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Adrian Lyles Closes His Alt-Pop ‘Horizons’ Trilogy with ‘Horizons: Night’ and Stunning Visual Series

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Emerging alt-pop singer/songwriter Adrian Lyles wraps up his vulnerable series of Horizons EPs with final installment, Horizons: Night, out now via Hollywood Records. To accompany the EP, Adrian has released a series of conjoining music videos for each track. Listen HERE and watch the videos, directed by Cole Santiago.

This final EP is centered around finding ways to forgive yourself and moving forward. After exploring themes of relentlessly searching for love and grappling with self doubt on the first two releases, this EP sees Adrian finally exhale. Of the project, which includes production by OAK (Rihanna, Usher, Kehlani) and Housefly (Kim Petras, Tyga), Adrian shares, “‘Horizons: Night’ is all about forging new paths. ‘Dawn’ and ‘Dusk’ were focused on me being led by love and my old self. This is the first EP that follows me making the choices for myself. It’s freedom and acceptance. It is the end of this era of being led.”

Fans can hear the Horizons EPs live as Adrian joins Midnight Til Morning on their North American tour, which kicks off October 19 in Montreal, QC. The tour includes sold-out stops at Bluebird Theater in Denver and the El Rey Theatre in Los Angeles before coming to a close on November 16 at San Francisco’s The Regency Ballroom. See full routing below – tickets are available HERE.

With his first 3 EP releases under his belt, Adrian has already showcased his knack for no-holds-barred songwriting and genre-bending production. The projects have earned critical praise from FLAUNTRolling Stone, PeopleOnes to Watch, and more…and he’s just getting started.

Stay tuned for more from Adrian Lyles!

Horizons: Dawn Tracklist
1. “I Can’t Hear You”
2. “Kinda Liked It”
3. “Than I Am”
4. “Take It Easy”

North American Tour
Supporting Midnight Til Morning

Sun, Oct 19 – Montreal, QC – Le National (Sold Out)
Thu, Oct 23 – Toronto, ON – Annabel’s
Fri, Oct 24 – Toronto, ON – Annabel’s (Sold Out)
Sun, Oct 26 – Detroit, MI – El Club
Mon, Oct 27 – Chicago, IL – Thalia Hall (Low Tickets)
Fri, Oct 31 – Austin, TX – Mohawk Austin
Sat, Nov 1 – Dallas, TX – The Studio at The Factory
Mon, Nov 3 – Denver, CO – Bluebird Theater (Sold Out)
Thu, Nov 6 – Seattle, WA – The Showbox
Sun, Nov 9 – Portland, OR – Wonder Ballroom
Mon, Nov 10 – Vancouver, BC – Vogue Theatre
Sat, Nov 15 – Los Angeles, CA – El Rey Theatre (Early 5pm Show)
Sat, Nov 15 – Los Angeles, CA – El Rey Theatre (Late 8:15pm Show, Sold Out)
Sun, Nov 16 – San Francisco, CA – The Regency Ballroom

Morgan Wallen Scores 20th Country No. 1 as ‘I Got Better’ Tops Charts and ‘20 Cigarettes’ Ignites Country Radio

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As “I Got Better” becomes Morgan Wallen‘s 20th Country Aircheck/Mediabase No. 1, and his fifth No. 1 from I’m The Problemthe 19x Billboard Music Award winner arrives with “20 Cigarettes” as most-added at Country radio today, while also sharing a simmering music video to coincide with impact.

Celebrated by Billboard as a “smartly told tale” and “a full movie in a three-minute song,” the story-song of “20 Cigarettes” is once again brought to life by director Justin Clough. The moonlit video recounts love lost and found again under the haze of cigarette smoke. “20 Cigarettes” was written by Chris LaCorte, Chase McGill, Blake Pendergrass and Josh Miller.

Clough also produced Wallen’s recently released music video for “I Got Better,” which uses a car accident as a metaphor for the wreckage of a relationship. The storyline follows Wallen as he walks away from the crash, his wounds gradually beginning to heal as he does so. Watch here.

Both songs hail from Wallen’s fourth studio album, I’m The Problem, released on May 16. I’m The Problem spent 12 non-consecutive weeks atop the Billboard 200 albums chart and 13 non-consecutive weeks at No. 1 on the Billboard Canadian Albums chart. It also became Wallen’s first album to debut at No. 1 on the UK Official Charts – making him one of only five artists to debut at summit with a country album. 

The project debuted at No. 1 in seven countries upon release. In Australia, I’m The Problem became the longest-running No. 1 album by a country artist in 10 years, with three consecutive weeks atop the ARIA albums chart, while “What I Want (feat. Tate McRae)” spent five weeks at No. 1 on Australia’s Country Airplay chart.

Morgan Wallen sets the pace in, and beyond, country music – with Billboard calling him “one of the biggest stars in the music world right now” and The New Yorker adding “[he’s] popular on a scale that seems to circumvent genre entirely.” With 20 No. 1 singles at Country radio, 19 Billboard Music Awards to-date, 198 weeks spent atop Billboard’s Top Country Albums chart (the most in country music history), the highest selling country tour under his belt and more, Wallen has propelled country music to a global level in less than five years. 
 
Wallen’s fourth studio album, I’m The Problem, available now via Big Loud / Mercury, debuted at No. 1 globally across seven countries; while his preceding albums – Dangerous: The Double Album and One Thing At A Time – have remained in the top 10 of the Billboard 200 chart for more than 100 weeks each, making him the first artist ever to achieve that feat. I’m The Problem – which Hits Daily Double observes is “a 37-song cycle of self-reckoning” – has already yielded five No. 1’s at Country radio, including the title track, which remained at No. 1 for eight weeks. Wallen also broke his own record for the most simultaneous entries in Billboard Hot 100 History, with 37 songs charting on release week.
 
Wallen’s 20-stadium-show 2025 I’m the Problem Tour recently concluded in Edmonton, Alberta. In addition to his 20 stadium-plays, Wallen held his inaugural, personally-curated and multi-genre Sand In My Boots Music Festival in Gulf Shores, Alabama in May. He also performed an intimate album release show at The Roundhouse in London.
 
Wallen donates a portion of every ticket sold to his Morgan Wallen Foundation — which supports youth music and athletic programs and gives communities access to essentials in times of crisis. 

Sony Music Central America and the Caribbean and Alofoke Music Announce Strategic Partnership

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Sony Music Central America and the Caribbean (CAC) has announced a strategic alliance with Alofoke Music, the influential label founded by renowned media mogul and cultural tastemaker Santiago “Alofoke” Matías. Under the agreement, Sony Music CAC will serve as the exclusive distributor of all forthcoming releases from Alofoke Music, while also acquiring previously released titles.

The long-term partnership reflects a shared vision for nurturing the next generation of Latin urban talent and expanding their presence across international markets. The deal also allows for strategic collaborations on select tracks with potential for global rollout under a shared rights model.

The first two releases under the Sony Music CAC banner are already in development, with official release dates to be announced soon.

“We’re thrilled to join forces with Alofoke, who is a monumental figure in the music and media space in the Dominican Republic and beyond,” said Melissa Exposito, President, Sony Music CAC. “What he represents in terms of community, culture, and championing talent aligns perfectly with our vision. This partnership is about elevating regional voices in key international markets and building bridges for emerging artists to thrive globally.”

Santiago “Alofoke” Matías, Founder of Alofoke Music, shared: “This alliance is the result of a shared vision rooted in innovation and legacy, with our eyes firmly set on the future of music. Partnering with Sony Music not only validates the years of work we’ve poured into building a platform for talent—it also opens the door for new generations to break barriers and take their sound to global audiences.”

Alofoke Music, founded by Santiago Matías, is one of the most influential and culture-shaping forces in urban music. Originally launched as a digital platform to spotlight local artists, the label has grown into a powerhouse in music production, A&R, and cross-platform content. With a vast digital footprint across platforms including YouTube, social media, and all major global DSPs such as Spotify, Alofoke Music has helped launch viral hits like Que Linda by Lomieel, Donaty, and Papera (35M+ streams globally), Con Sonido” by Bulin 47, Ceky Vicini, and Alofoke Music, and Baje Con Trenza by El Cherry Scom and Ozuna. The label has consistently collaborated with both local icons and global stars like El Alfa and Ozuna, contributing to the mainstream rise of urban sounds. Its cultural impact extends beyond the Dominican Republic into major diaspora hubs such as New York, Miami, and Madrid—making it a cornerstone of the global urban scene. To date, Alofoke Music has generated over 762 million global audio and video streams across platforms.

From his groundbreaking work on the Alofoke Radio Show to building one of the most culturally resonant and impactful music platforms in the region, Alofoke has consistently championed local voices and created pathways for artists in underserved communities to reach broader audiences.

Daft Punk’s ‘Human After All Remixes’ Spins Back on Vinyl for 20th Anniversary

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The robots are back on wax. To mark the 20th anniversary of their third album Human After All, Daft Punk will release a limited edition 2xLP gatefold vinyl of Human After All Remixes on November 28, 2025. For the first time ever, fans can drop the needle on every remix from the duo’s most daring era — in full analog glory.

Originally recorded in just six weeks, Human After All stood apart for its raw, metallic pulse and timeless anthems like “Robot Rock,” “Technologic,” and “Human After All.” A year later, the remix album became a cult collector’s gem, exclusive to Japan, featuring visionary reworks by Justice, Soulwax, SebastiAn, and Erol Alkan — later joined by Basement Jaxx and The Juan Maclean in a 2014 expanded edition.

Now, the full 16-track collection arrives on vinyl for the very first time, pressed across two LPs inside a deluxe gatefold sleeve. From Soulwax’s pounding “Robot Rock” edit to SebastiAn’s sinister twist on “Human After All,” every groove reimagines the future Daft Punk helped invent.

The celebration continues with new official merch at DaftPunk.com and a Super7 ReAction Figures 2-Pack capturing the duo’s 2005 “Technologic” look — guitars, removable helmets, and all.

The robots have rebooted. The remixes have arrived. Humanity, after all, sounds even better on vinyl.

Juno Pearl’s ‘Clockworks’ Blends Swedish Indie Rock and Post-Punk Emotion

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Juno Pearl returns with “Clockworks,” a slow-burning slice of Swedish indie/alternative rock where atmospheric guitars, piano swells and lyric-first storytelling collide. The track moves from hushed confession to cathartic lift, pairing post-punk mood with widescreen melody. Produced by the band and mixed/mastered by Mats Eriksson (Boombridge Studios), “Clockworks” showcases Juno Pearl’s cinematic textures and emotionally precise hooks—built for late-night drives and Nordic indie playlists.

Juno Pearl crafts reflective, lyric-driven indie rock infused with atmospheric textures and a slow-burning intensity, drawing comparisons to Band of Horses, The National, Johnossi, and Manchester Orchestra. Their sound captures the nostalgic energy of post-punk, weaving together expansive instrumentals and emotionally charged narratives—perfect for late-night listening and immersive sonic experiences.

Formed in Gävle, Sweden, the band came together through serendipitous jam sessions and a shared love for raw, heartfelt music. Despite starting as strangers, their chemistry quickly evolved into a seamless blend of cinematic guitars and deeply personal songwriting. Their 2024 debut singles, including Giorgio’s Plaza and Broken Flowers, introduced listeners to their signature balance of introspection and cathartic release, setting the stage for their debut album The Ladder’s End, released in January 2025.

Juno Pearl’s music explores themes of alienation, mental illness, and the quiet beauty found in everyday moments, wrapped in enthralling soundscapes that build toward powerful, emotive vocal climaxes. Now signed to Rexius Records, they are gearing up for the release of three new singles, continuing to refine their distinct, immersive sound.

Puscifer’s ‘The Normal Isn’t Tour’ Brings Experimental Rock Spectacle to Fallsview Casino

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Fallsview Casino Resort is thrilled to welcome the ever-dynamic Puscifer led by Maynard James Keenan. Get ready for a performance that bridges electronic and rock together, at the OLG Stage at Fallsview Casino on April 15, 2026 as part of The Normal Isn’t Tour. Joining them as special guest is Dave Hill. Tickets go on sale on Friday, October 24 at 10:00am on ticketmaster.ca.

“Puscifer is known for their live performances and creativity. This will be a show that brings a blend of unique sound and fantastic energy! ”said Cathy Price, Vice President of Marketing and Resort Operations, Niagara Casinos.

Puscifer led by Maynard James Keenan (of rock band Tool, A Perfect Circle) blends music, performance art, and dark humour into an immersive live experience. Known for their sound that infuses rock, electronic and experimental elements, Puscifer’s shows are part concert, part theatrical spectacle-filled with cinematic visuals, satire and unexpected twists. Critically acclaimed albums include Conditions of My Parole and Existential Reckoning, and recently the album In Case You Were Napping spanning the bands 18-Year discography with 15 incredible songs. Puscifer continues to challenge and deliver experiences that are thought provoking and mesmerizing.  Other hits include “The Humbling River,” “Apocalyptical,” “The Underwhelming” and many more.

Show date & performance
Puscifer: The Normal Isn’t Tour with Special Guest Dave Hill
Date: Wednesday, April 15, 2026Showtime: 8:00pm Venue: OLG Stage at Fallsview Casino

Tickets for Puscifer go on sale Friday, October 24 at 10:00am.

LeAnn Rimes Brings Holiday Magic Nationwide with ‘Greatest Hits Christmas Tour’

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Grammy Award-winning vocalist and multi-platinum selling singer/songwriter, actress, and author LeAnn Rimes is bringing holiday cheer across the nation this winter with the launch of her Greatest Hits Christmas Tour. Widely celebrated as the “Queen of Christmas,” Rimes will perform fan favorites from her beloved holiday albums along with highlights from her profound 30-year career.

The tour kicks off December 4th in Morristown, NJ, and wraps December 22nd in Tucson, AZ, with stops in major cities including Nashville, TN; Scottsdale, AZ; and more.

“Christmas for me, is not just a day, it’s the season. The build-up, the joy, the excitement… a holiday tour,” shares Rimes. “I’m so excited for this upcoming run of shows and a set list that spans decades of holiday music. Some of these songs I’ve sung since I was a little girl, that bring out the big kid in me. Others came later, from a deeper place, when I started asking myself what the season feels like now as a woman, a wife, a stepmom and someone who’s lived a lot more life.”

From her first breakout hit “Blue” at the age of 13 to becoming one of the most accomplished vocalists of her generation, Rimes has carved a path that bridges country, pop, and soul. With over 48 million albums sold worldwide, she has released three acclaimed holiday albums and numerous chart-topping singles that have become staples of the season. Her powerhouse vocals and heartfelt performances have solidified her place as a holiday favorite among fans of all ages.

In addition to preparing for the tour, The Voice Australia winning judge is currently filming the highly anticipated Ryan Murphy-produced ABC drama 9-1-1: Nashville, and continues to perform select dates around the country.

LeAnn Rimes 2025 Greatest Hits Christmas Tour Dates:

Dec 4 – Morristown, NJ @ Mayo Performing Arts Center
Dec 6 – Glenside, PA @ Keswick Theatre
Dec 7 – Stony Brook, NY @ Staller Center for the Arts
Dec 12 – Nashville, TN @ Ryman Auditorium
Dec 13 – Jasper, IN @ Jasper Arts Center
Dec 20 – Laughlin, NV @ The Edge Pavilion
Dec 21 – Scottsdale, AZ @ Talking Stick Resort
Dec 22 – Tucson, AZ @ Fox Tucson Theatre

Spotting Fake vs. Legit Essay Writing Platforms

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By Mitch Rice

When you’re drowning in homework and freaking out, tons of students look online for help with essays. Big problem? Most sites are straight-up trash. Some take your money and ghost you, others send copy-pasted junk that gets you kicked outta school. This study showed like 37% of college kids got ripped off by fake writing services. Let’s figure out how to spot the real deals from the total garbage.

Red Flags of Fraudulent Essay Services

Spotting the sketchy services ain’t rocket science if you know what to look for. These warning signs might save your wallet and your grades.

A legit essay writing service won’t pull this kinda crap:

  • Super cheap prices ($5 per page? Yeah right)
  • No privacy policy (sketchy AF)
  • Website full of spelling mistakes (like they can’t even spell “dissertation”)
  • No real phone number or address
  • Promising crazy fast turnarounds (complete 50-page paper by tomorrow!)
  • No mention of revisions or refunds

This Yale prof says the worst services aren’t the obvious scams but the slick-looking ones that send plagiarized junk. “These places can wreck your whole college career,” he warns. If you ever decide to pay someone to write essay, make sure you choose a reputable and transparent platform — otherwise, you risk falling for one of these traps.

Weird red flag nobody talks about: sample essays that sound like novels. Real college papers have a certain boring vibe. If their samples read like bestsellers, run away fast.

Hallmarks of Legitimate Writing Platforms

The real-deal platforms actually give a crap about not being garbage. They need repeat customers, not one-time scams. Essay website reviews usually point out these things that separate decent services from dumpster fires.

What non-scammy services usually got:

  • Clear pricing without surprise fees
  • You can talk to your writer directly
  • Free revisions when they mess up
  • Plagiarism reports so you know it’s original
  • Payment methods that won’t steal your identity
  • Sample papers that look like actual college work
  • Info about the writers and what they know

This lady who runs a tutoring company explains: “Good services actually try to teach you stuff, not just hand you a paper and say ‘good luck with that.'”

One sneaky good sign: they’ll actually say NO to crazy requests. Quality places turn down impossible deadlines rather than just taking your money for something they can’t deliver.

Price vs. Quality: Finding the Right Balance

If it’s super cheap, it’s super trash. While everybody wants deals, those rock-bottom prices mean rock-bottom quality. Decent undergrad essays cost $15-25 per page, and grad school stuff costs more like $20-40 per page.

Trusted essay help isn’t dirt cheap. Think about what goes into making a custom paper: research, writing, editing, formatting. If someone’s writing your 10-page psych paper for thirty bucks total, they’re either plagiarizing or using crappy AI.

This Princeton researcher says: “The math just doesn’t work for super cheap services unless they’re doing something sketchy—usually plagiarizing, hiring terrible writers, or just running everything through AI without checking.”

Weird price thing: prices go crazy during finals week. Services with steady prices year-round usually got better writers and better quality control.

Verifying Credibility Before You Pay

Before throwing money at some random website, do your homework first. Reliable essay sites leave footprints all over the internet you can check yourself.

How to check if a service is garbage before using it:

  • Find reviews on sites they can’t control (Trustpilot, Reddit)
  • Look for detailed reviews mentioning specific assignments
  • Check if their social media looks dead
  • Run their sample essays through plagiarism checkers
  • Test customer service with weird questions
  • See how long their website has existed (new sites = bigger risk)

This ex-FBI guy who hunted academic scammers says: “Always test them with something small first. Get a two-page paper before trusting them with your thesis.”

How old the company is matters tons. Places around 5+ years have proven they ain’t just scamming people and disappearing. New sites might be OK, but they haven’t proven nothing yet.

Protecting Yourself When Using Writing Services

Even with good services, you gotta watch your back to avoid essay scams. The relationship should feel like working with a tutor, not just buying a product.

Smart moves to protect yourself:

  • Never give your university login (duh, but people do this)
  • Use payment methods with fraud protection
  • Save every message between you and the service
  • Ask for drafts for big projects
  • Actually read the paper before turning it in
  • Know your school’s rules about using writing services

This Berkeley prof says: “Students should treat these services like tutoring, not paper vending machines. You should learn something, not just copy-paste it.”

Weird but smart trick: be honest with the writing service about what you know. If your prof might quiz you on the paper, make sure you understand everything in it.

The Ethical Dimension

Beyond avoiding scams, there’s this whole messy question about what’s ethical. Using these services right means knowing where help ends and cheating starts.

This Columbia ethics expert puts it simple: “The difference between ethical and sketchy usage comes down to whether you’re learning anything. Are you using the service to improve, or just to avoid work? That difference matters way more than students think.”

Tons of schools updated their cheating policies to catch students who pay for papers. Punishments range from failing to expulsion, with some places using fancy methods to catch cheaters.

The smartest approach mixes practical with ethical—use services for guidance and editing, but develop your own skills too. This way you minimize risk while actually learning something.

Getting honest help shouldn’t feel like gambling. By knowing what good services look like and avoiding scammers, students can get help without ruining their future or getting robbed. The best services don’t just hand you papers—they help you not feel like you just flushed your money down the toilet.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Tony Brown, June Carter Cash, and Kenny Chesney Join Country Music Hall of Fame with Star-Studded Tributes

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Tony Brown, June Carter Cash and Kenny Chesney became the 156th, 157th and 158th members of the Country Music Hall of Fame as they were formally inducted during a star-studded Medallion Ceremony in the Country Music Hall of Fame and Museum’s CMA Theater.

Brown, Cash and Chesney received country music’s highest distinction and were honored with heartfelt remarks and inspired performances of songs associated with their careers. The following is a list of the artists (listed in the order they performed), as well as the Hall of Fame members who were personally selected by each inductee to present them with their medallions.

Born in North Carolina and schooled as a keyboard player in the topnotch road bands of Elvis Presley and Emmylou Harris, Tony Brown became a key record executive in shaping the sound of modern country music. As a record producer, he supervised many best-selling recordings by Country Music Hall of Fame members Vince Gill, Wynonna Judd, Patty Loveless, Reba McEntire, George Strait, Marty Stuart and others. As a label executive and talent scout at MCA Records, he also brought daring, outsider talents into mainstream country music, including Steve Earle, Nanci Griffith, Lyle Lovett, the Mavericks and Kelly Willis.

He was honored by Lyle Lovett performing “If I Had a Boat,” Steve Earle singing “Guitar Town,” Trisha Yearwood with “Perfect Love,” George Strait singing “Troubadour,” and Country Music Hall of Fame member Vince Gill presenting the Medallion ceremony.

June Carter Cash was a vibrant presence in country music for over 60 years as a singer, comedienne and songwriter. She began performing at age 10 in 1939, singing with her mother, Maybelle Carter of the Carter Family, and her two sisters on Mexican border radio. Mother Maybelle & the Carter Sisters later starred on the Grand Ole Opry and joined Johnny Cash’s roadshow. June Carter wrote more than 100 songs, including “Ring of Fire,” a No. 1 hit for Cash, whom she married in 1968. They recorded several hit duets, including “Jackson” and “If I Were a Carpenter,” both of which won Grammys.

She was honroed with Kacey Musgraves and Daniel Tashian singing “Ring of Fire,” Keb’ Mo’ and Ruby Amanfu with “Keep on the Sunny Side,” and Lukas Nelson performing “It Ain’t Me Babe.” The Medallion presentation was by Country Music Hall of Fame member Emmylou Harris.

A former high school athlete from Luttrell, Tennessee, Kenny Chesney parlayed a resonant baritone voice and a competitive spirit into one of the biggest careers in country music since the year 2000. He has earned 16 platinum albums, more than 50 Top Ten country hits and 23 No. 1s on Billboard’s Hot Country Songs chart. Among his best-known hits are “The Good Stuff,” “There Goes My Life” and “The Boys of Fall,” all of which crossed over to the pop charts. A perennial top touring attraction, he’s been voted the CMA Entertainer of the Year four times — 2004, 2006, 2007 and 2008.

Chesney was honored by Kelsea Ballerini with “Somewhere with You,” Megan Moroney performing “Knowing You,” and  Eric Church singing a medley of “I Go Back,” “Anything But Mine,” “El Cerrito Place,” “Never Wanted Nothing More,” “The Boys of Fall,” and “Old Blue Chair.”

The Medallion presentation was by Country Music Hall of Fame member Joe Galante.

The ceremony concluded with a performance of “Will the Circle Be Unbroken,” led by Country Music Hall of Fame member John Anderson.

Produced by the staff of the Country Music Hall of Fame and Museum, the annual Medallion Ceremony celebrates the unique talents, personalities and backgrounds of each Hall of Fame inductee, as well as the important turning points and the breakthrough artistic achievements that defined their careers. The ceremony includes speeches, live musical tributes and original video biographies, created by the museum staff using recorded performances, past televised interviews and historic photos culled from materials in the museum’s Frist Library and Archive. The ceremony is made possible in part by underwriting from the Country Music Association and City National Bank.

Despised Icon’s ‘Shadow Work’ Unleashes Deathcore Fury and Betrayal on ‘The Apparition’

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Canadian deathcore pioneers, Despised Icon, have unveiled the official music video for their crushing new single “The Apparition,” the latest offering from their upcoming seventh studio album Shadow Work, set for release on October 31st, 2025, via Nuclear Blast Records.

The new single captures the Canadian deathcore pioneers at their most dynamic, balancing blistering speed, massive grooves, and eerie melody. Lyrically, the track delves deep into themes of betrayal, brotherhood, and the shattering of trust, embodying the dual brutality and emotion that have long defined Despised Icon’s sound.

Produced by Alex Erian and Eric Jarrin, and mixed and mastered by Christian Donaldson (CryptopsyShadow of IntentSigns of the Swarm), Shadow Work represents Despised Icon’s most introspective and musically evolved chapter yet. The album’s cover artwork was created by Eliran Kantor (HatebreedThy Art Is MurderCavalera), further cementing its status as one of the year’s most anticipated extreme metal releases.

In less than 3 weeks, Despised Icon will join headliner’s Sanguisugabogg on their U.S. tour. The 22-date trek, which includes Defeated Sanity, and Corpse Pile as support, will kick off in Detroit on November 4th and make stops in Santa Ana, Houston and New York concluding on November 30th in Columbus, OH. Following the tour, the band will headline 2 sold-out hometown shows on December 6th and 7th at Club Soda.

Tour Dates:

11.04 Detroit, MI @ St. Andrews Hall
11.05 Chicago, IL @ Metro
11.06 Indianapolis, IN @ Deluxe (Old National Centre)
11.07 Lawrence, KS @ The Granada
11.08 Denver, CO @ Summit Music Hall
11.09 Albuquerque, NM @ El Rey
11.11 Phoenix, AZ @ The Nile Theater
11.12 Santa Ana, CA @ The Observatory
11.13 Berkeley, CA @ UC Theatre
11.14 Los Angeles, CA @ The Regent
11.15 Las Vegas, NV @ Fremont Country Club
11.17 Dallas, TX @ Echo Lounge & Music Hall
11.18 Austin, TX @ Mohawk
11.19 Houston, TX @ White Oak (Downstairs)
11.21 Tampa, FL @ The Orpheum
11.22 Atlanta, GA @ The Masquerade
11.23 Charlotte, NC @ The Underground
11.25 Pittsburgh, PA @ Roxian Theatre
11.26 Baltimore, MD @ Baltimore Soundstage
11.28 New York, NY @ Irving Plaza
11.29 Philadelphia, PA @ Union Transfer
11.30 Columbus, OH @ The King of Clubs
12.06 Montreal, QC @ Club Soda ^
12.07 Montreal, QC @ Club Soda ^

^ – DESPISED ICON only