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Kodak Black Drops ‘Just Getting Started’ Album and Celebrates With Two Florida Arena Blowouts

Eric Alper
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Kodak Black Drops ‘Just Getting Started’ Album and Celebrates With Two Florida Arena Blowouts

South Florida rap star Kodak Black has unleashed his eighth studio album, Just Getting Started, out now via Vulture Love / Capitol Records. Blending trap soul with reflection and raw honesty, the 20-track project boasts a sleek sound, thoughtful storytelling, and features from Chance the Rapper, Don Toliver, Gunna, Lil Yachty, and Pharrell Williams. It’s Kodak at his most open, evolving, and self-assured.

To celebrate, Kodak is hosting two massive Halloween arena shows in Florida — the Bill Kill Halloween Concerts. On October 31, he headlines Tampa’s Yuengling Center with Skrilla, Real Boston Richey, Hotboii, and BLP Kosher. The following night, November 1, he performs at Fort Lauderdale’s FTL War Memorial alongside Sexyy Redd, Rob49, YTB Fatt, YKNIECE, 1900Rugrat, and KOSHER. These performances mark a new milestone in Kodak’s journey, blending community, spectacle, and celebration.

At the emotional core of the album lies “Time to Be Free,” a track where Kodak lays bare his growth: “I’m happy I got another chance at life to be perfect / I’m open to new methods and to finding new purpose.” Balancing raw trap energy with introspective depth, Just Getting Started features bangers like “Imma Shoot” and “Still Get Chanel,” praised by Billboard and VIBE for its blend of humor and vulnerability.

Kodak’s creative fire hasn’t cooled for a second. Between his viral RapTV Freestyle, collaborations with DJ E Money, Ne-Yo, Ty Dolla $ign, YG, and Marques Houston, and over 25 billion streams, he remains one of the most dynamic voices in hip-hop. Deeply rooted in his Florida community, Kodak continues to give back through rent relief, his annual Thanksgiving Turkey Drive, and donations that uplift the 1800 block he came from.

Just Getting Started is more than an album — it’s a declaration. Kodak is focused, grounded, and still hungry. The message couldn’t be clearer: he’s only getting started.

Tour Dates:
Bill Kill Halloween Concerts

  • Oct 31 – Tampa, FL – Yuengling Center w/ Skrilla, Real Boston Richey, Hotboii, BLP Kosher
  • Nov 1 – Fort Lauderdale, FL – FTL War Memorial w/ Sexyy Redd, Rob49, YTB Fatt, YKNIECE, 1900Rugrat, KOSHER

Track Listing:

  1. Project Blue
  2. Still Get Chanel (feat. Chance the Rapper)
  3. No Flaggin
  4. Mumble Rap (feat. Pharrell Williams)
  5. All Black Rolex
  6. Endless Nights (feat. Gunna)
  7. Really Liv’n
  8. YMCA
  9. Shootin Craps (feat. Lil Yachty)
  10. Imma Shoot
  11. Who You Seeing Tonight (feat. Don Toliver)
  12. Calculated Steppin
  13. Jungle Fever
  14. Time to Be Free
  15. Prison Deform
  16. The Better
  17. Yes Indeed (feat. TTO K.T. & Reign)
  18. Savage Compassion
  19. Keys to the City (Extended)
  20. All Love

Rap Superstar Offset Drops Surprise Halloween Album ‘Haunted By Fame’ Featuring YoungBoy, NoCap, and Lil Dump

Eric Alper
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Rap Superstar Offset Drops Surprise Halloween Album ‘Haunted By Fame’ Featuring YoungBoy, NoCap, and Lil Dump

Two months after the acclaimed ‘KIARI,’ Offset crashes Halloween with a surprise drop: ‘Haunted By Fame.’ Cut during his U.S. arena run, the album hits like a live wire, packing 11 urgent tracks and on-tour chemistry with YoungBoy Never Broke Again, NoCap, and Lil Dump. It is the sound of a superstar working at full sprint and refusing to ease off the gas.

The opener detonates the mood and the momentum never dips. Across the set, Offset toggles between snarling cadences and melodic pockets while the beats snap and boom. Trunk-rattling drums, woozy keys, and rubbery bass lines frame his flexes and reflections, turning arena energy into tape. You can feel the miles, the backstage adrenaline, and the crowd roar baked into every hook.

There is contrast and color too. A folk-tinged pivot with NoCap widens the palette without softening the edge, while a bouncing team-up with Lil Dump restores the throttle. Sequenced for zero dead air, ‘Haunted By Fame’ moves like a show setlist, building toward a cold-blooded closer that leaves the lights buzzing after the last note.

Behind the boards, a hard-hitting squad including London Jae, Pooh Beatz, Go Grizzly, Mally Mall, and Kaigoingcrazy sculpts a cinematic backdrop fit for arenas. Coming on the heels of ‘KIARI’ and its blitz of standout moments, this surprise set plays like a gift to fans and a reminder: Offset is in rare form, expanding his range without losing his bite.

Tour Dates
MASA Tour w/ Young Boy Never Broke Again
Nov 1 – Oklahoma City, OK @ Paycom Center
Nov 5 – Anaheim, CA @ Honda Center
Nov 6 – Glendale, CA @ Desert Diamond Arena
Nov 7 – San Diego, CA @ Viejas Arena
Nov 9 – Las Vegas, NV @ T-Mobile Arena
Nov 11 – Portland, OR @ Moda Center
Nov 12 – Seattle, CA @ Climate Pledge Arena

Canadian Folk Country Artist Bobby Scongack Wears His Heart Proudly With Debut Single “Heart On My Sleeve”

Eric Alper
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Canadian Folk Country Artist Bobby Scongack Wears His Heart Proudly With Debut Single “Heart On My Sleeve”

Canadian singer-songwriter Bobby Scongack steps onto the scene with his heartfelt debut single, “Heart On My Sleeve” — an honest, rootsy blend of country, folk, and southern rock that radiates warmth and sincerity. The track captures the sound of real life — hardworking, reflective, and full of heart — establishing Scongack as a voice worth listening to in today’s singer-songwriter landscape.

“This song just came out of nowhere,” Scongack shares. “I wrote it after a tough day of work and knew I had to get to the studio. It’s been my catalyst into songwriting and fell into place with a little help from my producer Aaron Goldstein.” That sense of urgency and authenticity pulses through every chord, making the song feel lived-in and honest from the first note.

At its core, “Heart On My Sleeve” is about staying true to yourself when the world pushes back. Scongack’s lyrics — “Like the leaves, my thoughts change their colours / And the wind blows them away” — capture the beauty of impermanence and the courage of openness. It’s the kind of songwriting that connects deeply, where simple imagery becomes emotional truth.

The heart of the track lies in its defining lyric: “I wear my heart on my sleeve, for everyone to read.” It’s more than a hook — it’s a mission statement. With his raw, unfiltered delivery and humble roots, Scongack crafts music that speaks to resilience, honesty, and the small moments that shape us.

With its soulful tone and relatable message, “Heart On My Sleeve” is the perfect introduction to an artist who isn’t afraid to be vulnerable. For anyone who’s had a rough day and kept pushing forward, Bobby Scongack’s debut is a reminder that strength comes from wearing your heart where everyone can see it.

Country Titan Morgan Wallen Announces Massive 2026 Still The Problem Stadium Tour

Eric Alper
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Country Titan Morgan Wallen Announces Massive 2026 Still The Problem Stadium Tour

Morgan Wallen is hitting the road again with the Still The Problem Tour 2026, an 11-city, 21-date stadium takeover that cements his place as country music’s biggest touring force. Produced by AEG Presents (with Live Nation handling the Tuscaloosa stop), the trek kicks off April 10 in Minneapolis with back-to-back nights at U.S. Bank Stadium. Fans can register for pre-sale access now through Nov. 6 at StillTheProblem.com, with general on-sale beginning Nov. 7.

The tour takes Wallen across major cities and some of the most iconic stadiums in North America, including Florida’s Ben Hill Griffin Stadium, Michigan Stadium, and Alabama’s Saban Field at Bryant-Denny Stadium. Most stops will feature double-night shows, offering fans more chances to catch the country superstar’s explosive live energy.

Joining Wallen on the road is a rotating lineup of country heavyweights and rising stars, including Brooks & Dunn, HARDY, Ella Langley, Thomas Rhett, and second and first-of-four acts like Gavin Adcock, Flatland Cavalry, Hudson Westbrook, Jason Scott & The High Heat, Zach John King, Vincent Mason, and Blake Whiten. Every stop promises a unique blend of hitmakers and new voices, making each show a distinct experience.

The tour follows the runaway success of Wallen’s fourth studio album, I’m The Problem, released via Big Loud/Mercury Records. The record dominated the Billboard 200 for 12 non-consecutive weeks, spent 13 weeks atop the Billboard Canadian Albums chart, and even made Wallen the first artist in history with three consecutive albums spending at least 10 weeks at #1. The global momentum continued overseas, debuting at #1 in seven countries, including the UK and Australia, where his Tate McRae collaboration “What I Want” reigned for five weeks on the Country Airplay chart.

Beyond the stage, the tour will once again benefit the Morgan Wallen Foundation, which supports youth programs in music and sports. In 2025, the foundation donated more than $600,000 in instruments to schools across the U.S. and contributed $30,000 to the Toronto Blue Jays’ Jays Care RBI program.

With stadiums ready to roar, Wallen’s Still The Problem Tour promises a summer of massive singalongs, heart-thumping energy, and record-setting crowds. One thing’s clear: country’s biggest show is about to get even bigger.

Pop Powerhouse Sophie Powers Spins Strength From Struggle With Explosive New Single “spiderwebs”

Eric Alper
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Pop Powerhouse Sophie Powers Spins Strength From Struggle With Explosive New Single “spiderwebs”

Los Angeles-based pop disruptor Sophie Powers is back with “spiderwebs” — a raw, emotional deep dive into the pain of abuse and the power of breaking free. The 21-year-old singer, songwriter, and fashion visionary continues her streak of fierce, genre-blending anthems, this time spinning vulnerability into liberation. The dark-pop-laced single follows her recent release “muddy,” expanding her sonic world with hypnotic grit and a message that’s both haunting and healing.

“Years of abuse don’t happen overnight. They creep in slowly, built through lies, control, and manipulation until you no longer recognize yourself,” Sophie says. “‘spiderwebs’ is about being a victim of that kind of abuse. For years, I was trapped in a toxic relationship, caught in a web that only got tighter the more I tried to escape.” The single’s chorus — “I’m trapped in spiderwebs made from things you said and promised” — captures that suffocating reality with heartbreaking clarity.

The track’s companion video brings Sophie’s words to life, showing her literally ensnared in a web before tearing herself free — a powerful symbol of transformation. “Because abuse doesn’t just wound you, it consumes and destroys everything around you. This song is my way of breaking that cycle,” she adds. “I want anyone who has ever felt the weight of abuse to know they are not alone. The darkness doesn’t last forever. You can break free. You can transform. You are a butterfly.”

Already a global creative force, Sophie has racked up over 80 million streams, toured with YUNGBLUD and Waterparks, collaborated with icons like Grimes and Dillon Francis, and designed collections with Harajuku fashion labels ACDC RAG and Gloomy Bear. Her songwriting has also reached the K-pop world, co-writing “Reality Hurts” for NMIXX and performing alongside ILLIT at Seoul’s One Universe Festival.

Now, with “spiderwebs” out and a third EP on the way, Sophie Powers is leading a new generation of pop with fearless honesty. She’s not just singing about pain — she’s rewriting it into power.

Belgium’s Serpents Oath Summon Darkness With “Gateways to Tiamat” — A Ritual of Pure Black Metal Fury

Eric Alper
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Belgium’s Serpents Oath Summon Darkness With “Gateways to Tiamat” — A Ritual of Pure Black Metal Fury

Belgium’s black metal force Serpents Oath have thrown open the gates to chaos once more with their venomous new lyric video, “Gateways to Tiamat.” Released via Odium Records, the track channels the band’s trademark blend of ritualistic energy and punishing precision, delivering an immersive experience tailor-made for fans of Watain, Dark Funeral, and Dissection.

Born from Belgium’s underground, Serpents Oath began as a trinity of extreme metal adepts bonded by a vision of chaos and transformation. Their debut Nihil (2020) laid the foundation, Ascension (2022) pushed their sound into even darker territory, and now Revelation (2024) cements their place among black metal’s most vital new voices. “Gateways to Tiamat” serves as both the album’s infernal centerpiece and a hymn to the serpent that devours and renews all creation.

Produced and mastered by Yarne Heylen at Project Zero Studio, the song crackles with menace and mysticism. Frontman Tes Re Oth explains, “The vision behind the band is one of transformation. This shines through first and foremost in the lyrics and is carried through in the cover art and other visuals. The transformation is that of an individual striving to become transhuman with the ultimate goal of beating even Death. This is the ultimate rebellion as even Death is not accepted as a given.”

Visually, the lyric video is a stunning fusion of art and ritual. Featuring artwork by Néstor Avalos, it merges word, sound, and symbol into a single overwhelming invocation. The message is clear: “Live by the rule of Fang and Claw, Survival is the highest Law.” Serpents Oath are not merely performing music — they’re opening portals.

With Revelation now unleashed, Serpents Oath invite listeners to enter the void and embrace transformation. “Gateways to Tiamat” is more than a song — it’s an initiation into the next chapter of black metal’s evolution.

Indie Folk Duo THE 456 Bridge Hearts and Borders With Soul-Stirring EP ‘Life On The Head Of A Pin’

Eric Alper
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Indie Folk Duo THE 456 Bridge Hearts and Borders With Soul-Stirring EP ‘Life On The Head Of A Pin’

New York meets Hamilton, and heartache meets healing, in the new EP ‘Life On The Head Of A Pin’ from THE 456 — the mesmerizing indie folk duo of Grammy and Emmy-nominated composer David Wolfert and Canadian singer-songwriter Natasha Alexandra (NLX). Released today, this five-song project moves like a musical diary of heartbreak, resilience, and rediscovery, balancing raw emotion with intricate craftsmanship.

Fifteen years after first crossing paths at The Living Room in Manhattan, Wolfert and Alexandra continue to bridge THE 456 miles that separate them with a collaboration rooted in honesty and creative chemistry. Their process is both intimate and expansive — a long-distance exchange of emotion and sound that transforms vulnerability into connection. Wolfert brings decades of experience writing for icons like Whitney Houston and Dolly Parton, while Alexandra channels her signature openness into every lyric, letting listeners see themselves in the ache and light of her voice.

“The wonderful thing about writing from the heart is once you get over feeling too vulnerable, you begin to realize how many of us are balancing Life On The Head Of A Pin,” Alexandra says. “It’s when we share our own truth that we create connections and bridges to a kinder, more grounded place.” That spirit of empathy pulses through every track, from the grounding calm of ‘GROUND’ to the confessional heat of ‘HONEST’ and the bittersweet close of ‘SAD SONG.’

Recorded in Wolfert’s New York studio, the EP features haunting performances from world-renowned cellist Dave Eggar — known for his work with Paul Simon and Coldplay — whose string arrangements lift the songs to cinematic heights. Together, Wolfert and Alexandra craft soundscapes that feel both vast and deeply personal, merging folk intimacy with orchestral warmth.

Fans can experience the duo live at their EP release show on November 6 at Pete’s Candy Store in Brooklyn, where THE 456 will bring their cross-border connection to the stage. With ‘Life On The Head Of A Pin,’ THE 456 remind us that even in heartbreak, there’s harmony — and that sometimes, the most fragile balance creates the most beautiful art.

Brooklyn Hip-Hop Powerhouse Lola Brooke Drops Fierce Halloween Fire With “Get Money”

Eric Alper
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Brooklyn Hip-Hop Powerhouse Lola Brooke Drops Fierce Halloween Fire With “Get Money”

Brooklyn’s own Lola Brooke just turned Halloween into a full-blown hip-hop celebration with her new single “Get Money.” The track radiates pure confidence and drive, giving fans a taste of what’s coming with her next EP, ‘iight bet!,’ arriving November 14. Every bar hits like a bolt of adrenaline, as Lola channels the hunger, focus, and power that define her unstoppable rise.

“Get Money” is a get-up-and-go anthem made for anyone chasing success. It’s both a mindset and a motion — a lyrical workout that makes listeners want to hustle harder and shine brighter. The track’s no-nonsense message embodies the spirit of ‘iight bet!’ — say less, do more, and let the results speak for themselves. In the visualizer released alongside the song, Lola flexes her confidence and charisma, performing her own stunts like a true Brooklyn boss.

This latest drop follows her high-energy single “WASSUP WIT IT,” and together, they show how Lola is crafting her own lane — raw, unfiltered, and powerful. With ‘iight bet!’ only weeks away, anticipation is building for what promises to be her boldest, most dynamic project yet. It’s a five-track statement of grit, creativity, and Brooklyn brilliance.

The critical acclaim keeps pouring in — British Vogue hailed her unique lane, Billboard praised her fresh energy, and Rolling Stone, Forbes, and HypeBae have all celebrated her as one of hip-hop’s brightest rising stars. But beyond the praise, Lola Brooke’s success story reflects years of hustle, late nights, and fearless performances from New York to Europe. From her breakout hit “Don’t Play With It” to platinum plaques and festival main stages, Lola Brooke’s name is now synonymous with determination and dominance.

As the lights of Brooklyn shine a little brighter this Halloween, Lola’s latest single is more than a song — it’s a celebration of power, purpose, and pure fire. ‘Get Money’ isn’t just about cash — it’s about confidence, clarity, and claiming your moment.

What Makes a Great Halloween Song

Eric Alper
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What Makes a Great Halloween Song

Every October, something magical happens. The air gets colder, pumpkins glow brighter, and suddenly even the happiest songs sound a little haunted. But what really makes a Halloween song great? It’s more than just ghosts and ghouls – it’s the perfect mix of spooky, silly, and irresistible rhythm.

1. It’s Got to Make You Move (Even If You’re a Mummy)
The best Halloween songs aren’t just creepy – they make you dance. Take Michael Jackson’s “Thriller.” Those zombie grooves, that bassline, the Vincent Price laugh – it’s impossible to stay still. Or “Monster Mash,” where Bobby “Boris” Pickett invites the undead to get down. If your skeleton doesn’t shimmy, it’s not spooky enough.

2. It’s All About That Eerie Vibe
From the fog-filled organ in Blue Öyster Cult’s “(Don’t Fear) The Reaper” to the shrieking guitars of The Edgar Winter Group’s “Frankenstein,” a great Halloween track feels haunted. Even a love song can turn ghostly when the lights go low – just ask Santana’s “Black Magic Woman.”

3. A Touch of the Supernatural Never Hurts
Devils, witches, and ghosts have always been top of the charts come October. The Eagles’ “Witchy Woman” casts a smooth, sultry spell, while AC/DC’s “Highway to Hell” takes us straight to the underworld in the loudest way possible. Bonus points if your song makes listeners check behind them.

4. Catchy Enough to Rise from the Dead Every Year
Some songs never die – and that’s the point. “Ghostbusters” by Ray Parker Jr. has been saving Halloween parties since 1984. “Somebody’s Watching Me” by Rockwell gives you paranoia you actually want. A great Halloween song is timeless – like a vampire with a disco ball.

5. It Mixes Fear with Fun
The perfect balance between fright and delight is key. “Time Warp” from The Rocky Horror Picture Show is both spooky and joyful. “Heads Will Roll” by Yeah Yeah Yeahs turns decapitation into a dance anthem. The best Halloween songs make you grin while you scream.

6. It Tells a Story You’ll Never Forget
Cher’s “Dark Lady” tells of tarot cards, betrayal, and revenge – and it’s impossible not to sing along. The Charlie Daniels Band’s “The Devil Went Down to Georgia” gives us a fiddle fight for a soul. A great Halloween song doesn’t just sound scary – it shows you the horror movie in your head.

The Final Trick (or Treat)
A great Halloween song doesn’t rely on cheap scares. It builds a world – one filled with cobwebs, basslines, and maybe a little black magic. Whether it’s the funky paranoia of “Somebody’s Watching Me,” the ghostly groove of “Thriller,” or the goofy charm of “The Purple People Eater,” every perfect Halloween track makes you feel alive… even if you’re undead.

50 of the Best Halloween Songs for the Spooky Season

Eric Alper
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50 of the Best Halloween Songs for the Spooky Season

From monster classics to modern chills, these tracks bring just the right mix of fright and fun for your haunted house, dance floor, or trick-or-treat playlist.

AC/DC, “Highway to Hell”
A fiery rock classic that howls with rebellion. Nothing says Halloween like a one-way ride to the underworld.

Andrew Gold, “Spooky Scary Skeletons”
A rattling internet favorite turned perennial party jam. Equal parts goofy and ghoulish.

Blue Öyster Cult, “(Don’t Fear) The Reaper”
A chilling anthem about love, life, and what lies beyond. More cowbell, please.

Bobby “Boris” Pickett and the Crypt-Kickers, “Monster Mash”
The graveyard smash that defines Halloween. From 1962 to today, it still brings the monsters to the floor.

Bobby Brown, “On Our Own (From ‘Ghostbusters II’)”
Ghostbusting gets funky. A slick ‘80s groove full of confidence and charm.

Bobby Vee, “Devil or Angel”
A sweet, haunting pop ballad about love’s moral tug-of-war.

Bow Wow Wow, “I Want Candy”
For every sugar-crazed trick-or-treater. Catchy, mischievous, and impossible not to sing.

Cher, “Dark Lady”
A fortune-telling love triangle ends in deadly fashion. Cher spins the perfect spooky tale.

Classics IV, “Spooky”
Smooth, jazzy, and effortlessly eerie. The kind of song that makes cobwebs feel cool.

Cliff Richard, “Devil Woman”
She’ll cast a spell on you. A warning wrapped in a soft-rock groove.

Creedence Clearwater Revival, “Bad Moon Rising”
Disaster never sounded so upbeat. A singalong about doom on the horizon.

DJ Jazzy Jeff & The Fresh Prince, “A Nightmare on My Street”
A playful rap retelling of Freddy Krueger’s horror reign. Nostalgic and spooky fun.

Eagles, “Witchy Woman”
Her eyes sparkle and her magic lingers. One of rock’s most bewitching songs.

Eminem feat. Rihanna, “The Monster”
Pop and hip-hop collide for a haunting look at fame, fear, and inner demons.

Elvis Presley with The Jordanaires, “(You’re the) Devil in Disguise”
The King battles temptation in disguise. Classic charm with a devilish twist.

Gnarls Barkley, “The Boogie Monster”
Groovy, paranoid, and full of frightful funk. The monster under your bed has never sounded smoother.

Golden Earring, “Twilight Zone”
A rock thriller that builds suspense like a horror movie’s final chase scene.

Howlin’ for You, The Black Keys
A bluesy, growling jam that channels every werewolf on the prowl.

Imagine Dragons, “Demons”
Modern, moody, and made for late-night introspection. Sometimes the scariest monsters live inside.

INXS, “Devil Inside”
Sin never sounded so sleek. An ‘80s hit about the darkness we all keep hidden.

Janet Jackson, “Black Cat”
Ferocious and fast. Janet’s rock edge claws its way to the front in this fierce anthem.

John Carpenter, “Halloween Theme”
The piano that launched a thousand screams. Still the gold standard of horror soundtracks.

Justin Bieber, “Ghost”
Tender and bittersweet, this ballad about love beyond the grave hits right in the feels.

Kodak Black, “Super Gremlin”
Dark, intense, and chilling. A trap track that oozes Halloween menace.

Lana Del Rey, “Season of the Witch”
A sultry, spellbinding remake that makes every listener feel a little enchanted.

Lady Gaga, “Bloody Mary”
Pop meets the paranormal. A haunting dance-floor confession that’s pure Gothic glamour.

Michael Jackson, “Thriller”
Zombies, Vincent Price, and the greatest dance break ever. Halloween’s crown jewel.

Mitch Ryder and the Detroit Wheels, “Devil With a Blue Dress On/Good Golly Miss Molly”
High-energy rock ‘n’ roll for any monster bash. Two classics collide in spooky celebration.

Ministry, “Every Day Is Halloween”
Synth-driven and cynical. A goth anthem for those who live spooky year-round.

Nick Cave and the Bad Seeds, “Red Right Hand”
Ominous and unforgettable. That creeping organ instantly turns any room into a horror scene.

Oingo Boingo, “Dead Man’s Party”
No one does undead dancing like Danny Elfman. Turn it up and join the skeletons.

Olivia Rodrigo, “Vampire”
A biting breakup anthem full of gothic heartbreak. Equal parts teenage angst and twilight drama.

OutKast, “Dracula’s Wedding”
Andre 3000 meets Count Dracula in a playful funk fantasy. Romantic and weirdly adorable.

Ramones, “Pet Sematary”
Punk meets the undead in this Stephen King-inspired classic. Loud, fast, and frighteningly fun.

Ray Parker Jr., “Ghostbusters”
Who you gonna call? The theme that makes every party instantly supernatural.

Rockwell, “Somebody’s Watching Me”
Paranoia in pop perfection. Michael Jackson’s backing vocals make it extra haunting.

Santana, “Black Magic Woman”
Seductive and mysterious. Santana’s guitar solo feels like a spell being cast.

Sheb Wooley, “The Purple People Eater”
A one-eyed, one-horned monster bop that’s as silly as it is legendary.

Stevie Wonder, “Superstition”
Funky, mysterious, and full of warning. The groove alone could raise spirits.

Talking Heads, “Psycho Killer”
A jittery, brilliant exploration of madness. Qu’est-ce que c’est? Halloween gold.

The Charlie Daniels Band, “The Devil Went Down to Georgia”
A fiery fiddle duel straight from hell. The Devil never stood a chance.

The Cramps, “Goo Goo Muck”
Campy and creepy, this garage rock gem howls with delight. Wednesday Addams would approve.

The Cranberries, “Zombie”
An anti-war anthem that sounds like a ghostly chant. Dolores O’Riordan’s voice still haunts.

The Doors, “People Are Strange”
Eerie and dreamlike. A perfect soundtrack for outsiders on a moonlit walk.

The Edgar Winter Group, “Frankenstein”
A roaring instrumental monster that electrifies every Halloween gathering.

The Rolling Stones, “Sympathy for the Devil”
Rock’s most charming demon. A sinister groove that’s impossible to resist.

Warren Zevon, “Werewolves of London”
A howl of a hit. Witty, weird, and full of Halloween charm.

Yeah Yeah Yeahs, “Heads Will Roll”
A synth-pop decapitation dance party. Just remember: off with your head, and onto the dance floor.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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