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Lee Newton Strips Down Fan Favorite “Carolina Rain” With a Raw New Acoustic Version

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Lee Newton knows how to make a song her own, and the new acoustic rendition of “Carolina Rain” proves it. The stripped-back version of the fan-favorite single, featured on her upcoming project ‘Beautifully Undone.’ Written by Tommy Barnes and Charlie Floyd, the song has clearly found a deep home with Newton. “It takes me back home, to the roots, the memories, and the heart of who I am,” she said. “This acoustic version is stripped down, raw, and real.”

The release adds to a stretch of strong momentum for the multiple Josie Music Awards winner, including Vocalist of the Year and Album of the Year. Newton recently shared an acoustic take on her own song “Your Hat,” and earlier this year joined Georgette Jones and Heidi Parton for a recording of the classic “Silver Threads and Golden Needles,” a song with roots stretching back to rockabilly pioneer Wanda Jackson and later associated with Dolly Parton, Tammy Wynette, and Loretta Lynn. Three artists honoring a tradition that runs deep.

Country Singer-Songwriter Sarah Harralson Finds Hope in a Classic Film Line on New Single “It Can’t Rain All The Time”

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Sarah Harralson has been building her Nashville career for over a decade, and her new single “It Can’t Rain All The Time” shows exactly why she’s still here. The song draws its title and emotional core from a line in the 1994 film The Crow, reframed as a pop-country and blues meditation on resilience. Harralson co-produced it with Dale Penner (Nickelback, Loverboy) at The Owl in Nashville and co-wrote it with Bill DiLuigi, known for his work with Bonnie Tyler. It’s out now on all major streaming platforms via Synapse Publishing & Entertainment. Listen here.

The track carries real personal weight. Harralson performs it regularly for hospital patients through her volunteer work with Nashville non-profit Musicians On Call, an organization she’s been part of since 2015 and through which she’s reached over 19,000 patients. The official music video, directed and produced by Dante Nazzaro and due April 10 on her YouTube channel, also reflects on the loss of her mother in 2024 and offers a preview of the upcoming documentary Women Behind the Lyrics, in which Harralson is profiled alongside three other independent country artists.

Session players Cole Edmonson (Tigirlily Gold) on guitar, David Santos on bass, and Bryn Scott-Grimes (Goldpine) on harmonica round out the track, with Harralson’s husband Andrew Kugler on drums. Harralson herself handled piano, acoustic guitar, and harmonies. Her autobiographical EP, ‘Just the Beginning,’ arrives this May with a corresponding short film.

Actor and Composer Greg Evigan Records New Orchestral Album at Abbey Road With the Royal Philharmonic

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Greg Evigan has spent decades on stage and screen, but his new album makes a strong case that his most compelling work is happening right now. Recorded in Studio One at Abbey Road Studios with a 65-piece London Royal Philharmonic Orchestra under conductor Joe Curiale, ‘Greg Evigan with London’s Royal Philharmonic Orchestra’ is a collection of eight original cinematic compositions that Evigan had previously only played on piano. Curiale’s orchestral arrangements gave them a full, sweeping life.

Evigan is best known to TV audiences from B.J. and the Bear and My Two Dads, but his musical roots run deep. He sang the theme for B.J., co-wrote the theme for Dads, studied piano classically, and has written for artists including Meghan Trainor and Chromeo. The new album was mixed and edited at the Los Angeles studio of his Grammy-winning son Jason Evigan, making it a genuinely family affair.

Tracks like “Breath That Runs Through” and “Tears Like Rain” land with the kind of melodic weight that holds up well on repeat. “His lush arrangements transformed the music I had previously only played on piano,” Evigan said of Curiale, “and brought it to life with the grandeur of a 65-piece orchestra.” The album is available here.

Aaron Chapman and Simon Kendall Tell the Unlikely True Story of Doug and the Slugs

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Vancouver’s Doug and the Slugs never quite fit the mold, and that’s exactly what made them matter. ‘Real Enough: The Unlikely Story of Doug & the Slugs,’ written by historian and musician Aaron Chapman and former Slugs keyboardist Simon Kendall, arrives April 10 from Anvil Press and digs into one of Canadian rock’s most genuinely singular stories. Too polished for punk, too irreverent for radio rock, the group built a Gold record career out of relentless touring and the magnetic pull of frontman Doug Bennett, the self-appointed clown prince of Canadian rock and roll.

Kendall brings a rare insider perspective. He joined the band in 1978 and spent fifteen years as its music director and keyboardist, part of a run that produced four Gold albums and saw the Slugs perform everywhere from New York to the North Pole. Chapman, a two-time Bill Duthie Booksellers’ Choice Award winner and elected member of the Royal Historical Society, brings the historian’s eye. Together they’ve assembled never-before-published photos, personal diaries, posters, ticket stubs, and ephemera that make ‘Real Enough’ as much a visual document as a biography.

RYA Launches RYA 2.0, the First Audience Intelligence Platform That Now Predicts the Audience Impact of the Marketing Campaigns It Creates

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RYA, the Creative AI partner purpose-built for marketers, today unveiled RYA 2.0, the next-generation brand intelligence platform. Spun out of a creative agency, RYA 2.0 marks the moment a decade of authentic audience data becomes a platform any marketer can use, with or without an agency, and move from insight to campaign-ready creative in minutes, not weeks.

Campaign success can then be accurately predicted via the RYA Score, a proprietary creative evaluation system that measures ideas against two dimensions: Radical (R-Score) and Acceptable (A-Score), producing a blended RYA Score that predicts cultural resonance before a dollar is spent. Great campaigns have to push far enough to get attention but not so far they alienate the audience. RYA Score gives marketers something no other AI platform can offer: a defensible, data-backed read on whether a creative idea will land. Built on an ever-expanding set of creative industry expert interviews with leaders from creative agencies like BBDO, Ogilvy, and Weiden+Kennedy to other creative professionals in film, television, Broadway, music, and magic and validated through a proprietary audience dataset a decade in the making, RYA is grounded in behavioral signals from real people, not scraped internet data.

RYA was already helping brands cut 6-8 weeks of strategy work down to a day. With the addition of RYA Score and RYA Chat, 2.0 is what happens when you add a creative evaluation engine on top of that foundation. Unlike general-purpose AI platforms, RYA is built on proprietary audience passion data collected from 1,000 people surveyed weekly by PhDs — our machine is real people. This foundation was built long before generative AI made everyone a content-creation machine, creating a competitive moat no rival can replicate.

As marketers have rushed to adopt generative AI platforms, a fundamental gap in that strategy has been exposed. When everyone uses the same models of ChatGPT and generic AI, trained on the same data, their outputs all begin to look the same. RYA doesn’t just create more campaigns at a faster rate — it creates marketing ideas grounded in proprietary intelligence.

RYA 2.0 introduces a fully redesigned user experience, including RYA Chat, a powerful context-aware agentic workflow that connects advanced trend identification tied to passion-based audience segments, built-in strategic frameworks designed for marketers, and integrated creative workflows that connect insight directly to execution. The conversational interface allows marketers to collaborate with the system in real-time, pressure-testing ideas, refining positions, and building out multi-channel campaigns in a continuous stream of dialogue.

“RYA 2.0 represents a shift from AI as a platform to AI as a true creative partner,” said Mark Himmelsbach, CEO & co-founder of RYA. “It turns out we didn’t just spend the last decade building an ad agency — we were laying the foundation of a data company without fully realizing it. RYA 2.0 is the moment we fully take advantage of that.”

As AI models continue to commoditize, competitive advantage no longer comes from access to technology alone. The true value comes from the quality of data and the expertise of those guiding it. By operationalizing proprietary intelligence within a purpose-built platform, RYA offers an alternative blueprint for how agencies and brands can evolve alongside AI.

Count Basie Orchestra Vocalist Dennis Rowland Honors a Jazz Giant With a New Memoir

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Dennis Rowland spent years as a featured vocalist with the Count Basie Orchestra, absorbing lessons in music, mentorship, and discipline from one of the most consequential bandleaders in American history. Now he’s put those lessons on the page. ‘Keeping the Beat: What Count Basie Taught Me About Music, Mentorship and Leadership,’ written with Phoenix author Marla Sheiner, is out now, timed to Jazz Appreciation Month and arriving forty years after Count Basie’s passing in April 1984.

The memoir places Rowland in a distinguished lineage that includes Basie vocalists Jimmy Rushing and Joe Williams, voices that helped define the orchestra’s sound across generations. “Dennis Rowland represents the living lineage of the Basie tradition,” says Count Basie Orchestra Director and Grammy-winning trumpet soloist Scotty Barnhart. “His story reflects the values that have sustained this music for generations.” A portion of proceeds from the book supports music scholarships.

Rowland’s motivation to write it came from a deeply personal place. Following a stroke, he felt the urgency of passing forward what Basie had given him. “Basie’s example taught me that a life in music is really about mentorship, discipline, and respect,” Rowland said. ‘Keeping the Beat’ is available now through Amazon and booksellers nationwide.

Multi-Platinum Country Hitmaker Nate Smith Teams Up With Honda for His Long Live Country Rock and Roll Tour

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Nate Smith has barely been on the scene two years and he’s already stacking multi-platinum singles, selling out headlining tours, and landing major brand partnerships. The Long Live Country Rock and Roll Tour, Powered by Honda, kicked off March 26 at Cain’s Ballroom in Tulsa with opener Brandon Wisham, and it’s rolling across the country through the spring. Special guests Josh Ross and Just Jayne join on select dates.

Honda’s involvement goes well beyond a logo on a banner. Smith, who regularly rides a Honda ATV on property near his Nashville home, personally designed a custom-wrapped Honda FourTrax Foreman Rubicon DCT EPS that’s on display at each tour stop, with fans entered to win it through a sweepstakes. “Designing a custom four-wheeler we get to give away to fans just takes it to another level,” Smith said. The partnership is built on genuine overlap, not a manufactured endorsement.

The numbers behind Smith are hard to argue with. Over 3.9 billion global career streams. Four consecutive number ones, including “Fix What You Didn’t Break,” after becoming the first artist in Country Aircheck/Mediabase history to launch with three straight multi-week chart-toppers. His self-titled debut went Gold, ‘California Gold’ followed with genre-blending collaborations featuring Avril Lavigne and Alesso, and the accolades, including ACM New Male Artist of the Year 2024, have kept coming. After this tour wraps, he’s direct support on Jason Aldean’s Full Throttle Tour 2026.

Universal Music Group Launches €500 Million Share Buyback Program on Euronext Amsterdam

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Universal Music Group has launched a €500 million share buyback program, purchasing its own shares on the Euronext Amsterdam Stock Exchange and several other European exchanges. The program, announced March 30 and now underway, covers a maximum of 50 million shares and is expected to wrap up no later than October 1, 2026. Trading decisions are handled independently through a single broker arrangement.

Repurchased shares will be used to meet obligations under UMG’s 2022 Global Equity Plan and potentially to reduce the company’s overall share capital. The program operates under EU Market Abuse Regulation guidelines and UMG will provide regular progress updates through press releases and its website.

Buyback programs of this scale typically signal a few things. A company deploying this kind of capital generally believes its shares are undervalued and wants to put that conviction on the record. It also returns value directly to remaining shareholders by reducing the total share count. For UMG, which has faced pressure around streaming revenue growth and the ongoing challenges of AI and digital rights, this move sends a clear message: the company’s leadership has confidence in its long-term position and the financial firepower to back it up.

Pet Shop Boys’ ‘Volume’ Marks 40 Years of the Most Visually Distinctive Duo in Pop History

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Forty years since ‘Please’ arrived and redefined what a pop duo could sound and look like, Pet Shop Boys get the definitive visual retrospective they’ve always deserved. ‘Pet Shop Boys Volume,’ out April 7 from Thames and Hudson, is a 560-page document of everything Neil Tennant and Chris Lowe have built across music, art, film, theater, design, and fashion. Over fifty million records sold. Three Brit Awards. Six Grammy nominations. Number ones including “West End Girls,” “It’s a Sin,” and “Always on My Mind.” The catalog alone is staggering, but this book is about the full picture.

Authors Chris Heath and Libby Sellers move through the duo’s entire visual output year by year, covering sleeve artwork, video stills, stage sets, costume designs, photoshoots, and collaborations with luminaries including Es Devlin, Zaha Hadid, Derek Jarman, and Wolfgang Tillmans. Philip Hoare’s original introduction is joined by new contributions from Sellers on Pet Shop Boys’ place in design history, and a foreword from Turner Prize-winning artist Jeremy Deller on the enduring power of their image. The jacket itself is designed by longtime collaborator Mark Farrow.

‘Pet Shop Boys Volume’ is a visual feast and an authoritative record of four decades of creative innovation from the most distinctive duo in pop history.

Herbie Hancock Institute Takes Its Prestigious Jazz Vocals Competition to Paris for the First Time

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The Herbie Hancock Institute of Jazz is taking its International Jazz Competition to Paris for the first time in its nearly four-decade history, and the 2026 edition has a focused, powerful theme: jazz vocals. In partnership with the Fondation Louis Vuitton, the competition will bring together exceptional young vocalists from around the world, all 30 and under, competing for more than $100,000 in scholarships and prizes. First place takes home $50,000.

The competition weekend lands October 10-11 at the Fondation’s Frank Gehry-designed Auditorium. Semifinals run Saturday, October 10, with the Finals and an All-Star Gala Concert closing things out Sunday evening. Acclaimed vocalist and Institute Trustee Dee Dee Bridgewater leads the jury. The whole event streams globally on Medici.tv, FLV Play, and YouTube.

The Institute’s track record speaks for itself. Past vocal competition winners include CĆ©cile McLorin Salvant, Jazzmeia Horn, Gretchen Parlato, Jane Monheit, and Veronica Swift, artists who now shape the international jazz conversation at the highest level. “The human voice is the very first instrument,” Herbie Hancock said. “A great vocalist brings language and music together in a way that feels deeply human.”

Applications are open now at hancockinstitute.org/competition, with a submission deadline of July 15, 2026.