Home Blog Page 207

Betty Strings Shares Trauma-to-Healing Single “Trust Myself” Co-Written With Brian Melo

0

Macedonia-born, Toronto-based artist Betty Strings (Elizabeth Anne Cook) unveils “Trust Myself,” a powerfully vulnerable new single that transforms years of trauma and healing into an anthem of self-reclamation.

Co-written with 2007 Canadian Idol winner Brian Melo and songwriter Paul William Stephens, and brought to life by the instrumental artistry of Matt Fasullo on banjo, the track emerged from an extraordinary creative process where Cook channeled her story in real time during Zoom writing sessions.

“We all got on Zoom, we decided on a topic I was struggling with that week—for instance, TRUST,” Cook explains. “I told my story, Paul took notes, Brian came up with a beautiful melody, and we all wrote the song together, in one session. It was beyond any of us. It was magic.” Written in late 2022 but held until Cook had completed the healing work necessary to sing it authentically, “Trust Myself” captures the painful journey of learning to trust again when the voice inside your head has become your own abuser, echoing with lines like “After all the pain they put me through / Never believing in my magic / And now you’re telling me I have it / And I can trust myself with loving you.”

The song chronicles Cook’s path from survival mode to genuine connection, documenting what happens when someone who has only known chaos, addiction, and abuse is finally offered unconditional love. “My normal was toxicity, addiction, and abuse. I became so addicted to the chaos that the light was so foreign to me,” Cook shares. The track confronts the devastating reality of becoming your own abuser, when the protective voice that once kept you safe from danger becomes the very thing preventing you from accepting love and truth.

Cook’s therapist told her she had to treat her mind like an addiction and complete the 12-step program on herself—a terrifying prospect when the person you’re supposed to trust most has become dangerous. The five-year journey that brought Cook to this moment of authentic expression involved surrendering control to faith, asking God to free her not just from her past but from herself. With Melo and Stephens guiding her through the storytelling and Fasullo’s banjo work adding emotional texture, “Trust Myself” became a vehicle for Cook to reclaim the joyful, passionate young woman who had been waiting on the other side of fear, the version of herself she always dreamt of being even when surrounded by darkness.

“Trust Myself” is one of six songs Cook wrote with her collaborators in 2022, all circling back to the central theme of getting in her own way and learning what trust looks like when you’ve only known pain. The decision to wait until now to release the music speaks to Cook’s commitment to authenticity—she needed to do the work first, to stand firm in trust and acceptance, before she could sing these songs with the conviction they deserved.

“I wasn’t ready to bring them fully to life until I’d done the work, so I am able to sing and talk about them, in all of their authenticity,” she reflects. The result is a deeply moving piece of art that transforms personal struggle into universal truth, offering hope to anyone who has ever had to learn to trust themselves again. Betty Strings emerges as an artist unafraid to excavate her own story, turn debris into beauty, and prove that the road map home—no matter how many times it’s been burned to ashes—can always be rebuilt.

Joanna Bronson Unveils Heartfelt Country-Folk Singles “Highway 28” and “Norwood” From Forthcoming Debut Album

0

Canadian country-folk artist Joanna Bronson steps into the spotlight with two stirring singles that capture the emotional landscape of small-town life and love. “Highway 28,” and “Norwood,” both out now, mark the arrival of a songwriter whose voice feels both timeless and deeply personal. These tracks offer the first glimpse into Bronson’s forthcoming debut album ‘Highway 28,’ slated for release in March 2026, a collection that serves as an intimate love letter to her hometown and the roads that shaped her.

Recorded with acclaimed East Coast musician and producer J.P. Cormier in his studio outside Halifax, the album showcases Bronson’s gift for emotional honesty and grounded, roots-driven storytelling. Cormier—a lifelong musical hero of Bronson’s—played all additional instruments, and handled the mixing and mastering, building a sonic world around songs Bronson recorded exactly as she wrote them: just her voice, her guitar, and the stories she needed to tell. The collaboration represents a significant milestone in Bronson’s artistic development, with the result being a record that sounds the way these songs were always meant to be heard – warm, intimate, and achingly real.

“At its core, this record is a love letter to my hometown,” Bronson reflects. “Every song began with something real – a feeling, a conversation, or a moment that actually happened.” The album explores acceptance, memory, and the quiet wondering of what might have been, written from the perspective of time and distance when the heart has had space to heal and reflect, beautifully portrayed in the title track “Highway 28″.  Holding both reflection and a wishing-well curiosity for the life that almost was. “Norwood” takes listeners down a different road exploring different aspects of letting love back in. Together, the songs create a small-town world of love and loss – the kind of places that never really let go of their memories.

The recording process itself became a defining moment in Bronson’s journey. “Hearing J.P sing harmony on Norwood for the first time was a moment I’m not sure I’ll ever top,” she shares. The organic approach – Bronson laying down her vocals and guitar parts while Cormier built the instrumentation around them – resulted in an honest, intimate record that honors the songs’ original essence while elevating them with nuanced production. Each track maintains the story-forward authenticity that has become Bronson’s signature, rooted in the kind of lived experience that connects with audiences on a deeply human level.

Over the past three years, Bronson has honed her craft performing alongside her father and fellow entertainer Danny Bronson. The duo has connected with audiences at local venues, jamborees, and headline performances including the Millbrook Fall Festival, building a reputation for intimate, story-forward shows. Her work has garnered attention from YourTV, where she appeared on Making Music and The Skinny to discuss her music and creative process. With a growing regional presence and a commitment to authentic songwriting, Bronson is establishing herself as an emerging voice in the Canadian country-folk scene, equally at home on small stages and festival lineups.

Bronson’s songwriting carries additional significance as she draws from relationships and experiences that lend her work a distinct sense of perspective and offers authentic LGBTQIA+ representation to the country-folk genre. Her approach to storytelling is universal in its emotional resonance while remaining deeply personal and true to her lived experience. This authenticity extends beyond subject matter – it’s woven into every aspect of her artistry, from the vulnerability in her vocal delivery to the careful attention she pays to each lyrical detail. The songs on ‘Highway 28’ invite listeners into a world where honesty and heart create the kind of connection that transcends genre boundaries.

With “Highway 28” and “Norwood” paving the way, Bronson is building a body of work that celebrates the kind of songs that bring people together. Whether on stage or in the writing room, she continues to grow her craft and share her journey – one song, one story, and one listener at a time. The full album ‘Highway 28’ promises to be a defining statement from an artist who captures the quiet beauty and raw honesty of life in small towns, weaving heartfelt stories that resonate long after they’re heard.

International Soul Sensation Paula Letang Shines on New Single “Giving You More”

0

Today, celebrated Canadian singer, songwriter, and producer Paula Letang announces the release of her latest single, “Giving You More,” a vibrant exploration of emotional generosity that further cements her status as a premiere voice in modern soul. Produced by Letang herself and co-written with Kwanele Sifunda (Khwezi), the track arrives as a masterclass in genre-fluidity, seamlessly blending vintage grooves with a contemporary, self-assured lyricism.

“Giving You More” captures a definitive moment of artistic evolution for Letang, who drew from a subconscious well of reflection to craft the song’s narrative. Moving beyond the standard tropes of the genre, the track dives into the quiet internal dialogue of love and the delicate balance of what we choose to offer others. “My hope is that listeners hear it and see themselves in it,” Letang shares. “Especially if they’ve ever wondered what their role is in the love they’re in”.

The single’s power lies in its relatable, grounded intimacy, featuring standout lines that resonate with universal truth:

“So, I’m giving you more than I did before / Didn’t really think that I had much more / You found the key to unlock the door”.

This lyrical depth is paired with a sophisticated production that reflects Letang’s diverse musical upbringing in the Commonwealth of Dominica and Canada, where early experiences with guitar and piano helped form her signature sound.  

Media interest in Letang has intensified following her consistent international chart success, including Top 30 placements on the The UK Soul Chart for “Sunshine” and “Bring it Back Around,” alongside a #1 hit on the Radio Indie Alliance Chart with “Do Me Right”. “Giving You More” represents a bold step forward in this trajectory, offering a fresh story hook through its cross-continental production – recorded between the soulful hubs of Toronto and the rhythmic influences of her heritage.

Beyond the studio, Letang remains a pillar of the cultural community as a two-time ByBlacks.com Radio Personality of the Year. As the creator and host of the All About The Funk radio show and the founder of the Toronto Funk & Soul Music Festival, she has dedicated her career to nurturing local talent and celebrating the timeless genres that inform her own work.

“Giving You More” is out now on all major platforms via Mazouk Music Productions.

THE SPACE BETWEEN Unleashes Addictive New Anthem “Weapon of Choice” From Upcoming Album ‘Dying Sun’

0

Hailing from the cold streets of Ottawa, female-fronted hard rock outfit The Space Between is set to ignite the 2026 rock landscape with their visceral new single, “Weapon of Choice.” Serving as the lead catalyst for their forthcoming album, ‘Dying Sun,’ the track is a masterclass in controlled chaos, blending the band’s signature articulate riffs with a raw, in the room energy that signals a definitive turning point in their evolution.

Recorded at the legendary Noble Street Studios, “Weapon of Choice” marks a high-octane collaboration with acclaimed producer Brian Moncarz, known for his work with heavyweights like Alice Cooper and The Tea Party. The production eschews digital polish for the authentic roar of vintage tube amps and real drums, capturing a band in peak form. As James Shaheen explains, the track was born from a desire to capture their live ferocity: “We’ve struggled to find a recorded sound that properly captures our energy and I think we have finally been able to do it with ‘Weapon of Choice.’”

Lyrically, the single dives into the darker recesses of the human psyche, exploring the paralyzing grip of bad decisions. Lyricist and vocalist Maryn Pegan describes the track as a building pressure chamber, likening the internal struggle to an addiction. This tension is palpable in the song’s haunting verses: “I fight myself to stay awake / Who will I choose to disobey? / Temptation game / Just look away.” It is a song about the heavy toll of awareness—knowing the right path while being led down the wrong one by something uncontrollable.

The musicality of the track reflects a band that has found its grooviest stride to date. Drummer Tom Sergi notes that the initial inspiration for the main riff came from a rhythmic groove he was determined to play, leading guitarist James Shaheen to channel a Petrucci-style approach influenced by Dream Theater. The result is a sonic landscape where Ethan Ryan’s nasty bass lines lock in with heavy, syncopated riffs, providing a powerful foundation for Pegan’s soaring, melodic delivery.

“This song really felt—and still feels—like a new beginning for us,” says Maryn Pegan. “We’ve gone through some big changes over the past few years, and I think this marks a turning point to an actualized band. Making ‘Weapon of Choice’ brought us back together and kickstarted what we feel is our most fulfilling set of music yet.”

The single provides a window into the thematic depth of the full album, ‘Dying Sun.’ According to Pegan, the album’s lyrics tell a story of life, death, epiphany, and resurrection, moving from the stain of time in “Weapon of Choice” to the eventual freedom found in tracks like “Endlessly.” This narrative arc is supported by a production team that also included Rob Cosh and John Rosefield, who helped the band refine their unique, cohesive, and powerful sound.

James Shaheen views the record as a necessary byproduct of the band’s collective struggle. “This was not an easy album to make… occasionally the sun goes away for a while, and it’s just dark and pouring down rain,” Shaheen admits. “But we can’t have the light without the dark, and I think the collective struggle has created a really special collection of music.” This grit is what defines The Space Between – a band unafraid to blend heavy guitar work with emotional intensity.

Since their formation in 2022, The Space Between has rapidly climbed the ranks of the Canadian rock scene. Following their 2023 self-titled EP and standout tracks like “Your Excuses,” the band has earned four separate nominations at the Capital Music Awards and garnered praise from legendary critics like Alan Cross. “Weapon of Choice” is the culmination of that momentum, showcasing a band that has finally bridged the gap between their polished recordings and their high-energy, sold-out live performances.

Choose your weapon. The band have already chosen theirs.

Punk Provocateurs Asthma Kids Join Forces With UK’s Craic Killers for Brutal Class-War Anthem “Davos”

0

Emerging from rural Ontario’s underground, Asthma Kids are officially declaring war on late-stage capitalism with their latest single, “Davos”. Featuring the politically hardcore Irish/Welsh punk outfit Craic Killers, the track is a high-velocity strike against wealth inequality and the psychopathic imbalance of power. Set to drop on February 1, 2026, “Davos” is a raw, unfiltered manifesto that refuses to stay within the lines of traditional punk or rock.

The song serves as a scathing thought experiment, written from the first-person vantage point of a billionaire attending the titular summit. Built on a foundation of urgency and anger, the lyrics pull no punches in their critique of the global elite: “I’m going to Davos / With my billionaire friends / I’m taking my jet plane / To f the poor again”. It is a deliberate narrative framework designed to highlight a firm belief held by both bands: that billionaires should be taxed out of existence.

Journalists and industry insiders will find a compelling story in this cross-continental collaboration, which was born after both bands appeared on a Dammit Records (UK) compilation. Despite the distance between Ontario and the UK/Wales, the track was written and recorded in just four days, fueled by a shared commitment to issue-based art. Produced by Trevor Hutchinson at Jack Cade Studios and mixed at The Reverie Recording Studio, the sonic grit of the track was polished to a sharp edge by mastering engineer Alex Wharton at the legendary Abbey Road Studios.

Asthma Kids, comprised of Trevor W. Hutchinson and JP Gill, have built a reputation for being genre-agnostic, famously stating that they leave labels for soup cans. Asthma Kids have never heard a genre of music that they won’t gleefully subvert, repurpose, enhance, destroy and rebuild. They are adjacent to punk/freak folk/country/power pop/rock and roll, but they’re something else altogether. They are seemingly nice neighbours, living next door to musical convention…until they burn down all the houses on the street. (sonically speaking – arson is bad.)

The single arrives on the heels of their 2025 EP, ‘The Meek Are Getting Ready’, which was chosen by PunkNews.org as one of the best EPs of 2025, via Dammit Distro (EU/UK) and 2 Bar Town Records (North America). “Davos” is more than a song; it is a rallying cry for the misfits and the marginalized to push back against the structures that shape their lives. By addressing global crises and the burning planet directly, Asthma Kids insist on making art with real-world consequence.

Following the February 1 release, the band is set to take their high-octane energy to the road with summer tour dates to be announced shortly. In an era of digital noise, Asthma Kids and Craic Killers are offering something authentic and urgent—a soundtrack for the co-conspirators ready to blame the system rather than each other. “Davos” is available now on Spotify and Bandcamp, marking the next explosive chapter in their movement.

The Swingin’ Blackjacks (Matt Allen, Gary Kendall, Adam David) Unleash “Misery Train” From New Album ‘Never Tire, Never Stop’

0

After more than two decades of rockin’ it right across Ontario, The Swingin’ Blackjacks roar back with “Misery Train,” a runaway rockabilly bopper that captures everything the veteran trio does best. The single serves as the electrifying lead track from their forthcoming full-length album ‘Never Tire, Never Stop’, out now.

Featuring the powerhouse lineup of bandleader Matt Allen on guitar and lead vocals, Canadian blues nobility Gary Kendall on bass and vocals, and jazz-trained percussion master Adam David on drums and vocals, the band delivers their signature blend of rockabilly and jumpin’ blues with an economical three-piece punch that hits with maximum impact. The album title perfectly sums up the band’s dogged determination to perform rock ‘n’ roll and blues their own way for as long as they can—a mantra that has driven them through nearly six decades of combined experience and countless stages from Toronto’s Cadillac Lounge to festivals across the province.

“Misery Train” finds frontman Matt Allen channeling the rebel attitude of early rock ‘n’ roll with a dose of punk energy, singing about hopping a train and never looking back, trying to ease the pain and get “that cheatin’ woman outta my mind.” Written by Allen and brought to life with the band’s driving guitar sound and tireless rhythm section, the track conjures up memories as varied as a rockin’ juke-joint on a Saturday night or a lonesome train whistle in the distance. Allen, who currently does triple duty fronting The Swingin’ Blackjacks, The Tex-Styles, and performing as a solo artist, provides most of the band’s original material while drawing inspiration from guitar heroes including Buddy Holly, Eddie Cochran, T-Bone Walker, Hubert Sumlin, and Link Wray. The result is a sound that honors rockabilly and blues traditions while maintaining a contemporary edge that keeps audiences engaged across generations.

The self-financed and independently released ‘Never Tire, Never Stop’ represents the culmination of a decades-long dream for Allen. Recorded over three weeks in May/June 2025 at Loud Mouse Studios in Etobicoke with engineering wizard L. Stu Young at the controls, and with Kendall and Allen co-producing the sessions, the album showcases the band’s diverse range across eleven tracks. The collection includes eight original songs by Allen, a Tex-Styles era collaboration with the late J. Ryan Wilson, a Gary Kendall original, and one carefully selected cover—The Yardbirds’ “Heart Full of Soul,” reimagined as if the Staples Singers or CCR had tackled it first. Strongly influenced by early rock ‘n’ roll, jump blues, and hillbilly boogie sounds, the album offers everything from dusty drives through west Texas oil country to celebrations of BBQ cooking and the kind of love that gets you through hard times.

The trio’s journey to this moment has been marked by resilience and determination. Recipients of the 2018 Amy Louie Grossman’s Music Scholarship, which financed the release of their EP ‘Four Hot Tracks!!,’ The Swingin’ Blackjacks faced setbacks including health issues for two band members and the COVID pandemic. Yet as soon as it was possible to get back to work, they returned with vigor, appearing regularly at clubs and festivals throughout Ontario. During the first pandemic lockdown, they even managed to produce and release an original video for “Never Go Out to Play” with the help of talented family members within their social bubbles. Their career highlights span from backing rockabilly pioneer Janis Martin at the Cadillac Lounge in 2006 to recent appearances at the Tim Hortons Southside Shuffle Blues & Jazz Festival, Toronto Bluesfest, and the Haliburton Blues Festival.

The band’s secret weapon remains Gary Kendall, whose career spanning nearly six decades includes numerous awards and time with The Downchild Blues Band. As bassist, bandleader, booker, songwriter, statesman, and mentor, Kendall provides the bottom end that few can equal—tireless, tuneful, and tasteful. Drummer Adam David brings jazz training and professional experience dating back to his teens, having performed with greats including Ray Charles, Charles Brown, Ronnie Hawkins, Manhattan Transfer, Michelle Wright, and Vince Gill. A triple threat, David regularly augments school music programs, teaches privately, and appears onscreen in film and television roles. Together, the three create a sound that Allen describes as conjuring “memories as varied as a rockin’ juke-joint on a Saturday night, a chill breeze off the bayou, or a lonesome train whistle in the distance.”

The Swingin’ Blackjacks hit the road in support of ‘Never Tire, Never Stop’ with a series of Ontario dates beginning in February, including appearances at Winterfolk XXIV at Toronto’s Tranzac Club (February 13), Noonan’s on the Danforth (February 14), and venues in Aylmer, St. Catharines, and Collingwood through spring. With hi-octane performances and a genuine love for the music they play, The Swingin’ Blackjacks continue to prove that great rockabilly and blues never go out of style—they just keep rolling down the track, gathering momentum with every mile.

TOUR DATES:

Fri, Feb 13 @ 7:00PM – Winterfolk XXIV, Tranzac Club, Toronto ON

Sat, Feb 14 @ 9:00PM – Noonan’s, Toronto ON

Fri, Feb 27 @ 7:30PM – Old Town Hall, Aylmer ON

Sat, Mar 14 @ 2:30PM – SomePlace Else, St. Catharines ON

Sun, Mar 22 @ 3:00PM – Smokeshow BBQ & Brew, Toronto ON

Fri, Mar 27 @ 7:30PM – Simcoe Street Theatre, Collingwood ON

Sat, Apr 4 @ 9:00PM – Noonan’s, Toronto ON

Sun, May 24 @ 3:00PM – Smokeshow BBQ & Brew, Toronto ON

Country Pop Trailblazer Hunter Hayes Announces ‘Evergreen’ And 2026 Headline Tour

0

Hunter Hayes announces his new independent album ‘Evergreen,’ arriving March 6, alongside details of his 2026 headlining Evergreen Tour. The run begins March 25 in Hopewell, VA, with Blü Eyes and Franklin Jonas & The Byzantines joining as special guests for a nationwide trek.

Recorded with Alex Flagstad, ‘Evergreen’ blends pop, country, R&B, and indie rock textures while exploring growth, connection, and joy. Recent releases including “Around The Sun,” “Every Piece,” and “Wait” highlight Hayes’ evolving songwriting and expansive sonic palette.

“Evergreen started as a series of letters from my future self,” Hayes shares. “It’s full of hope, optimism, light and love. It’s an escape from reality as well as a new way to appreciate the good things in our everyday life.” The album embraces renewal and self-discovery, guided by his mantra, “Be good to yourself and the world around you.”

Hunter Hayes 2026 Evergreen Tour Dates:
Mar 25 – Hopewell, VA @ Beacon Theatre
Mar 27 – Millvale, PA @ Mr. Smalls Theatre
Mar 28 – Ardmore, PA @ Ardmore Music Hall
Mar 29 – Newton, NJ @ Newton Theatre
Mar 31 – Cambridge, MA @ The Sinclair
Apr 2 – New York, NY @ Gramercy Theatre
Apr 3 – Asbury Park, NJ @ The Stone Pony
Apr 4 – Portland, ME @ Aura
Apr 7 – Cleveland, OH @ HOB
Apr 9 – Detroit, MI @ Saint Andrews Hall
Apr 10 – Grand Rapids, MI @ Elevation
Apr 11 – Chicago, IL @ House of Blues
Apr 12 – Minneapolis, MN @ Fine Line
Apr 14 – Indianapolis, IN @ The Vogue
Apr 16 – Cincinnati, OH @ Taft Theatre
Apr 17 – Louisville, KY @ Mercury Ballroom
Apr 18 – Huntingdon, TN @ The Dixie Carter PAC
Apr 19 – Knoxville, TN @ Bijou Theatre
Apr 22 – Atlanta, GA @ Center Stage Theater
Apr 23 – Nashville, TN @ Brooklyn Bowl
Apr 24 – Cornelius, NC @ Cain Center for the Arts
Apr 26 – Charleston, SC @ Charleston Music Hall

Yes Revisit ‘Tales From Topographic Oceans’ With “The Remembering”

0

Yes unveil the 2026 remastered single edit of “The Remembering (High the Memory)” from the forthcoming ‘Tales From Topographic Oceans (Super Deluxe Edition),’ arriving February 6 via Rhino Records. The track forms part of the album’s original four-part epic, first conceived by Jon Anderson after reading a footnote in Paramahansa Yogananda’s ‘Autobiography of a Yogi.’

The expansive Super Deluxe Edition spans 12 CDs, 2 LPs, and a Blu-ray, featuring a newly remastered version of the original double album, rare material, previously unreleased studio and live recordings, and new mixes by Steven Wilson, including a Dolby Atmos presentation. It offers a comprehensive look at one of progressive rock’s most ambitious statements.

Originally recorded at London’s Morgan Studios with producer Eddy Offord using Britain’s first 24-track console, the album featured Anderson, Steve Howe, Chris Squire, Rick Wakeman, and Alan White. Upon release, it topped the U.K. album chart and reached No. 6 in the U.S., earning Gold certification.

The set also includes in-progress versions of all four side-long compositions and live recordings from Zürich, Manchester, and Cardiff during the original tour, alongside performances of “And You And I” and “Close To The Edge.” The result is a sweeping archival portrait of a landmark era.

Static-X Revive ‘Wisconsin Death Trip’ With “Down” Visualizer

0

Ahead of the 25th Anniversary Edition of their landmark debut ‘Wisconsin Death Trip,’ industrial metal heavyweights Static-X unveil a new visualizer for bonus track “Down.” The piece fuses lyric-video elements with motion graphics built from never-before-seen images by original band photographer Exum, alongside footage filmed during the 1998 album photoshoot.

“We’ve always known there were gems buried in the Wisconsin Death Trip archives, but seeing Exum’s images come to life in this new visualizer feels like stepping back into 1998,” the band share. “‘Down’ was a track we always loved and giving it this new visual energy is our way of celebrating Wayne, the album, and the fans who have kept this music alive for 25 years.”

Originally released in 1999, ‘Wisconsin Death Trip’ introduced the classic lineup of Wayne Static, Koichi Fukuda, Tony Campos, and Ken Jay, delivering staples like “Push It,” “I’m With Stupid,” and “Bled for Days.” The anniversary Corrosive Edition features remastered audio by original producer Ulrich Wild and an expanded second disc of demos and rarities, alongside immersive packaging built from hundreds of rediscovered archival images.

Psychedelic Pop Visionary Melody’s Echo Chamber Unveils “The House That Doesn’t Exist”

0

Ahead of her fourth studio album ‘Unclouded,’ arriving this Friday, Melody’s Echo Chamber shares the sweeping new single “The House That Doesn’t Exist.” Built on swooping strings and luminous production, the track rises with vertiginous elegance before settling into a warm lower register, capturing the dynamic interplay between Melody Prochet and co-producer Sven Wunder.

“The House That Doesn’t Exist turns the impossible perspective of a joyful human life in today’s world into reality, evoking a new sense of faith,” says Melody. The song arrives with a haunting visual directed by longtime collaborator Diane Sagnier, extending its dreamlike atmosphere into striking imagery.

‘Unclouded’ features collaborators including Sven Wunder, Josefin Runsteen, Daniel Ögen, Love Orsan, Malcolm Catto, Reine Fiske, Leon Michels, and mixer Jens Jungkurth. Melody describes her music as inhabiting a liminal zone between realism and fables, shaped by a deeper love for living and a renewed sense of harmony.

Live Dates:

25th February – Bonjour Minuit, Saint-Brieuc, FR
26th February – Hydrophone, Lorient, FR

14th April – Lido, Berlin, DE
15th April – VEGA, Copenhagen, DK
17th April – Botanique, Orangerie, Brussels, BE
18th April – Gebäude 9, Cologne, DE
19th April – Tolhuistuin, Amsterdam, NL
21st April – Electric Ballroom, London, UK
22nd April – L’Aéronef, Lille, FR
23rd April – Le Trianon, Paris, FR
24th April – Stereolux, Nantes, FR
25th April – Le 106, Rouen, FR
9th May – TBA, Austin, US
11th May – Thalia Hall, Chicago, US
12th May – Black Cat, Washington DC, US
13th May – Union Transfer, Philadelphia, US
14th May – Royale, Boston, US
15th May – Webster Hall, New York, US
17th May – Kilby Block Party, Salt Lake City, US
19th May – Belasco, Los Angeles, US
20th May – Bimbo’s 365, San Francisco, US
22nd May – Revolution Hall, Portland, US
23rd May – The Crocodile, Seattle, US