It’s hard to get other people as excited about your happiness and motivation sometimes. You’re one of the lucky ones – your worst day as a musician is better than most people’s best day ever. But you keep going, because it’s #MondayMotivation!
Canadian-Led Rockers TROPE Unleash Groove Grinding Take on Tears For Fears’ “Shout”
Opting for a heavier guitar and groove-centric approach to Tears For Fears’ 80s New Wave classic “Shout,” alt rockers Trope explore new sonic territory for their cover — available now!
“We wanted to do something different with the song musically and instrument-wise, and balance the beautiful melody and message with the intensity of the guitars, bass and drums,” says Montreal-born, Los Angeles-based lead singer Diana Studenberg. “Due to the song’s pop sensibility and 4/4 beat, it didn’t fit into the Trope realm at the time.
“But as things progressed and electronic instrumentation was replaced with organic instruments — including bass, guitars and ebow — the tune took a darker turn and actually really worked for us.”
The band were inspired by the poignant lyrics, particularly the universal message in the lines ‘those one track minds, that took you for a working boy. Kiss them goodbye, you shouldn’t have to jump for joy.’
“How many of us have been in situations where we’re mistreated and looked down upon by people who just don’t recognize our value?” Studenberg confides. “I believe, in life, we shouldn’t have to placate or put on a clown face and do a fucking happy dance to appease people who behave toxically towards us, and lack the foresight to really see who’s in front of them.
“I see this whole song as a reaffirmation of value and strength and of our ability to move past these situations and people towards the things that help elevate us emotionally and spiritually.”
“Shout” is Trope’s follow-up release to their debut single “Lambs,” an epic 15/8 progressive/alternative rock song that garnered high praise and positive reviews.
The visuals for “Shout” were directed and filmed by Stewart Whelan, along with the help of an incredible film crew; Whelan’s credits include cinematography on The Flash TV Show and Metallica’s “Some Kind of Monster.”
Trope have performed shows internationally in Europe, Canada and the US — including legendary Los Angeles venues like Whisky A Go-Go and The Viper Room, and the world’s largest music festival, Summerfest, where they played the main stages in the past two consecutive years. They have shared stages with Switchfoot, Sevendust, and at the legendary Hollywood Improv with world-class comedians Iliza Shlesinger (Unveiled/Netflix), Steve-O (Jackass), David Koechner (Anchorman), Bryan Callen (Hangover), Harland Williams (Something About Mary), and more.
“Shout” is available now.
Here’s The Police’s set from the 25th anniversary of Amnesty International in June of 1986.
Setlist:
0:00:00 – Message In A Bottle
0:04:58 – King Of Pain
0:11:24 – Driven to Tears
0:16:33 – Every Breath You Take
0:21:39 – Roxanne
0:26:12 – Invisible Sun
Future Green Day singer/guitarist Billie Joe Armstrong, age 5, singling “Look for Love” in 1977.
Everybody has to start somewhere!
1-minute tip for artists: Post your press and media.
Yay! You got press or a Spotify playlist. Here’s your next step.
TORONTO POOR BOY Pauses in a Moment of Appreciation for his Rise From the Straits to the Stage on New Single, “Low Key”
Canadian hip hop artist Toronto Poor Boy takes a moment to appreciate a hard-earned life and all its triumphs in this, his newest single, “Low Key” — available now!
“It’s easy to be so focused on the future,” he offers. “We can all use a little reminder to celebrate the hard work, the time, and the effort we’ve put towards our goals, and our life.”
“Low Key” is the second to land this month from the Toronto-based rapper, and the latest in his inspiring set of lyrics that often draw from his complex past.
“These are messages that are very personal to me,” the Toronto-based rap master says. “They bring the new decade’s energy into focus, and talk about the struggles to become the best version of yourself.
“It’s about being proud in the present as we look towards building the future.”
With almost 350,000+ total views across YouTube, and radio airplay throughout Toronto, Australia and the UK, Toronto Poor Boy’s “Low Key” continues to set the stage ahead of his forthcoming debut studio album — available this Spring via Canyon Entertainment Group.
Hot on the heels of his late 2019’s single release, “Karma,” and 2020’s kick-off with “Big Dreams,” “Stronger Now” and “Low Key” continue to amplify the Jamaican-born entertainer’s dynamic blend of hip hop, rock and reggae, while drawing audiences to his magnetic online presence.
Together, they’ve all become something of a mantra when it comes to Toronto Poor Boy’s own story. His music has its own unique sound of hip hop mixed with reggae, rock and even pop, based on being born in Jamaica and immigrating to Canada as a young teen.
Making his way on his own in Toronto, he tells stories through his lyrics that listeners can relate to based on their own, individual struggles and triumphs. A ‘put your head down’ and make it happen kind of guy, his hard work and dedication to making a living, and making music at the same time, has produced interesting, powerful and meaningful songs, with a unique sound unlike most other artists.
It’s this come up — from straits to the stage — that magnifies Toronto Poor Boy’s achievements in working hard to pursue his dream of writing and performing. It’s his personal story that creates such a rich and dynamic storytelling within the rapper’s music.
Toronto Poor Boy’s music is very much a reflection of his complex identity; “I’m very much two people,” he says. “Not innocent or bad, but both parts exist simultaneously.”
“Ultimately, it’s my goal to inspire those in my community. My message to everyone is to never give up, and keep working on those ‘Big Dreams.’”
“Low Key” is available now.
Orillia’s Folk Rock Singer/Songwriter Shane Cloutier Releases New Video for “Red Wagon”
Orillia’s folk rock singer/songwriter Shane Cloutier takes a break from penning new material to saunter the memory lane of childhood simplicity in this, his new video for “Red Wagon” — available now.
The title track from his sophomore album of the same name, the single and album as a whole embodies Cloutier’s emotive voice and unique folk approach, complete with his own heavy metal influence and collaborations with multi-award winning blues drummer Tom Bona, and legendary guitarist Frank Marino and Mahogany Rush.
“The album Red Wagon is very much a prequel and sequel to In Light,” Cloutier shares, referring to his debut release. “When I wrote In Light, it was very much a cathartic response to some traumatic events in my life, facing the death of my wife and mother of my children. It is very much an album of perseverance and strength, as well as surrendering to vulnerability.
“When I wrote Red Wagon, I was in a much happier place, and I feel I had a much more enlightened perspective,” he continues. “Both albums helped me emotionally, physically, and spiritually move forward. They tethered me to real life, sort of, and didn’t allow me to sink — which was exactly where I felt like I was heading.”
Sinking has never ultimately been an option for Cloutier, who was once told he’d never ‘make it.’ “My grade 12 music teacher was a narrow-minded, mediocre teacher who only listened to classical music,” Cloutier recalls. “He told me at the end of grade 12 that I’m a great student, but I’d never make it as a musician for a living.
“Every day being a full-time, professional musician is me giving him the proverbial finger… Especially being asked to join Mahogany Rush and playing for Frank Marino, who is my guitar idol. It still doesn’t feel real, and might never feel completely real to me.
“This is important to me to hold onto because, in life, we are continuously met by individuals who doubt us.
“I believe everybody has an outlet that they have found — or need to find — and this is mine.”
“Red Wagon” and Red Wagon are available now.
Meet Britain’s First Female Rock Band
It’s hard to say what, exactly, was in the water in Liverpool in the early 1960s that wound up producing the Merseybeat sound and hundreds of groups of varying success. Four teenagers caught the scene by surprise and found screaming fans at every turn. Their names were Mary, Sylvia, Pam and Val.
It wasn’t only their sound that turned heads. They were The Liverbirds, Britain’s first all-female rock ’n’ roll band. Sitting down with surviving members Mary McGlory and Sylvia Saunders, you’d never know these two exceedingly charming Scouse (that means they come from Liverpool) matriarchs rocked a tour with The Rolling Stones. Lent their instruments to The Kinks. Rolled joints for Jimi Hendrix.
John Lennon himself told them that girls don’t play guitar. Well, John, they did. Imagine that.
“Almost Famous” is a special Op-Docs series of short films directed by Ben Proudfoot featuring people who nearly made history — only to fall short. These are tales of overcoming disappointment at its most epic, from an astronaut who never flew to a superstar who never was.










