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Industrial Legends KMFDM Declare “ENEMY” With Explosive 24th Studio Album

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Industrial trailblazers KMFDM return with their 24th studio album, ‘ENEMY,’ out now, just ahead of their nearly sold-out European tour. A first single, “Oubliette,” sets the tone with dance-rock melodicism and razor-sharp bite. The band continues to evolve while holding tight to the Ultra Heavy Beat that has defined their legacy.

Kommanded by Sascha “Käpt’n K” Konietzko and Lucia Cifarelli, and driven by the percussive force of Andy Selway, KMFDM welcome London guitarist Tidor Nieddu into the fold. Annabella Konietzko also steps forward, appearing on the explosive “You” and making her songwriting debut with the group.

‘ENEMY’ spans dark grooves and satirical thrash, from “Catch & Kill” and “Outernational Intervention” to the industrial metal surge of “L’Etat” and the funky pulse of “Vampyr.” The record feels fierce, confrontational, and fully charged, delivering some of the band’s most stylistically daring material to date.

ENEMY TRACKLIST:
1 Enemy
2 Oubliette
3 L’Etat
4 Vampyr
5 You
6 Outernational Intervention
7 A Okay
8 Stray Bullet 2.0
9 Catch & Kill
10 Gun Quarter Sue
11 The Second Coming

Southern Rap Heavyweight Big Boogie Unleashes “Pain on Paper Tour” Across U.S.

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Multi-platinum Memphis rap force Big Boogie announces his 2026 “Pain on Paper Tour,” building on the momentum of his 15-track album ‘Pain on Paper 4,’ out now via CMG The Label and Interscope Records. The run kicks off February 20 in Philadelphia and wraps March 15 in Houston, bringing his booming voice and raw storytelling to stages nationwide, with Queen Key joining as support.

The tour arrives on the heels of major milestones. “Pop Out” and “Bop” featuring GloRilla both achieved RIAA platinum status, further cementing his rise. ‘Pain on Paper 4’ delivers trench tales, club-ready heaters, and introspective cuts, with DJ Drama appearing on multiple tracks including “Back Da F**k Up,” while Lil Jon and Ykniece join forces on “Show Out.”

Big Boogie also commands attention solo, stacking the project with feature-free standouts like “Take Her Down” and “Toot It Up,” which interpolates Trap Starz Clik’s “Get It Big” while nodding to Latto, Megan Thee Stallion, and Sexyy Red. The response has been strong, with The Source calling it “an energetic anthem set to ignite clubs and social media alike,” and Billboard spotlighting it among their Fresh Picks.

With projects like ‘Ether’ and the Gangsta Grillz mixtape ‘Redrum Wizard’ produced by DJ Drama, plus earlier releases including ‘Underrated,’ Big Boogie continues to expand his catalog and impact. The “Pain on Paper Tour” marks the next chapter in a run powered by grind, charisma, and a sound built for packed rooms.

Big Boogie 2026 Pain on Paper Tour Dates:
Feb 20 – Philadelphia, PA @ Union Transfer
Feb 21 – Royal Oak, MI @ Royal Oak Music Theatre
Feb 22 – Chicago, IL @ Ramova Theatre
Feb 26 – Washington, D.C. @ Howard Theatre
Mar 1 – Nashville, TN @ Marathon Music Works
Mar 6 – Atlanta, GA @ Center Stage Theater
Mar 7 – Birmingham, AL @ Iron City Bham
Mar 13 – Dallas, TX @ Studio at The Bomb Factory
Mar 14 – New Orleans, LA @ Joy Theater
Mar 15 – Houston, TX @ Warehouse Live Midtown

Scott Weiland’s Unreleased “If I Could Fly” Arrives A Decade Later

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To mark the tenth anniversary of his passing, a previously unreleased Scott Weiland song, “If I Could Fly,” is now available worldwide via Primary Wave and Virgin. The track is the first original, unreleased material unveiled from the Scott Weiland archive since his death. Written in 2000 after the birth of his son, the song captures Weiland in a deeply personal moment, reflecting the emotional weight that defined so much of his work.

“If I Could Fly” is available digitally and also arrives as a limited-edition 7-inch vinyl single, paired with a live version of “Barbarella” recorded in Anaheim in 2009, through participating independent record stores. The release offers fans a rare window into Weiland’s creative life, preserving a chapter that remained unheard for years.

Weiland first rose to prominence as the frontman of Stone Temple Pilots, earning a Grammy Award for Best Hard Rock Performance with “Plush.” The band’s 1992 album Core peaked at No. 3 on the Billboard 200, and later returned to the top of the rock charts with their 2010 self-titled release. He also co-founded Velvet Revolver with members of Guns N’ Roses, scoring another Grammy for “Slither,” and released four solo albums across a career that moved more than 50 million records.

Energetic in spirit and deeply sentimental at its core, “If I Could Fly” stands as a powerful reminder of Weiland’s songwriting gift. Written from the perspective of a new father, the song connects generations through his unmistakable voice and lasting impact on modern rock.

Afro-Funk Collective Jembaa Groove Ignite KEXP With Electrifying Live Set

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Jembaa Groove bring their radiant Afro-funk pulse to the KEXP studio with a full live performance, and flows through “Adesane,” “Sweet My Ear,” “Dabia,” “Namo,” and “Amale,” showcasing rich grooves and dynamic interplay. Eric Owusu leads on vocals and percussion, joined by bandleader Yannick Nolting on bass, Babatunde Agonglo on guitar, Peter Somuah on trumpet, Szabolcs Bognar on keys, and Nir Sabag on drums, with host Lace Cadence guiding the session. The chemistry is undeniable, capturing the band’s rhythmic precision and vibrant spirit in real time.


Hard Rock Powerhouse Mammoth Announce “The End Tour” Across North America

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Wolfgang Van Halen’s Mammoth announce their 2026 North American run, “The End Tour,” bringing the hard rock outfit across the U.S. and into Canada for three March dates in Ottawa, Toronto, and Montreal. The tour launches March 5 in Buffalo and stretches through mid-summer, closing out July 18 in Omaha.

Canadian fans can catch Mammoth at Hard Rock Hotel and Casino Ottawa on March 7, History in Toronto on March 8, and L’Olympia in Montreal on March 10. Support comes from 10 Years across the run, with James and the Cold Gun joining at select dates. The lineup locks in a high-energy, riff-driven night built for big rooms and bigger hooks.

Mammoth 2026 Tour Dates:
03/05 Buffalo, NY – Town Ballroom
03/07 Ottawa, ON – Hard Rock Hotel and Casino Ottawa
03/08 Toronto, ON – History
03/10 Montreal, QC – L’Olympia
03/11 Portland, ME – State Theatre
03/13 Atlantic City, NJ – Tropicana Showroom at Tropicana Atlantic City
03/14 Bethlehem, PA – Wind Creek Event Center
03/15 Wallingford, CT – The DOME at Toyota Oakdale Theatre
03/18 Baltimore, MD – Nevermore Hall
03/19 Myrtle Beach, SC – House of Blues Myrtle Beach
03/22 Jacksonville, FL – FIVE
03/24 Knoxville, TN – The Mill & Mine
03/25 Asheville, NC – The Orange Peel
03/27 Grand Rapids, MI – The Intersection
03/28 Sault Ste. Marie, MI – Kewadin Casino DreamMaker’s Theater
03/31 Indianapolis, IN – Egyptian Room at Old National Centre
04/01 Cincinnati, OH – Bogart’s
04/03 Bloomington, IL – The Castle Theatre
04/04 Prior Lake, MN – Mystic Lake Casino Hotel
07/18 Omaha, NE – The Astro Theater

Alt.Rock Visionary Chelsea King Descends Into “The Rabbit Hole”

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Alt.rock artist Chelsea King steps into darker terrain with her newest single, “The Rabbit Hole,” a gripping exploration of inner conflict, transformation, and surrendering to the unknown. Known for anthems fueled by feminine rage and fearless storytelling, King expands her bubble-grunge sound into something more cinematic and immersive.

Recorded at Pentavarit Studios, the track features drum legend Atom Willard and guitarist Nathan Keeterle. Produced by Jackson Eppley and mixed and mastered by Bobby Holland, the song blends dreamy pop textures with raw, guitar-driven force. The atmosphere feels lush and hypnotic, pulling listeners deep into its emotional current.

“This song is about being afraid to evolve, but finding someone who sees every version of you and says, ‘Let’s go anyway,’” says King. “It’s about falling down the spiritual rabbit hole together – through the good, the bad, and the beautifully strange.” The tension surfaces in lines like, “I’m chasing my reflection down a neon hallway / But I can’t tell where the mirror ends / Or where I begin.”

Sonically rich and thematically bold, “The Rabbit Hole” delivers high-voltage emotion with striking vulnerability. A music video is on the way, and King is currently touring with Andy Bell of Erasure, continuing her rise as one of alt rock’s most compelling voices.

A Boogie Wit Da Hoodie Unveils “Part of Me” Video

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Global superstar and Diamond certified artist A Boogie Wit da Hoodie unveils the official music video for his acclaimed single “Part of Me,” directed by filmmaker Kid Art and streaming now. Shot in New York City, the visual pairs sleek, cinematic style with a dark, emotional undercurrent that mirrors the song’s introspective core.

The video unfolds through dramatic vignettes that spotlight vulnerability from a man’s perspective, capturing quiet tension and emotional weight in striking detail. Each frame reinforces the sensitivity at the heart of the track, wrapping mellow production in polished, big screen aesthetics.

“Part of Me” earned praise from NME, which noted, “A Boogie delivers softly spoken verses over a mellow and echoey minimal beat, with reflective synthesized atmospherics lending a sense of struggle and vulnerability.” VIBE added, “A Boogie Wit Da Hoodie reminded people why he is one of the most enduring acts of the last decade.” The response underscores the record’s emotional pull and cultural impact.

Building on that momentum, A Boogie Wit da Hoodie brings the song to the stage with a series of headline dates, with more new music on the horizon. The moment feels expansive, focused, and fully in stride.

German Post Hardcore Trio Future Palace Dive Deep With “Deep Blue”

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Germany’s Future Palace continue their ascent with the release of “Deep Blue,” a powerful new chapter in the band’s emotionally charged post hardcore journey. Following the launch of their new era under Century Media Records, the trio lean further into their cinematic edge, pairing raw vulnerability with surging, guitar-driven force.

“Deep Blue” explores the fear of drifting away from the people who matter most, using the image of sinking into the deep sea as a metaphor for emotional distance and the weight of daily pressure. “It’s about the moment you realize you’re losing someone – or yourself – because everything around you becomes too overwhelming,” says vocalist Maria Lessing.

The accompanying video transforms that inner struggle into a dramatic underwater narrative. The band appear as a submarine crew searching for a friend who has isolated herself so deeply she becomes a siren, her defensiveness reflecting the distortion that loneliness can create. The visual lands with striking intensity and sharp symbolism.

Musically, the track sharpens Future Palace’s trademark fusion of melody and heaviness. “It combines our most addictive hooks with a fierce, guitar-driven energy – a mix of what ‘Run’ and ‘Distortion’ did best,” explains guitarist Manuel Kohlert. The result feels immediate, immersive, and unmistakably Future Palace.

Bernie Leadon Drops “Too Late To Be Cool” Nashville Shot Video

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Rock and Roll Hall of Fame member Bernie Leadon releases the official music video for “Too Late To Be Cool,” the title track from his recent solo album. Filmed in the heart of Nashville, the country rock pioneer delivers a sharp visual statement that matches the song’s confident stride.

The video places Leadon as the only figure moving forward in time while a younger crowd moves in reverse around him. The concept builds toward a high-speed scene with Leadon behind the wheel of a Ferrari on a closed racetrack, a bold metaphor that underlines the message. No matter the era, Bernie Leadon remains cool.

“‘Too Late To Be Cool,’ is like lukewarm, indifferent, detached, uncaring, about what’s going on around us. Don’t take everything that we’re told as necessarily being true or accurate. Think for yourself, form your own opinion, and take no sh*t. But you can still be a nice guy,” says Leadon.

The GRAMMY Award winner continues a strong return following a 20-year hiatus. The founding Eagles member’s solo album earned coverage from Variety, Rolling Stone, Los Angeles Times, No Depression, Billboard, American Songwriter, MOJO, Ultimate Classic Rock, and Guitar Player. Recent appearances include performances with Trisha Yearwood and James Taylor at the Country Music Hall of Fame, a headlining set at AMERICANAFEST, and nationwide radio conversations that spotlight his enduring influence.

Brian Burkheiser Launches Scatterbrain With “Look What You Made Me Do”

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Former I Prevail frontman Brian Burkheiser officially launches his new solo venture, Scatterbrain, with a bold cover of Taylor Swift’s “Look What You Made Me Do.” The post hardcore vocalist steps into a fresh chapter, reshaping the pop anthem through his own dynamic lens while signaling a new creative era.

Burkheiser shared, “To my fans: This year forced me to pivot in ways I never expected, and it tested me more than I can explain. But through it all, your support has meant everything. I’m excited to finally share a song with you. I chose this cover because it truly resonates with me and serves as a nod to what first sparked my career. I’m still working toward the day I can release my original music, but for now, I’m grateful to have found a way to put a piece of art into the world.” The result hits with emotional weight and renewed intensity, marking a compelling first statement from Scatterbrain.