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Honey Revenge, South Arcade, Games We Play, Winona Fighter, And Chase Petra Headline “idobi Radio Summer School Tour”

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The “idobi Radio Summer School Tour” returns for its third year, continuing its focus on artist development and ticket affordability. Founded by Eric Tobin, Michael Kaminsky, and Kevin Lyman, the North American trek functions as a traveling festival for emerging independent artists. This year’s lineup features Honey Revenge, South Arcade, Games We Play, Winona Fighter, and Chase Petra. Honey Revenge returns to the tour as a headliner following the release of the single “Hot Commodity.” The tour begins June 19 in San Diego and concludes with a two-day finale at the Vans Warped Tour in Long Beach.

The founders launched the initiative to address the absence of touring platforms that serve both breaking acts and younger audiences. This model utilizes a rotating bill to encourage music discovery within local scenes. Michael Kaminsky, Eric Tobin, and Kevin Lyman state, “Summer School has been about music discovery and community (a traveling festival with rotating bills, where you show up early, stay all night, and hopefully leave with a new favorite band).” idobi Network CEO Eddie Barella notes the platform’s commitment to bringing alternative artists directly to the masses through this partnership with Live Nation.

General ticket sales begin Friday, February 27, at 10:00 AM local time via the tour’s official website. A Citi cardmember presale is currently active through February 26, while the idobi Radio Summer School presale begins February 25. These early access opportunities precede the wide release at the end of the week. The 2026 routing includes stops at major venues like Irving Plaza in New York and the House of Blues in Chicago. Every artist on the roster will perform at the final Long Beach dates in late July, marking a collaborative milestone with the Vans Warped Tour.

idobi Radio Summer School Tour Dates:

June 19 – San Diego, CA – The Observatory North Park

June 20 – Los Angeles, CA – The Belasco

June 21 – Phoenix, AZ – The Van Buren

June 22 – Dallas, TX – House of Blues

June 24 – Houston, TX – House of Blues

June 26 – Lake Buena Vista, FL – House of Blues

June 27 – Atlanta, GA – Buckhead Theatre

June 28 – Charlotte, NC – The Fillmore

June 30 – Silver Spring, MD – The Fillmore

July 1 – New York, NY – Irving Plaza

July 4 – Toronto, ON – The Phoenix Concert Theatre

July 5 – New Haven, CT – Toad’s Place

July 7 – Boston, MA – Citizens House of Blues

July 8 – Allentown, PA – Archer Music Hall

July 10 – Pittsburgh, PA – The Roxian Theatre

July 11 – Cleveland, OH – House of Blues

July 12 – Cincinnati, OH – Bogart’s

July 14 – Detroit, MI – St. Andrew’s Hall

July 16 – Chicago, IL – House of Blues

July 17 – Minneapolis, MN – Uptown Theater

July 19 – Denver, CO – Summit Music Hall

July 20 – Salt Lake City, UT – The Depot

July 22 – Seattle, WA – Showbox SODO

July 23 – Portland, OR – Crystal Ballroom

July 25-26 – Long Beach, CA – Vans Warped Tour

Danko Jones Announce Fall European Dates For “Rising” Tour

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Canadian rock outfit Danko Jones has unveiled the music video for “I Love It Louder” alongside a comprehensive schedule for the “Rising Tour 2026”. This announcement follows the release of their twelfth studio album, ‘Leo Rising’, through PERCEPTION and Sonic Unyon. The record stands as their most electrifying and uplifting work, designed to energize venues across Europe and the United Kingdom. The fall tour begins October 12 in Potsdam and continues through November 7.

The upcoming dates feature support from Split Dogs for the majority of the run, while Los Pepes join the tour for the final United Kingdom performances. Danko Jones expresses significant momentum regarding the new material and the return to the stage. “Our new album, Leo Rising, is just too fun to play live for us to stop,” the band states. They emphasize the importance of securing tickets early, noting the sold-out status of their previous fall appearances. Every night on the itinerary focuses on the high-impact energy that has defined the trio’s two-decade career.

The tour covers a broad geographic range (including dates in Austria, Hungary, Romania, and the Netherlands). The production for these shows centers on the raw, driving power of the new tracks combined with established fan favorites. This schedule represents a significant commitment to the band’s international audience. The inclusion of specialized support acts like Split Dogs adds a layer of curated intensity to the bill. By targeting both major markets and regional hubs, the group ensures maximum reach for this album cycle.

The “Rising Tour 2026” serves as a primary celebration of the band’s continued relevance in the hard rock genre. Fans can claim tickets immediately to witness the live translation of “I Love It Louder” and other highlights from ‘Leo Rising’. The transition from the studio to the stage remains a priority for the band as they prepare for the October kickoff. Each performance provides an immersive look at the group’s current creative peak. The momentum from the record release carries directly into this ambitious autumn schedule.

Rising Tour 2026 Dates:

October 12 – Potsdam, DE – Waschhaus

October 13 – Nurnberg, DE – Lowensaal

October 14 – Vienna, AT – Flex

October 15 – Budapest, HU – A38

October 16 – Bucharest, RO – Quantic

October 17 – Sofia, BG – Pirotska 5 Event Center

October 19 – Cluj, RO – Form Space

October 21 – Zagreb, HR – Vintage Industrial Bar

October 22 – Ljubljana, SI – Kino Siska

October 23 – Salzburg, AT – Hi Rockhouse

October 27 – Oberhausen, DE – Turbinenhalle 2

October 28 – Ghent, BE – Handelsbeurs

October 29 – Frankfurt, DE – Batschkapp

October 30 – Haarlem, NL – Patronaat

October 31 – Tilburg, NL – Next Stage

November 1 – Leeuwarden, NL – Neusoorn

November 3 – Saarbrucken, DE – Garage

November 5 – London, UK – Garage (with Los Pepes)

November 7 – Manchester, UK – Rebellion (with Los Pepes)

Toadies Team With Steve Albini For New Studio Album ‘The Charmer’ Out May 1

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Toadies have announced the release of their new studio album, ‘The Charmer’, arriving May 1 on Spaceflight Records. Recorded at Electrical Audio in Chicago with the late Steve Albini, the project represents one of the final unreleased sessions from the legendary producer. Frontman Vaden Lewis tracked the album using analog tape and razor blades, avoiding computers to preserve a raw, live sound. The title track originated from Lewis’s pandemic soul searching, where he personified long-standing internal struggles into the character of the Charmer. This slow-burning lead single is available today, offering a first glimpse into the band’s most defiant work to date.

Guitarist Clark Vogeler directed and edited the accompanying music video, which utilizes in-studio footage to document the band’s collaboration with Albini. The visual captures the group playing live in the room, mirroring Albini’s signature technique of capturing a band’s natural energy. Vogeler describes the footage as a significant record of the producer in his element, focused and tireless throughout the sessions. The release is supported by the Austin-based non-profit label Spaceflight Records, an organization founded by industry veterans including Brett Orrison and Eric Bice. This partnership ensures the record remains a product made entirely on the band’s own terms.

The band will support the release with an extensive North American tour beginning April 16 in Buda, Texas. The spring run features a rotating lineup of support from Local H, Vandoliers, and Sparta, with a special appearance by The Black Angels for a Dallas performance at Longhorn Backyard. Bassist Doni Blair describes the upcoming trek as a high-energy tour among friends and family. Following the spring dates, Toadies will continue through the fall with a featured appearance at the Louder Than Life Festival in Louisville on September 20. This comprehensive touring schedule brings the analog intensity of ‘The Charmer’ to stages across the country.

Live Dates:

April 16 – Buda, TX – The Backyard

April 17 – Cypress, TX – Fio Hill Country Grill

April 18 – Biloxi, MS – Crawfish Boil – Miss. Coast Coliseum

April 19 – New Orleans, LA – Tipitinas

April 30 – Abilene, TX – Potosi Live

May 1 – Christoval, TX – Cooper’s BBQ/LIVE!

May 2 – Dallas, TX – Longhorn Backyard

May 3 – Oklahoma City, OK – Tower Theatre

May 5 – Fayetteville, AR – Ozark Music Hall

May 7 – Memphis, TN – Graceland Soundstage

May 8 – Nashville, TN – Eastside Bowl

May 9 – Birmingham, AL – Iron City

May 12 – Atlanta, GA – The Masquerade – Heaven

May 13 – Asheville, NC – Orange Peel

May 15 – Charlotte, NC – The Underground

May 16 – Raleigh, NC – The Ritz

May 17 – Silver Spring, MD – The Fillmore

May 19 – Norwalk, CT – District Music Hall

May 20 – Boston, MA – House of Blues

May 21 – New York, NY – Webster Hall

May 22 – Philadelphia, PA – Union Transfer

May 23 – Asbury Park, NJ – The Stone Pony

May 27 – Pittsburgh, PA – Roxian Theatre

May 28 – Cleveland, OH – House of Blues

May 29 – Cincinnati, OH – Bogart’s

May 30 – Grand Rapids, MI – The Intersection

May 31 – Chicago, IL – The Vic

June 2 – Minneapolis, MN – First Avenue

June 3 – Omaha, NE – The Astro

June 5 – Denver, CO – Ogden Theater

June 6 – Salt Lake City, UT – The Grand at The Complex

June 7 – Boise, ID – Knitting Factory

June 9 – Seattle, WA – The Showbox

June 10 – Portland, OR – Roseland Theater

June 12 – San Francisco, CA – The Fillmore

June 13 – Los Angeles, CA – The Belasco

June 14 – Santa Ana, CA – Observatory

June 16 – San Diego, CA – Observatory North Park

June 17 – Phoenix, AZ – The Van Buren

September 20 – Louisville, KY – Louder Than Life Festival

Paul Weller Announces Massive New ‘Live At The BBC (Vol.2)’ Collection

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British singer-songwriter Paul Weller has announced the release of ‘Live At The BBC (Vol.2)’, a comprehensive 3-disc collection arriving Friday, April 24, 2026, via Warner Records and Parlophone. This anthology captures a series of recordings from various BBC sessions spanning from 2008 to 2024. Available in both triple LP and triple CD formats, the set acts as a direct successor to his 2008 compilation, ‘Weller at the BBC’. The production highlights the evolution of a career that remains a central pillar of the British music landscape.

The tracklist features selections from Weller’s solo career along with material from his tenures in The Jam and The Style Council. Notable inclusions such as “Wild Wood,” “Start!,” “Broken Stones,” and “My Ever Changing Moods” appear alongside later works like “Wake Up The Nation.” The collection also showcases Weller’s interpretations of tracks by The Kinks, Colin Blunstone, and The Zombies. Listeners will find “When Your Garden’s Overgrown” and “Boy About Town,” which also feature on his upcoming Record Store Day release. This gathering of recordings is a moving documentation of his live broadcast history.

This second volume provides a thorough look at Weller’s creative output over the last sixteen years. The triple-disc format allows for an expansive presentation of these historically significant sessions. Every arrangement underscores the enduring quality of his songwriting and his reputation as a definitive live performer. The inclusion of rarities and covers alongside chart-topping anthems ensures a well-rounded portrait of the artist. It is a high-impact archive for long-time followers and students of British rock history alike.

The release marks a significant milestone in Weller’s ongoing relationship with the BBC. The audio quality across these three discs captures the precision of his band and the intimacy of the studio environment. This collection functions as a vital companion piece to his earlier BBC archive, extending the timeline of his recorded legacy into the present day. Pre-orders are currently open ahead of the April release date. The arrival of this volume serves as a high-energy celebration of one of the industry’s most consistent creative forces.

A.J. Croce Adds 19 New North American Dates To Celebrated “Croce Plays Croce” Tour

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A.J. Croce has announced 19 additional North American dates for his “Croce Plays Croce” tour. The fall extension follows an initial leg beginning March 10, 2026, in Birmingham, Alabama. This production serves as a multi-generational musical bridge, featuring the legendary songs of Jim Croce alongside A.J.’s original compositions. The performance includes staple tracks such as “Operator,” “You Don’t Mess Around with Jim,” “Bad Bad Leroy Brown,” and “Time in a Bottle.” A.J. purposefully waited thirty years to introduce this specific program to ensure the presentation maintained his father’s musical integrity.

The concert series functions as a moving blend of storytelling and high-level musicianship. Every arrangement highlights the evolution of A.J. as a respected artist while honoring the iconic body of work left by his father. The tour continues to secure sold-out venues and standing ovations across the country. These inspired performances connect audiences to the enduring power of the Croce catalog through humor and heartfelt narrative. This fall expansion allows the tour to reach a wider geographic audience across the Western United States and Pacific Northwest.

CROCE PLAYS CROCE 2026 TOUR DATES:

March 10 – Birmingham, AL – The Lyric Theatre

March 11 – Huntsville, AL – Mars Music Hall

March 13 – Memphis, TN – Graceland Soundstage

March 14 – Knoxville, TN – Tennessee Theatre

March 15 – Nashville, IN – Brown County Music Center

March 17 – Oklahoma City, OK – The Criterion

March 18 – San Antonio, TX – Tobin Center for the Performing Arts

March 20 – Arlington, TX – Arlington Music Hall

March 21 – Austin, TX – Paramount Theatre

March 22 – Houston, TX – Bayou Music Center

April 9 – Saratoga Springs, NY – Universal Preservation Hall

April 10 – Tarrytown, NY – Tarrytown Music Hall

April 11 – Ledyard, CT – Foxwoods Resort Casino

April 12 – Derry, NH – Tupelo Music Hall

June 13 – Las Vegas, NV – Westgate Las Vegas Resort & Casino

June 20 – Milwaukee, WI – Summerfest 2026

June 26 – Shipshewana, IN – Blue Gate Performing Arts Center

June 27 – Des Plaines, IL – The Des Plaines Theatre

June 28 – St. Charles, IL – Arcada Theatre

August 7 – Cape May, NJ – Cape May Convention Hall

August 8 – Brookville, NY – Tilles Center – Krasnoff Theater

September 9 – Park City, UT – The Egyptian Theatre

September 10 – Park City, UT – The Egyptian Theatre

September 11 – Park City, UT – The Egyptian Theatre

September 12 – Park City, UT – The Egyptian Theatre

September 15 – Tucson, AZ – Fox Theatre Tucson

September 16 – Mesa, AZ – Ikeda Theatre: Mesa Arts Center

September 18 – Cerritos, CA – Cerritos Center for the Performing Arts

September 19 – San Diego, CA – Humphreys Concerts by the Bay

September 20 – Los Angeles, CA – Orpheum Theatre

September 22 – Fresno, CA – Warnors Theatre

September 23 – Santa Barbara, CA – Lobero Theatre

September 25 – Sacramento, CA – Crest Theatre

September 26 – Reno, NV – Silver Legacy Grand Exposition Hall

September 27 – Saratoga, CA – The Mountain Winery

September 29 – Eugene, OR – McDonald Theatre

September 30 – Seattle, WA – Moore Theatre

October 1 – Portland, OR – Revolution Hall

Philadelphia Punk Institution The Menzingers Return With Gritty New Single “Nobody’s Heroes”

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Philadelphia-based punk institution The Menzingers have released their new single, “Nobody’s Heroes”, marking their first musical output since the 2023 album ‘Some Of It Was True’. Recorded with Grammy-winning producer Will Yip at Memory Music Studios in South Philly, the track sharpens the band’s signature working-class grit and indie punk swagger. This recording adds significant depth to their established Heartland-rock sound through a polished yet raw production style. The single arrives alongside a self-directed, DIY in-studio performance video filmed in their Philadelphia creative space.

The song originated during a period of personal transition for guitarist and vocalist Tom May. Vocalist and guitarist Greg Barnett notes that while the writing began as a response to May’s divorce, the narrative expanded during the creative process. “‘Nobody’s Heroes’ is the story of The Menzingers (how we’re at our best when we’re ourselves),” Barnett explains. The track functions as a definitive statement on the band’s identity and collective endurance. This release maintains the momentum of their decade-spanning career while grounding the music in their local roots.

Kettering Quartet Temples Explore Electronic Frontiers On New Album ‘Bliss’ Out June 26

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Kettering-based four-piece Temples return with their fourth studio album, ‘Bliss’, scheduled for release on June 26 via V2 Records. This ten-track collection introduces an electronic direction for the group, reimagining their psych-rock foundations through the lens of late nineties and early 2000s European dance music. The band produced the record themselves, opting for a hands-on approach centered on improvisation and internal sampling. This self-produced method allows the quartet to manipulate their own performances into a collage-like sonic palette. It is the most adventurous recording in the band’s career.

The lead single, “Jet Stream Heart”, serves as a primary example of this stylistic evolution. The track mirrors the physical sensation of club speakers through hypnotic beats and home-made fuzz pedals. Vocalist James Bagshaw, bassist Thomas Walmsley, keyboardist Adam Smith, and drummer Rens Ottink focused on blurring the lines between synthesizers and traditional instrumentation. “The feeling of music in a club is visceral (almost like you’re directly wired into the song),” the band notes. The production on this track is bulging with the rhythmic pulse of the Ibiza scene.

The album explores themes of disconnection and surrender across its varied tracklist. While “Vendetta” marries scuzzy riffs with bubbling dance melodies, “Megalith” utilizes a crunching stomp to address internal frustration. Adam Smith describes “Megalith” as a reflection on feeling like a standing stone while the world moves around you. These tracks highlight a move toward simple structures that generate complex emotional responses. The influence of artists like Portishead and Massive Attack is evident in the record’s melancholic euphoria. Every note serves the band’s liberated creative intent.

‘Bliss’ follows the success of 2023’s ‘Exotico’ and represents a shift toward total creative autonomy. By stepping away from outside producers, the band leaned into their collective chemistry to create a shared sonic language. The result is a record that flows between motifs and textures with instinctive movement. This summer release marks a definitive new chapter for the group as they embrace an unexpected electronic identity. It is a bold statement from a band refusing to remain static.

‘Bliss’ Tracklisting:

  1. Jet Stream Heart
  2. Revelations
  3. Megalith
  4. Glimmer
  5. Blue Flame
  6. Vendetta
  7. Jaguar
  8. Horizon
  9. Waiting On The Echoes
  10. Fantasy Realm

East London Quartet Cross Wires Return With Hard Edged New Single “Preachers”

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East London four-piece Cross Wires have released “Preachers”, the lead single from their upcoming third album, ‘Under The Watchful Eye of Another Man’s God’. Produced by Rory Attwell, the track explores the world of conspiracy theory media and digital grifters. The band utilizes a signature blend of pop sensibilities and harder-edged rock to deliver this social commentary. The music balances melodic urgency with the darker intensity associated with their previous recordings. This release marks the first music from the group since their second album, ‘Yesterday In Mourning’.

The ensemble consists of vocalist Jonathan Chapman, guitarist Peter Muller, bassist Matt Lazard, and drummer Ian Clarke. Their sound draws from the melodic structures of Blur and XTC while maintaining the rhythmic drive of Protomartyr. The production on the new record is bulging with the sonic weight required for their evolving, high-impact style. Every arrangement highlights the group’s ability to pair catchy hooks with sharp lyrical observation. It is a definitive step forward for the quartet as they prepare for a full summer release.

Cross Wires have established a reputation through performances at Tramlines Festival and the Shiiine On Festival. They have shared stages with contemporary acts like Yard Act and Do Nothing, proving their capability in high-pressure live environments. Previous singles have secured international airplay on BBC 6 Music, Radio X, KCRW, and Double J. This broad support reflects the band’s consistent presence across the alternative music landscape. Their history of working with Attwell ensures a continuity of sound even as their themes become more complex.

The upcoming album, ‘Under The Watchful Eye of Another Man’s God’, arrives this summer as the successor to their debut, ‘A Life Extinct’. This new material provides an early look at the band’s focus on modern societal shifts. The track “Preachers” serves as the primary introduction to this thematic direction (grounded in the band’s established post-punk foundation). Detailed release dates for the full LP will follow the debut of this lead track. The current momentum positions the band for a significant season of touring and promotion.

Melbourne Post-Punk Outfit EXEK To Release New Album ‘Prove The Mountains Move’

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Melbourne-based post-punk outfit EXEK will release their seventh album, ‘Prove The Mountains Move’, on February 27, 2026. This eight-track record marks the band’s debut for the DFA label. Vocalist and chief architect Albert Wolski describes the new material as a lush and unabashedly melodic set of surrealist pop. The project luxuriates in contradiction while maintaining a more expansive scale than previous recordings. Wolski states, “This record is experimental in its craft, but it may not necessarily sound experimental.”

The band begins their 2026 US tour dates with a four-night residency opening for LCD Soundsystem at Roadrunner in Boston. Following these appearances from April 30 to May 3, the group travels to Ridgewood, New York, to headline TV Eye on May 6. This announcement follows an album release show at The Curtin in Melbourne on March 14. Tickets for the Boston residency go on sale Friday, February 27, at 10:00 AM ET, while Brooklyn tickets are available now. This collection of dates represents the first North American performances for the new album cycle.

‘Prove The Mountains Move’ Track Listing:

  1. Sidestepping
  2. You Have Been Blessed
  3. Visiting Dust Bunnies
  4. Arrivederic Back Pain
  5. Don’t Answer (When They Call)
  6. Tyres
  7. Spotless
  8. Chef’s Hat Renaissance

EXEK Show Dates:

March 14 – Melbourne, VIC – The Curtin

April 30 — Boston, MA — Roadrunner (with LCD Soundsystem)

May 1 — Boston, MA — Roadrunner (with LCD Soundsystem)

May 2 — Boston, MA — Roadrunner (with LCD Soundsystem)

May 3 — Boston, MA — Roadrunner (with LCD Soundsystem)

May 6 — Ridgewood, NY — TV Eye

Sublime, Slightly Stoopid, And 311 Bring “Summer Greens 2026” To Colorado

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AEG Presents brings Sublime, Slightly Stoopid, and 311 to Fiddler’s Green Amphitheatre on Friday, August 7, 2026. This “Summer Greens 2026” date features a triple-bill of alternative rock and reggae-driven music. The show starts at 5:00 PM with doors opening one hour prior. This performance serves the Front Range audience with a full night of West Coast punk energy and hip-hop grooves. It is a central event for the Colorado summer concert season.

The setlist for the evening includes established anthems such as “Santeria,” “Amber,” and “Closer to the Sun.” These artists bring a specific blend of reggae rhythms and singalong tracks to the Greenwood Village stage. This lineup appeals to long-time listeners and a newer generation of fans. The music represents a wide spectrum of the alternative genre. It is a high-energy presentation of these three distinct catalogs.

This concert is a significant gathering of enduring musical forces. The combination of these three acts provides a comprehensive look at the groove-driven rock movement. Each band maintains a reputation for high-energy live performance. The event at Fiddler’s Green Amphitheatre functions as a major celebration of this musical style. This is a definitive triple-bill for the 2026 season.

Tickets go on sale Friday, February 27, at 10:00 AM MT. Purchases are available online through the AXS platform. Fans can also buy tickets in person at the Mission Ballroom, Ogden Theatre, Gothic Theatre, or Bluebird Theater box offices. A flat fee of $2.50 applies to all in-person ticket purchases at these locations. The Mission Ballroom box office maintains hours from Tuesday through Friday, 12:00 PM to 6:00 PM, and Saturdays from 10:00 AM to 6:00 PM.