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Adekunle Gold Expands His Fuji Era With ‘FUJI XTRA’ and a First-Ever Collaboration With Olamide

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Adekunle Gold has been building something significant with his FUJI project, and ‘FUJI XTRA,’ out now on all streaming platforms, deepens that world with 5 new tracks and a collaboration that’s been years in the making. More than a deluxe edition, it’s a genuine extension of a creative chapter still very much in motion. Listen here.

The centerpiece is “Formation,” the first-ever collaboration between Adekunle Gold and Olamide, 2 artists whose paths have been intertwined since Olamide signed Gold to YBNL Nation after hearing his viral 2016 debut single “Sade.” That origin story gives the track real weight. Gold describes it plainly: “This song means a lot to me because it’s the first time Olamide and I have collaborated. We always said the moment had to be right. Formation felt like that moment. It represents the future of Fuji music.”

The remaining 4 tracks each bring their own dimension to the project. “Shake Shake” features TML Vibez, injecting new-generation energy into the mix. “Blue Fire” reunites Gold with Simi, one of his most trusted creative partnerships, adding melodic warmth and familiar synergy. Solo standouts “Life of the Faaji” and “I Got Wiser On My Own” round out the set, each reinforcing the project’s cultural grounding and forward momentum.

With FUJI, Gold reconnected with the percussive intensity, rich storytelling, and dynamic structure of Fuji music, weaving in Afrobeats and global influences without diluting its cultural identity. Fuji, as Gold defines it, is also an acronym: Finding Uncharted Journeys Inside. “I grew up on fuji,” he says. “It’s at every party, every event. It’s ingrained in me.” OKAYAFRICA called the original album “a sleek effort that reimagines the groovy, Yoruba folk-heavy rhythms of fuji music.” Rolling Stone praised its “bright energy and joyous urgency.”

Gold’s catalog runs deep: ‘Gold’ debuted at number 7 on the Billboard World Albums Chart in 2016, ‘About 30’ earned a Grammy nomination for Best World Album, and subsequent releases have produced global hits and consistent critical recognition. ‘FUJI XTRA’ arrives alongside the announcement of an Orchestra Series bringing the FUJI sound to North America through a live symphonic experience. Tickets are available now.

‘FUJI XTRA’ Tracklist:

  1. Formation (featuring Olamide)
  2. Shake Shake (with TML Vibez)
  3. Blue Fire (featuring Simi)
  4. Life of the Faaji
  5. I Got Wiser On My Own

Chicago’s Sparklmami Turns a Bolero Into a Letter to Her Mother on the Stunning New Single “quisiera”

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Sparklmami’s new single “quisiera” is one of the most emotionally precise things she’s released yet. Out now via Verve Records/slowplay, the track is her own version of a traditional bolero, steeped in the genre’s inherent romance and inextricable rhythm, but redirected entirely. Rather than a lover, the song is addressed to her mother, carrying a deep yearning to bridge the emotional and generational distance between them with mutual understanding. It’s a powerful reframe of a classic form, and it lands exactly as intended.

“quisiera” is the latest preview from ‘in this body,’ Sparklmami’s debut album arriving June 5. The record is a guided meditation on identity, childhood memory, and the familial, cultural, and geographic forces that shape who we become. Sparklmami mines her own psyche and spins surreal imagery from it, each song a portrait of her life filtered through a dream-like soundscape of generational and cultural music that colored her upbringing.

The album was built collaboratively and organically. Executive producers Eddie Burns and William Corduroy anchored the rhythm section alongside Alec Trickett on percussion, Josh Jessen on keys and synths, and Kenneth Leftridge Jr. on saxophone, with the full band improvising and building songs together symbiotically under Sparklmami’s direction. Contributors from a wider musical community include Nico Segal of The Social Experiment, Alex Santilli of Thee Sacred Souls, Raphael Olivier, Adlai Reinhart, and Chris Misch.

The momentum around this album has been building steadily. Last month she opened for Joy Crookes and rusowsky in Chicago, and supported rusowsky for a sold-out hometown show at Thalia Hall. She also rejoined “running” for a re-release featuring a remix from LA producer Mndsgn and a live version recorded with her Chicago band, followed by a California and Texas run with Rio Kosta.

This summer, Sparklmami plays a hometown show at Chicago’s Millennium Park Summer Music Series supporting Patrice Rushen on June 25, then headlining dates in Brooklyn at Baby’s All Right on July 8 and in Los Angeles at Moroccan Lounge as part of Jazz Is Dead on July 22.

‘in this body’ Tracklist:

  1. no te vayas
  2. fajas
  3. vaga
  4. running
  5. quisiera
  6. penso en voce
  7. grounded
  8. it was 5 am
  9. in this body

Upcoming Live Dates:

June 25 – Chicago, IL – Millennium Park Summer Music Series (supporting Patrice Rushen)

July 8 – Brooklyn, NY – Baby’s All Right

July 22 – Los Angeles, CA – Moroccan Lounge (Jazz Is Dead)

Eunike Tanzil’s ‘Dreamscapes’ EP Turns Childhood Imagination Into Orchestral Adventure

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Eunike Tanzil’s new EP ‘Dreamscapes’ arrives June 26 on Deutsche Grammophon’s Yellow Label, and its origins are as vivid as the music itself. Growing up in Indonesia in a city without live orchestras, Tanzil’s first encounter with orchestral sound came through animated films. Those early impressions are the emotional DNA of all 6 tracks here, each one a poetic miniature conjuring imaginative soundworlds built from childhood memory and compositional precision.

The Los Angeles-based Indonesian composer, pianist, and producer recorded ‘Dreamscapes’ again with the Deutsches Symphonie-Orchester Berlin and conductor Anna Handler, the same team behind her debut Deutsche Grammophon album ‘The First of Everything,’ released in September 2025 to warm critical reception. Der Spiegel praised her “complex instrumentation” and absence of “intellectual pretension,” noting her works are “sometimes powerful, sometimes fragile, always intensely emotional and driven by a deep love of melody.” HIGHRESAUDIO called her command of emotional packaging a mastery of virtuosity.

Tanzil describes the new EP’s creative core directly: “Dreamscapes brings me back to those early memories of being a child again, with music that captures optimism and hope. I used the orchestra as a canvas to paint my imagination, like soaring through the clouds or a dog chasing butterflies.”

The title track opens like the start of a journey, rich orchestral landscapes establishing the adventure immediately. “SOARING!” follows with scurrying strings, jaunty woodwind, and resounding brass punctuated by Tanzil’s solo piano. The 3/4 rhythm of “Flying Kites” suggests movement and color high in the air. 2 tracks, “Pearl’s Lullaby” and “Pearl’s Fantasia,” are paired: the lullaby rendered in solo piano with a gently rippling melody, then expanded into full orchestral development. The EP closes with “The Ringtone Waltz,” which takes a world-renowned theme by Spanish composer Francisco Tárrega and transforms it into an elegant waltz, a showcase for Tanzil’s ability to reinvent any musical fragment entirely.

Tanzil and Handler have been friends and artistic collaborators since meeting as students at The Juilliard School. Their partnership recently extended to the world premiere of Tanzil’s ‘Prelude to Light,’ conducted by Handler with her own ensemble Enigma Classica at her debut at the Hamburg Elbphilharmonie on April 17, 2026. Handler also previously premiered Tanzil’s ‘Ode to the City of Dreams’ at the Hollywood Bowl with the LA Philharmonic.

This year, Tanzil has been named a Classic FM Rising Star and announced as the Colorado Springs Philharmonic’s first composer in residence, a collaboration beginning in September 2026 as the orchestra celebrates its centennial season. The first single “Dreamscapes” is out now, with “Pearl’s Lullaby” following June 5 ahead of the full EP on June 26.

Stella Cole Brings Her Sold-Out Café Carlyle Residency to Record With ‘Live at Café Carlyle’

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Stella Cole’s sold-out 2025 debut residency at Café Carlyle is now a record. ‘Live at Café Carlyle’ arrives June 26 via Decca Records US, captured across 5 nights at one of New York City’s most storied rooms, and today she shares the first single, a rendition of “Pure Imagination” from Willy Wonka & the Chocolate Factory, as an early glimpse into what the full album holds. Listen here.

Recorded by Tyler McDiarmid during Cole’s June 17-21, 2025 residency, produced by GRAMMY winner Matt Pierson, and mixed and mastered by Christopher Allen, the album documents an evening of warmth, wit, and effortless sophistication. Backed by a trio of Michael Kanan on piano, Michael Migliore on bass, and Hank Allen-Barfield on drums, Cole moves through a program rooted in film and classic standards, songs she first encountered through golden-age Hollywood musicals and timeless cinematic ballads, all reimagined through a voice and interpretive sensibility that feels both deeply traditional and entirely her own.

Hailing from Springfield, Illinois, Cole first built her following through luminous online interpretations of American standards, earning praise from artists including James Taylor and quickly finding her way to stages at Birdland, Carnegie Hall, and Madison Square Garden. Her most recent studio release, ‘It’s Magic,’ produced by Pierson and arranged by Alan Broadbent, established her gift for intimate storytelling through vintage love songs. ‘Live at Café Carlyle’ brings that same emotional clarity into a room where audience connection and storytelling are inseparable from the music itself.

The album is available for pre-order now in vinyl, CD, and digital formats. Cole returns to Café Carlyle for a 5-night engagement running May 12 through 16, followed by a full run of US tour dates through the summer.

‘Live at Café Carlyle’ Tracklist (CD and Digital):

  1. Love Walked In
  2. Pure Imagination
  3. Singin’ in the Rain Introduction
  4. Singin’ in the Rain
  5. It’s Magic
  6. Till There Was You
  7. It Had to Be You
  8. I Happen to Like New York
  9. As Time Goes By Introduction
  10. As Time Goes By
  11. Something Good (from The Sound of Music)
  12. Perhaps, Perhaps, Perhaps
  13. Cry Me A River
  14. He’s A Tramp
  15. Moon River
  16. Anything Goes
  17. When the Sun Comes Out
  18. Over The Rainbow Introduction
  19. Over The Rainbow

‘Live at Café Carlyle’ Tracklist (Vinyl):

Side A:

  1. Love Walked In
  2. Pure Imagination
  3. Singin’ in the Rain Introduction
  4. Singin’ in the Rain
  5. It’s Magic
  6. It Had to Be You

Side B:

  1. I Happen to Like New York
  2. Moon River Introduction
  3. Moon River
  4. Perhaps, Perhaps, Perhaps
  5. Till There Was You
  6. He’s a Tramp
  7. Over the Rainbow Introduction
  8. Over the Rainbow

Tour Dates:

May 12-16 – New York, NY – Café Carlyle

May 27 – Phoenix, AZ – MIM

May 28-29 – Oakland, CA – Yoshi’s

May 30 – Boise, ID – Sapphire Room

June 1 – Minneapolis, MN – Dakota

June 3 – Springfield, IL – Hoogland Center

June 4 – Chicago, IL – Martin Theatre, Ravinia

June 25 – Alexandria, VA – Birchmere

June 26 – Cresco, PA – BARC Theatre

July 16-19 – New York, NY – Birdland

July 25 – Caroga Lake, NY – Caroga Lake Music Festival

July 26 – Montgomery, NY – City Winery Hudson Valley

July 29 – Bronx, NY – Wave Hill

aron! and Mei Semones Turn a Volcano Drive in Maui Into the Charming New Single “Macramé”

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Some songs have origin stories that do half the work for them. aron! and Mei Semones wrote “Macramé” in a car on the way up a volcano in Maui, and the result carries that spontaneous, sun-warmed energy from the first note. The new single is out now on Verve Records, and it’s the most vivid preview yet of aron!’s highly anticipated debut album due later this year.

aron! describes the song with characteristic candor: “So I’m dating this girl named Mei and I wrote a song about imagining living together (getting way ahead of myself) and decorating our room. We’re hanging up posters and macramé (macramei). Mei wrote her verse in a car with me on our way up a volcano in Maui. She also wrote the crazy guitar stuff as she does.”

The track fuses indie rock with jazz-leaning guitar melodies, capturing the specific electricity of a new relationship before the nerves have fully settled. Mei Semones brings her intricate guitar work and bilingual lyricism to the collaboration, with verses shifting between English and Japanese in the way that feels completely natural within her songwriting world. “I admire Aron so much as a musician so I am very happy we got to make this song,” she says. “It was so fun to write and practice different lines together. I always learn new things when we play.”

Semones is one of the most compelling rising voices in contemporary indie and jazz. Named an artist to watch by the New York Times, The FADER, Pigeons & Planes, and Rolling Stone, the 25-year-old Brooklyn-based guitarist and songwriter has built her reputation on a sound that moves fluidly between jazz, bossa nova, and indie-pop, with lyrical frameworks that flutter between English and Japanese. Her debut album ‘Animaru’ arrived in May 2025, followed by her collaborative EP ‘Kurage,’ recorded across London, New York, and her hometown of Ann Arbor. Standout performance sessions with COLORS, Vevo DSCVR, KEXP, and Audiotree have amplified her reach significantly.

aron! arrives at “Macramé” with serious momentum of his own. Born in Charlotte, NC, he studied classical composition at the University of North Carolina School of the Arts before earning a full scholarship to the University of Miami, where he majored in jazz voice and film scoring. His 2 previous singles have already drawn significant attention. John Mayer praised “Wonderful Thing” on his SiriusXM channel, calling aron! “really good at putting harmonic information in a tune that is both complex, which shines nicely on aron! and his talent, but also is right for the tune.” The Line of Best Fit called him “proof that jazz isn’t just alive, it’s evolving.”

“Macramé” is the third single building toward aron!’s debut album on Verve Records, following “Wonderful Thing” and “Foolsong.” The full picture is coming together fast.

Jon Batiste Announces Three Solo Piano Albums, Starting With ‘Black Mozart’ on Juneteenth

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 Multi-Grammy, Emmy, and Oscar winner Jon Batiste today announced his next three studio albums, starting with Black Mozart (Batiste Piano Series, Vol. 2), out June 19 on Decca Records US. The release date intentionally lands on Juneteenth, underscoring the deeper cultural context of the album as Batiste reimagines the classical tradition through a Black American musical lens. Marking the second installment in Batiste’s solo piano series, the album continues to showcase the pianist’s engagement with transformative composers from multiple eras using elements of spontaneous composition and improvisation. An artist who “actively promotes the normalization of musical ambidexterity” (Downbeat), Batiste also announced today the upcoming release of Batiste Piano Series Volumes 3 and 4, focusing on Thelonious Monk: Monk Meditations and Monk Movements, both set for release on Verve Records on August 14. Batiste’s intent with the three albums was to “curate a musical conversation between Monk and Mozart with me at the piano, honoring them and contributing to their kindred legacies.” He continues:

“Wolfgang Amadeus Mozart, a pioneer who created his own musical language yet honored his predecessors, a master of symmetry and refiner of structure and form, seamlessly combined extreme melodic simplicity with intense complexity that challenged the conventions of his time but still had a universal appeal. … Like Thelonious Monk, for me a latter-day example of all the same qualities, Mozart was a meticulous metaphysician who created a special blend of logical mastery that still somehow defies explanation.”

Born into a long line of Louisiana musicians, Batiste trained as a classical pianist and received both bachelor’s and master’s degrees in jazz piano from The Juilliard School. As the pianist told The New York Times in a profile of the first album in the series, 2024’s Beethoven Blues, his love of combining his own music with the classics dates back to his teenage years, when he would improvise on Chopin and Bach while performing in New Orleans. Batiste’s well-known transcending of genre definitions is a by-product of this musical omnivory, but even more importantly it simply reflects the pianist’s joyful engagement with all music, past and present, and his conviction that jazz music is a portal through which all music can be understood and can intercommunicate. The second volume of the Batiste Piano Series turns the spotlight on Mozart, an equally joyful and musically omnivorous soulmate who happened to live two and a half centuries earlier. Batiste elaborates:

“He … absorbed everything that led to him and was the obvious successor of Johann Sebastian Bach. Both were keyboardists, supreme improvisers, providers of melody in all registers and purveyors of the percussive left hand. If Bach was a foundation, Mozart was a bridge that eventually led to the modern age. … I reimagined Mozart ‘Black,’ imbuing it with influences from jazz, rags, stride, blues, and stomps but still maintaining its core essence of modern classical music.”

The first volume of the Batiste Piano Series, Beethoven Blues, received a profound response from audiences and confirmed Batiste’s belief that the piano series should continue. But the idea is bigger than engagement with Classical composers. Batiste’s own reimagining of Classical models implies kinship arrows pointing in all directions, and when he thinks of Mozart, the pianist’s next thought is often about Thelonious Monk. Volumes 3 and 4 of the Batiste Piano Series – two volumes, he declares, because “one wasn’t enough” – are devoted to Monk, not only illustrating Batiste’s view of him as a latter-day parallel to Mozart but to honor a towering figure who has been immeasurably influential on Batiste himself. In his liner notes for the album, written out in rhythmic lines to musicalize his words about the music, the pianist says:

“Even before I knew who he was, I started to have some of the same musical thoughts that he had.
About how to catch the ictus of the swing. About super-syncopation and the humor of harmony. About melodic rhyme and drama. About the piano being 88 tuned drums. …
Monk music makes my brain and my soul feel aligned in a very special way.
He is my favorite pianist of all time – not just jazz pianist, any style pianist.
The way he hears the harmony and the sound he produces on piano is something that should be applied to all styles of playing.”

Though both albums are inspired by the same artist, the complexity of Monk’s music lends itself to many different approaches, and Batiste’s two albums are on different paths: Monk Meditations is likely the first ever new-age meditation album inspired by Thelonious Monk, while Monk Movements reimagines his straight-ahead jazz compositions into long form virtuosic piano movements, expanding the canon of solo piano works. As with Black Mozart and Beethoven Blues before it, what shines through is the consistently innovative enthusiasm of the interpreter, “a once-in-a-generation talent, with a passion for … connecting people through a shared love of music-making” (Classic FM).

These three releases follow the success of Beethoven Blues, which was #1 on the Billboard Classical Albums chart for five consecutive weeks and #1 on Classical Crossover Albums for nine consecutive weeks. It was also Batiste’s highest chart debut on the Billboard Top 200, at #64. The pianist recently kicked off his “Jon Batiste Live: A Fantastical Musical Journey” tour, which will include symphonic shows with the Colorado Symphony Orchestra and the Boston Pops; international festival dates at KOKO in London, Umbria Jazz Festival, and Rock in Rio; U.S. dates at Forest Hills Stadium in New York and the Greek Theatre in Los Angeles, and more. He’s also set to join Tyler Childers as a special guest on select dates of Childers’s 2026 Snipe Hunt stadium tour, including Wrigley Field in Chicago and Folsom Field in Boulder.

Batiste’s 2025 album, Big Money, won Best Americana Album at the 68th Annual Grammy Awards, marking the pianist’s eighth Grammy win. Beyond his work as a recording artist and performer, Batiste has also built a significant body of work as a film composer.  He is next set to compose the score for Amazon MGM’s reimagining of The Thomas Crown Affair, directed by and starring Oscar winner Michael B. Jordan and set for release in theaters on March 5, 2027.

Stephan Moccio Pays Tribute to Burt Bacharach and Revisits His Four Seasons Days on ‘Scenes From A Velvet Room’

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Stephan Moccio has written some of the most recognizable melodies of the last 2 decades, Celine Dion’s “A New Day Has Come,” Miley Cyrus’s “Wrecking Ball,” the Weeknd’s “Earned It,” and “I Believe,” the theme for the 2010 Winter Olympics. With ‘Scenes From A Velvet Room,’ arriving June 26 on Decca Records, he’s doing something different. He’s telling his own story. Listen here.

Today he releases “Dear Burt,” a wistful, piano-driven ode to the late Burt Bacharach, the composer and songwriter whose career arc mirrors Moccio’s in meaningful ways: falling in love with jazz first, pop later, and spending decades shaping the emotional lives of millions through melody. Contemplative and bright, the track is the second single from the album, following last month’s “Positano.”

The album’s origin is specific. Before the chart-breaking career took hold, the Canadian-born, Los Angeles-based artist took a gig playing piano 6 nights a week in the lobby of the Four Seasons Toronto. That period sits at the heart of ‘Scenes From A Velvet Room.’ Moccio describes what it taught him: how to read a room, how to curate a vibe without commanding it, how to enter a space quietly and leave gracefully. “I was the guy who was always behind the scenes,” he says.

The album opens with “Beneath The Amber Hour,” conjuring the amber light that filled the Four Seasons atrium at sunset during his late fall and early spring sets. That image persists across the record, giving it a consistent warmth and interiority. Moccio describes his approach at the time: “I had to enter with a very quiet tone. I had to noodle and play these little jazz licks and get under everyone’s skin. And then they’d realize there was a pianist in the room.”

New Orleans legend Branford Marsalis appears on 3 tracks, switching between soprano and tenor saxophone across “Like An Old Photograph,” “The Beautiful Undoing,” and “Opaline.” His melodic thread reaches its resolution on the album’s closing track, “I Break Everything I Love,” when Moccio finally brings the full melody home on piano. It’s the emotional center of the record, recalling the crushing ballads he used to close his Four Seasons sets, soft enough to avoid intruding on conversation but emotionally devastating for anyone paying attention.

Since his debut album ‘Tales of Solace,’ recorded during COVID, Moccio has built a massive Gen Z following. “Fracture” from that record has surpassed 143 million Spotify streams. Subsequent albums ‘Lionheart’ in 2021 and ‘Legends, Myths, and Lavender’ in 2024 have each generated tens of millions of additional plays. ‘Scenes From A Velvet Room’ arrives as his most personal and narratively rich work yet.

‘Scenes From A Velvet Room’ Tracklist:

  1. Beneath The Amber Hour
  2. Room 3A
  3. Melt
  4. Pink Lady
  5. Positano
  6. Like An Old Photograph (ft. Branford Marsalis)
  7. Dear Burt
  8. Bossa Noir
  9. The Beautiful Undoing (ft. Branford Marsalis)
  10. Where The River Heals
  11. Opaline (ft. Branford Marsalis)
  12. I Break Everything I Love

49 Winchester Preview ‘Change of Plans’ With the Moving New Track “Oh Savannah”

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49 Winchester have been building toward this moment for years, and ‘Change of Plans,’ arriving May 15 via Lucille Records/MCA, looks like the album that makes it undeniable. Today the Virginia-based alt-country outfit share “Oh Savannah,” the latest preview from the record and one of the most moving things they’ve put their name on. Listen here.

Written by frontman Isaac Gibson with Jessie Jo Dillon and Chris Tompkins, “Oh Savannah” draws directly from the band’s time recording in Savannah, Georgia with GRAMMY-winning producer Dave Cobb, the man behind landmark records for Chris Stapleton and Sturgill Simpson. Cobb executive produced ‘Change of Plans’ at his Savannah studio in just 8 days, and the efficiency of that process hasn’t cost the record any depth. If anything, it captured the band at their most immediate and self-assured.

“Oh Savannah” follows recent releases “Slowly” and “Pardon Me,” each signaling a new creative era for the group, one defined by emotional honesty and fearless exploration. The track also arrives alongside their debut under Lucille Records/MCA, a striking cover of Black Sabbath’s “Changes” that announced the new chapter on its own terms.

Billboard has called them “among the top-tier groups over the past decade, blending elements of rock, country, blues and Americana into its own signature musical stew.” Whiskey Riff goes further, predicting that “in a few years, as the 2020s are coming to an end, we’ll look back at 49 Winchester as one of the most important bands of the decade.” Led by Isaac Gibson alongside Bus Shelton, Chase Chafin, Noah Patrick, Tim Hall, and Justin Louthian, the band has spent years honing this sound in Appalachian soil and on stages across the country, including 2 nights at Nashville’s Ryman Auditorium last fall.

Gibson sums up the band’s trajectory simply: “We started this thing from the smallest seed possible… and by staying true to that same mindset, it finally feels like now is our time to come up.”

Album release week brings performances at the Grand Ole Opry and The Blue Room in Nashville, plus 2 nights at The Caverns in Pelham, Tennessee. On May 11, the band plays an in-store performance and album signing at Grimey’s in East Nashville. The touring schedule through the rest of 2026 is extensive, with headline dates alongside support runs for Eric Church and Tim McGraw across arenas and amphitheatres from coast to coast.

2026 Tour Dates:

May 12 – Nashville, TN – Grand Ole Opry

May 13 – Nashville, TN – The Blue Room

May 15 – Pelham, TN – The Caverns

May 16 – Pelham, TN – The Caverns

May 29 – Ponte Vedra Beach, FL – Ponte Vedra Concert Hall

May 30 – Orlando, FL – The Plaza Live

May 31 – Panama City Beach, FL – Gulf Coast Jam

June 2 – Wilmington, NC – Greenfield Lake Amphitheatre

June 5 – Dewey Beach, DE – Bottle & Cork

June 7 – Amagansett, NY – Stephen Talkhouse

June 26 – North Platte, NE – NebraskaLand Days

June 27 – Lubbock, TX – Cotton Fest

July 7 – Morrison, CO – Red Rocks Amphitheatre (with Eric Church)

July 9 – Bethel, NY – Bethel Woods Center for the Arts (with Tim McGraw)

July 10 – Holmdel, NJ – PNC Bank Arts Center (with Tim McGraw)

July 11 – Hershey, PA – Hersheypark Stadium (with Tim McGraw)

July 16 – Toronto, ON – RBC Amphitheatre (with Tim McGraw)

July 17 – Cuyahoga Falls, OH – Blossom Music Center (with Tim McGraw)

July 18 – Burgettstown, PA – The Pavilion at Star Lake

July 23 – Camden, NJ – Freedom Mortgage Pavilion (with Tim McGraw)

July 24 – Wantagh, NY – Northwell Health at Jones Beach Theater (with Tim McGraw)

July 25 – Saratoga Springs, NY – Broadview Stage at SPAC (with Tim McGraw)

July 30 – Boston, MA – Fenway Park (with Tim McGraw)

July 31 – Syracuse, NY – Empower FCU Amphitheater (with Tim McGraw)

August 1 – Darien Center, NY – Six Flags Darien Lake (with Tim McGraw)

August 6 – Virginia Beach, VA – Veterans United Home Loans Amp (with Tim McGraw)

August 7 – Raleigh, NC – Coastal Credit Union Music Park

August 8 – Charleston, SC – Credit One Stadium

August 13 – Birmingham, AL – Coca-Cola Amphitheater (with Tim McGraw)

August 14 – Charlotte, NC – Truliant Amphitheater (with Tim McGraw)

August 15 – Bristow, VA – Jiffy Lube Live (with Tim McGraw)

August 21 – Kansas City, MO – Morton Amphitheater (with Tim McGraw)

August 22 – East Troy, WI – Alpine Valley Music Theatre (with Tim McGraw)

August 23 – Minneapolis, MN – Target Field (with Tim McGraw)

August 27 – Cincinnati, OH – Riverbend Music Center (with Tim McGraw)

August 28 – Clarkston, MI – Pine Knob Music Theatre (with Tim McGraw)

August 29 – Grand Rapids, MI – Acrisure Amphitheater (with Tim McGraw)

September 4 – Louisville, KY – Fourth Street Live!

September 10 – Austin, TX – Moody Center (with Tim McGraw)

September 11 – Dallas, TX – Dos Equis Pavilion (with Tim McGraw)

September 12 – Rogers, AR – Walmart Arkansas Music Pavilion (with Tim McGraw)

September 17 – St. Louis, MO – Hollywood Casino Amphitheater (with Tim McGraw)

September 18 – Noblesville, IN – Ruoff Music Center (with Tim McGraw)

September 19 – Tinley Park, IL – Credit Union 1 Amphitheatre (with Tim McGraw)

September 24 – Alpharetta, GA – Ameris Bank Amphitheatre (with Tim McGraw)

September 25 – Tampa, FL – Midflorida Credit Union Amphitheatre (with Tim McGraw)

September 26 – West Palm Beach, FL – iThink Financial Amphitheatre (with Tim McGraw)

October 3 – Grant, OK – Stage 271 at Choctaw Casino & Resort

October 24 – Gilbert, AZ – The Smoke Show Festival

November 13 – The Woodlands, TX – Cynthia Woods Mitchell Pavilion (with Treaty Oak Revival)

Teyana Taylor and Wale Bring “Bed of Roses” Back With a Remix Built for the Moment

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Teyana Taylor collected the Visionary Award at the 2026 Billboard Women in Music ceremony, then made sure no one forgot the performance. She and Wale debuted the “Bed of Roses” remix live on that stage, his slick bars locking in against her sultry vocals in a surprise collaboration that landed exactly as those moments should. The remix is out now via Def Jam Recordings. Listen here.

The original “Bed of Roses” appeared on ‘Escape Room,’ Taylor’s GRAMMY-nominated album and short film that earned widespread acclaim from The New York Times, Rolling Stone, and Billboard, and picked up a 2026 GRAMMY nomination for Best R&B Album. Wale’s verse on the remix adds a new dimension to one of the project’s standout moments, expanding its emotional range without pulling it from its roots.

Taylor arrives at this release having just added a Golden Globe and an Academy Award nomination to her already formidable résumé. Her turn as Perfidia Beverly Hills in Paul Thomas Anderson’s Academy Award-winning film ‘One Battle After Another’ earned unanimous praise and a Golden Globe for Best Supporting Actress. As a GRAMMY winner, Oscar nominee, Golden Globe winner, actress, producer, and director operating at full creative force across every lane simultaneously, Taylor is one of the most complete artists working today. The “Bed of Roses” remix is the latest proof.

Jessie Reyez and Elyanna Unite Two Worlds on FIFA World Cup 2026 Track “Illuminate”

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The Official FIFA World Cup 2026 Album just added its most emotionally cinematic entry yet. “Illuminate,” a new collaboration between Jessie Reyez and Elyanna, is out now via SALXCO UAM and Def Jam Recordings, produced by GRAMMY Award-winning producer Cirkut. It brings together alternative R&B, global pop, and Middle Eastern influence in a track built around emotion, identity, and cross-cultural connection. Listen here.

The pairing carries real weight. Reyez is one of the most fearless voices in contemporary R&B and pop, a Toronto-rooted global force with 2 RIAA 2x Platinum singles in “Imported” and “Figures,” a Polaris-longlisted album in ‘Yessie,’ and a songwriter’s résumé that includes Dua Lipa, Sam Smith, Kehlani, LISA of BLACKPINK, and Calvin Harris. Elyanna is a Palestinian-Chilean artist raised in Nazareth who became the first artist to perform in Arabic at Coachella, has collaborated with Coldplay on “We Pray,” and has been steadily bringing Middle Eastern sounds to global audiences at a scale few have managed before.

Together on “Illuminate,” their distinct perspectives lock into something genuinely moving, a track that earns its place on a global stage without reaching for it. Reyez is donating her artist fee to charitable causes, while Elyanna intends to support charitable initiatives aligned with the tournament’s global moment.

“Illuminate” joins a growing album that already includes “Lighter” by Jelly Roll and Carín León, “Por Ella” by Los Ángeles Azules and Belinda, and “Echo” by Daddy Yankee and Shenseea. Each track brings a distinct cultural perspective, and “Illuminate” adds a dimension none of the others occupy, more emotional, more cinematic, more interior.

Reyez arrives at this collaboration in full momentum. Her fourth studio album ‘A LITTLE VENGEANCE’ arrives June 12 via FMLY/Island Records, and she has already described it as her most daring and uncompromising work yet. A book of poems, a Grammy-winning soundtrack contribution, Billboard Canada’s Women in Music Trailblazer Award, and major festival runs across South America, Australia, Asia, and North America all sit in the recent rearview. The next chapter is already in motion.