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Don Broco and Nickelback Collide on Ferocious New Single “Nightmare Tripping”

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Don Broco aren’t easing into their new era. “Nightmare Tripping,” the title track from their forthcoming album on Fearless Records, hits hard and fast, featuring Nickelback’s Chad Kroeger in a collaboration nobody saw coming and everybody needed.

The track storms forward on crunchy guitars, hard-hitting drums, and a razor-sharp vocal trade-off between Rob Damiani and Matt Donnelly, with Kroeger adding unmistakable grit to the mix. It swings from fevered screams to a chant-ready melodic chorus without losing a step. The cinematic, film-noir-inspired music video, directed by Gordy De St. Jeor and shot in a burnt-out L.A. haunted house, matches the song’s intensity frame for frame.

The band describes the concept with real precision: “Nightmare Tripping is the uncertainty between dreams and reality. When the paralysis demon holding you down forces you to confront what you’ve tried to escape by going to sleep, blurring the boundaries of consciousness.” Heavy territory, handled with total confidence.

‘Nightmare Tripping’ the album arrives May 27th via Fearless Records, reuniting the band with longtime collaborator Dan Lancaster. Early singles have already mapped out the terrain: “Cellophane” brought nu-metal swagger, “Hype Man” delivered hook-driven adrenaline, “Disappear” exposed raw emotion, and “Euphoria” brought dance-floor grooves and a massive chorus. Together, they point to Don Broco’s most expansive record yet.

Live, the band continues to pull bigger reactions with every tour. 2026 brings a major London date supporting Biffy Clyro, festival sets at ROCK IM RING and Rock For People, and more still to be announced.

Emily Ann Roberts Turns Home Renovation Into a Country Hit With Playful New Single “Whipped”

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Emily Ann Roberts has a gift for finding a great song in an everyday moment. Her new single “Whipped,” out now via Sony Music Nashville, turns the chaos of home renovation into a playful, spunky country track that’s fun from the first second to the last.

Roberts wrote the song with Jeremy Spillman, Trent Willmon, and Ryan Beaver, drawing inspiration from her husband Chris and all the projects he’d taken on renovating their first home together. “This song is playful, dramatic and fun from the first second to the last,” she shares. “I can’t wait to play it live.”

That live energy is coming soon. Roberts joins Cody Johnson for his Live ’26 Tour in the U.K. and Ireland later this year, a high-profile run that puts her in front of some of country music’s most passionate audiences. She’s also actively writing and recording new music alongside select headlining dates across the country.

“Whipped” is a confident, charming single from a rising country voice who knows exactly how to connect with an audience. It lands with warmth, humour, and the kind of effortless relatability that makes country music work at its best.

Meghan Trainor Drops the Empowerment Anthem “Get In Girl” From Her New Album ‘Toy With Me’

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Meghan Trainor means business. The global pop superstar has dropped “Get In Girl” via Epic Records, a full-throttle empowerment anthem and the second taste of her seventh album ‘Toy With Me’, out now.

The track hits with real emotional punch. “This song is for everyone who finally realized they deserve more,” Trainor shares. “Sometimes you just need a song that reminds you that love shouldn’t feel exhausting, and that leaving is okay and might be the most powerful thing you can do.” That message is direct, honest, and the song delivers it without flinching.

“Get In Girl” follows “Still Don’t Care,” the album’s first single, which pushed listeners to stop seeking validation from others and own exactly who they are. Across both tracks, Trainor is building something cohesive and confident, and ‘Toy With Me’ delivers on that promise front to back.

The music video makes the whole thing feel like a celebration. Trainor dances freely across iconic Los Angeles landmarks including The Grove and Rodeo Drive, even crashing a celebrity sighting shuttle tour. It’s fun, fearless, and completely on brand.

With ‘Toy With Me’ out now, Trainor is taking the music on the road for The Get In Girl Tour, produced by Live Nation, kicking off in June 2026. The run includes stops at Madison Square Garden in New York City and the Kia Forum in Los Angeles. Big rooms for a pop star firing on all cylinders.

Traditional Country Torchbearer Alex Miller Goes All In on New Album ‘More Country Than You’

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Alex Miller isn’t chasing trends. The rising traditional country singer-songwriter’s new album ‘More Country Than You’ is out now on Billy Jam Records, and it’s ten tracks of unfiltered, steel-and-fiddle country music that knows exactly what it is and wears it proudly.

The album opens with Miller’s take on “Too Much Fun,” the 1995 Top 5 hit by the late Daryle Singletary. It’s a statement of intent right from the jump, blowing the doors off a classic and making it feel immediate again. Produced by industry veteran Jerry Salley and recorded in Ashland City, TN, the record carries the kind of craftsmanship that traditional country demands.

The title track brings in rising star Emily Ann Roberts for a classic male/female back-and-forth, the two trading verses in a boot-scootin’ competition for the countriest crown. It’s playful, sharp, and genuinely fun. “The Byrd,” featuring Tracy Byrd, brings similar energy, channeling the spirit of the great “Moe & Joe” duets while staying firmly planted in today’s soundscape.

The album’s emotional range is real. “As Far As His Mem’ry Lets Her Go” is a never-before-recorded tearjerker about how past pain limits new love. “Why Does My Heart Ache” is a showstopper ballad. “Just A Mom” is a piano-forward tribute dedicated to Miller’s own mother. The depth here is earned, not manufactured.

“Secondhand Smoke,” his current radio single, keeps the twang burning. “Memories And Gin” leans into tasty guitar licks and prominent steel. The album closes with “The Ones That Take Me Home,” Miller’s own love letter to country music itself. It’s the right note to end on.

‘More Country Than You’ is out now on Billy Jam Records.

Cameron Whitcomb Covers Tyler Childers With an Amazon Original That Demands Your Attention

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Cameron Whitcomb is everywhere right now, and for good reason. The acclaimed singer-songwriter has dropped “All Your’n,” an Amazon Music Original cover of the Tyler Childers fan favourite, available exclusively on Amazon Music alongside an official live performance video. It’s a bold, confident choice of song, and Whitcomb delivers. Listen here.

The timing couldn’t be better. Whitcomb is currently out on the road as special guest on Hardy’s The Country! Country! Tour, working through a run of US and Canadian dates through July. He’s operating at a level where every move lands with real weight.

His own headline run, the Fragile Egos Tour, produced by Live Nation, kicks off May 17th at Madison, WI’s The Sylvee, with US dates continuing from there. It’s his most ambitious headlining push yet, and the demand is already proving the moment is his.

That demand is even more apparent Down Under. Whitcomb’s headlining tour of Australia and New Zealand has seen nearly every date sell out, with additional shows added in multiple markets to keep up. That’s not a slow burn, that’s a full ignition.

Festival season adds even more to the plate, with top-billed appearances at Two Step Inn, Stagecoach, and more already locked in. Whitcomb is moving fast, and “All Your’n” is a strong reminder of exactly why.

13 Albums That Are Better With Coffee

There’s something about the first cup of the morning that demands the right soundtrack. Not too loud, not too frantic — just something warm, unhurried, and alive. Here are 13 albums that are better with coffee.

Beach House – Depression Cherry

The French-press companion. Its airy synths and slow-burn pacing, particularly the opening track “Levitation,” are perfect for a quiet, slow-motion morning.

Norah Jones – Come Away With Me

A staple for a reason. Jones’s calming vocals and gentle jazz-folk production are the sonic equivalent of a warm latte.

Bon Iver – For Emma, Forever Ago

Indie-folk warmth. This album’s quiet, intimate, and introspective sound is best enjoyed while looking out a rainy window.

Nick Drake – Five Leaves Left

For the reflective coffee drinker. Its soothing acoustic sound provides a mellow start to the day.

Joni Mitchell – Blue

A masterpiece of intimacy and emotion. The stripped-down, confessional tone pairs beautifully with a hot black coffee.

Bonobo – Black Sands

Chill electronic beats. The ideal background music for working or waking up slowly, combining soothing vocals with coffeehouse-worthy ambiance.

The Album Leaf – Into the Blue Again

Slow-burning ambient instrumentals. Perfect for a cozy morning in, or on a rainy afternoon in a cafe.

Khruangbin – Texas Moon

A dreamy, instrumental-forward collaboration that brings a groovy, relaxed, and slightly psych-influenced vibe to a sunny morning.

Miles Davis – Kind of Blue

The quintessential coffee-shop jazz album. Its slow, melodic, and sophisticated sound enhances the atmosphere of any morning.

Dave Brubeck Quartet – Time Out

Cool jazz, featuring the iconic “Take Five.” Its intelligent yet relaxed rhythm is great for focused work or a leisurely Sunday morning.

Kings of Convenience – Riot On an Empty Street

A gentle, intimate acoustic album from Norway that fits perfectly in a cafe.

The Head and the Heart – Let’s Be Still

Folk-pop with warm harmonies, perfect for a calm and positive start to the day.

Neil Young – After the Gold Rush

A relaxed, acoustic-driven album featuring simple, heartfelt songwriting that pairs perfectly with a slow morning.

Gwen Farrell, MAS*H Actress and Trailblazing Boxing Referee, Dies at 93

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Here is an obituary for Gwen Farrell:


Gwen Farrell, MAS*H Actress and Trailblazing Boxing Referee, Dies at 93

Gwen Farrell, the actress who brought warmth and quiet steadiness to her recurring role on the beloved television series MAS*H and who later broke barriers as one of the first women to referee professional boxing, died Thursday in Sherman Oaks, California. She was 93. Her son, Keith Farrell, confirmed the cause was natural causes.

Born Gwendolyn Yancey on November 29, 1932, in Austin, Texas, Farrell was the daughter of Lovie Yancey, who would go on to found the Fatburger restaurant chain. She carried that same entrepreneurial independence throughout her own remarkable life.

Farrell made her screen debut in 1972 and went on to appear in 26 episodes of MAS*H across its celebrated 11-season run, portraying a series of nurses — Nurse Butler, Nurse Wilson, Nurse Able, and Nurse Gwen among them — right through to the show’s iconic finale in 1983. Her additional screen credits included Soylent Green, Earthquake, The Towering Inferno, Starsky and Hutch, and Billy Jack Goes to Washington.

But it was her second career that may have defined her most boldly. In 1979, Farrell became one of the first women licensed as a boxing referee in California, stepping into a world where women were rarely seen, let alone respected. She earned that respect anyway. On June 5, 1988, she made history as the first woman to officiate a world title fight, a junior-middleweight bout in Tijuana, Mexico. In 2005, she was inducted into the World Boxing Hall of Fame.

“With confidence, fairness, and unwavering composure, she earned the respect of fighters, trainers, and fans alike,” her family wrote. “She didn’t just do the job — she broke barriers and proved that strength comes in many forms.”

To those closest to her, she was simply a grandmother, a guiding light, and a steady source of love.

She is survived by her husband, Frank Adair, and her son, Keith Farrell.

How to Get Verified on X

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A lot has changed on X — formerly Twitter — over the past few years, and one of the biggest shifts has been around verification. That little blue checkmark used to feel exclusive, almost mysterious. Today, the process is far more straightforward, and honestly, more accessible than ever.

Here’s a clear breakdown of how it works and whether it’s worth your time.

What Verification Actually Means No

The old system — where Twitter’s team reviewed your account and decided you were notable enough for a badge — is gone. Since April 2023, verification on X is tied to a paid subscription called X Premium. That’s the new reality, and it applies to everyone equally, from major celebrities to everyday creators.

The blue checkmark no longer signals fame. It signals that you’re a real, paying, active account holder who has passed X’s basic eligibility checks. Think of it less as a status symbol and more as a trust signal.

The Different Types of Badges

Not all checkmarks are the same. X currently offers three:

  • Blue checkmark — For individual X Premium subscribers
  • Gold checkmark — For verified organizations (starting at $200/month)
  • Gray checkmark — Reserved for government accounts and officials

For most people — creators, journalists, musicians, publicists, small business owners — the blue checkmark is what they’re after.

What It Costs

Pricing in 2026 breaks down like this:

  • Basic — $3/month (no checkmark included)
  • Premium — $8/month on web, $11/month on iOS or Android
  • Premium+ — $16/month on web, $22/month on mobile

One practical tip: always subscribe through the X website rather than the mobile app. The markup from Apple and Google’s app store fees adds up to over $36 extra per year for no reason.

The Requirements

Paying alone doesn’t guarantee the badge. Your account also needs to meet these conditions:

  • A complete profile with a display name and profile photo
  • A confirmed phone number linked to the account
  • Active use within the last 30 days
  • An account that is at least 90 days old
  • No signs of deceptive behaviour, impersonation, or repeated branding changes
  • A public account — private accounts are not eligible

X reviews each account after subscription. Approval typically takes anywhere from a few hours to seven business days, though accounts with a strong posting history tend to move through faster.

Step-by-Step: How to Appl

  1. Go to x.com in a browser (not the app, for cost reasons)
  2. Click your profile picture and select “Premium” or “Verified”
  3. Choose between Premium and Premium+ — both include the blue checkmark
  4. Verify your phone number if you haven’t already
  5. Complete the payment process
  6. Wait for X to review and approve your account

Once approved, the blue checkmark will appear next to your name across posts, replies, and search results.

A Few Things Worth Knowing

If you change your display name, username, or profile photo after being verified, the checkmark is temporarily removed while X re-reviews your account. Avoid making those changes during the review period, as it resets the process entirely.

Verification can also be removed if your account violates X’s rules — so maintaining consistent, authentic posting matters even after you get the badge.

Is It Worth It?

For anyone building a presence on X — whether in music, media, business, or content creation — there are real practical benefits. Verified accounts get priority ranking in replies and search results. You unlock access to X’s ad revenue sharing program. Longer posts, editing capabilities, and advanced analytics are all part of the Premium package.

The credibility question is more nuanced. Some people still see a paid checkmark as less meaningful than the old system. But in a world increasingly full of bots and impersonators, having any clear signal of authenticity still carries weight.

For those who are serious about their presence on X, the relatively modest monthly cost is worth considering.

Shoegaze Dream-Pop Soul Hongza Pours His Heart Into Yearning New Single “Lovesick”

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Hongza’s “Lovesick” is the real thing. The London-born, Vietnamese-Chinese singer-songwriter’s latest single lands with reverb-drenched riffs, driving drums, and a lush, dreamy melody that captures long-distance longing better than most tracks twice its ambition. It’s out now on new label Killabop.

Rolling Stone UK called it “a raw examination of identity, self-worth and love.” That framing holds up. “Lovesick” is about yearning for someone hundreds of miles away, and the euphoria that floods in when you finally get to see their face again. Hongza writes from a deeply personal place, and it shows in every layer of the track.

The single was produced by Larry Hibbitt, whose credits include Nothing But Thieves, Sea Girls, and Sundara Karma. That pedigree is audible. The production is expansive without being overworked, giving Hongza’s emotionally charged songwriting room to breathe and hit hard at the same time.

Hongza’s signing to Killabop marks a new chapter, and the label is already making moves. A synth-heavy demo version of “Lovesick” is available as a free download for subscribers to Hongza and Killabop’s mailing lists or YouTube channel, offering an early glimpse of where the sound is heading next.

Merthyr Tydfil Post-Punk Wrecking Crew BAMBEES Unleash Ferocious New Single “NOEYES//NOLOVE”

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BAMBEES hit different. The Merthyr Tydfil five-piece have dropped “NOEYES//NOLOVE” on Flip Flop Records, and it’s two and a half minutes of pure, controlled chaos that doesn’t waste a single second.

Built around a loud, groovy riff and relentless physical momentum, the track tackles something visceral: the idea of a parasite living inside you, a negative force that drains everything and can’t be shaken loose. BAMBEES handle it with raw aggression rather than self-pity, which is exactly the right call.

Moshville Times put it well, drawing early Pixies comparisons for the opening guitar work before noting the rest is entirely BAMBEES’ own brand of chaotic post-punk. That’s the sweet spot the band occupies: influences worn openly, identity completely their own.

Formed in the post-industrial heart of South Wales, BAMBEES are Rhys Davies (vocals), Ainslee Rees (lead guitar), Jamie Thomas (rhythm guitar), Sofia Reffell (bass), and Owen Evans (drums). On stage, they’ve built a reputation for high-energy performances that feel like rebellion and celebration simultaneously. They’ve supported The Blackout at Chepstow Castle, shared bills with Panic Shack and Coach Party, and earned airplay on BBC Introducing Wales. The groundwork is solid and the trajectory is clear.

“NOEYES//NOLOVE” packs more urgency and grit into its runtime than most bands manage across an entire EP. It’s a sweaty-room anthem with real teeth, and it lands exactly as hard as it should.