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Melvins And Napalm Death Unite For ‘Savage Imperial Death March’

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The Melvins and Napalm Death have joined forces for ‘Savage Imperial Death March,’ arriving April 10 via Ipecac Recordings. More than a split release, the project is a full collaborative album featuring members of both bands writing and recording together. The title nods to their 2016 and 2025 Savage Imperial Death March tours, but this marks their first official studio release under the shared banner.

Recorded at the Melvins’ Los Angeles studio, the album brings together Buzz Osborne and Dale Crover with Napalm Death’s Barney Greenway, Shane Embury, and John Cooke. The first track, “Tossing Coins Into The Fountain Of F***,” premiered on SiriusXM’s Liquid Metal. Embury called the sessions “eclectic musical madness,” while Osborne described the process as a true 50/50 partnership built on trading riffs and recording ideas in real time. Greenway reflected on the full-circle moment, recalling his days collecting Melvins records before ultimately collaborating with one of his favorite bands.

David Nail Unveils “The Crown” And Launches Intimate “Down To The Studs Tour”

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David Nail returns March 6 with “The Crown,” a new single inspired by a true story from his hometown of Kennett, Missouri. Written with Anderson East, the track launched a two-year creative partnership that evolved into a full record. Nail describes it as the starting point for everything that followed. “A few hours later, ‘The Crown’ was born,” he said, recalling the first writing session that set the tone for the project.

To introduce the new music, Nail will hit the road solo on his 2026 “Down To The Studs Tour,” an acoustic run focused on small-capacity venues and direct connection. Traveling alone with a guitar, he plans to share stories and debut “The Crown” alongside his multi-platinum catalog. The newly added Southeast dates expand an already wide-reaching itinerary that stretches from Maryland and New England through Texas and into the Carolinas and Georgia.

The stripped-back format reflects Nail’s continued commitment to letting the story lead. The tour places him face-to-face with audiences in listening rooms and theaters across the country, emphasizing honesty and immediacy as he begins this next chapter.

“Down To The Studs Tour” 2026 Dates:

Feb. 26 – Hagerstown, Md. – Live at Hub City Vinyl
Feb. 27 – Bay Shore, N.Y. – Boulton Center For The Performing Arts
March 1 – Boston, Mass. – City Winery Boston
March 5 – Portland, Maine – One Longfellow Square
March 6 – Fall River, Mass. – Narrows Center For The Arts
March 8 – Fairfield, Conn. – StageOne at FTC
March 10 – Sellersville, Pa. – Sellersville Theater
March 11 – Lancaster, Pa. – Tellus 360
March 12 – Pittsburgh, Pa. – Crafthouse Stage & Grill
March 13 – Wooster, Ohio – The Lyric Theater

April 8 – The Woodlands, Texas – Dosey Doe
April 9 – Fort Worth, Texas – Tulips
April 10 – Austin, Texas – The 04 Center
April 11 – San Antonio, Texas – Sam’s Burger Joint and Music Hall

May 13 – Knoxville, Tenn. – Open Chord
May 14 – Rocky Mount, Va. – The Harvester Performance Center
May 15 – Galax, Va. – The Rex Theater
May 16 – Charlotte, N.C. – The Evening Muse
May 20 – Virginia Beach, Va. – Elevation 27
May 21 – Dunn, N.C. – Bird’s Nest Listening Room
May 22 – Savannah, Ga. – Victory North
May 23 – Greenville, S.C. – Peace Center – The Mockingbird
May 24 – Decatur, Ga. – Eddie’s Attic

June 13 – Goodhue, Minn. – Goodhue Volksfest*
July 11 – New Salem, N.D. – ND Country Fest*

*Full Band Shows

Atlanta Jazz Festival Returns To Piedmont Park For Memorial Day Weekend

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The 49th Annual Atlanta Jazz Festival returns to Piedmont Park Memorial Day weekend, May 23–25, bringing three days of free live music to the heart of the city. Presented by Design Essentials and powered by Bank of America, one of the nation’s largest free jazz festivals runs daily from 11 a.m. to 11 p.m., with performances scheduled from 1 p.m. through 11 p.m. Atlanta Mayor Andre Dickens shared a special video message ahead of the celebration, welcoming festivalgoers back for another year of music and community.

“This year’s festival features an exciting mix of national and local talent spanning traditional, smooth, contemporary, hip-hop, R&B, soul, funk, and modern jazz,” said Adriane Jefferson, Executive Director of the City of Atlanta – Mayor’s Office of Cultural Affairs. The weekend opens Saturday with Buddy Red, aja monet, Nate Smith, Christian McBride & Ursa Major, and Kamasi Washington. Sunday’s lineup includes Cleveland P. Jones, Myron McKinley Trio, Donnie – The Colored Section, Esperanza Spalding, and The Roots, while Monday closes with Cody Matlock, Nicole Zuraitis, Destin Conrad, Butcher Brown, and PJ Morton.

This year introduces new partners Sol Fusion as Festival Manager and Next Level Events overseeing artist booking and management. Sponsors also highlighted the festival’s deep community roots, with Design Essentials CEO Cornell McBride emphasizing Atlanta’s cultural influence and Bank of America Atlanta president Al McRae underscoring the arts’ role in strengthening local communities.

Beyond the main stage, the festival features the Publix KidZone, a range of food vendors offering everything from barbecue to Caribbean cuisine, and artisan booths showcasing art and merchandise. Admission remains free and open to the public, with VIP Lounge packages available for those seeking an enhanced experience.

Atlanta Jazz Festival 2026 Schedule – Piedmont Park:

Saturday, May 23
1 pm – Buddy Red
3 pm – aja monet
5 pm – Nate Smith
7 pm – Christian McBride & Ursa Major
9 pm – Kamasi Washington

Sunday, May 24
1 pm – Cleveland P. Jones
3 pm – Myron McKinley Trio
5 pm – Donnie – The Colored Section
7 pm – Esperanza Spalding
9 pm – The Roots

Monday, May 25
1 pm – Cody Matlock
3 pm – Nicole Zuraitis
5 pm – Destin Conrad
7 pm – Butcher Brown
9 pm – PJ Morton

Civil Villains Return With “Come Home” And Signal Bold New Chapter

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Oxford alt-rock and post-hardcore trio Civil Villains return with their new single “Come Home,” arriving February 10, 2026 via Thundersnuff Records. Formed in 2015 by James King, Mark Hudson, and Toby Warren, the band has built a reputation on intense live performances and songwriting that pushes against genre lines. “Come Home” offers the first glimpse of a larger body of work due later this year, capturing the trio at full throttle with intricate rhythms and sharp melodic turns.

Recorded at Shaken Oak Studios and Safehouse Studios in Oxfordshire, the single was produced and mixed by Mike Bannard alongside the band and mastered by Alain Paul Mastering in Germany. Early support has come from BBC Introducing’s Dave Gilyeat. The band describe the track as “musically and lyrically bipolar, lurching between cruelty and compassion,” adding that it arrived almost fully formed in one sitting and reflects their own creative tension.

Following early recordings with Josh Harrison and their debut EP ‘Snake Oil,’ Civil Villains sharpened their sound on 2023’s ‘Motion Sick.’ The forthcoming 2026 release leans into greater clarity and space while retaining their signature angular guitars and rhythmic unpredictability. With previous tours across the UK and North America and festival appearances including Portals, Envol Et Macadam, and Mondo NYC, the trio continue to expand their reach while refining a sound that balances precision with raw emotional force.

Fuerza Regida Announces First-Ever Stadium Run With “This Is Our Dream” Tour

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Fuerza Regida has announced its first-ever stadium tour, marking a major milestone for the Southern California band and Latin music at large. The nine-date “This Is Our Dream” tour, promoted by Live Nation, kicks off June 18 at Petco Park in San Diego and travels through major league ballparks and NFL stadiums before wrapping August 7 at Citi Field in New York. Artist presales run through February 15, with general on-sale beginning February 20.

The stadium leap follows a strong 2025 campaign that included sold-out shows at the Hollywood Bowl and Madison Square Garden in the same weekend, along with a major date at Estadio GNP Seguros in Mexico City. With more than 44 million monthly Spotify listeners and fresh momentum from their new single “Triston,” Fuerza Regida continues to expand its reach as one of the most-streamed acts in Latin music.

“This Is Our Dream” Tour Dates:
June 18 – San Diego, CA – Petco Park
June 20 – San Francisco, CA – Oracle Park
June 25 – Seattle, WA – T-Mobile Park
July 10 – Las Vegas, NV – Allegiant Stadium
July 12 – Phoenix, AZ – Chase Field
July 18 – Los Angeles, CA – Dodger Stadium
July 26 – Houston, TX – Daikin Park
July 31 – Arlington, TX – Globe Life Field
Aug. 7 – New York, NY – Citi Field

Sarah McLachlan Expands “Better Broken Tour” With Summer U.S. Dates

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Sarah McLachlan has announced additional summer dates for her “Better Broken Tour,” produced by Live Nation, in support of her latest studio album ‘Better Broken,’ released in September via Concord Records. The new run begins July 1 in Franklin, Tennessee, and stretches across the United States before concluding with two nights in Woodinville, Washington. Special guest Allison Russell will join on all upcoming dates.

The tour includes stops at several landmark venues, including Forest Hills Stadium in New York, Red Rocks Amphitheatre in Colorado, and two nights at the Greek Theatre in Los Angeles. The announcement follows a sold-out fall leg that saw McLachlan perform in major cities including Washington, D.C., New York, Boston, Chicago, and Los Angeles. Citi and Verizon presales begin February 17, with general on-sale starting February 19 at 10 a.m. local time.

‘Better Broken,’ McLachlan’s tenth studio album and first for Concord Records, was primarily recorded at Sound City Studios in Los Angeles. She collaborated with producers Tony Berg and Will Maclellan, alongside musicians Wendy Melvoin, Matt Chamberlain, Benny Bock, and Greg Leisz. The album’s title track opens the project with a reflective meditation on resilience and renewal.

Beyond the stage, McLachlan continues her philanthropic work through the Sarah McLachlan School of Music, which provides free music education to underserved youth in Canada. One dollar from every ticket sold on the tour will be donated to the school, which now serves more than 2,000 students annually.

“Better Broken Tour” 2026 Dates:

July 1 – Franklin, TN – FirstBank Amphitheater
July 3 – Atlanta, GA – Synovus Bank Amphitheater at Chastain Park
July 5 – Vienna, VA – Wolf Trap Filene Center
July 7 – Philadelphia, PA – TD Pavilion at Highmark Mann
July 8 – Bridgeport, CT – Hartford HealthCare Amphitheater
July 10 – Boston, MA – Leader Bank Pavilion
July 11 – Forest Hills, NY – Forest Hills Stadium
July 12 – Gilford, NH – BankNH Pavilion
July 14 – Lewiston, NY – Artpark Outdoor Amphitheater
July 15 – Sterling Heights, MI – Michigan Lottery Amphitheatre at Freedom Hill
July 17 – Grand Rapids, MI – Acrisure Amphitheater
July 18 – Chicago, IL – Huntington Bank Pavilion at Northerly Island
July 19 – Indianapolis, IN – Everwise Amphitheater at White River State Park
July 21 – Cincinnati, OH – PNC Pavilion
July 23 – Maryland Heights, MO – Saint Louis Music Park
July 24 – Kansas City, MO – Starlight Theatre
July 26 – Irving, TX – The Pavilion at Toyota Music Factory
July 28 – Morrison, CO – Red Rocks Amphitheatre
July 30 – West Valley City, UT – Utah First Credit Union Amphitheatre
Aug. 1 – Concord, CA – Toyota Pavilion at Concord
Aug. 2 – San Diego, CA – Rady Shell at Jacobs Park
Aug. 4 – Los Angeles, CA – Greek Theatre
Aug. 5 – Los Angeles, CA – Greek Theatre
Aug. 7 – Bend, OR – Hayden Homes Amphitheater
Aug. 8 – Woodinville, WA – Chateau Ste Michelle Winery
Aug. 9 – Woodinville, WA – Chateau Ste Michelle Winery

ASCAP Launches Virtual Care Benefit For Members Through MD Live

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The American Society of Composers, Authors and Publishers (ASCAP), the creator-first, future-forward PRO, announces that it has launched a new virtual care offering as part of its ASCAP Wellness Program, which includes a broad range of health and well-being benefits provided exclusively to its members. Through a collaboration with MD Live by Evernorth, a leading provider of virtual health care services in the U.S., ASCAP members and their eligible dependents can engage in virtual visits with board-certified MD Live clinicians for mental health, dermatology, or 24/7 urgent care—all at discounted pricing.

“We know that health and wellness are foundational to creative work and longevity in our industry, but many music creators struggle to access and afford health insurance,” said ASCAP Chief Strategy and Digital Officer Nick Lehman. “That is why it’s important for us to launch this service for our members, providing easy access to high-quality care at very reasonable costs – regardless if they have insurance or not.  As the only truly creator-first PRO in the US, our commitment to our members is to support them with the resources they need to be at their creative best.”

MD Live has a national network of board-certified doctors, pediatricians, dermatologists, psychiatrists and therapists who provide personalized care for medical and mental health needs. ASCAP members can sign up for access to MD Live virtual care services through the ASCAP Member Access portal.

“Virtual care is a huge benefit for people with busy lives who want to stay on top of their health,” said Vontrelle Roundtree, MD, MPT, Associate Chief Medical Officer, MD Live. “By connecting with doctors via phone or video calls, we can empower ASCAP members to take control of their health without sacrificing convenience.”

Virtual care is just one part of a broader suite of benefits within the ASCAP Wellness Program, which was developed to help nourish body, mind and spirit for ASCAP music creators. Members have special access to ASCAP community events, original editorial focused on the wellness needs of creators, and discounted services supporting mental health, mindfulness, and exercise. ASCAP also provides additional member benefits including deals on online music education, music software, hotels, marketing services and CD and vinyl printing.

The American Society of Composers, Authors and Publishers (ASCAP) is a membership association of more than 1.1 million songwriters, composers and music publishers, and represents some of the world’s most talented music creators. Founded and governed by songwriters, composers and publishers, it returns nearly 90 cents of every dollar collected to its members as royalties and has the lowest overhead rate of any U.S. PRO.  In 2025, ASCAP reported record-high financial results of $1.945 billion in revenues and $1.759 billion available in royalty distribution monies to its members. Over the last ten years, ASCAP has delivered a 6.7% compound annual growth rate for total revenues, and an 7.3% compound annual growth rate for total royalty distributions to members. ASCAP licenses a repertory of over 20 million musical works to hundreds of thousands of businesses that use music, including streaming services, cable television, radio and satellite radio and brick and mortar businesses such as retail stores, hotels, clubs, restaurants and bars. ASCAP collects the licensing fees, and identifies, matches, processes and pays royalties to its members for trillions of performances every year. The ASCAP blanket license offers an efficient solution for businesses to legally perform ASCAP music while respecting the right of songwriters and composers to be paid fairly. ASCAP puts music creators first, advocating for their rights and the value of music on Capitol Hill, driving innovation that moves the industry forward, building community and providing the resources and support that creators need to succeed in their careers. Learn more and stay in touch at www.ascap.com, on X and Instagram @ASCAP and on Facebook.

Jimmy Eat World Launch Massive ‘Bleed American’ 25th Anniversary Tour

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Today, Arizona rock icons Jimmy Eat World will kick off the celebration for the 25th anniversary of their seminal album Bleed American in a big way — with a massive Live Nation promoted tour that starts June 9 in Denver, CO, at the legendary Red Rocks Amphitheatre and ends in November at Vans Warped Tour in Orlando, FL.

The extensive trek marks Jimmy Eat World’s triumphant return to the Vans Warped Tour stage, in all five cities, after a 25-year absence and a trio of previously announced U.K. shows, with sold-out dates on Aug. 14 at The Piece Hall in Halifax and Aug. 15 at Cardiff Castle in Wales, followed by the biggest U.K. show in the band’s history on Aug. 16 at London’s Gunnersbury Park.

As they prepare for tour, the band members are approaching songs from the album with a perspective they lacked in the blur of 2001: intentional gratitude. For drummer Zach Lind, this tour feels like a second chance to show appreciation to the fans who provided their livelihood for the past 25 years. Lead vocalist and guitarist Jim Adkinsechoes this sentiment: “I feel like at this time in our lives, especially for me, it’s important to get back to a place that you can savor. This tour is designed to be an elevated version of our show, a heightened experience with production that reflects 25 years of learning how to stretch artistically in the live environment.” Fans can expect to hear the entirety of Bleed American, along with much more they’ll have to wait to see and hear!

Along the tour, Jimmy Eat World will be joined by very special guests (on select dates): Rise Against, Hot Mulligan, Sunny Day Real Estate, Thrice, Motion City Soundtrack, Mom Jeans, Minus the Bear, The Get Up Kids, PUP, Sparta, Hey Mercedes, Girls Against Boys, Illuminati Hotties, Teen Jesus and the Jean Teasers, and Jay Som.

Originally released July 24, 2001 via DreamWorks Records, Bleed American stands as a landmark album that helped push alternative rock into the mainstream, cementing Jimmy Eat World as pioneering artists of the 2000s music scene. The album has been certified platinum in the U.S. and gold in the U.K., with the essential single “The Middle” recently joining the Spotify Billion Streams Club. The record was not only a commercial breakthrough, but also a creative touchstone for a new wave of bands, with artists including Fall Out Boy, Paramore, Dashboard Confessional, Taking Back Sunday, and The Wonder Years citing the album as a major influence.

Adkins says: “When we printed the last mix of Bleed American, we felt like we had achieved something great for ourselves. There was no barometer of how it would connect with people outside of the studio, and we are still in awe with the life the record and songs have had since their original release. Bleed American is as much yours as it is ours, so we want to celebrate it with you all in a very special way.”

For the North America dates, tickets are available starting with an artist, CITI, and American Express presale (more details below) beginning Wednesday, February 11. Additional presales will run throughout the week ahead of the general onsale on Friday, February 13 at 10 a.m. local time.

Citi cardmembers will have access to presale tickets in the U.S. beginning Wednesday, February 11 at 10 a.m. local time until Thursday, February 12 at 10 p.m. local time through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

For the Canada shows, American Express® Card Members can purchase tickets before the general public beginning Wednesday, February 11 at 10 a.m. local time through Thursday, February 12 at 10 p.m. local time.

For Information on tickets and more, visit: JimmyEatWorld.com.

JIMMY EAT WORLD — 25 YEARS OF BLEED AMERICAN TOUR DATES

*Vans Warped Tour

++Non “Bleed American” Show

^Non Live Nation Show

June 9 –– Denver, CO –– Red Rocks Amphitheatre^ w/Sunny Day Real Estate + The Get Up Kids

June 11 –– Chicago, IL –– Huntington Bank Pavilion at Northerly Island w/ The Get Up Kids + Sunny Day Real Estate

June 12 –– Detroit, MI –– Michigan Lottery Amphitheatre at Freedom Hill w/ The Get Up Kids + Sunny Day Real Estate

June 13-14 –– Washington, D.C.  –– Vans Warped Tour*^

June 16 –– Brooklyn, NY –– Brooklyn Paramount w/The Get Up Kids + Hey Mercedes

June 17 –– New York, NY –– The Rooftop at Pier 17 w/Thrice + Girls Against Boys

June 19 –– Philadelphia, PA –– Highmark Skyline Stage at Mann w/Thrice + Hey Mercedes

June 20 –– Boston, MA –– MGM Music Hall at Fenway w/Thrice + Girls Against Boys

July 3 –– Calgary, AB –– Spruce Meadows++^

July 4 –– Fort McMurray, AB –– Hello Summer Festival++^

July 17 –– Bend, OR –– Hayden Homes Amphitheater w/Motion City Soundtrack + Illuminati Hotties

July 18 –– Seattle WA –– WAMU Theater @ Lumen Field w/Motion City Soundtrack + Illuminati Hotties

July 19 –– Vancouver, BC –– Doug Mitchell Thunderbird Sports Centre w/Motion City Soundtrack + Illuminati Hotties

July 22  –– Sandy, UT –– Sandy Amphitheater w/Motion City Soundtrack + Illuminati Hotties

July 24 –– Concord, CA –– Toyota Pavilion at Concord w/Mom Jeans + Motion City Soundtrack + Illuminati Hotties

July 25-26  –– Long Beach, CA  –– Vans Warped Tour*^

August 14 –– Halifax, UK –– The Piece Hall^ w/Rise Against, The Get Up Kids (SOLD OUT)

August 15 –– Cardiff, UK –– Cardiff Castle^ w/Rise Against, The Get Up Kids, Jay Som (SOLD OUT)

August 16  –– London, UK –– Gunnersbury Park^ w/Rise Against, The Get Up Kids, Jay Som

August 22 –– Montreal, QC  –– Vans Warped Tour*^

August 23 –– Toronto, ON –– RBC Amphitheatre^ co-headline w/PUP

September 6 –– Phoenix, AZ –– Chase Field^ supporting My Chemical Romance

September 9 –– Austin, TX –– Moody Amphitheater w/Minus the Bear + Sparta

September 10 –– Dallas, TX –– The Pavilion at Toyota Music Factory w/Minus the Bear + Sparta

September 12-13 –– Mexico City, MX –– Vans Warped Tour*^

November 12 –– Nashville, TN –– TBA

November 14 –– Tampa, FL –– MIDFLORIDA Credit Union Amphitheatre w/Hot Mulligan + Teen Jesus and the Jean Teasers

November 14-15 –– Orlando, FL  –– Vans Warped Tour*^

Buddy Guy Announces 90th Birthday Tour With Hollywood Bowl Finale

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HEADLINE: Buddy Guy Announces 90th Birthday Tour With Hollywood Bowl Finale

TAGS: Buddy Guy, Massey Hall, Kleinhans Music Hall, Prairie Band Casino & Resort, The Factory, The Chicago Theatre, Riverside Theater, Blue Gate Performing Arts Center, Ocean Casino Resort, Hollywood Casino at Charles Town Races, Keswick Theatre, Bergen Performing Arts Center, Lynn Memorial Auditorium, Palace Theater, State Theatre New Jersey, Ryman Auditorium, Atlanta Symphony Hall, St. Augustine Amphitheatre, Ruth Eckerd Hall, Saenger Theatre, Majestic Theatre, 3TEN Austin City Limits Live, The Cynthia Woods Mitchell Pavilion, Hollywood Bowl, The Rady Shell at Jacobs Park, The Showroom at Gila River Hotels & Casinos – Wild Horse Pass, Popejoy Hall, Paramount Theatre,

BLOG POST:
Blues legend Buddy Guy will celebrate his 90th birthday on July 30 with a sweeping North American tour that stretches through the summer and into early fall. The run serves as both a milestone celebration and a victory lap for one of the most influential guitarists in modern music. The announcement arrives as Guy continues to command stages with the same fire and finesse that defined his decades-long career.

The tour begins July 15 in Toronto at Massey Hall and winds through major cities including Chicago, Nashville, Atlanta, New Orleans, Austin, and Dallas. September dates bring Guy to Los Angeles for a performance at the Hollywood Bowl, followed by stops in San Diego, Chandler, Albuquerque, Denver, and Tulsa. The schedule places him in many of the country’s most storied venues as he marks nine decades.

The birthday celebration follows Guy’s recent cameo in the film ‘Sinners,’ which has earned 16 Academy Award nominations ahead of the March ceremony. As he approaches 90, Buddy Guy remains an active and commanding presence, carrying the blues forward one stage at a time.

Tour Dates:

July 15 – Toronto, ON – Massey Hall
July 18 – Buffalo, NY – Kleinhans Music Hall
July 20 – TBA
July 23 – Mayetta, KS – Prairie Band Casino & Resort
July 24 – St. Louis, MO – The Factory
July 25 – Chicago, IL – The Chicago Theatre
July 26 – Milwaukee, WI – Riverside Theater
July 29 – Shipshewana, IN – Blue Gate Performing Arts Center
July 31 – Atlantic City, NJ – Ocean Casino Resort

August 1 – Ranson, WV – Hollywood Casino at Charles Town Races
August 2 – Glenside, PA – Keswick Theatre
August 4 – Englewood, NJ – Bergen Performing Arts Center
August 5 – Lynn, MA – Lynn Memorial Auditorium
August 7 – Waterbury, CT – Palace Theater
August 8 – New Brunswick, NJ – State Theatre New Jersey
August 19 – Nashville, TN – Ryman Auditorium
August 20 – Atlanta, GA – Atlanta Symphony Hall
August 22 – St. Augustine, FL – St. Augustine Amphitheatre
August 23 – Clearwater, FL – Ruth Eckerd Hall
August 25 – New Orleans, LA – Saenger Theatre
August 27 – San Antonio, TX – Majestic Theatre
August 28 – Austin, TX – 3TEN Austin City Limits Live
August 29 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion
August 30 – Dallas, TX – Majestic Theatre

September 9 – Los Angeles, CA – Hollywood Bowl
September 11 – San Diego, CA – The Rady Shell at Jacobs Park
September 12 – Chandler, AZ – The Showroom at Gila River Hotels & Casinos – Wild Horse Pass
September 13 – Albuquerque, NM – Popejoy Hall
September 15 – Denver, CO – Paramount Theatre
September 18 – Tulsa, OK – TBA

Jupie Launches New Era With Reflective Single “Crotona”

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Baltimore-based indie rock artist Jupie, the project of Julius Unger Bowditch, returns with “Crotona,” a new single that signals the start of his 2026 chapter. The track marks his first collaboration with London-based producer Robbie Wyness following the release of ‘Brick Hill’ in 2023. Written between Baltimore and London, “Crotona” introduces a fuller, expanded sound while maintaining the emotional directness that defines Jupie’s work.

Originally drafted nine years ago while Bowditch was living on Crotona Avenue in the Bronx, the song has since been reshaped into a meditation on endurance and emotional strain. “Crotona is a song about the experience of holding on, pulling towards something until it is no longer the thing you were trying to save,” Bowditch explains. Stark imagery of snow, wind, and empty streets underscores lyrics that wrestle with fragile connections, ultimately centering on survival and the quiet act of telling yourself you’re okay when everything feels uncertain.