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Grateful Dead and Muscle Shoals’ Donna Jean Godchaux Remembered With 25 Things You Need to Know

Few artists embodied the heart of American music quite like Donna Jean Godchaux. From the soulful studios of Muscle Shoals to the psychedelic stages of the Grateful Dead, her voice was the thread between gospel, rock, and rhythm and blues. Donna passed away in Nashville on November 2, 2025, at 78. Here are 25 things you need to know about the legendary singer who made harmony her calling.

1. She was born Donna Jean Thatcher on August 22, 1947, in Florence, Alabama.

2. Before joining the Grateful Dead, she was a Muscle Shoals session singer in the 1960s.

3. Her first #1 hit came early — she sang backup on Percy Sledge’s “When a Man Loves a Woman.”

4. She also sang on Elvis Presley’s “Suspicious Minds” in 1969, one of his biggest late-career hits.

5. Donna lent her voice to recordings by Cher, Neil Diamond, Boz Scaggs, Duane Allman, and Joe Tex.

6. She met keyboardist Keith Godchaux in California and married him in 1970.

7. It was Donna who introduced Keith to Jerry Garcia at San Francisco’s Keystone Korner.

8. That introduction changed rock history — both Keith and Donna soon joined the Grateful Dead.

9. Donna sang with the Dead from 1972 to 1979, contributing harmonies and occasional lead vocals.

10. Her mezzo-soprano range added soul and texture to the band’s live performances.

11. In 1975, she and Keith released the album Keith & Donna, featuring Jerry Garcia on guitar.

12. Donna also performed with the Jerry Garcia Band throughout the 1970s.

13. The couple’s son, Zion “Rock” Godchaux, was born in 1974 and later formed the band BoomBox.

14. After leaving the Dead, she and Keith founded the Heart of Gold Band.

15. Following Keith’s death in 1980, Donna married bassist David MacKay.

16. She returned to her roots in Florence, Alabama, where she continued to record and perform.

17. In 2006, she formed Kettle Joe’s Psychedelic Swamp Revue, later renamed Donna Jean & the Tricksters.

18. By 2009, the group became the Donna Jean Godchaux Band with Jeff Mattson.

19. Donna frequently appeared with Bob Weir & RatDog, Dark Star Orchestra, and Dead & Company.

20. She was inducted into the Rock and Roll Hall of Fame as a member of the Grateful Dead in 1994.

21. The Alabama Music Hall of Fame honored her in 2016 for her contributions to music.

22. Her career spanned nearly 60 years, from 1966 through 2025.

23. She recorded with artists across genres — from gospel to psychedelic rock.

24. Even late in life, she continued contributing to archival Grateful Dead projects and live tributes.

25. Donna Jean Godchaux passed away in Nashville at age 78, leaving behind a legacy of spirit, song, and Southern soul.

Epic Doom Titans On The Loose Unleash New Album ‘Path to Serenity’

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Portugal’s epic doom metal juggernaut On The Loose have released their thunderous new full-length album Path to Serenity, now available on all major streaming platforms. The record marks the band’s most intense and ambitious effort yet, fusing monumental riffs with haunting melodies and a raw emotional core that will resonate deeply with fans of the genre.

Formed in 2020, On The Loose have built a loyal underground following through their previous releases, On the Loose (2022) and Dark Emotions (2023). With Path to Serenity, the group elevates their craft to towering new heights, delivering an atmosphere heavy enough to shake the foundations of doom metal itself.

The band’s lineup features founding members Marco Marouco (guitars, ex-Els Focs Negres, Omission) and JP Ventura (drums, Dawnrider, The Limit), joined by Toni Cagaita on bass and frontman Rick (Ravensire, Ironsword). The album was produced by Paulão Vieira (The Limit, Ironsword, Midnight Priest), whose deft hand brings a balance of power and precision to the record’s colossal sound.

From the crushing opener “The Serpent Within” to the slow-burning grandeur that defines the album, Path to Serenity channels the spirit of doom legends Candlemass, Sorcerer, and Paradise Lost, while carving its own identity in the genre. Fans can expect an emotional odyssey through despair, catharsis, and redemption—proof that On The Loose are among Portugal’s most commanding forces in modern metal.

The Fear Rise Again With Debut EP ‘Falling Forward’ and Video for ‘The End Is The Start’

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Manchester’s alt-rock and nu-metal fusionists The Fear have dropped their debut EP Falling Forward, alongside a new video for their hard-hitting single “The End Is The Start.” The track serves as the first full song on the nine-track release, delivering a powerful, high-energy statement of purpose from a band that’s rediscovered its fire.

Filmed among crumbling buildings and urban decay, the “End Is The Start” video perfectly mirrors the group’s message of rebirth and renewal. “The End Is The Start has been years in the making, and it only felt right for it to lead the EP,” says drummer and producer Benj Ashmead. “It’s about taking heartache and frustration and turning them into something stronger — leaving the negativity behind and moving forward with purpose.”

The release of Falling Forward marks a triumphant year for The Fear, who reemerged after a decade apart with a string of singles, including “White Noise,” “Satellite,” and “Moths to Fire.” Their first year back saw them land major support slots with Alien Ant Farm and SNOT, and even score praise for their heavy, heartfelt cover of James’ Britpop classic “Sit Down.”

“After a decade apart, The Fear felt like a long shot, but after one show in December 2023 sparked something unstoppable,” frontman Mick Satiar shares. “Touring with Alien Ant Farm and SNOT, and writing this EP—seven tracks of wall-to-wall bangers—has been a wild ride. This music is our best yet, and we owe it to ourselves and these songs to keep going. We’re beyond stoked for what 2026 has in store.”

The EP’s title captures the spirit of the band’s rebirth. “We called it Falling Forward because that’s exactly what happened — we kinda stumbled back into making music together, but this time it felt right,” says Ashmead. “Most of these songs came from that place of rediscovery. It’s about momentum, even when you don’t have it all figured out.”

Fans can catch The Fear’s new material live this winter as the band takes the stage for a trio of UK shows, including a support slot with Nonpoint at London’s Camden Underworld, followed by headline dates in Southampton and Manchester.

The Fear – Live 2025 UK Show Dates:
November 24 — Camden Underworld, London (supporting Nonpoint)
December 11 — Joiners, Southampton
December 13 — Deaf Institute, Manchester

Pop Visionary ALEXIS Returns With Dazzling New Single ‘u sure like to make me feel crazy’

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Rising Filipino-Australian pop artist ALEXIS is back with “u sure like to make me feel crazy,” a shimmering breakup anthem that pairs heartfelt lyrics with electric pop production. Blending biting honesty with infectious rhythm, the track captures both the chaos and clarity that come after heartbreak.

“I wrote this song about a previous relationship I had where I was constantly second-guessing myself and I felt like I was losing my mind,” ALEXIS shares. “It’s a brutally honest reflection on what it means to lose yourself into someone else’s chaos and the clarity that comes when you finally step out of it.”

Written by Alexandra-Isabelle Barrientos (ALEXIS), Aidan Hogg, Alieysha Dulcie Nicholls, and Giulia Mclean, and produced by Aidan Hogg (GFlip, The Beaches), the track blends raw emotion with modern polish. Liam Quinn (Peach PRC, Ruel) handled mixing and mastering, giving the song its sleek, cinematic finish.

The single arrives with vivid visuals from longtime collaborators Justin Cueno and Junaid Mohtaj, continuing ALEXIS’ signature blue motif. Featuring surreal scenes of lawnmowers, freezing hose water, and a stomped-on cake, the imagery mirrors the track’s mix of humor and heartbreak.

Following the success of her singles “Blue Jeans” and “HATE IT HERE”—both supported by Triple J, Apple Music, and a growing international fanbase—ALEXIS continues to solidify her place among pop’s most exciting new voices. With her fearless songwriting and emotional honesty, she’s redefining what it means to turn pain into power.

Supergroup Howl Owl Howl Debuts With ‘My Cologne’ and Announces 2025 U.S. Tour

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Rock’s newest supergroup has arrived. Howl Owl Howl, a powerhouse trio made up of Darius Rucker, Mike Mills, and Steve Gorman, have dropped their debut single “My Cologne,” giving fans the first hit of their raw, unapologetic sound. Blending garage rock grit with playful wit, the song captures the spirit of reinvention from three musicians who’ve already conquered the charts in their own worlds.

Written and performed by Rucker, Mills, and Gorman, “My Cologne” packs punchy riffs, pounding drums, and shared lead vocals between Rucker and Mills. The result is a swaggering, high-energy jam that’s equal parts cheeky and cathartic. Gorman’s rhythmic precision locks it all together, while the song’s backstory adds another layer of fun.

As Mills explains, “I’m not dissing Ariana – in fact I got no problem with it at all. I just thought it was funny that either she was completely unaware of how weird that was, or she was aware and didn’t care. Either way, I thought I’d write a little song and say I want to smell like Ariana Grande.” The idea sparked when Mills noticed Ariana Grande’s 2018 song “R.E.M.” (and its accompanying perfume line) might have playfully echoed his old band’s name — a coincidence too irresistible to ignore.

Now, the trio are ready to hit the road. The Howl Owl Howl Tour 2025 kicks off November 3 in Indianapolis, Indiana, and travels through major cities including Chicago, Washington, D.C., New York, and Atlanta. Each night will showcase the band’s magnetic chemistry and original material, channeling the heart and humor of classic rock through the lens of seasoned storytellers.

Tour Dates:
November 3 — The Vogue, Indianapolis, IN
November 4 — Metro Chicago, Chicago, IL
November 6 — 9:30 Club, Washington, D.C.
November 7 — Stone Pony, Asbury Park, NJ
November 8 — Paradise Rock Club – Music Hall, Boston, MA
November 11 — Webster Hall, New York, NY
November 12 — Union Transfer, Philadelphia, PA
November 14 — Georgia Theatre, Athens, GA
November 15 — Variety Playhouse, Atlanta, GA

‘P FKN R’: How Bad Bunny Became the Global Voice of Puerto Rican Resistance

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A new book titled P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance is set to be released on January 27, 2026, offering an in-depth look at how the global superstar’s art has become a rallying cry for Puerto Rican pride, protest, and resilience. Written by cultural scholars Vanessa Díaz and Petra Rivera-Rideau, P FKN R draws on interviews, ethnographic research, and a deep dive into Puerto Rico’s social and political history to position Bad Bunny as one of the most important cultural figures of our time.

The authors—known for creating the “Bad Bunny Syllabus”—reveal how the artist’s music and activism are rooted in the island’s colonial history and its ongoing struggle for justice. From the devastation of Hurricane María to the mass protests of el Verano Boricua, Díaz and Rivera-Rideau explore how Bad Bunny transforms grief and anger into art that unites generations under a banner of resistance and joy.

“Impressively researched and engaging, P FKN R offers a critical reflection of Puerto Rico’s history and culture through one of its main exponents, Bad Bunny,” says historian Jorell Meléndez-Badillo, author of Puerto Rico: A National History. Similarly, Yarimar Bonilla, author of Non-Sovereign Futures, praises the book as “a powerful meditation on the stakes of his artistry, his platform, and the future he dares us to imagine.”

The 320-page book features 32 illustrations and chapters such as “El Pueblo No Aguanta Más Injusticia,” “The Party Is the Protest,” and “Puerto Rico Está Bien Cabrón,” weaving Bad Bunny’s career into a larger narrative of Puerto Rican resistance, race, gender, and cultural identity.

P FKN R is published under the subjects of Popular Music, Cultural Studies, and Caribbean Studies, and will be available in paper and hardcover for $27.95. It’s a groundbreaking portrait of how one artist turned rhythm, rage, and resistance into a global movement.

Glen Hansard Announces Full-Band 2025 European Tour Kicking Off in Paris

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Acclaimed Irish singer-songwriter Glen Hansard has announced a full-band European tour for 2025, featuring 16 dates across the continent and the UK. The tour begins April 30 at Olympia in Paris and concludes with a special hometown performance at Trinity College in Dublin on July 2.

Fans on Hansard’s official mailing list will get exclusive first access to tickets during a special pre-sale starting Wednesday, November 5 at 10 a.m. GMT. Subscribers will receive an email with all the pre-sale links prior to the on-sale time. The tour promises to showcase Hansard’s soul-stirring songwriting and powerful live energy in some of Europe’s most iconic venues.

Tour Dates:
30 April — Olympia, Paris, France
2 May — TivoliVredenburg, Utrecht, Netherlands
3 May — TivoliVredenburg, Utrecht, Netherlands
6 May — E-Werk, Cologne, Germany
8 May — Columbiahalle, Berlin, Germany
9 May — Lucerna Velky Sal, Prague, Czech Republic
11 May — Gasometer, Vienna, Austria
13 May — Tonhalle, Munich, Germany
14 May — Volkshaus, Zurich, Switzerland
16 May — De Roma, Antwerp, Belgium
17 May — Stadtpark Open Air, Hamburg, Germany
19 May — Bristol Beacon, Bristol, UK
20 May — Barrowland, Glasgow, UK
22 May — Albert Hall, Manchester, UK
23 May — Roundhouse, London, UK
2 July — Trinity College, Dublin, Ireland

European Metal Powerhouse Stellvris Announce Debut EP ‘Shatter & Bloom’ and Unleash Explosive New Single ‘Silence After Violence’

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European metallers Stellvris are turning up the intensity once again with their new single “Silence After Violence,” out September 19, 2025. The track arrives ahead of their highly anticipated debut EP Shatter & Bloom, set for release on November 7, 2025, and captures the band’s unflinching look at a world in turmoil.

“‘Silence After Violence’ reflects on a growing wave of frustration and aggression in society, which we now see taking root at younger and younger ages,” the band shared. “It’s both a warning and a cry for awareness, channelling raw energy into a song that mirrors the state of the world around us.”

Produced in collaboration with Christoph Wieczorek of Sawdust Recordings, Shatter & Bloom promises to be a defining moment for Stellvris. “Lyrically, the EP is deeply emotional and unflinchingly honest, confronting themes of brokenness, anger, betrayal, and healing,” the band explained. “Musically, it pushes our sound further than ever — blending modern metalcore and nu-metal influences with electronic textures, massive choruses, and bone-crushing breakdowns. Each song carries its own unique flavor, but together, Shatter & Bloom is about destruction, rebirth, and the power of transformation.”

‘Shatter & Bloom’ Tracklist:

  1. Shatter & Bloom
  2. Silence After Violence
  3. Monster
  4. Time’s Up
  5. Starships

Since forming in 2019, Stellvris have built a reputation as one of Europe’s most electrifying new metal forces, turning pain into power with their raw honesty and sonic ferocity. Their previous releases “Upside Down” (2022) and “Persistence” (2023) introduced their unique sound — a crushing fusion of heaviness and melody that speaks to those battling anxiety, toxic relationships, and personal demons.

Their live shows are a full-body experience, uniting fans across Europe and the UK. Stellvris have shared stages with legends like Megadeth, Jinjer, The Black Dahlia Murder, and The Ghost Inside, and have brought their sound to major festivals including Summer Breeze, Fallen Fortress, Brutal Assault, Basinfirefest, Kave Fest, and Fajtfest. Their breakout single “Monster” even premiered exclusively via REVOLVER Magazine, solidifying their rise as one of Europe’s most powerful emerging metal acts.

For Stellvris, Shatter & Bloom isn’t just a debut — it’s a manifesto. It’s about finding strength in chaos, light in darkness, and turning silence into a roar that demands to be heard.

Rising Irish Folk Collective Madra Salach Announce Debut EP ‘It’s a Hell of an Age’ and Share Expansive New Single ‘I Was Just A Boy’

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Ireland’s most talked-about new alternative folk group, Madra Salach, have announced their debut EP It’s a Hell of an Age, set for release on January 23, and unveiled its sprawling, heartfelt second single “I Was Just A Boy.” The track follows their acclaimed debut “Blue & Gold,” which earned praise from The Line of Best Fit, So Young, The Independent, and others, while also landing spins on BBC 6 Music with Deb Grant.

After taking Ireland’s indie circuit by storm over the summer, the six-piece packed out their debut London show at The George, where word of mouth spread fast and audiences responded feverishly to their unreleased material. With Erin Barker from T-Time now managing the group and recent praise from Left of the Dial, Madra Salach are quickly becoming one of the most anticipated live acts heading into festival season, with slots at Live at Leeds, The Great Escape: First 50, and Eurosonic. The band has also shared stages with Kim Deal and will support Gurriers, Cliffords, and Brógeal later this year.

Madra Salach’s sound is steeped in the Irish folk tradition but driven by experimentation and emotional honesty. The band met through Dublin’s indie scene and began performing impromptu pub sessions inspired by the country’s rich musical canon. Their evolution from folk purists to genre-shifting storytellers reflects a modern take on Ireland’s cultural legacy, blending harmonium, synths, and mandolin with textured, electronic layers.

Frontman Paul Banks explains, “The song came from Adam, it was originally just the riff and I remember saying that it would work well as a brief instrumental track. We started playing around with it as a full band, and suddenly we had this 7 minute track on our hands. I centred the lyrics around my adolescence, the tumultuous nature of it. We had fun experimenting with pedals for some unique sounds on the outro, it’s a bit of a diversion from the more straightforward folk writing on our first single.”

With It’s a Hell of an Age, Madra Salach promise a bold introduction that captures both the tenderness and turbulence of youth, delivered with poetic heart and fearless innovation. “I Was Just A Boy” is out now on all streaming platforms.

Tour Dates:
27 October — Roisin Dubh, Galway, Ireland (Supporting Brógeal)
30 October — The Academy, Dublin, Ireland (Supporting Brógeal)
11 November — Ulster Sports Club, Belfast, Ireland (Supporting Cliffords)
13 November — Folklore, London, England (TGE: First 50)
15 November — Live at Leeds (In the City), Leeds, England
28 November — Other Voices, Dingle, Ireland
29 November — Other Voices, Dingle, Ireland
1 December — The Caves, Edinburgh, Scotland (Supporting Brógeal)
2 December — The Caves, Edinburgh, Scotland (Supporting Brógeal)
14 December — London Irish Centre, London, England (Sunday Seisiún Charity)
20 December — Button Factory, Dublin, Ireland (Supporting Gurriers)
31 December — Whelan’s, Dublin, Ireland (New Year’s Eve)
15 January — Eurosonic, Groningen, Netherlands

Alt-Rock Collective Puscifer Summon the Shadows on New Single ‘Pendulum’ from Upcoming Album ‘Normal Isn’t’

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Puscifer have unleashed “Pendulum,” the second track from their upcoming album Normal Isn’t, out Feb. 6. The new single arrives with a striking video that channels the eerie allure of the 1980s post-punk underground, introducing a new character to the ever-expanding Pusciverse: Bellendia Black, a ghostly vision of elegance and melancholy wrapped in black fabrics and moonlit mystery.

“The dramatic and romantic nature of this track induces a sonic sense memory that transports me back to the dark and moody dance floor of Club Iguana, Austin, TX, circa 1985,” says Maynard James Keenan. “I can almost smell the clove cigarettes.”

Mat Mitchell adds, “Featuring Fairlight and reverb-soaked vocals, ‘Pendulum’ is a nod to the ’80s dark underground,” while Carina Round calls it “gorgeous synths coiling around sweet, twisted melodies while the world burns.” The trio’s haunting chemistry turns the track into a surreal blend of beauty and unease, embodying Puscifer’s signature balance of humor, danger, and cinematic sound.

The band first previewed Normal Isn’t with “Self Evident,” praised by Revolver as “a dark-rumbled and fuzz-born missive,” by Stereogum as “gnarly,” and by Consequence as “an absolutely hypnotic song… instantly captivating.” The new record, written and recorded across Arizona, Los Angeles, and on the road during last year’s Sessanta tour, expands that vision with raw guitars and an unfiltered edge. “We got rid of the guard rails and made the music more aggressive,” says Mitchell.

Keenan explains, “Normal Isn’t reflects this time we are living in. As storytellers and artists, our job is to observe, interpret, and report. We take in our environment and share what we see, and what we see around us does not appear normal. Not by a long shot.” With contributions from Greg Edwards, Gunnar Olsen, Sarah Jones, Tony Levin, Danny Carey, and Mr. Ian Ross, Normal Isn’t promises to be Puscifer’s boldest experiment yet—a haunting mirror of our strange modern world.