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Iron Maiden Chronicle 50 Years In ‘Infinite Dreams’ Official Visual History

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Thames & Hudson are delighted to release the publication of Iron Maiden: Infinite Dreams – The Official Visual History, published globally in hardback. A magnificent visual celebration of the first 50 years of Iron Maiden, this new book chronicles the evolution of heavy metal’s most prestigious band, with unparalleled input from band members and management.

A truly spectacular and beautiful book, featuring never-before-seen items and photographs, which have been curated with enormous attention to detail over a number of years, it celebrates one of Britain’s most influential and biggest-selling bands, who have become arguably the biggest metal band in the world.

Organized chronologically, Iron Maiden: Infinite Dreams tells the story of the band from their first pub gigs in 1975 and their first record deal in 1979, through the recording and reception of groundbreaking albums, including their self-titled debut, 1982’s global breakthrough The Number of the Beast and the stadium-conquering Seventh Son Of A Seventh Son, to 2021’s hugely acclaimed double-album Senjutsu and the forthcoming Run For Your Lives World Tour.

The book traces the evolution of their iconic Eddie mascot, alongside exclusive comments from his creator Derek Riggs, and documents the band’s spectacular and complex stage productions and extensive live tours, including the Somewhere Back in Time World Tour of 2008, which made international headlines as Bruce Dickinson piloted the band’s very own Ed Force One 757.

Presenting iconic album and single artworks, photographs of the band’s instruments past and present, stage props, hand-written lyrics and artefacts from the archive and the band’s personal collections, as well as landmark photographs by Ross Halfin, John McMurtrie and more, Iron Maiden: Infinite Dreams is rife with revelatory stories and intriguing insights from pivotal band members and management. It is bookended by a foreword from band founder Steve Harris and an afterword by vocalist Bruce Dickinson.

Steve Harris says, “I’ve been pleasantly surprised at some of the stuff that I’ve managed to unearth for this book. I knew I had kept a lot of things from the early days but they have lasted really well and the photography has brought them back to life. I hope the fans are going to love looking at all the stuff presented like this! It’s the right time to bring it all together for part of our 50th celebrations.”

Tristan de Lancey, Creative Director at Thames & Hudson, commented: “Iron Maiden is an institution. Hailed as pioneers of British heavy metal in the 1980s, the band has come to embody a spirit of fearless creative independence and ferocious dedication to their fans that has won them a huge following around the world and across generations. With astonishing archival access and more meticulous, hands-on participation from the band than I ever thought possible, we have been gifted the tools to create something beautiful, comprehensive and unique which, I have no doubt, raises the bar for illustrated books in this music genre. Every page will surprise and delight its audience – just don’t expect metal fans to be the only ones who buy it…!”

Radiohead Visual World Explored In ‘This Is What You Get’ Art Book

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‘This Is What You Get’ documents three decades of visual collaboration between Stanley Donwood and Thom Yorke, presenting paintings, drawings, digital works, and archival material created alongside releases by Radiohead, Yorke, and The Smile. The book traces the evolution of their shared visual language from the early 1990s through today, including album artwork, promotional imagery, sketchbooks, and previously unpublished pieces drawn directly from the artists’ archives.

Edited by Lena Fritsch with contributions from Benjamin Myers and essays by Alex Farquharson, Nico Kos Earle, James Putnam, and Jennifer Ramkalawon, the volume accompanies the first institutional exhibition devoted to Donwood and Yorke’s visual output. The collection places particular focus on artwork connected to Radiohead albums including ‘The Bends,’ aligning with the band’s 40th anniversary and the album’s 30th anniversary, and examines the enduring relationship between visual art and recorded music.

STRAIGHT BACK FORWARD Launch Punk Alliance With “Don’t Back Down” Double Single

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JPU Records proudly announces the debut single from Tokyo-Brit punk outfit STRAIGHT BACK FORWARD. Their first double single, ‘Don’t Back Down’ backed with ‘Haunted Home’, is available worldwide from today.

The idea formed in Tokyo in 2020, STRAIGHT BACK FORWARD unites some of the Japanese punk scene’s most respected musicians with London-born vocalist Joshua (NEATZ). The line-up features guitarist and chief songwriter masasucks (FULLSCRATCHthe HIATUSRadiots, support for Puffy AmiYumi, J-Band), drummer Masack (ex-MY FIRST STORY), and support from bassist Yoshi (GUMX), guitarists T_Wylde (PET), Sugulu (punk club organiser and okonomiyaki shop owner), and frontman Joshua, who provides vocals and lyrics.

“STRAIGHT BACK FORWARD came about out of a shared love of punk rock between two guys from opposite sides of the world,” explains Joshua. “‘Don’t Back Down’ is kind of just about that, getting on stage, raised fists and playing anthems to the people who love the same music we do. Doesn’t matter if you’re Japanese, British or anything, the music makes us who we are”

Guitarist masasucks adds: “This release takes us back to our roots, a reminder of the punk rock scene from the 90s. Hopefully this reaches a new audience and inspires another generation to keep the flame alive and to never back down!

Despite forming during the height of the global pandemic, STRAIGHT BACK FORWARD quickly built momentum with their fearless positivity and raw sound. Their independently released demo in 2025 gained international attention from underground labels and media, paving the way for today’s official debut on UK-based JPU Records.

With support growing in Tokyo and worldwide, the band continues to throw themselves into live shows while carving out a sound that is direct, energetic, and uncompromising. It’s punk rock in its purest form.

Alison Wonderland Collides With Whyte Fang On “XTC” From ‘GHOST WORLD’

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Alison Wonderland releases “XTC,” a hard-charging collaboration with her alter ego Whyte Fang that pushes straight into the visceral core of her sound. The track channels trap-driven pressure through heavy kicks, sharp percussion, and a release built for packed rooms, reflecting the intensity that has defined her recent live performances. A self-directed video brings the chaos into focus, featuring friends, chosen family, and familiar outsiders who mirror the spirit behind the song.

“XTC” appears on Alison Wonderland’s third studio album ‘GHOST WORLD,’ out now, a 14-track project written during a period of personal shift and creative recalibration. The album follows ‘LONER’ and expands her sonic world through emotionally direct writing, club-forward production, and collaborations that reflect the community she has built across electronic music over the past decade.

Dermot Kennedy Shares “Melodies” From ‘Nobody Wants This’ Season Two

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Dermot Kennedy releases “Melodies,” a new ballad featured on ‘Nobody Wants This Season 2 The Soundtrack,’ connecting his introspective songwriting with the return of the Netflix series starring Kristen Bell and Adam Brody. Co-written with Savan Kotecha, Carl Falk, Peter Svensson, and Lewis Capaldi, the song centers on longing and emotional distance, pairing restrained instrumentation with a vocal performance built on clarity and control. The release follows Kennedy’s recent stripped-back material, including “Let Me In,” and aligns with a run of intimate live performances that draw directly from his early busking roots.

Krooked Tongue Rev Up “Drugstore Cowboy” Ahead Of ‘I Know A Place’

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Krooked Tongue announce their debut studio album ‘I Know A Place,’ set for limited edition vinyl release on April 24, 2026, and share the new single “Drugstore Cowboy” alongside a self-shot music video. Recorded and produced with Josh Gallop at Stage 2 Studios in Bath, the track opens the album cycle at full throttle, pairing fuzz-heavy guitars, driving drums, and chant-ready vocals with lyrics centered on impulse, consequence, and self-awareness. The band’s recent run of singles has drawn support across editorial playlists, radio, and live sports and wrestling broadcasts, cementing steady momentum ahead of the album’s arrival.

“Drugstore Cowboy” takes inspiration from 1980s cinema and Americana imagery, a direction reflected in the video filmed by guitarist Dan Smith across Bristol on a zero-budget approach. Shot in car parks, cinemas, arcades, and city streets, the video leans into cinematic references and hands-on creativity, shaped entirely by the band. ‘I Know A Place’ arrives as a full-length statement following singles including “Marigold,” “Let ’Em Loose,” “Ember Mile,” “Nothing Ever Grows,” “Dog Days,” and “You Don’t Need A Sun Tan,” all recorded during the same sessions.

ASL Theater Students Bring ‘Hamilton’ To Life Through Sign

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High school students at ASL Theater in Florida present an American Sign Language interpretation of select songs from ‘Hamilton,’ precisely synced to the original cast recording. The project brings together hearing, deaf, and hard-of-hearing students, combining expressive ASL performance with traditional stagecraft. Through rehearsal and collaboration, the production strengthens language fluency, confidence, and connection between visual language and live theatre.


Global Bagpipe Trio Reimagine AC/DC With Celtic Power

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The Goddesses of Bagpipes unite three continents for instrumental Celtic covers of AC/DC’s “Thunderstruck” and “It’s A Long Way To The Top.” Filmed across India, Scotland, and the United States, the video pairs sweeping landscapes with full-throttle bagpipe arrangements. The project features Archy J., Jane Espie, and Chelsea Joy performing in their home countries.

Diane Hubka And The Sun Canyon Band Chase Moonlight On ‘Moon Over Larrabee’

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Diane Hubka & The Sun Canyon Band release their sophomore album ‘Moon Over Larrabee,’ a 12-track set shaped by the moonlit streets of West Hollywood where the band first took form near Sunset Boulevard. Drawing from Laurel Canyon traditions while moving freely through folk, Americana, country, blues, swing, and early rock and roll, the album blends six originals with carefully chosen traditional and classic material that reflects the band’s shared musical lineage.

The record features guest appearances from Albert Lee on two tracks, including a mandolin performance, alongside standouts such as “Sun Canyon,” “Moon Over Larrabee,” “If I Could Only Win Your Love,” and “Ordinary Madness.” Fronted by Diane Hubka with guitarist and songwriter Rick Mayock, and completed by Joe Caccavo and Irv Gershenz, the album brings together Appalachian folk roots and West Coast songwriting into a cohesive release grounded in place, collaboration, and craft.

Hot Buttered Rum Hit The Gas On ‘Uphill Highway’ With “Outrage Machine”

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San Francisco jamgrass mainstays Hot Buttered Rum release their 10-track album ‘Uphill Highway,’ a focused collection rooted in present-day stories and lived experience. The record brings together reflection, friction, and forward motion, drawing from the band’s deep ties to the Bay Area scene while sharpening their songwriting approach. Guest appearances from Allie Kral, Elliott Peck, Kyle Ledson, Sam Chase, Audio Angel, Leif Karlstrom, and Wally Ingram further anchor the album in a shared musical community built over years of collaboration.

The album opens with “Outrage Machine,” a pointed examination of social media’s impact on attention and emotion, written by Nat Keefe. The track pairs direct lyricism with a clear statement of personal agency, closing on the line, “I won’t be the fuel for this outrage machine.” ‘Uphill Highway’ runs ten tracks and is available now across digital platforms.