Video editor Bill McClintock has done it again. His latest mashup locks “Roxanne” by The Police together with Donna Summer’s “She Works Hard for the Money,” and the result is one of those combinations that makes you wonder why nobody tried it sooner. McClintock’s quiet thesis, that both songs share more than just a time signature, lands immediately once the tracks start weaving together. Guitars from L.A. Guns’ Tracii Guns (“Never Enough”) and Ratt’s Warren DeMartini (“Round and Round”) add another layer of unexpected muscle to the whole thing.
Bill McClintock’s Latest Mashup Pairs “Roxanne” and “She Works Hard for the Money” in Surprisingly Perfect Fashion
Haircut 100 Announce First Album in 43 Years With ‘Boxing The Compass’ Due This May
Haircut 100 have a new album coming, and that sentence alone carries real weight. ‘Boxing The Compass’ arrives May 29 via October is Orange Ltd, distributed in North America by BFD/The Orchard, with a vinyl release following June 26. It’s the band’s first full-length with the classic lineup since ‘Pelican West’ in 1982, a Platinum-certified, chart-topping debut that defined a moment in British pop and never really left the conversation.
The reunion gathered momentum when single “The Unloving Plum” became BBC Radio 2’s Record of the Week, followed by sold-out shows across North America and the UK. Nick Heyward, Graham Jones, Les Nemes and Blair Cunningham reconvened at Famous Times Studio in East London with producer Sean Read (Dexys), and what came out sounds unmistakably like them. The groove-driven, horn-laced melodic pop that made “Love Plus One” and “Favourite Shirts (Boy Meets Girl)” instant classics is still fully intact.
Heyward frames the album around navigation and return. “Boxing the Compass is the traditional way of finding out where you are on land or sea,” he says. “We’re arriving back at the port we left 43 years ago with a log of songs from our personal travels.” Nemes puts it more simply: “We are best mates but also a band. We light a spark inside each other as soon as we switch on the amps.” That’s not nostalgia talking. That’s a group of musicians who still trust each other completely.
‘Boxing The Compass’ is ten tracks of melodically rich, warmly produced pop from a band that earned its reputation the hard way and apparently hasn’t lost a step. On CD, digital and vinyl.
‘Boxing The Compass’ Tracklist:
- “Come Back To Me”
- “Vanishing Point”
- “Soul Bird”
- “Raincloud”
- “Sunshine”
- “The Unloving Plum”
- “Someone”
- “That’s a Start”
- “Dynamite”
- “A Wonderful Life”
Suwannee Hulaween 2026 Returns With Pretty Lights, My Morning Jacket and Three Nights of String Cheese
Suwannee Hulaween is back for its 13th edition, and the 2026 lineup is built to make a statement. Pretty Lights, My Morning Jacket, Excision, Geese and three nights of The String Cheese Incident lead the bill, with the festival returning to its home at Spirit of the Suwannee Music Park in Live Oak, Florida from October 22 to 25.
The supporting lineup spans electronic, jam, Americana and rock with real range. Ben Böhmer, Big Gramatik (Big Gigantic and Gramatik together), STS9, Unknown Mortal Orchestra, Green Velvet, Lettuce, Karina Rykman, Manic Focus, Of The Trees and Daily Bread are among the acts filling out the weekend. First-time Hulaween performers include Dope Lemon, Greyboy Allstars, Guerilla Toss, Jerro and Kasablanca, with curated takeovers from Green Velvet (LaLaLand), Of The Trees (Memory Palace) and the Def: Off Limits Stage adding another layer to the programming.
The festival has also made a deliberate move on pricing. Four-day GA passes start at $469, more than $75 less than 2025, a direct signal to the community that accessibility matters here. The Spirit Lake 360° Experience returns in full after attendee feedback, restoring the immersive walking path that’s become one of Hulaween’s most defining features alongside the forest-set Amphitheater Stage.
New for 2026 are glamping and preset RV pass options, expanded VIP access including a dedicated gate from Meadow Field camping, and an increased shuttle program across the park. Hulaween isn’t just maintaining what works. It’s actively improving the experience for everyone on the grounds.
Tickets and full pass details are available now at hulaween.com.
2026 Lineup (A-Z):
A Hundred Drums
Ahee
AK SPORTS
Anthill Cinema w/ Jon Ditty
Baalti
Ben Böhmer
Big Gramatik feat. Big Gigantic & Gramatik
Caitlin Kristo & the Broadcast
Casey Club
Close Friends Only
Costa
Crankdat
Curra
Daily Bread
Daniel Allan
Dope Lemon
Drama (DJ Set)
Effy
Eggy
EOTO & Friends
Excision
Geese
Gravagers
Green Velvet
Greyboy Allstars
Guavatron
Gudfella
Guerilla Toss
Hamdi
HerShe
Heyz
Hhunter
INVT
Jackie Hollander
Jerro
Jon Stickley Trio
Joy Wagon
KARAN!
Karina Rykman
Kasablanca
LaMP
Lettuce
Levity
Lewis OfMan
Lyny
Maddy O’Neal
Magoo
Manic Focus
Midnight Generation
Minim
Moonstone Riders
Motifv
Mountain Grass Unit
My Morning Jacket
Natalie Brooke
Of The Trees
Opiuo
Playlunch
Pretty Lights
Richard Finger
Riordan
Rudashi
Saka x Fly
Salute
Sneezy
Steller
STS9
Supertaste
Taper’s Choice
The Ain’t Sisters
The String Cheese Incident (3 Nights)
The Yeah Babys
Tini Gessler
Tire Fire
True Loves
Unknown Mortal Orchestra
Willis
Austin Electronic Collective XANIMAL and Nagavalli Deliver Hypnotic New Single “The Awakening”
XANIMAL have released their second single, and it lands in a completely different sonic space than their debut. “The Awakening,” featuring Austin collaborator Nagavalli, is a downtempo trip-hop track that weaves hypnotic tablas, lush atmospheric synths and funky breakbeats into something that feels genuinely cinematic. It’s available now on Bandcamp via New Human Music, with wider digital release on April 21.
The Austin-based trio, Claude McCan, Noëlle Hampton and Ken Christensen, built this one around a deliberate emotional shift. Their debut single ‘Love Axis’ leaned into bright 80s synth-pop energy. This track goes darker, more searching, and the addition of Nagavalli’s Eastern Soul vocals gives it a dimension the group couldn’t have reached on their own. Hampton’s lead vocals carry disillusionment and loss; Nagavalli’s layered vocalizations push the track toward something closer to transcendence. The contrast works.
“She is truly magical and brings so much emotion and expression with her singing,” says Hampton of Nagavalli. “With her vocals, our vision was complete.” McCan adds that the track pulls from deep in his musical history while reflecting the emotional weight of the current moment, a pivot from an earlier disco-influenced direction that no longer fit what the project needed to say.
The video, created by Fumihito Sugawara of Fumanstudios (who also designed the cover artwork), matches the track’s meditative intensity. God Is In The TV Zine called it “electro-pop with a passport and a pulse,” and that reads exactly right. XANIMAL aren’t chasing a lane. They’re carving one.
“The Awakening” is mastered by Max Lorenzen at Rare Ear Studio. More releases from XANIMAL are expected later this year.
BTS Rules a Dark Dystopia in Stunning New “Hooligan” Music Video
BTS have dropped the video for “Hooligan,” the latest visual from their ‘ARIRANG’ album era, and it’s a statement. The clip places all seven members, RM, Jimin, Jin, j-hope, SUGA, V and Jung Kook, across fog-drenched dystopian landscapes, delivering sharp choreography against barren terrain, a stark red platform, masked dancers and gravity-defying civilians floating through a dark, windswept passage. It’s cinematic, controlled and built for a stadium world tour that kicks off this week with three nights at Goyang Stadium in South Korea, running through to March 2027 across North America, Latin America, Europe, Australia and Asia. ‘ARIRANG’ is out now and sitting atop the Billboard 200 for a second consecutive week.
Robin Ross and The Melodynes Bring Flower Power Back With Breezy New Single “All I Want (Is A Lover)”
Robin Ross & The Melodynes have a new single out, and it sounds like 1967 never left. “All I Want (Is A Lover)” is out now via RPM Entertainment Enterprises, a sun-warmed, harmony-rich track built on buoyant rhythms and acoustic warmth that pulls directly from the flower power playbook without feeling like a museum piece.
The track’s already moving. It landed a featured placement in the Apple TV+ and Peacock original series “Margo’s Got Money Troubles,” appearing in the second episode airing April 15, 2026. The cast alone tells you the profile of this show: Elle Fanning, Michelle Pfeiffer, Nick Offerman and Nicole Kidman. Getting a sync in that room isn’t a small thing.
Songwriter and producer Robin Ross wrote the foundation of the track around a C-B-Am progression, capturing an early vocal scratch that he and vocalist JoEllen Gaetani later shaped into something complete. “The song is about letting love live without the stigma often placed on those who don’t ‘match the norm,'” Ross says. “It’s about moving past that and letting love flow like an atom in flight.” The track earns that sentiment, warm and unhurried, without overselling it.
Recorded at Baa Baa Leaf Music Studio in Milford, Pennsylvania, and co-engineered by Jonathan Duckett (Philip Glass, Kenny G, David Sanborn), the production reflects Ross’s three-plus decades behind the board. The result sits comfortably alongside the ‘Mind Space’ album, available now on Bandcamp digitally and on CD.
Ross, who co-founded the progressive rock outfit Jack’s Maze in the early ’90s, has been prolific lately, releasing records under multiple project names in 2025 alone. A fresh Jack’s Maze release is also expected later this year.
John Cleese Brings Monty Python and the Holy Grail’s 50th Anniversary to Hamilton
Fifty years on, “Monty Python and the Holy Grail” still holds up, and now John Cleese is hitting the road to prove it. Just For Laughs and Mills Entertainment have announced “Not Dead Yet! John Cleese and the Holy Grail at 50,” a special evening at Hamilton’s FirstOntario Concert Hall on Sunday, October 4, 2026, pairing a 50th anniversary screening of the film with a live conversation and audience Q&A with Cleese himself.
This isn’t a passive screening night. Cleese will be on stage after the film, sharing behind-the-scenes stories, fielding questions, and doing what he’s done for six decades: making rooms full of people laugh. VIP tickets include prime seating and a post-show photo opportunity with Cleese, making this one of the more personal comedy events the year will offer.
The film co-written and co-starred in by Cleese remains one of the most quoted, referenced and genuinely funny pieces of cinema ever made. Watching it in a concert hall setting, followed by the man himself unpacking how it all happened, is exactly the kind of experience that doesn’t come around twice.
Cleese’s career has never needed much of an introduction. From “Monty Python’s Flying Circus” and “Fawlty Towers” to “A Fish Called Wanda” and beloved franchise roles in Bond, Harry Potter and Shrek, his fingerprints are on a half-century of comedy history. This Hamilton show is a chance to hear him tell it in his own words.
Tickets go on sale Friday, April 10 at 10:00AM at ticketmaster.ca. Coconuts are not included.
SOCAN Hits Record $587M as Canadian Music Creators Navigate a Shifting Digital World
Canadian music rights organization SOCAN has posted record royalty revenue of $587.1 million for 2025, a 5% increase over the previous year, with $511.9 million distributed directly to songwriters, composers and music publishers across Canada and around the world.
The numbers reflect real momentum. Digital revenue sources totalled $232.8 million, an 11.5% year-over-year jump. General licensing and concerts climbed 16.1%. International revenue reached $141.7 million, confirming that Canadian music continues to travel well beyond its borders.
But SOCAN isn’t letting strong financials obscure a harder truth. CEO Jennifer Brown has been direct about the gap between organizational revenue growth and the daily economic reality facing working songwriters and composers. “There is an urgent need for modern protections rooted in consent, credit and compensation,” Brown said, “to provide songwriters and composers with a reliable foundation from which to support their families and continue making music.”
AI is now central to that fight. SOCAN’s national advocacy campaign generated 8,700 letters to the federal government, pushing back against any policy that would allow unlicensed use of music to train AI systems. The campaign reached the Prime Minister’s Office directly, with Brown and CISAC president Björn Ulvaeus (of ABBA) meeting with Prime Minister Mark Carney to make the case for protecting human creativity.
A 2025 SOCAN–Pollara survey found that 81% of Canadians believe supporting local music creators is essential to Canadian culture. That’s not a niche concern. SOCAN’s full 2025 Annual Report is available now, with the organization’s AGM scheduled for April 29, 2026, in Calgary.

