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Elvis Presley Gets Two New Releases To Celebrate 1969

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Jun 27, 2019

Elvis Presley Gets Two New Releases To Celebrate 1969

A pair of Elvis Presley box sets are on their way celebrating the 50th anniversary of the music he made in Las Vegas and Memphis in 1969. Live 1969 and American Sound 1969 are due out Aug. 9 and Aug. 23, respectively.

First chronicled in part on the album Elvis In Person At The International Hotel 50 years ago, Live 1969 showcases this incredibly, important phase in Elvis’ career in definitive detail – his first live shows following his triumphant, 1968 comeback for NBC after an 8 year absence from playing live. This box set features 11 complete sets from the first of his many engagements at The International Hotel (several of which are released in full for the first time, with one show entirely unreleased), allowing fans a more definitive picture of The King’s glorious return to the concert stage. In addition to a 52-page book which includes rare photos, memorabilia and an oral history by Ken Sharp curated from historic interviews with Elvis, Colonel Tom Parker, Tom Jones, Jerry Schilling, James Burton, Cissy Houston, Terry Blackwood, George Klein, Fats Domino and more.

Also, being released August 9, 2019 is the Graceland exclusive colored vinyl Elvis Presley: Live At The International Hotel, Las Vegas NV-August 26, 1969 Vinyl LP Set. “I was missing the contact with a live audience,” Elvis says in this show, and at every show during his first engagement at The International Hotel in Las Vegas. Apart from two shows in 1961 and the recent TV show, Elvis hadn’t performed on stage for 11 years. After years of increasingly worse movies and diminishing record sales, Elvis had just managed to turn his career around with his 1968 TV special. The show had aired on December 3, 1968, and it was a surprising reminder to the world of just how magnetic a performer Elvis Presley still was. Just weeks later Elvis recorded more than 30 songs in Memphis, some of the best work of his career, and the return to live performances on July 31, 1969 was the third step of his resurrection as an artist.

You can check them out here.

American Sound 1969, meanwhile, will comprise 90 tracks of rare and unreleased material that Elvis recorded during the American Studio sessions that produced his acclaimed record, From Elvis in Memphis. That set is available to pre-order and will only be available digitally.

Live 1969 Track List

Disc 1 – August 21, 1969, Midnight show
01) “Blue Suede Shoes”*
02) “I Got A Woman”
03) “All Shook Up”
04) “Love Me Tender”
05) “Jailhouse Rock/Don’t Be Cruel”
06) “Heartbreak Hotel”
07) “Hound Dog”
08) “Memories”
09) “Mystery Train/Tiger Man”
10) Monologue*
11) “Baby, What You Want Me To Do”
12) “Runaway”
13) “Are You Lonesome Tonight?”
14) “Yesterday/Hey Jude”
15) Introductions, including “Happy Birthday” sung to James Burton
16) “In The Ghetto (Scott “Mac” Davis)
17) “Suspicious Minds”
18) “What’d I Say”
19) “Can’t Help Falling In Love”

Disc 2 — August 22, 1969, Dinner show
1) “Blue Suede Shoes”
2) “I Got A Woman”
3) “All Shook Up”
4) “Love Me Tender”
5) “Jailhouse Rock/Don’t Be Cruel”
6) “Heartbreak Hotel”
7) “Hound Dog”
8) “Memories”
9) “Mystery Train/Tiger Man”
10) Monologue
11) “Baby, What You Want Me To Do”
12) “Runaway”
13) “Are You Lonesome Tonight?”
14) “Yesterday/Hey Jude”
15) Introductions
16) “In The Ghetto”
17) “Suspicious Minds”
18) “What’d I Say”
19) “Can’t Help Falling In Love”

Disc 3 — August 22, 1969, Midnight show
1) “Blue Suede Shoes”*
2) “I Got A Woman” *
3) “All Shook Up” *
4) “Love Me Tender”
5) “Jailhouse Rock/Don’t Be Cruel”
6) “Heartbreak Hotel”*
7) “Hound Dog”*
8) “Memories” *
9) “My Babe”
10) “Mystery Train/Tiger Man”
11) Monologue*
12) “Baby, What You Want Me To Do”
13) “Funny How Time Slips Away”
14) “Runaway”
15) “Are You Lonesome Tonight?”*
16) “Yesterday/Hey Jude”*
17) Introductions*
18) “In The Ghetto”*
19) “Suspicious Minds”*
20) “What’d I Say”
21) “Can’t Help Falling In Love”*

Disc 4 — August 23, 1969, Dinner show
01) “Blue Suede Shoes”
02) “I Got A Woman”
03) “All Shook Up”
04) “Love Me Tender”
05) “Jailhouse Rock/Don’t Be Cruel”
06) “Heartbreak Hotel”
07) “Hound Dog”
08) “Memories”
09) “Mystery Train/Tiger Man”
10) Monologue
11) “Baby, What You Want Me To Do”
12) “Runaway”
13) “Are You Lonesome Tonight?”
14) “Yesterday/Hey Jude”
15) Introductions
16) “In The Ghetto”
17) “Suspicious Minds”
18) “What’d I Say”
19) “Can’t Help Falling In Love”

Disc 5 — August 23, 1969, Midnight show
01) “Blue Suede Shoes”
02) “I Got A Woman”
03) “All Shook Up”
04) “Love Me Tender”
05) “Jailhouse Rock/Don’t Be Cruel”
06) “Heartbreak Hotel”
07) “Hound Dog”
08) “Memories”
09) “Mystery Train/Tiger Man”
10) Monologue
11) “Baby, What You Want Me To Do”
12) “Runaway”
13) “Reconsider Baby”
14) “Are You Lonesome Tonight?”
15) “Yesterday/Hey Jude”
16) Introductions
17) “In The Ghetto”
18) “Suspicious Minds”
19) “What’d I Say”
20) “Can’t Help Falling In Love”

Disc 6 — August 24, 1969, Dinner show
01) “Blue Suede Shoes”
02) “I Got A Woman”
03) “All Shook Up”
04) “Love Me Tender”
05) “Jailhouse Rock/Don’t Be Cruel”
06) “Heartbreak Hotel”
07) “Hound Dog”
08) “I Can’t Stop Loving You”
09) “Johnny B. Goode”
10) Monologue
11) “Baby, What You Want Me To Do”
12) “Runaway”
13) “Are You Lonesome Tonight?”
14 “Yesterday/Hey Jude”
15) Introductions
16) “In The Ghetto”
17) “Suspicious Minds”)
18) “What’d I Say”
19) “Can’t Help Falling In Love”

Disc 7 — August 24, 1969, Midnight show (Complete show previously unreleased)
01) “Blue Suede Shoes”
02) “I Got A Woman”
03) “All Shook Up”
04) “Love Me Tender”
05) “Jailhouse Rock/Don’t Be Cruel”
06) “Heartbreak Hotel”
07) “Hound Dog”
08) “I Can’t Stop Loving You”*
09) “Johnny B. Goode”
10) Monologue*
11) “Baby, What You Want Me To Do”
12) “Runaway”*
13) “Are You Lonesome Tonight?”
14) “Words (Robin, Barry & Maurice Gibb)
15) “Yesterday/Hey Jude”
16) Introductions*
17) “In The Ghetto”
18) “Suspicious Minds”
19) “Can’t Help Falling In Love”

Disc 8 — August 25, 1969, Dinner show (Complete show previously unreleased)
01) “Blue Suede Shoes”
02) “I Got A Woman”
03) “All Shook Up”*
04) “Love Me Tender”*
05) “Jailhouse Rock/Don’t Be Cruel”*
06) “Heartbreak Hotel”*
07) “Hound Dog”*
08) “Memories”
09) “Mystery Train/Tiger Man”*
10) Monologue*
11) “Baby, What You Want Me To Do”*
12) “Funny How Time Slips Away”
13) “Runaway”
14) “Words”
15) “Yesterday/Hey Jude”
16) Introductions*
17) “In The Ghetto”
18) “Suspicious Minds”*
19) “What’d I Say”*
20) “Can’t Help Falling In Love”*

Disc 9 — August 25, Midnight show
01) “Blue Suede Shoes”
02) “I Got A Woman”
03) “All Shook Up”
04) “Love Me Tender”
05) “Jailhouse Rock/Don’t Be Cruel”
06) “Heartbreak Hotel”
07) “Hound Dog”
08) “I Can’t Stop Loving You”
09) “My Babe”
10) “Mystery Train/Tiger Man”
11) Monologue
12) “Baby, What You Want Me To Do”
13) “Runaway”
14) “Are You Lonesome Tonight?”
15) “Words”
16) “Yesterday/Hey Jude”
17) Introductions
18) “In The Ghetto”
19) “Suspicious Minds”
20) “What’d I Say”
21) “Can’t Help Falling In Love”

Disc 10 — August 26, 1969, Dinner show
01) “Blue Suede Shoes”
02) “I Got A Woman”
03) “All Shook Up”
04) “Love Me Tender”
05) “Jailhouse Rock/Don’t Be Cruel”
06) “Heartbreak Hotel”
07) “Hound Dog”
08) “Memories”
09) “My Babe”
10) “Mystery Train/Tiger Man”
11) Monologue
12) “Baby, What You Want Me To Do”
13) “Runaway”
14) “Inherit The Wind”
15) “Yesterday/Hey Jude”
16) Introductions
17) “In The Ghetto”
18) “Suspicious Minds”)
19) “Can’t Help Falling In Love”

Disc 11 — August 26, 1969, Midnight show
01) “Blue Suede Shoes”
02) “I Got A Woman”
03) “All Shook Up”
04) “Love Me Tender”
05) “Jailhouse Rock/Don’t Be Cruel”
06) “Heartbreak Hotel”
07) “Hound Dog”
08) “I Can’t Stop Loving You”
09) “Mystery Train/Tiger Man”
10) Monologue
11) “Baby, What You Want Me To Do”
12) “Runaway”
13) “Are You Lonesome Tonight?” (Laughing version)
14) “Rubberneckin’”
15) “Yesterday/Hey Jude”
16) Introductions
17) “In The Ghetto”
18) “This Is The Story”
19) “Suspicious Minds”
20) “Can’t Help Falling In Love”

*Previously unreleased

The Velvet Underground’s ‘The Complete Matrix Tapes’ Gets Vinyl Box Set Release

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Jun 27, 2019

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The Velvet Underground’s ‘The Complete Matrix Tapes’ Gets Vinyl Box Set Release

The Velvet Underground toured extensively in 1969, but set up shop in San Francisco in November and early December for a series of 18 nights over four separate engagements, the first at the Family Dog, the rest at the fabled North Beach club the Matrix, opened in a one-time pizza parlor by Jefferson Airplane’s Marty Balin in 1965. Over the course of their residency, which began November 11th, the club’s four-track recorder, manned by owner Peter Abram from a booth at the side of the stage, was rolling through much of it captures the highlights of two nights – November 26, the day Richard Nixon authorized a bill to create a draft lottery, and November 27, Thanksgiving – as detailed in Rolling Stone editor David Fricke’s liner notes in the box set booklet.

Originally release as a CD box set, The Velvet Underground – The Complete Matrix Tapes makes its vinyl debut as a limited edition, eight-LP, 43-track box set and will be available worldwide on July 12 and exclusively available in the U.S. through shop.velvetundergroundmusic.com.

These shows, taped several months after the release of the third, self-titled Velvet Underground album earlier that year, and before heading to the studio to record Loaded the following spring, featured the post-John Cale incarnation of the band, with newest member Doug Yule on bass and keyboards joining Lou Reed and remaining members guitarist Sterling Morrison and percussionist Maureen Tucker. Some versions of these performances, taken from soundboard mixes, were first issued in 1974 by Mercury Records as part of a double LP, 1969 The Velvet Underground Live , while other audience recorded versions released were taken from cassette tapes made by the late Bob Quine, a huge fan and, at the time, a St. Louis law student who later went on to play guitar for both Richard Hell and Reed. Quine was at a number of the shows during their stint at the club, and his cache eventually was released in 2001 as The Quine Tapes.

The Velvet Underground – The Complete Matrix Tapes features 43 recordings that have been mixed down directly from the original in-house multi-tracks, including the 18 tracks featured on a Super Deluxe Edition of the Velvets’ third album and nine previously unreleased performances marking the first time all the available tapes will be released commercially. As can be heard, the shows were intimate, and features early versions of yet-to-be-recorded songs like “Sweet Jane,” “New Age” and “Rock & Roll.” Set One includes previously unreleased versions of “Some Kinda Love” and “Sweet Jane,” while Set Two’s rarities include performances of “There She Goes Again,” “After Hours” and “We’re Gonna Have a Real Good Time Together.” Set Three’s highlight is the almost 40-minute-long “Sister Ray,” previously heard on the Super Deluxe Edition of Velvet Underground. Rare live takes of “Venus in Furs” (one on Set One, the other Set Two) and Set One’s “The Black Angel’s Death Song” (according to Fricke’s liner notes, the first time Yule had ever played the song) are also notable for their inclusion here.

Concludes Fricke about The Velvet Underground – The Complete Matrix Tapes: “On one hand, [it] is just two nights, in one room, in the life of a working band. It also has everything they aspired to and achieved on stage, every night, everywhere: the magnificent aggression and determined joy; the fictions shot through with truth; the lasting bonds established in almost total, commercial blackout. You can easily walk into the music and never want to leave – a perfect definition of both a great rock & roll gig and a history that keeps on giving.”

Track Listing:

THE VELVET UNDERGROUND – THE COMPLETE MATRIX TAPES LP BOX

LP ONE
Side 1
I’m Waiting For The Man (Version 1)
What Goes On (Version 1)

Side 2
Some Kinda Love (Version 1)
Heroin (Version 1)

LP TWO
Side 1
The Black Angel’s Death Song
Venus In Furs (Version 1)
There She Goes Again (Version 1)
We’re Gonna Have A Real Good Time Together (Version 1)
Over You (Version 1)

Side 2
Sweet Jane (Version 1)
Pale Blue Eyes
After Hours (Version 1)

LP THREE
Side 1
I’m Waiting For The Man (Version 2)
Venus In Furs (Version 2)
Some Kinda Love (Version 2)
Over You (Version 2)

Side 2
I Can’t Stand It (Version 1)
There She Goes Again (Version 2)
After Hours (Version 2)

LP FOUR
Side 1
We’re Gonna Have A Real Good Time Together (Version 2)
Sweet Bonnie Brown (It’s Just Too Much)
Heroin (Version 2)

Side 2
White Light/White Heat (Version 1)
I’m Set Free

LP FIVE
Side 1
We’re Gonna Have A Real Good Time Together (Version 3)
Some Kinda Love (Version 3)
There She Goes Again (Version 3)

Side 2
Heroin (Version 3)
Ocean

LP SIX
Side 1
Sister Ray Part 1

Side 2
Sister Ray Part 2

LP SEVEN
Side 1
I’m Waiting For The Man (Version 3)
What Goes On (Version 2)
Some Kinda Love (Version 4)

Side 2
We’re Gonna Have A Real Good Time Together (Version 4)
Beginning To See The Light
Lisa Says
New Age

LP EIGHT
Side 1
Rock & Roll
I Can’t Stand It Anymore (Version 2)

Side 2
Heroin (Version 4)
White Light/White Heat (Version 2)
Sweet Jane (Version 2)

SOURCE UMe

First time $300,000 Vancouver Music Fund to elevate Indigenous and underrepresented voices

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Jun 27, 2019

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First time $300,000 Vancouver Music Fund to elevate Indigenous and underrepresented voices

A first for the City: dedicated music funding aimed at boosting growth in the music sector, while reflecting Vancouver’s commitment to equity, diversity, and Reconciliation, and in alignment with the early findings of the Vancouver Music Strategy.

The City of Vancouver and Creative BC are proud to partner on three new music grant programs to support Indigenous and underrepresented artists and organizations within the City of Vancouver and the unceded traditional homelands of the Musqueam, Squamish, and Tsleil-Waututh Nations. These programs will be funded by the City’s $300,000 Vancouver Music Fund, approved by Council in January (119 KB), and administered by Creative BC. In addition to these programs, Creative BC will leverage their existing music support programs for overall investment in Vancouver artists, programs, and initiatives.

Eligibility

The City of Vancouver funding for the one-time Creative BC programs will support new and emerging artists and industry professionals who experience systemic barriers to funding. Eligible groups may include those who identify as: Musqueam, Squamish, Tsleil-Waututh, and other Indigenous peoples; people of colour; people who live with disabilities; minority language speakers, cultural communities, and refugees; and, Trans, gender diverse, Two-Spirit, lesbian, gay, bisexual, and queer people.

“Vancouver’s remarkable music scene contributes to the city’s vibrancy and livability, and plays an important role in the economy of Vancouver’s creative sector,” said Sandra Singh, General Manager of Arts, Culture and Community Services for the City of Vancouver and Chair of the Music Steering Committee.

Three grant streams

The City’s Vancouver Music Fund includes three grant streams in partnership with Creative BC:

Demo Program: Supporting new and emerging artists from underrepresented groups to create demo recordings and engage in mentorship and skill development with a BC producer.
Music Video Program: Supporting the creation of music videos for new and emerging artists from underrepresented groups to build audiences.
Industry Catalyst Program: Supporting projects that develop Vancouver’s music ecosystem and build the capacity of underrepresented groups. Individuals and collectives can apply, in addition to companies and organizations.

Applications for these programs open June 13. Applicants may apply to Creative BC for a grant of up to 100% of budgeted eligible expenditures, removing the usual requirement for matching funding, a barrier for many underrepresented groups. The deadline for applications for all three programs is July 24, 2019.

Apply here!

City of Ottawa Announces Ottawa Music Development Fund

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Jun 27, 2019

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City of Ottawa Announces Ottawa Music Development Fund

On June 26, Ottawa’s City Council approved a $25,000 Ottawa Music Development Fund. The fund, which will be launched this summer, will provide “support for the creation and expansion of projects that strengthen the music industry and ecosystem.”

The money is part of a three-year, $300,000 “music strategy” endorsed by city council last year. The plan is designed to cut red tape and fund advocacy groups in an effort to better promote local artists and the businesses that cater to them.

Council also agreed to provide $10,000 in funding to create an Ottawa-Gatineau Music Awards and Hall of Fame, with winners expected to be announced in December. The awards will be organized by Canadian Live Music Association member Ottawa Music Industry Coalition.

CBC/Radio-Canada Is At The Heart Of Canada Day 2019 Celebrations With Live National Broadcasts On July 1

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Jun 26, 2019

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CBC/Radio-Canada Is At The Heart Of Canada Day 2019 Celebrations With Live National Broadcasts On July 1

CBC/Radio-Canada is bringing the nation together for a day of celebrations this Canada Day, with news coverage and entertainment programming on CBC, ICI RADIO-CANADA TÉLÉ, ICI ARTV, CBC News Network, ICI RDI, CBC Radio One, ICI RADIO-CANADA PREMIÈRE, CBC Music, ICI MUSIQUE, Radio-Canada.ca and the CBC Gem and ICI TOU.TV streaming services.

CBC News Special Presentation: Canada Day 2019
11:00 a.m. – 2:00 p.m. EST

This three-hour CBC News special will be hosted by The National‘s Rosemary Barton and Andrew Chang. Reporters from across the country will join Barton and Chang to provide updates on Canada Day celebrations across various communities.

Viewers outside of Canada can watch this on CBC News’ Facebook and YouTube pages.

CBC Music Festival Special
7:00 p.m. – 8:00 p.m. EST

Relive the largest, all-Canadian music festival from Toronto’s RBC Echo Beach. This year’s special includes performances and interviews from Alvvays, Stars, Buffy Sainte-Marie, Peach Pit and DJ NDN.

Canada Day in the Capital
8:00 p.m. – 10:00 p.m. EST

This special live event from Ottawa features fireworks and performances by Brett Kissel, Coeur de Pirate, Crystal Shawanda, Karim Ouellet, K’Naan, Marie Mai, The Strumbellas and William Prince.

Canadians living outside of Canada, fear not. You can watch the celebrations, too! CBC’s YouTubechannel will be streaming the broadcast starting at 8 p.m. EST.

Feist Announces Podcasts Series Based On Her Latest Album

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Jun 26, 2019

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Feist Announces Podcasts Series Based On Her Latest Album

Indie icon Feist knows a thing or two about love, loss, and everything in between. Through in-depth interviews with a time travel researcher, a Dreamer and activist, a transgender triathlete, an FBI undercover operative, a monogamous couple in adult film, a professional storm-chaser, an alter ego –and more– Pleasure Studies explores big themes from the tracks of her most recent album, 2017’s Pleasure: self-reinvention and creativity, the power of the natural world, youth, old age, wisdom, and the passing of time. We hear the stories of people who have followed their dreams, lived long lives, endured devastation, and come out the other side with a greater understanding of what it means to be alive.

You can listen to it below on Spotify or Apple:

Cello and Piano Cover of Gary Jules’ Version of “Mad World” Performed by Brooklyn Duo

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Jun 26, 2019

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Cello and Piano Cover of Gary Jules’ Version of “Mad World” Performed by Brooklyn Duo

Musicians Marnie Laird and Patrick Laird of Brooklyn Duo performed a muted and understated cover of the Tears for Fears song “Mad World” as it was performed by Gary Jules for the Donny Darko soundtrack.

Tom Wilson’s Lee Harvey Osmond Shares New Video, Announces Summer & Fall Tour Dates

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Jun 26, 2019

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Tom Wilson’s Lee Harvey Osmond Shares New Video, Announces Summer & Fall Tour Dates

Today, Lee Harvey Osmond (aka Tom Wilson) shares the new video for “Colours” from his Polaris Music Prize long-listed LP, Mohawk. The video pairs Wilson’s track with scenes from Hard To Be Human, the film from director Valerie Buhagiar. On the song, Wilson says : “The colours roll down our skin after the sweat and blood are soaked into our clothes and all our heroes have turned to dust. We listen for the sound that will bring us into the new day…the sound of a thousand mothers from a thousand summers. A lazy heat that conjures up hope for hard living and tells the untold stories of every Hank William’s railroad train that has crashed.”

This fall, Wilson heads out on the road for a run of tour dates, some supporting Mohawk with performances and some featuring readings from his acclaimed autobiography, Beautiful Scars. Full tour information can be found below.

When Wilson created the moniker Lee Harvey Osmond he wasn’t entirely certain if this was a new stage name or merely a provocative handle for the musician/artist collective assembled by producer Michael Timmins to record a collection of Tom Wilson songs that would become A Quiet Evil. This was the first of four albums bearing the featured artist Lee Harvey Osmond. The Folk Sinner was next, followed by the break through Beautiful Scars. It was during this time between releasing Beautiful Scars and recording Kings and Kings with Blackie and The Rodeo Kings that Wilson went public with his recent discovery. He was not exactly the person he thought he was.

In his 50s, Wilson learned that the parents who raised him were not his birth parents; that, in fact, he was adopted and that his biological mother and father were Mohawk from the Kahnawake reserve, just outside of Montreal. Grappling with this newfound sense of himself plunged Wilson into a quest for his heritage and his truth, and led to the writing of his bestselling autobiography, Beautiful Scars (Doubleday Canada). The book is a colourful and truthful tale of this quest, and his life’s tribulations and successes along the path.

“It is a story of finding your way home,” he says. “It’s a story of adoption, of growing up thinking you’re a big, sweaty, Irish guy, and finding out at the age of 53 that you’re a Mohawk.”

Under the steady hand of producer Michael Timmins, the musician collective Lee Harvey Osmond revives the origins of ‘Acid Folk’ with appearances from old friends Ray Farrugia (percussion), Aaron Goldstein (steel guitar), Jesse O’Brien (keyboards) and introduces Anna Reddick (bass). The expanded use of Darcy Hepner’s brass and baritone sax and brilliant harmonica flashes from blues veteran Paul Reddick and Wilson’s son, Thompson Wilson, sound as guideposts behind the moody grooves of Wilson’s literary recital. Suzie Ungerleider (Oh Susanna) provides the perfect backing vocal ingredient for Wilson’s baritone.

Wilson’s life has been an ongoing quest so it is perhaps inevitable that after decades immersed in poetry, literature and music he would turn attention to visual art, a language that transcends the verbal and the written. The packaging and visual elements of Mohawk incorporate Tom Wilson creations. In particular a painting of the same name from his collection Beautiful Scars: Mohawk Warriors, Hunter and Chiefs

He is still driven to ask questions, to seek meaning from the elusive mysteries hidden beneath the surface of everyday existence, to come to terms with his history, his identity; to aspire to higher truths and to understand his place in the world. “If I have 20 more years on this planet, I hope to keep becoming a Mohawk, because I can’t become a Mohawk the way my brothers and sisters and ancestors did.”

LEE HARVEY OSMOND TOUR DATES
July 1 Brampton, ON Canada Day
July 5 Orillia, ON Mariposa Folk Festival
July 6 Evanston, AB Pembina River Nights Festival
Sept 13 Bolingbroke, ON Althorpe Bolingbroke Community Hall,The Festival of Small Halls
Sept 14 Ottawa, On City Folk Festival
Sept 15 Toronto, ON Kensington Jazz Festival
Sept 28 Burlington, ON Burlington Performing Arts Centre
Oct 16 Brantford, On Gord Downie Legacy Concert SandersonCentre
Oct 17 Kitchener, ON Latent Artist Stage Centre In The Square
Oct 18 St. Catharines ,ON Gord Downie Legacy Concert First Canadian Performing Arts Centre
Nov 1 Uxbridge, ON The Book Drunkard Festival
Nov 20 Edmonton, ON Festival Place
Nov 23 Duncan, BC Cowichan Theatre
Dec 11 Niagara On The Lake, ON Words and Wine Festival

Toronto’s Ori Dagan WINS Independent Music Award in NYC

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Jun 26, 2019

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Toronto’s Ori Dagan WINS Independent Music Award in NYC

Multi-award winning Jazz artist Ori Dagan has added a new accolade to his rapidly growing list, winning Vox Pop Fan Choice for Best Short Form Music Video, Animated / Stop Motion at the 2019 Independent Music Awards in New York City this week.

The annual awards celebrated its 17th year honouring established and emerging artists from around the globe.

Dagan’s critically acclaimed, award-winning work orbiting legendary musician Nat King Cole took centre stage in late 2017 with the release of Nathaniel: A Tribute to Nat King Cole — jazz music’s first ever visual album.

Debuting at #1 on the iTunes Canada Jazz Chart and hitting more than 100k views on YouTube within days of release, Nathaniel: A Tribute to Nat King Cole delighted audiences with its flash of inspiration towards Cole’s notable works.

The dynamic multi-media project was widely lauded for pushing artistic boundaries and leveraging the status quo; it has won 14 Canadian and International awards, and continues to receive top features at more than 55 festivals around the world — including SXSW, the inaugural Public Diplomacy Week in Seoul, Korea, the TanJazz Festival in Tangier, Morocco, and 2019’s Bare Bones International Film & Music Festival this April 2019.