radio, and online media.Ā StolenĀ won in the Podcast and Radio category.

ā€œIt’s an honor to receive any recognition for the work our teams produce at Spotify, but forĀ StolenĀ to achieve the highest level of recognition with both a Pulitzer Prize and a Peabody is an incredible feat,ā€ sharedĀ Julie McNamara, Head of Global Podcast Studios at Spotify. ā€œConnie has given a voice to the victims of Canada’s Indian residential schools and to Indigenous communities. She and the Gimlet team worked tirelessly to earn the respect of the victims in order to tell their stories and offer a path toward healing and hope. We’re incredibly proud of Connie and the entireĀ StolenĀ team.ā€

Photo credit: Connie Walker

StolenĀ follows Connie as she looks into her father’s harrowing experiences at a Canadian residential school in the 1960s. Throughout the season, she uncovers deep abuses at the hands of school administrators that led to childhood death and adulthood trauma—outcomes that were not unique to St. Michael’s.

The podcast also received anĀ honorable mentionĀ at the Dart Awards, which recognizes outstanding reporting in all media that portrays traumatic events and their aftermath with accuracy, insight, and sensitivity while illuminating the effects of violence and tragedy on victims’ lives.

This fall, the third season ofĀ StolenĀ will take listeners to the Navajo Nation as Connie and team investigate the case of two missing Navajo women. ā€œIt’s huge—27,000 square miles of remote terrain with fewer than 200 tribal police officers,ā€ explained Connie. ā€œOne thing I’ve learned so far is that on the Navajo Nation, the line between missing and murdered is often difficult to prove. In many ways, this season builds on the themes we’ve explored in previous seasons, but hopefully in a way that feels different and exciting to our listeners.ā€

Pete Townshend To Release Limited Edition Half Speed Mastered Albums’ Rough Mix’ & ‘Empty Glass’

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June 23, 2023, sees the release of the first in a series of half speed mastered studio albums from Pete Townshend, Rough Mix and Empty Glass.

These limited-edition black vinyl versions have been mastered by long-time Who engineer Jon Astley and cut for vinyl by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut and are packaged in original sleeves with obi strips and certificates of authenticity. Rough Mix is presented in a gatefold sleeve, and Empty Glass features a full-color inner bag with full lyrics and a 12ā€ x 24ā€ poster.

Rough Mix was initially released in September 1977 while The Who were on hiatus and was a collaboration with Small Faces bassist the late Ronnie Lane and features contributions from Who bassist John Entwistle, Eric Clapton, and Rolling Stones drummer Charlie Watts among others.

The orchestral arrangements for the track ā€œStreet in the Cityā€ were provided by Townshend’s then father-in-law, noted British film and television theme composer Edwin Astley. Edwin’s son, Jon Astley has overseen this new remaster.

Produced by Chris Thomas (Roxy Music, Sex Pistols, Pretenders, Wings), Empty Glass was Townshend’s next solo release appearing in April 1980. The songs predominantly deal with issues Townshend was struggling with at the time, including alcohol, drugs, and the death of Keith Moon, the Who’s former drummer.

The second single from the album ā€œLet My Love Open the Doorā€ was a U.S. Top Ten hit, propelling the album to No. 5 on the U.S. Billboard chart, and the first single ā€œRough Boys,ā€ which was dedicated to Pete’s children and The Sex Pistols, was a U.K. top 40 hit. The album was well received at the time, with some critics even referring to it as a Who album that never was.

PETE TOWNSHEND ROUGH MIX – HALF SPEED MASTERED VINYL TRACK LIST

SIDE 1
My Baby Gives It Away
Nowhere To Run
Rough Mix
Annie
Keep Me Turning
Catmelody

SIDE 2
Misunderstood
April Fool
Street In The City
Heart To Hang Onto
Till The Rivers Run Dry

PETE TOWNSHEND EMPTY GLASS – HALF SPEED MASTERED VINYL TRACK LIST

SIDE 1
Rough Boys
I Am An Animal
And I Moved
Let my Love Open The Door
Jools And Jim

SIDE 2
Keep On Working
Cat’s In The Cupboard
A Little Is Enough
Empty Glass
Gonna Get Ya

Ed Sheeran Shows on His Guitar How He Won His Copyright Lawsuit

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Ed Sheeran talks about what he played for the jury in his copyright infringement trial and how he would have quit music if he had lost the case.

Talking Heads “Stop Making Sense” To Be Released As Limited Edtion 2-LP Set And Digitally With Two Previously Unreleased Songs On August 18

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Talking Heads joined forces with director Jonathan Demme for the groundbreaking concert film Stop Making Sense. To celebrate the 40th anniversary of the concerts filmed for Stop Making Sense, a newly restored 4K version of the film will return to theaters for a global theatrical run with A24.

Rhino will also release a deluxe version of the soundtrack that will now include the complete Stop Making Sense concert for the first time. STOP MAKING SENSE (DELUXE EDITION) will be available on August 18 as a limited edition, 2-LP set ($39.98) and digitally along with a Dolby Atmos mix of the complete concert, mixed by Jerry Harrison and E.T. Thorngren, who also mixed the original release.

Both versions will feature every song performed in the film, including two that have never been released – ā€œCitiesā€ and ā€œBig Business / I Zimbra.ā€ The limited edition vinyl version features a 28-page booklet with previously unpublished photos along with new liner notes from all four band members –Tina Weymouth, David Byrne, Chris Frantz, and Jerry Harrison

The inspiration for Stop Making Sense came when director Jonathan Demme saw Talking Heads perform during the band’s 1983 tour for Speaking in Tongues. Afterward, he approached them with the idea of making the show into a concert film. They agreed and worked together over the next few months to finalize the details. Ultimately, Demme filmed three shows at Hollywood’s Pantages Theater in December 1983 to create Stop Making Sense.

The concert film presents a retrospective of the band up to that point, with a performance that weaves together songs from all six of its studio albums. The show progresses methodically, opening with Byrne onstage performing ā€œPsycho Killerā€ alone with a drum machine. After each song, he’s joined by a new band member until Weymouth, Frantz, and Harrison are all on stage with him. The group continues to grow throughout the concert as members of the stellar touring band are added: keyboardist Bernie Worrell, percussionist Steve Scales, guitarist Alex Weir, and back-up singers Lynn Mabry and Ednah Holt.

The band performs 18 songs in Stop Making Sense, including its recent single at the time, ā€œBurning Down The House.ā€ That summer, the song was in heavy rotation on radio and MTV, helping the song become the band’s first top 10 hit in America. It was, however, a different song from Speaking in Tongues that was destined to deliver one of the film’s signature moments. Byrne would perform ā€œGirlfriend Is Betterā€ wearing his now iconic, oversized business suit inspired by costumes worn in traditional Japanese theater. For good measure, a picture of him in the suit also graces the album cover.

Stop Making Sense focuses mainly on music by Talking Heads but does include a few songs recorded outside the band: ā€œGenius Of Loveā€ by Tom Tom Club, Weymouth and Frantz’s side-project, and ā€œWhat A Day That Wasā€ and ā€œBig Businessā€ from Byrne’s 1981 album, The Catherine Wheel. Limited edition vinyl versions of both of these albums, along with Harrison’s The Red And The Black, will be available for this year’s Record Store Day on April 21.

Stop Making Sense was an artistic and commercial triumph when it arrived in September 1984. The film had people dancing in theatre aisles while the soundtrack sold over two million copies. Just last year, the Library of Congress added Stop Making Sense to the National Film Registry in recognition of its cultural, historical, and aesthetic significance.

In the STOP MAKING SENSE (DELUXE EDITION) liner notes, the four band members share their thoughts and memories of the project.

Weymouth praises Demme as a collaborator: ā€œā€¦Jonathan was a very enthusiastic, highly adaptive, and imaginative guy who was just as good a listener as he was a talker and collaborator. From the get-go you just got the impression he was as flexible as he was disciplined. Being team players, that boded well for a great relationship and a great film!ā€

Harrison says the film still holds up today: ā€œTo me, Stop Making Sense has remained relevant because the staging and lighting techniques could have been created in a much earlier time period. For example, Vari-Lights, lights with motors to re-aim them, had just come into vogue. Had we used them, there would have been a timestamp on the film, and it eventually would have felt dated…The absence of interviews, combined with the elegant and timeless lighting, created a film that can be watched over and over.ā€

Byrne says it’s interesting that this album was – for many people – an introduction to Talking Heads. ā€œWe had done a live album before this, but coupled with the film, and with the improved mixes and sound quality, this record reached a whole new audience. As often happens, the songs got an added energy when we performed them live and were inspired by having an audience. In many ways, these versions are more exciting than the studio recordings, so maybe that’s why a lot of folks discovered us via this record.ā€

Frantz recalls the sheer joy surrounding the entire Stop Making Sense experience. ā€œI’m talking about real, conscious, transcendent joy… I’m talking about what the Southern gospel people call ā€˜getting happy,’ which means ā€˜to be filled with the Spirit.’ That is what happened to us onstage every night, and from my seat behind the drums, I recognized that this was happening to the audience too. Joy was visible in front of me and all around me every night.ā€

STOP MAKING SENSE (DELUXE EDITION)

Limited Edition 2-LP Track Listing

Side One

ā€œPsycho Killerā€
ā€œHeavenā€
ā€œThank You For Sending Me An Angel’
ā€œFound A Jobā€
ā€œSlippery Peopleā€
ā€œCitiesā€ *

Side Two

ā€œBurning Down The Houseā€
ā€œLife During Wartimeā€
ā€œMaking Flippy Floppyā€
ā€œSwampā€

Side Three

ā€œWhat a Day That Wasā€
ā€œThis Must Be The Place (Naive Melody)ā€
ā€œOnce In A Lifetimeā€
ā€œBig Business / I Zimbraā€ *

Side Four

ā€œGenius Of Loveā€
ā€œGirlfriend Is Betterā€
ā€œTake Me To The Riverā€
ā€œCrosseyed And Painlessā€
* Previously Unreleased

Otis Forever: The Albums & Singles (1968-1970) 6-LP Box Set To Be Released June 9, 2023

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Otis Redding’s reign as the King of Soul was cut short more than 55 years ago when the Georgia-born singer-songwriter perished in a plane crash en route to play a show. The Big O was gone too soon, but generations of fans still cherish the musical legacy he left behind.

Rhino brings all four of Redding’s posthumous records together for a new vinyl boxed set that includes mono versions of 24 singles from the albums. Limited to 1,000 copies, OTIS FOREVER: THE ALBUMS & SINGLES (1968-1970) will be available on June 9 as a 6-LP set on multi-color vinyl for $149.98. The albums are each pressed on different colors: The Dock of the Bay (yellow), The Immortal Otis Redding (silver), Love Man (green), Tell the Truth (blue), and The Singles 1968-1970 (yellow). The set will also be available as a 6-LP black vinyl retail exclusive for $124.98.

The Singles 1968-1970 is a double album exclusive to the set in a gatefold sleeve illustrated with the 7ā€ labels from all 24 singles. Mono mixes are used for every track, including gems like ā€œThe Happy Song (Dum-Dum)ā€ and ā€œHard To Handle.ā€

Between 1962 and 1967, Redding was a creative dynamo, recording frequently at Stax Records with Booker T. & The MG’s – keyboardist Booker T. Jones, guitarist Steve Cropper, bassist Donald ā€œDuckā€ Dunn, and drummer Al Jackson Jr. During his lifetime, Redding released six studio albums and a succession of R&B and Top 40 hits (ā€œThese Arms Of Mine,ā€ ā€œRespect,ā€ ā€œTry A Little Tendernessā€) that helped transform Stax from a small Memphis record label into a global musical institution.

When Redding died in December 1967, he’d recorded enough music to fill several albums. The first song from that trove arrived shortly after his death when ā€œ(Sittin’ On) The Dock Of The Bayā€ was released in January 1968. Recorded during his final days, it became Redding’s signature song, biggest hit, and first pop chart-topper.

The song was the title track for the first of Redding’s four posthumous studio albums: The Dock of the Bay (1968), The Immortal Otis Redding (1968), Love Man (1969), and Tell the Truth (1970). The albums sustained Redding’s streak of hits, introducing singles like ā€œLook At That Girl,ā€ ā€œLove Man,ā€ ā€œI’ve Got Dreams To Remember,ā€ and ā€œAmen.ā€

The OTIS FOREVER: THE ALBUMS & SINGLES (1968-1970) opens with The Dock of the Bay, a #1 album in the U.S. and U.K. The album’s title track made history in America as the first posthumous #1 single on the Billboard Hot 100 chart. Through the years, the song has accumulated a multitude of awards and achievements, including over four million copies sold worldwide; two GrammyĀ® Awards (Best R&B Song and Best Male R&B Vocal Performance); and ranked #38 on Rolling Stone’s list of the 500 Greatest Songs of All Time.

Redding’s legacy has only grown since his 1962 Stax debut with ā€œThese Arms Of Mine.ā€ He’s been inducted into the halls of fame for Rock and Roll, Rhythm and Blues, Songwriters, and Georgia Music. Decades after his passing, Redding’s music has continued to be recognized with a GrammyĀ® Lifetime Achievement Award (1999), and three of Redding’s songs have been inducted into the GrammyĀ® Hall of Fame: ā€œRespectā€ (1998), ā€œI’ve Been Loving You Too Longā€ (2011), and ā€œTry A Little Tendernessā€ (2015)

OTIS FOREVER: THE ALBUMS & SINGLES (1968-1970)

Vinyl Track Listing

The Dock of the Bay (1968)

Side One

ā€œ(Sittin’ On) The Dock Of The Bayā€
ā€œI Love You More Than Words Can Sayā€
ā€œLet Me Come On Homeā€
ā€œOpen The Doorā€
ā€œDon’t Mess With Cupidā€

Side Two

ā€œThe Glory Of Loveā€
ā€œI’m Coming Homeā€
ā€œTrampā€ – Otis Redding & Carla Thomas
ā€œThe Huckle-Buckā€
ā€œNobody Knows You (When You’re Down And Out)ā€
ā€œOle Man Troubleā€

The Immortal Otis Redding (1968)

Side One

ā€œI’ve Got Dreams To Rememberā€
ā€œYou Made A Man Out Of Meā€
ā€œNobody’s Fault But Mineā€
ā€œHard To Handleā€
ā€œThousand Miles Awayā€
ā€œThe Happy Song (Dum-Dum-De-De-De-Dum-Dum)ā€

Side Two

ā€œThink About Itā€
ā€œA Waste Of Timeā€
ā€œChampagne And Wineā€
ā€œFool For Youā€
ā€œAmenā€

Love Man (1969)

Side One

ā€œI’m A Changed Manā€
ā€œ(Your Love Has Lifted Me) Higher And Higherā€
ā€œThat’s A Good Ideaā€
ā€œI’ll Let Nothing Separate Usā€
ā€œDirect Meā€
ā€œLove Manā€

Side Two

ā€œGroovin’ Timeā€
ā€œYour Feeling Is Mineā€
ā€œGot To Get Myself Togetherā€
ā€œFree Meā€
ā€œA Lover’s Questionā€
ā€œLook At That Girlā€

Tell The Truth (1970)

Side One

ā€œDemonstrationā€
ā€œTell The Truthā€
ā€œOut Of Sightā€
ā€œGive Away None Of My Loveā€
ā€œWholesale Loveā€
ā€œI Got The Willā€

Side Two

ā€œJohnny’s Heartbreakā€
ā€œSnatch A Little Pieceā€
ā€œSlippin’ And Slidinā€™ā€
ā€œThe Match Gameā€
ā€œA Little Timeā€
ā€œSwingin’ On A Stringā€

The Singles: 1968-1970

Side One

ā€œ(Sittin’ On) The Dock Of The Bayā€
ā€œSweet Loreneā€
ā€œThe Happy Song (Dum-Dum)ā€
ā€œOpen The Doorā€
ā€œHard To Handleā€
ā€œAmenā€

Side Two

ā€œI’ve Got Dreams To Rememberā€
ā€œNobody’s Fault But Mineā€
ā€œWhite Christmasā€
ā€œMerry Christmas, Babyā€
ā€œPapa’s Got A Brand New Bagā€
ā€œDirect Meā€

Side Three

ā€œA Lover’s Questionā€
ā€œYou Made A Man Out Of Meā€
ā€œLove Manā€
ā€œCan’t Turn You Looseā€
ā€œFree Meā€
ā€œ(Your Love Has Lifted Me) Higher & Higherā€
ā€ƒ

Side Four

ā€œLook At That Girlā€
ā€œThat’s A Good Ideaā€
ā€œDemonstrationā€
ā€œJohnny’s Heartbreakā€
ā€œGive Away None Of My Loveā€
ā€œSnatch A Little Pieceā€

Joni Mitchell AT NEWPORT Live Album To Be Released June 10, 2023

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Joni Mitchell stunned the Newport Folk Festival audience last summer when she gave a surprise performance – her first in 20 years – delivering a heartfelt set filled with some of her greatest songs.

Mitchell’s triumphant return to the stage on July 24, 2022, will be featured on a new live album from Rhino, AT NEWPORT, available on July 28, 2023 on CD and 2-LP black vinyl. Produced by close collaborator Brandi Carlile, along with Mitchell, the music will also be released the same day on digital and streaming services and Dolby Atmos. Mitchell’s Newport performance of her classic song ā€œBoth Sides Nowā€ is available today digitally.

Mitchell was joined on stage at the Newport Folk Festival by a star-studded band led by Carlile, the 9x GRAMMYĀ®-winning singer/songwriter. Other performers included Carlile’s bandmates Phil and Tim Hanseroth, Wynonna Judd, Marcus Mumford, Celisse, Jess Wolfe and Holly Laessig of Lucius, Taylor Goldsmith of Dawes, and more.

Mitchell delighted the audience, blending her voice with the other singers on stage on classics like ā€œBig Yellow Taxi,ā€ ā€œA Case Of You,ā€ and ā€œBoth Sides Now.ā€ For good measure, she even flashed her guitar prowess, playing a solo instrumental version of ā€œJust Like This Train.ā€

In his liner notes for AT NEWPORT, Cameron Crowe writes about Mitchell’s arduous and miraculous recovery from a life-threatening brain aneurysm in 2015, that led to her emotional return at Newport.

ā€œMitchell emerged from the side of the stage, swaying smoothly, in fine summer-style with beret and sunglasses. Her good-natured mood instantly set the tone. This performance would be an intimate gathering of friends, not unlike the Joni Jams she’d been hosting in her own living room over the last few years of recovery. Smiling broadly, Mitchell made her surprise appearance, taking her on-stage seat alongside Carlile. Within minutes, the news had rocketed around the globe. Mitchell was back, sparkling with enthusiasm, delivering a tender and passionate set of 13 songs, ending with a joyful sing-along of ā€˜The Circle Game.ā€™ā€

On June 10, 2023, Mitchell will headline a once-in-a-lifetime ā€œJoni Jamā€ at the Gorge Amphitheater in Quincy, Washington, with special guest Brandi Carlile. Mitchell’s first ticketed show in 20 years, the concert sold-out immediately when it was announced last fall.

Mitchell’s ongoing return to the public eye continued in March when she was awarded the Library of Congress Gershwin Prize for Popular Song at an all-star tribute concert in Washington, D.C. The show featured performances by James Taylor, Graham Nash, Annie Lennox, Herbie Hancock, Cyndi Lauper, Angelique Kidjo, Ledisi, and Diana Krall, along with several artists from the Newport concert, including Carlile. The concert – ā€œJoni Mitchell: The Library of Congress Gershwin Prize for Popular Songā€ – was broadcast on PBS stations on Friday, March 31.

AT NEWPORT
CD Track Listing

1. Introduction by Brandi Carlile
2. ā€œBig Yellow Taxiā€
3. ā€œA Case Of Youā€
4. ā€œAmeliaā€
5. ā€œBoth Sides Nowā€
6. ā€œJust Like This Trainā€
7. ā€œSummertimeā€
8. ā€œCareyā€
9. ā€œHelp Meā€ – Celisse
10. ā€œCome In From The Coldā€
11. ā€œShineā€
12. ā€œThe Circle Gameā€

AT NEWPORT
2-LP Track Listing

Side One
1. Introduction by Brandi Carlile2. ā€œBig Yellow Taxiā€
3. ā€œA Case Of Youā€
4. ā€œAmeliaā€

Side Two
1. ā€œBoth Sides Nowā€
2. ā€œJust Like This Trainā€
3. ā€œSummertimeā€

Side Three
1. ā€œCareyā€
2. ā€œHelp Meā€
3. ā€œCome In From The Coldā€

Side Four
1. ā€œShineā€
2. ā€œThe Circle Gameā€

Janelle MonĆ”e Announces Hugely Anticipated New Album “The Age Of Pleasure”

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Janelle MonĆ”e, music’s foremost freeassmuthafucka (her words), has shared her scintillating new single, ā€œLipstick Lover,ā€ available now via Wondaland Arts Society/Atlantic Records. An official emotion picture, directed by Janelle MonĆ”e and Alan Ferguson, premieres today on YouTube.

Arriving on the heels of her showstopping Met Gala appearance, ā€œLipstick Loverā€ heralds the arrival of MonĆ”e’s hugely anticipated new album, THE AGE OF PLEASURE, due out June 9th. Pre-orders/pre-saves – including limited edition vinyl – are available now HERE.

THE AGE OF PLEASURE also includes the acclaimed new single, ā€œFloat (Feat. Seun Kuti + Egypt 80).ā€ Hailed by Pitchfork as ā€œswaggering, brass-heavy…the sound of a top-tier talent doing a little victory dance,ā€ the track is joined by an official dance video streaming on YouTube HERE.

To celebrate the launch of this new era, MonĆ”e graced the March cover of EBONY Magazine, which stated, ā€œthe singer-songwriter returns to music as their fullest self…we’re perhaps witnessing the queerest, and by association, the Blackest, of MonĆ”e’s eras yetā€¦ā€

ā€œFloatā€ – which MonĆ”e initially teased on her hugely popular Instagram – was first heard late last year as the official anthem of ABC/ESPN’s NBA Saturday Primetime campaign, with Janelle contributing voiceover narration to promo spots highlighting the biggest matchups and stars in the league. The track was used extensively throughout all NBA coverage through mid-March, spanning promos, Primetime matchups, in-game placement, social media, and more. In addition, ā€œFloatā€ was featured in an animated piece marking Los Angeles Lakers superstar LeBron James surpassing Kareem Abdul-Jabbar for the #1 spot on the NBA’s all-time regular-season scoring list, shared across ESPN’s socials and James’ Instagram to reach more than 275M combined followers.

Janelle MonÔe is without question one of the most celebrated artists of the modern era, an 8x GRAMMY® Award-nominated singer, songwriter, producer, performer, and fashion icon known worldwide for her inimitable style and visionary sound. With multiple celebrated albums, THE ARCHANDROID (2010), THE ELECTRIC LADY (2013), and DIRTY COMPUTER (2018), numerous critically-acclaimed theatrical and television performances, and her unwavering activism for social justice and the LGBTQIA+ community, MonÔe continues to be one of the most compelling and important artists of this generation.