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Just Jayne Heat Up With ‘Climate Change’ From Netflix’s ‘Nobody Wants This’ Soundtrack

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Country-pop trio Just Jayne turn up the heat with their euphoric new single and video “Climate Change.” Featured on the official soundtrack to Netflix’s Emmy-nominated rom-com Nobody Wants This, the track joins a powerhouse lineup that includes Chris Stapleton, Kacey Musgraves, and Ella Langley. It’s a bright, head-over-heels anthem that feels tailor-made for summer love and cinematic daydreams.

Made up of Taylor Edwards, Jillian Steele, and Rachel Wiggins, Just Jayne light up “Climate Change” with the kind of harmonies that shimmer like sunlight through car windows. Produced by Johnny Simpson (Jonas Brothers, Tori Kelly), the song races forward on pulsing beats and vivid storytelling — the moment friendship catches fire and turns into something more. With its addictive hook (“You’re not even tryin’, you’re makin’ the climate change”), it captures that universal rush of realizing someone you’ve always known suddenly feels brand new.

The video, directed by Kate Bowling, brings the fun full circle. Playing co-anchors of Just Jayne News, the trio deliver the forecast of their lives — dodging tornadoes, lightning, and love — all with charm, choreography, and a wink to the camera. Just Jayne say it best: “Mercury is rising and it’s in retrograde — that’s hot!”

Late Aster Illuminate With ‘City Livin’’ A Dazzling Debut That Reimagines ‘Miss Ohio’ In Neon

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Today, San Francisco, experimental electronic duo Late Aster release their debut full-length album, City Livin’, via Slow & Steady. With it they share a video for their cover of Gillian Welch’s “Look at Miss Ohio,” simply titled “Miss Ohio.” The artwork for City Livin’ was created by acclaimed New York-based Norwegian artist and photographer Tonje Thilesen.

Regarding the decision to tackle Gillian Welch, Late Aster’s Anni Hochhalter notes. “We tried to preserve the raw, spontaneous qualities while recasting ‘Miss Ohio’ into this electronic world.”

Since their formation in 2019, the San Francisco-based Late Aster has released one studio EP, 2021’s True and Toxic, and one live EP, 2023’s Light Rail Session. “I’ve always been interested in this idea of creating the coolest wallpaper you could think of,” Messing muses. “We’re like Daft Punk, if they were band nerds.”

The equation has paid off with a feature in Tape Op, praise from the SF Chronicle, who called their sounds “unprecedented” and “as impressive a local debut as I’ve heard this year.” And Under the Radar, who called their music, “a fascinating exploration of juxtaposition and expectation.”

Messing and Hochhalter are both classically trained; Messing studied Trumpet Performance at Northwestern University, and Hochhalter studied French Horn Performance at the University of Southern California. Environmental attorney by day, synth and visualizer obsessive by night, Messing began solo, recording an EP of voice, piano, and trumpet with animated visual accompaniment; Hochhalter is a founding member of the Billboard Traditional Classical chart-topping wind quintet WindSync.

The essence of the sound of City Livin’ then, lies in Late Aster’s embrace of a relatively simple, DIY-friendly recording device from the late ‘90s: the TASCAM Portastudio 414 MKII, which offers a low-fidelity quality and omnipresent fuzz. By virtue of its overall sonic aesthetic, the album is a nod to lo-fi ambient and hip-hop. But in keeping with Late Aster’s typical output, the album grabs from every genre within arm’s reach, then mixed, once again, with engineer Charles Mueller.

The duo settled on the album’s title City Livin’ after the track itself was created, inspired by the song’s gravitation around a monochromatic core. While there are some melt-your-face components like the peculiarity of the synth and high repetition of the off-beat hi-hat, the song almost reads as numb. It whizzes past you and feels pretty good but is strangely featureless, almost opaque. It’s a backhanded reflection of that idea: plenty of shiny objects from food, to people, to art, to parks in the city to distract you from what is essentially the blandness of the human experience—birth, life, and death as a single unit of a massive unknowable universe.

Another highlight is a cover of singer/songwriter great Gillian Welch’s “Look at Miss Ohio,” from her 2003 album Soul Journey: “We tried to preserve the raw, honest qualities while recasting ‘Miss Ohio’ into this electronic world,” Hochhalter says.

Hochhalter chalks up Late Aster as “an electronica duo, filtering brass instruments through dozens of effects pedals.” It’s the distinct personality they bring to the party — as well as a distinctly sticky way with songcraft — that makes that “wallpaper” truly sparkle.

City Livin’ tracklist:
  1. City Livin’
  2. Folsom
  3. Miss Ohio
  4. Razaab
  5. Yellow Orange Blue
  6. Virtuous
  7. Ctrl-F Discipline
  8. French Horn Girl
  9. Watts
  10. The Coda

Alex Fernet Unveils ‘Modern Night’ A Cinematic Journey Through Neon Soul And Post-Funk Dreams

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Post-funk artist Alex Fernet has released his new album Modern Night via Bronson Recordings. Alongside the record comes the final single “Hey Lady,” following “Sunlight Vampires” and “The Nightdrive.” Together, these songs create a world of hazy night drives, neon reflections, and quiet emotion.

“Hey Lady” moves like a whispered confession in a smoke-filled room. Fernet channels intimacy through groove and synth, crafting a sound that glows with late-night warmth. It’s cinematic, romantic, and alive with nostalgia — the kind of track that plays through a car stereo parked under a flickering streetlight.

Self-produced and mixed by Maurizio Baggio (Boy Harsher, The Soft Moon), Modern Night blends post-industrial funk, vintage soul, and analog texture into something human and breathing. Each note feels lived-in and intentional. As Fernet says, “In an era of over-edited sound, the most radical act might be to let things breathe.”

CANTERVICE Returns With ‘The Masquerade’ Remix By Toronto Is Broken & Zardonic

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The revolution has a soundtrack. On the heels of their debut album Zero Hour, American concept-rock visionaries CANTERVICE return with The Masquerade (Toronto Is Broken & Zardonic Remix) — a ferocious collision of electronic chaos and dystopian truth. Where guitars once raged, now thunderous basslines and cinematic drops shake the walls, turning rebellion into rhythm.

This isn’t just a remix — it’s a transmission from the future. Toronto Is Broken and Zardonic take CANTERVICE’s politically charged anthem and supercharge it with industrial adrenaline, transforming its apocalyptic message into a high-octane drum & bass storm built for the dancefloor and the revolution alike.

For CANTERVICE, music is a manifesto. Their world is one where freedom has been commodified, technology weaponized, and reality rewritten by those in power. “Freedom is an illusion,” they warn. But behind every lyric and every drop, there’s a spark — an invitation to wake up, question, and fight back before the silence becomes permanent.

Dr. Zeus, Pressa, Lady Leshurr, and Deep Jandu Unite for Global Punjabi Hip-Hop Anthem ‘Rider’

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Dr. ZeusPressaLady Leshurr, and Deep Jandu have combined on “Rider,” an allstar Punjabi Hip Hop-infused anthem that unites borders. Out now, this global hit brings together voices from the UK, Canada, and India.

Directed by Ricky MKKirt Malli, and Ricky J, “Rider’s” music video is captivating, featuring silky-smooth transitions and scenes that depict the artists in a dual reality of earthly luxury and cosmic scenes. The production is layered with 808s and a vibey undertone thanks to UK producer Dr. Zeus’s imprint. Known for his signature Punjabi and Bhangra beats, Dr Zeus oozed class on yet another production delivering an earworm beat that carries the tempo of the song. BJ Gill from E3 Entertainment put the project together, with the single being released by Manu Kaushish at Create Music Group.

Elevating the beat, each artist’s verse on “Rider” leaves a lasting impression. Pressa kicks off the song with a standout verse, effortlessly gliding through the beat and showcasing why he’s one of the most exciting acts in the Canadian music scene. He has been on an impressive run adding “Rider” as a single complementing his previous release “President’s Choice (PC)” dropped in June. He then passes the mic to Lady Leshurr, who delivers a melodic and impactful performance, ensuring the UK is powerfully represented. Finally, Deep Jandu’s presence is felt from his opening line, as he adds Punjabi flair, completing this global anthem with a memorable verse that will keep fans talking.

Watch the official music video for “Rider” here and stream the track on all available platforms here.

Every Single Person and Thing on The Beatles’ ‘Sgt. Pepper’s Lonely Hearts Club Band’ Album Cover

When The Beatles released Sgt. Pepper’s Lonely Hearts Club Band in 1967, they didn’t just change how albums sounded—they changed how they looked. Created by artists Peter Blake and Jann Haworth, the cover was a pop-culture explosion in cardboard form. A band within a band, surrounded by an audience of legends, eccentrics, philosophers, and icons, all packed into one technicolor moment that’s still studied, debated, and loved today.

The vision was simple: a new band posing after a concert, with fans—real, fictional, dead, or alive—cheering them on. Blake and Haworth turned that concept into history, with life-sized cutouts of everyone from spiritual gurus to Hollywood stars. And, yes, Adolf Hitler and Jesus Christ were both modeled but ultimately left out.

Sri Yukteswar Giri
Aleister Crowley
Mae West
Lenny Bruce
Karlheinz Stockhausen
W.C. Fields
Carl Jung
Edgar Allan Poe
Fred Astaire
Richard Merkin
The Vargas Girl
Leo Gorcey (removed)
Huntz Hall
Simon Rodia
Bob Dylan
Aubrey Beardsley
Sir Robert Peel
Aldous Huxley
Dylan Thomas
Terry Southern
Dion DiMucci
Tony Curtis
Wallace Berman
Tommy Handley
Marilyn Monroe
William S. Burroughs
Sri Mahavatar Babaji
Stan Laurel
Richard Lindner
Oliver Hardy
Karl Marx
H.G. Wells
Sri Paramahansa Yogananda
James Joyce
Stuart Sutcliffe
Max Miller
George Petty’s Petty Girl
Marlon Brando
Tom Mix
Oscar Wilde
Tyrone Power
Larry Bell
David Livingstone
Johnny Weissmuller
Stephen Crane
Issy Bonn
George Bernard Shaw
H.C. Westermann
Albert Stubbins
Sri Lahiri Mahasaya
Lewis Carroll
T.E. Lawrence
Sonny Liston (wax model)
George Harrison (wax model)
John Lennon (wax model)
Ringo Starr (wax model)
Paul McCartney (wax model)
Shirley Temple (appears three times)
Diana Dors (wax model)
Albert Einstein
Bette Davis
Bobby Breen
Marlene Dietrich
American Legionnaire
Mahatma Gandhi (removed)
Adolf Hitler (removed)
Sophia Loren (obscured)
Marcello Mastroianni (obscured)
Timothy Carey (obscured)
Unidentified laughing figure
Jesus Christ (not modeled)

Objects and Props:
Hookah (water pipe)
Fukusuke figure (symbol of good luck)
Stone figure of Snow White
Baritone horn
Drumhead by Joe Ephgrave
Idol of the Hindu goddess Lakshmi
Trophy
Antique stone bust of a Victorian man
9-inch Sony television set
Stone figure of a girl
Cloth doll of Shirley Temple wearing “Welcome The Rolling Stones Good Guys” sweater
Three-stringed flower guitar
Stone figure
Garden gnome
Cloth snake
Flowers

The Beatles’ Instruments:
John Lennon – French horn
Paul McCartney – Cor anglais
George Harrison – Piccolo
Ringo Starr – Trumpet

Removed Or Hidden Figures:
Leo Gorcey
Adolf Hitler
Sophia Loren
Marcello Mastroianni
Timothy Carey
Mahatma Gandhi
Jesus Christ
Unidentified laughing figure

Every name. Every face. Every object. The world’s most iconic album cover remains a living collage of music, art, and imagination.

PUP Brings Existential Joy To NPR’s Tiny Desk With A Fierce Five-Song Set

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PUP’s Tiny Desk set is everything you want from a band called Pathetic Use of Potential — loud, funny, and painfully honest. Existential dread never sounded this fun. Five songs, zero small talk, all heart.

13 Very Valuable Records That’ll Make Your Jaw Drop (and Your Wallet Cry)

For music lovers, there’s vinyl, and then there’s vinyl. The kind that makes collectors gasp, auctioneers grin, and your wallet question every life choice. Here are 13 records that turned grooves into gold — alphabetically arranged for your listening (and dreaming) pleasure.

1. The Beatles – “Yesterday and Today” (Butcher Cover)
Infamously pulled for showing the Fab Four dressed as butchers with doll parts, this rare misprint can fetch over $100,000 if it’s sealed. Even Lennon would say that’s a “ticket to ride.”

2. Bob Dylan – “The Freewheelin’ Bob Dylan” (Original Mono)
Some early pressings swapped out four tracks, including “Rocks and Gravel.” If yours has those, congratulations — you’re holding a $35,000 protest song in your hands.

3. David Bowie – “Diamond Dogs” (Uncensored Cover)
The original sleeve showing Bowie’s full anatomy was quickly withdrawn. A clean copy can reach $20,000, making it the most expensive game of peekaboo in rock.

4. Elvis Presley – “My Happiness” (Acetate)
Elvis’ first-ever recording from 1953, bought by Jack White for $300,000, proving The King’s reign still rules collectors’ hearts (and checkbooks).

5. Frank Wilson – “Do I Love You (Indeed I Do)”
Only two copies of this Northern Soul classic exist. When one surfaced, it sold for nearly $40,000 — truly the holy grail of Motown 45s.

6. John Lennon & Yoko Ono – “Double Fantasy” (Signed Copy)
Autographed by Lennon hours before his death, one copy sold for over $500,000. It’s the most haunting intersection of art, love, and tragedy in vinyl history.

7. Nirvana – “Bleach” (White Vinyl)
Sub Pop pressed only 1,000 white vinyl copies in 1989. One sold for $2,500 — proof that grunge never goes out of style (or value).

8. Prince – “The Black Album” (Original Pressing)
Recalled days before release in 1987, this mysterious funk masterpiece was dubbed “The Funk Bible.” Surviving copies spin for up to $42,000.

9. Queen – “Bohemian Rhapsody” / “I’m In Love With My Car” (EMI Promo)
A misprint credited the wrong side as the A-side, making it worth $5,000. It’s a kind of magic — especially for error hunters.

10. Sex Pistols – “God Save the Queen” (A&M Edition)
Only nine copies of the A&M version survived the label meltdown. Each is worth roughly $20,000 — punk may be anarchy, but it pays.

11. The Velvet Underground & Nico – “Banana Album” (First Pressing with Peel Sticker)
Andy Warhol’s peelable banana design defined cool. A clean first pressing with the banana intact? Around $15,000. Pop art meets pop culture perfection.

12. Tommy Johnson – “Alcohol and Jake Blues”
A 1930 Paramount 78 so rare it’s been compared to the Holy Grail of blues. One sold for $37,000 — proof that the Delta still echoes in dollars.

13. Wu-Tang Clan – “Once Upon a Time in Shaolin”
The one-of-a-kind, single-copy album that sold for $2 million. Art, myth, and marketing genius rolled into one — and still, nobody can stream it.

Spin it if you dare. Because somewhere out there, your old record collection might be funding someone else’s retirement.

Wholesale Christmas Decorations: What’s Trending in China & Yiwu

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By Mitch Rice

Christmas is still months away, but savvy retailers know that now is prime time for sourcing wholesale decorations. China remains the global powerhouse for holiday decor manufacturing, with Yiwu leading the charge as the world’s largest small commodity market. If you’re planning your Christmas inventory for next year, understanding the latest trends emerging from these manufacturing hubs could make or break your seasonal sales.

The wholesale Christmas decoration landscape has evolved dramatically over the past few years. Gone are the days when red and green plastic ornaments dominated every store shelf. Today’s consumers crave unique, Instagram-worthy decorations that tell a story, and Chinese manufacturers have responded with remarkable creativity and innovation.

What makes China’s approach to Christmas manufacturing particularly fascinating is how quickly they adapt to global trends while maintaining cost-effective production. From their perspective, Christmas isn’t just a holiday—it’s a design challenge that gets reimagined annually.

The Rise of Sustainable Christmas Decor

Environmental consciousness has reached the Christmas decoration market in a big way. Chinese manufacturers are increasingly focusing on eco-friendly materials and sustainable production methods. Bamboo ornaments, recycled paper decorations, and biodegradable tinsel are becoming mainstream options rather than niche products.

Yiwu’s International Trade Market has dedicated entire sections to sustainable Christmas decor trends. Manufacturers report that Western buyers are specifically requesting FSC-certified wood products, non-toxic paints, and packaging made from recycled materials. This shift isn’t just about meeting regulatory requirements—it’s responding to genuine consumer demand for guilt-free holiday decorating.

The interesting twist? Many of these eco-friendly decorations cost only marginally more to produce than traditional alternatives, making them accessible to budget-conscious retailers.

Minimalist and Nordic-Inspired Designs

The Scandinavian aesthetic has taken the Christmas decoration world by storm, and Chinese manufacturers have mastered this style with impressive precision. Clean lines, natural materials, and muted color palettes are dominating wholesale catalogs.

Key trends include:

  • White and natural wood ornament combinations
  • Geometric star designs in brushed metals
  • Felt decorations in soft grays and creams
  • Minimalist wreaths with single-color themes

What’s particularly clever about how Chinese manufacturers approach Nordic design is their ability to maintain the aesthetic while keeping production costs reasonable. They’ve figured out how to create that expensive, boutique look without the boutique price tag.

Smart and Interactive Holiday Decorations

Technology integration has moved beyond simple LED lights. Wholesale Christmas decorations now include app-controlled lighting systems, motion-activated displays, and even decorations that sync with music or home automation systems.

Yiwu manufacturers have embraced this tech trend enthusiastically. Walking through the electronics section during peak Christmas sourcing season feels like stepping into the future of holiday decorating. Projection ornaments that cast moving patterns, smartphone-controlled color-changing lights, and decorations with built-in speakers are becoming standard offerings rather than premium novelties.

The learning curve for retailers has been steep, but the profit margins on these tech-enhanced decorations often justify the extra effort required to understand and market them effectively.

Personalized and Customizable Options

Mass customization has reached the Christmas decoration market in remarkable ways. Chinese manufacturers now offer personalization services that were unthinkable just a few years ago. Custom family names on ornaments, photo-printed decorations, and made-to-order color schemes are available at wholesale quantities.

This trend reflects a broader shift in consumer behavior. People want their Christmas decorations to reflect their personal style rather than conforming to traditional expectations. Smart wholesalers are partnering with manufacturers who can offer customization without requiring massive minimum orders.

Vintage and Retro Revival

Nostalgia sells, and Christmas decorations are no exception. Chinese manufacturers have become experts at recreating vintage American and European Christmas aesthetics, often with amusing attention to detail that sometimes surpasses the originals.

Popular vintage-inspired wholesale options include:

  • 1950s-style aluminum trees and color wheels
  • Victorian-era inspired ornate glass ornaments
  • Mid-century modern geometric designs
  • Retro-styled outdoor light displays

The irony isn’t lost on anyone that some of the most “authentic” vintage Christmas decorations are now being manufactured in facilities that didn’t exist when these styles were originally popular.

Color Trends Beyond Traditional Red and Green

While classic Christmas colors will never completely disappear, wholesale buyers are increasingly interested in alternative color schemes. Blush pink and gold combinations, navy and silver themes, and even black and white Christmas decorations are gaining traction.

Chinese manufacturers have proven remarkably adaptable to these color trend shifts. Their ability to pivot production lines quickly means that emerging color trends can be incorporated into wholesale catalogs within months rather than years.

The Yiwu Advantage for Small Retailers

Yiwu’s unique market structure offers particular advantages for smaller retailers who can’t commit to container-load quantities. The city’s consolidated shipping services and mixed-container options make it possible for boutique retailers to access the same high-quality decorations as major chains.

The human element of doing business in Yiwu remains important despite increasing digitization. Building relationships with suppliers, understanding cultural nuances, and maintaining face-to-face connections still matter enormously in this business environment.

Staying Ahead of Christmas Decor Trends

Success in the wholesale Christmas decoration market requires staying ahead of trends rather than following them. The most successful retailers are already placing orders for decorations that won’t hit store shelves until next December.

Monitoring social media trends, attending trade shows, and maintaining strong relationships with manufacturers are essential strategies. The Christmas decoration market moves fast, and being six months behind a trend can mean missing an entire selling season.

Building a diverse supplier network across different Chinese manufacturing regions also provides flexibility when trends shift unexpectedly. Having backup options and alternative suppliers can mean the difference between capitalizing on a hot trend and watching competitors capture market share.

The wholesale Christmas decoration market continues evolving at breakneck speed, driven by changing consumer preferences and manufacturing innovation. Success requires balancing trend awareness with practical business considerations, cultural sensitivity with profit margins, and innovation with reliability. Chinese manufacturers, particularly those based in Yiwu, remain the backbone of this global industry, adapting to new demands while maintaining the cost efficiencies that make widespread Christmas decorating possible.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

The Division Men Unveil ‘Hymns And Fiery Dances’ With A Star-Studded Lineup And 2025 Tour

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El Paso, TX by way of Berlin duo The Division Men share a new single & video today from their forthcoming album Hymns and Fiery Dances, out now on Motor Music.

The album currently includes Rafael Gayol (Leonard Cohen), Rick G Nelson (Afghan Whigs, Twilight Singers, Polyphonic Spree, St. Vincent), Jay Reynolds (Asleep at the Wheel), Fredo Ortiz (Beastie Boys, Los Lobos), Leah Shapiro (Black Rebel Motorcycle Club), Dana Colley (Morphine), Asya Sorshneva (CocoRosie), Beto Martinez (Groupo Fantasma), Josh Marcus, Jacob Valenzuela (Calexico), Laura Scarborough, Barb Hunter (Afghan Whigs, Pigface), Eric Gorfain (Sam Phillips, Def Leppard, Queens of the Stone Age, Dr Dre), Peter Hayes (Black Rebel Motorcycle Club), Roscoe Beck (Leonard Cohen) and Alain Johannes (Eleven, Them Crooked Vultures, Queens of the Stone Age, PJ Harvey).

This Texas bred, husband/wife, acoustic duo originally formed in Berlin, Germany in 2008. They are now based in El Paso, TX. The band is made up of founder J. Spencer Portillo (vocals/acoustic guitar) and Caroline Rippy Portillo (vocals/bass guitar.)

The Division Men’s name was derived from the idea of artists collaborating from all over the world despite their locations. Originally formed in Berlin in 2008, the duo wrote and recorded and eventually returned to Texas.

Caroline was born in San Antonio, Texas. From 2007 until 2012, she played bass guitar for Tito & Tarantula. J. Spencer Portillo was born in Los Angeles, California but was raised in Texas. His roots offer a huge influence on the lyrics which frequently present atmospheric portraits of love, life and death in a border town.

The Division Men have a distinctive sound that has been described as dark, romantic, ethereal, and haunting. The last album (Ninos Del Sol) features Rafael Gayol (Leonard Cohen), Steven Hufsteter (The Quick | Tito and Tarantula | Del Shannon), Jay Reynolds (Asleep at the Wheel), Mitch Hertz (Bloody Kids), Raiye Rippy and Jake Garcia (The Black Angels).

THE DIVISION MEN – LIVE 2025:
24.10.2025 Toulon, FR @ Bar de Halle
25.10.2025 Carcassonne, FR @ Du Vin & Des Vinyles
26.10.2025 Dax, FR @ Brewsocial Club
27.10.2025 Burgos, SP @ El Sotano Cultural
29.10.2025 Praia de Esmoriz, PT @ Uncle Joe’s
30.10.2025 Faro, PT @ Palimpsestu
31.10.2025 Lisbon, PT @ ADF
01.10.2025 Alverca do Ribatejo, PT @ Entre Linhas
02.11.2025 Coimbra, PT @ Gremio Operario de Coimbra
04.11.2025 Sopela, SP @ La Atalaia del Gardoki
05.11.2025 Vitoria-Gasteiz, SP @ Abisinia
06.11.2025 Burlada, SP @ Black Rose
07.11.2025 Angoulême, FR @ Pepper Stage
08.11.2025 Châtellerault, FR @ La Station
09.11.2025 Caen, FR @ Portobello Rock Club
10.11.2025 Gent, BE @ Missy Sippy
12.11.2025 Paris, FR @ Le 34
14.11.2025 Stuttgart, DE @ Laboratorium
15.11.2025 Enkirch, DE @ Tom’s Musik-Keller
16.11.2025 Hohr-Grenzhausen, DE @ Cafe Libre
17.11.2025 Wiesbaden, DE @ der Weinländer
18.11.2025 Dusseldorf, DE @ Ratinger Hof
19.11.2025 Bonn, DE @ Kult 41
20.11.2025 Eindhoven, NL @ Stage Music Cafe
21.11.2025 Wildemann, DE @ Gemeindehaus Wildemann
22.11.2025 Fritzlar, DE @ Cafe Hahn
25.11.2025 Calw, DE @ Kultur-Apotheke
27.11.2025 Aumuhle, DE @ In The Woods
28.11.2025 Berlin, DE @ Cafe Tasso
29.11.2025 Seegebiet Mansfelder Land, DE @ Wassermuehle Roblingen Am See
30.11.2025 Berlin, DE @ Zimmer 16

U.S. Dates:
12.12.2025 Los Angeles, CA @ Redwood Bar
12.13.2025 Lakeside, CA @ Hacienda On The Hill