Rising country star Tyler Reese Tritt is hitting her stride with her latest single “Another High,” out now on all streaming platforms via Three Feathers Productions. The track marks the second release from her forthcoming debut EP Wild At Heart, arriving later this month, and captures the electrifying rush of falling in love with a nostalgic, windows-down feel.
“I’m so excited for everyone to indulge in this new song,” Tritt shares. “It’s so nostalgic and something you can roll the windows down to, sing along with in the car, and truly feel. I think so many people can relate to that exhilarating rush of falling in love – that unforgettable high.”
Following the emotional resonance of her previous single “You Lost Me,” which reflected on heartbreak and self-discovery, “Another High” showcases a brighter, more carefree side of Tritt’s artistry. Produced by Matt McClure, the song blends modern polish with classic country charm, setting the tone for Wild At Heart — a five-track debut that highlights her versatility, confidence, and storytelling depth.
A Georgia native and daughter of country legend Travis Tritt, Tyler Reese has been forging her own path in the genre with a voice that blends soulful grit and heartfelt sincerity. She first caught national attention at just 14, duetting with her father on “Sometimes Love Just Ain’t Enough,” and has since built a loyal following with singles like “Porch Light” and “Texas Hold Him.” Her live shows have earned her spots opening for artists including Sheryl Crow and Runaway June, solidifying her place as one of country music’s most promising new voices.
With “Another High,” Tyler Reese Tritt continues her ascent — a reminder that while her roots run deep in country tradition, her sound and spirit are entirely her own.
Country hitmaker Walker Hayes turns the page on a new chapter with 17 Problems, out now via RCA Records. The deeply personal album captures Hayes at his most honest and introspective, blending the plainspoken charm and emotional candor that have defined his career with a newfound sense of reflection and faith.
Through unfiltered storytelling, 17 Problems explores the friction between past and present — from youthful missteps and bittersweet nostalgia to the realities of raising kids, grieving a parent, and finding light in uncertain times. Hayes threads these moments together with his signature warmth and wit, creating a body of work that feels both personal and universal.
In celebration, Hayes has released “17 Year Old Problems,” a heartfelt new song written solely by him and produced by Billy Dawson. The acoustic-driven track recalls small-town teenage memories — fake IDs, curfews, and late nights at Waffle House — while facing the weight of adulthood. Hayes sings, “Now I’m supposed to know so many things that I don’t / Lord, I try to close my eyes at night but they won’t / She used to pick me up from practice / Now she’s pickin’ me up from rehab / I want my 17-year-old problems back.” It’s a line that hits like a gut punch — simple, honest, and deeply human.
A native of Mobile, Alabama, Hayes first exploded into the mainstream with his 2021 smash “Fancy Like,” which spent more than six months at #1 on Billboard’s Hot Country Songs chart, reached the Top 5 on the Billboard Hot 100, and earned him a Grammy nomination. Since then, he’s continued his streak with hits like “AA,” “Y’all Life,” “U Gurl,” and “Good With Me.”
Following his 2023 release New Money and 2024’s Sober Thoughts EP, 17 Problems finds Walker Hayes embracing both vulnerability and gratitude — proof that even after global success, he’s still writing for the everyday listener, one song at a time
Iconic Canadian rock band Our Lady Peace are closing out their 30th anniversary celebration with a powerful statement. The band has released “Whatever (Redux),” a reimagined version of their long-shelved 2003 track, marking both a reclamation of the song and a renewed commitment to mental health awareness.
Originally written for the WWE and used by Canadian wrestler Chris Benoit, “Whatever” was pulled from the band’s live sets in 2007 following the tragedy surrounding Benoit’s death. Despite that, the song has remained one of the most streamed tracks in the OLP catalog. With “Whatever (Redux),” produced by Nick Raskulinecz (Foo Fighters, Deftones, Evanescence), the band revisits the song’s core themes of isolation and resilience, channeling them toward hope and healing.
“It’s been 23 years since the tragic events surrounding WWE wrestler Chris Benoit and the theme song we wrote for him,” says frontman Raine Maida. “We feel that enough time has passed that it was necessary to re-record ‘Whatever’ to help shine a light on suicide prevention and mental health awareness.” In keeping with that mission, proceeds from the new version will be donated to mental health and suicide prevention initiatives.
“Whatever (Redux)” first reappeared during the band’s OLP30 tour earlier this year, where fans enthusiastically embraced its return. The re-recording stands as both a tribute to the band’s loyal fanbase and a reflection of their ongoing artistic evolution.
The new single caps off a milestone year for Our Lady Peace, who marked their 30th anniversary with a trilogy of retrospective EPs. OLP30 Vol. 1 (released September 2024) included the new song “Sound The Alarm” alongside hits like “Clumsy” and “Superman’s Dead.” OLP30 Vol. 2 (November 2024) featured “I Wanna Be Your Drug” and early favorites including “One Man Army” and “Thief.” The final installment, OLP30 Vol. 3 (February 2025), celebrated their early 2000s output with “No Angels In This Town” and classics from Gravity and Healthy In Paranoid Times.
With “Whatever (Redux),” Our Lady Peace bring their anniversary full circle — reclaiming a song once shadowed by tragedy and transforming it into a message of awareness, strength, and compassion for a new era.
Grammy-nominated global star BIA is owning the summer once again with her new single “One Thing,” out now. The tropical-inspired track, produced by AzizTheShake and Hidde, channels carefree island energy and effortless swagger, spotlighting BIA’s signature blend of confidence, melodic finesse, and razor-sharp lyricism.
“One Thing” arrives as the Massachusetts-born rapper’s second release of the year, following her May hit “We On Go,” the official anthem of the WNBA. The new single feels like a natural evolution — lush, rhythmic, and bursting with color — showcasing BIA at her most self-assured yet.
The accompanying video, directed by BenMarc, brings the song’s vibrant world to life. Filmed in the Bahamas, it follows BIA as she dances and connects with locals against a backdrop of turquoise waves and sun-soaked streets. Her charisma radiates in every frame, paired with her trademark smirks and high-fashion looks that turn the clip into a visual escape.
BIA’s unstoppable rise continues to gain momentum. In addition to her hit singles, she’s forged high-profile partnerships with the WNBA, NHL, and Apple, solidifying her reputation as both an artist and entrepreneur. Her presence at this year’s WNBA All-Star festivities in Indianapolis showcased that dual power — from her national TV performance of “We On Go” on Good Morning America to her dynamic pre-game performance at the All-Star introductions, she proved she’s as comfortable commanding arenas as she is the charts.
With “One Thing,” BIA captures the essence of summer freedom while reaffirming her position as one of hip-hop’s most versatile and magnetic voices.
Grammy-winning global superstar Tyla is back and brighter than ever with WWP, her first new project since her historic debut album. Out now, the four-track collection showcases her effortless blend of Afropop, R&B, and global rhythm, proving why she remains one of the most exciting artists in music today.
Produced by P. Prince and Sammy Soso, WWP features the hit singles “Bliss” and “Is It,” alongside two brand-new tracks: “Dynamite” featuring WizKid and the irresistibly smooth “Mr. Media.” The project captures Tyla’s signature mix of sensual vocals, danceable grooves, and radiant self-assurance — all while hinting at the artistic evolution she’s undergone since her debut.
“Dynamite,” her much-anticipated collaboration with WizKid, has quickly become a standout. After teasing the song for months during her global appearances, Tyla finally delivered what fans have been waiting for. “When I thought of doing a mixtape called WWP, I went back to all my old demos and I remembered the Wiz one,” she told fans at a London listening session earlier this year. “And it was still good, like, after three years! I just told him, ‘Let’s finish it because I want to drop it.’”
The project’s release follows a year of triumphs for Tyla, who recently wrapped a string of homecoming shows in South Africa before returning to the studio. She continues to build on her record-breaking success as the highest-charting African female soloist in Billboard 200 and Hot 100 history, and as a Grammy winner with multiple gold-certified singles from her deluxe album Tyla+, including “Push 2 Start” and “Jump.”
“Bliss,” already featured in Coca-Cola’s global “Road Trip” campaign, has dominated charts and playlists alike, while Tyla’s summer performances at Open’er Festival in Poland and Tipsy Festival in Barbados reaffirmed her reputation as an electrifying live performer. Next up, she’s set to take the stage at the Global Citizen Festival in New York, continuing her unstoppable rise as one of Africa’s most radiant expor
Maren Morris has never sounded more fearless. The Grammy-winning singer-songwriter’s new single “Be a Bitch” is out now, offering a raw, moody, and unapologetically honest look at reclaiming power and humor after heartbreak. Produced by Jimmy Robbins and co-written with longtime collaborator Laura Veltz, the track marks the first of four new songs featured on Dreamsicle (Deluxe), out now via Columbia Records.
On the cutting new anthem, Morris swaps politeness for power. “After telling my friends in the session about a recent traumatic dating story, I said everything that became a lyric: ‘my reputation precedes me, your hairline recedes you,’ thinking nothing would actually go into the song because it’s ‘too mean,’” she explains. “Then I realized I occasionally water my thoughts down to spare a person’s feelings. Who is that helping? I don’t need to be a pristine heroine you screwed over, I deserve to be mad and eternalize that ego bruise into song. ‘Be a Bitch’ is for anyone who ever let themselves down by being too nice to someone who was going to take advantage either way.”
The Dreamsicle (Deluxe) edition expands on Morris’s acclaimed fourth album, featuring three additional new tracks: the soft and dreamy “In Love With Me,” the freedom-chasing summer anthem “Running,” and the grounding, ethereal closer “Earth Angle.” Each song further cements Morris’s evolution as a songwriter unafraid to explore emotional depth and sonic experimentation.
Following her powerful set at Newport Folk Festival, Morris is currently on The Dreamsicle Tour, a sprawling 40-date run across North America, the UK, and Europe that continues through late November. Blending intimate headlining shows with major festival appearances, the tour captures the full spectrum of her artistry — fierce, funny, vulnerable, and free.
With Dreamsicle, Maren Morris steps confidently into her most personal era yet — one that radiates honesty and growth while embracing imperfection as strength. It’s a reminder that sometimes empowerment sounds a little bit like anger, and that’s exactly what makes it beautiful.
Machine Gun Kelly is back with a burst of color and confidence on his new single “Miss Sunshine,” out now. The track captures MGK’s latest creative chapter — a genre-blending, southern rock-meets-modern pop anthem that feels tailor-made for summer drives and late-night escapes. With a sound steeped in freedom and optimism, “Miss Sunshine” adds another vibrant piece to what MGK calls his Lost Americana mosaic.
Directed by longtime collaborator Sam Cahill, the “Miss Sunshine” video takes the concept of scale and surrealism to new heights, literally. MGK and his band are depicted as giants in a miniature world, performing in playful, dreamlike settings that mirror the song’s carefree, sun-soaked energy. It’s a visual love letter to escapism — and another reminder of MGK’s flair for cinematic storytelling.
The track follows his recent singles “Vampire Diaries” and “Cliché,” both on his album, out now. The record promises a bold continuation of MGK’s evolution, bridging rock grit with emotional introspection and melodic polish.
Beyond the music, MGK continues to celebrate his roots. Earlier this week, he teased his annual MGK Day weekend celebration in his hometown of Cleveland, Ohio — a three-day event featuring music, art, community projects, and philanthropy that honors his impact both locally and globally.
Fans will have plenty of chances to catch MGK live this fall. He’s headlining the 30th Anniversary Vans Warped Tour in Orlando, FL on November 15–16, and the Mobile Zone at Sphere Stage during the Formula 1 Heineken Las Vegas Grand Prix from November 20–22.
Alt-metal powerhouses From Ashes To New have unleashed their explosive new single “New Disease,” out now via Better Noise Music. The track delivers a scathing critique of trend-chasing and social validation, pairing crushing riffs with razor-sharp lyrics that pull no punches. It arrives ahead of the band’s highly anticipated New Disease Tour and festival appearances this fall.
“Every day there’s a new trend,” says frontman Matt Brandyberry. “Every day, there’s a new wave of people going out of their way to be recognized no matter the cost. We are hypnotized by our vices… we will kill ourselves to be noticed.” His words echo the song’s dark undercurrent — a powerful reflection on identity, self-destruction, and the desire for authenticity in an attention-obsessed world.
“New Disease” amplifies the band’s signature blend of metal, hip-hop, and melody while expanding their creative reach. It follows “Live Before I’m Dead (Hours),” one of six new tracks from the Blackout (Deluxe) edition released in June 2024, marking another step forward for the genre-defying outfit.
From Ashes To New 2025 New Disease Tour Dates: Nov 1 – McKees Rocks, PA @ Roxian Theatre Nov 2 – Norfolk, VA @ The NorVa Nov 4 – Albany, NY @ Empire Live Nov 5 – Boston, MA @ Big Night Live Nov 7 – Portland, ME @ Aura Nov 8 – Sayreville, NJ @ Starland Ballroom Nov 9 – Baltimore, MD @ Baltimore Soundstage Nov 11 – Atlanta, GA @ The Masquerade Nov 12 – Charlotte, NC @ The Underground Nov 14 – Fort Lauderdale, FL @ Revolution Live Nov 15 – Orlando, FL @ Warped Tour
Critically acclaimed singer-songwriter Reneé Rapp is taking her explosive new era global. The rising pop powerhouse has announced her biggest European headline tour to date — the Bite Me 2026 UK/European Tour — launching next March in support of her upcoming sophomore album Bite Me, out now via Polydor Records. The run includes arena stops in Manchester and London, marking her largest UK performances yet.
“Leave Me Alone” in particular has set the tone for what’s to come, pairing cutting honesty with irresistible hooks. The new material promises to translate perfectly to the stage, giving fans Rapp’s most dynamic and confident live show yet.
Reneé Rapp 2026 UK/European Tour Dates: Mar 11 – Antwerp, Belgium @ Lotto Arena Mar 12 – Amsterdam, Netherlands @ AFAS Live Mar 13 – Berlin, Germany @ Uber Eats Music Hall Mar 15 – Cologne, Germany @ Palladium Mar 16 – Paris, France @ Zenith Paris – La Villette Mar 18 – Manchester, UK @ AO Arena Mar 19 – London, UK @ OVO Arena Wembley
First impressions matter. Sugar96 presents itself like your local—friendly, efficient, and geared for Australians over 18 who like things done properly in AUD. The tone is refreshingly no-nonsense: the site greets you with a clean lobby, bold “Play Now” call-to-action, and a clear promise to keep gameplay smooth and payouts local. Sugar96 is licensed in Curaçao and talks openly about RNG checks and data security, the sort of transparency you actually feel while browsing.
Ready to see how the offers line up? Let’s open the cupboard and look at the goodies.
Bonuses & promos that make a bright start
Sugar96 kicks things off with a playful, very “Aussie” set of promos—simple rules, quick crediting, and amounts you can picture on your card statement. Here’s the shape of it so you can plan your first sessions:
A Sign-Up Sparker: AUD $9.60 lands after email verification—“no deposit”;
A 50% first-deposit match from $20 up to $500 for a strong start;
A Daily 10% Booster you can apply to one deposit with just 3× turnover;
Unlimited 5% cashback on top-ups with a light rollover;
VIP Sunrise Perks from $110+, where loyalty extras stack up for regulars.
Stack cleverly, and you’re effectively playing with house credit while you feel the lobby out (tip: confirm the specific game eligibility in the promo panel before you deposit so you optimise that booster).
Before we talk pokies, a quick scene-setter. Aussies love high-RTP classics, and Sugar96 leans into that with a line-up that feels both familiar and lively.
Pokies line-up Australians already recognise
The “Popular Slots” row features names most Aussie players will clock instantly when they land on the lobby. You’ll see Book of Dead, Legacy of Dead, Elvis Frog in Vegas, Fortune Coin Link: Running Wins, and Sizzling Eggs Football Edition, among others. If you like bouncing between fan-favourites and modern twists, you’ll feel at home.
For readers who like the numbers (and quick scenarios to picture the gameplay), here are five fixtures you can use to plan your first spins. The RTP figures below are typical public configurations and a handy compass when you’re choosing where to start.
Game (provider)
RTP (typical)
What it plays like (quick scenario Aussies get)
Book of Dead (Play’n GO)
96.21%
Classic “ancient tomb” thrill: you’re chasing a 10-spin free games round where one symbol expands—think of it like the moment a test batsman finally finds his rhythm and the boundaries start to flow.
Legacy of Dead (Play’n GO)
96.58%
A modernised cousin of the above: expanding symbols again, but with a slicker tempo—when the shrine scatters drop, it’s that “last-over lift” feeling as the crowd leans in.
Elvis Frog in Vegas (BGaming)
95.3%
Coin Respin and jackpots give it a fun party rhythm; imagine ducking out for a flat white, tapping spin, and landing a respin chain before your order’s called.
Sizzling Eggs Football Edition (Wazdan)
96.12%
Collector symbols and a tidy free spins route; it’s like building pressure across a set of plays until a clean through-ball opens the goal.
Fortune Coin Link: Running Wins (Fugaso)
96.00%
A straightforward jackpot-chaser: settle in for steady base spins while you hunt the coin features—nice for “one more spin” energy on a Friday arvo.
If you’re new to RTP: it’s a long-term average, not a promise. Still, choosing solid configurations is smart bankroll behaviour. Check the in-game info panel to confirm the version you’re playing.
Before we jump into banking, one more thing Aussies often ask: “Is there live dealer?” Yes—Sugar96 lets you flick from pokies to live blackjack without losing your seat (comfortably handled on mobile, too).
Banking in AUD that keeps pace with your day
You shouldn’t have to wonder when money lands. Sugar96 lists deposit and withdrawal speeds clearly, and everything is in AUD so you’re not fighting exchange hiccups. On the payments page you’ll find quick options like PayID, regulars like Visa/Mastercard and Aussie bank transfer, plus PayPal, Skrill and Bitcoin for those who prefer e-wallets or crypto. Typical timings are below—use them to decide the lane that suits your week.
PayID — deposits are instant; withdrawals commonly 1–2 days;
Bank transfer — deposits around 1–2 hours; withdrawals 2–3 days;
Bitcoin — deposits in ≤10 minutes; withdrawals 1–2 days.
Sugar96 aims to push withdrawals through in roughly 72 hours, then it’s down to your bank’s final mile; having your verification squared away helps everything fly.
Next up, how it actually feels to play on your phone—because that’s where most Aussies spin these days, on the couch or the train to Parramatta.
Mobile app & UX: designed for thumbs, not desktops
This is where Sugar96 feels very Aussie in practice. Open the app (or your browser) and the lobby refactors neatly to your home screen: big spin buttons, legible fonts, and thumb-sized sliders so you can tweak bet size without fat-fingering. On a patchy connection, the table and slot transitions stay smooth, and you can switch to live blackjack in a tap without losing your place. It’s the sort of mobile polish that makes quick “coffee-line spins” actually enjoyable.
Before we wrap, a few practical, good-habits notes. These aren’t rules—just field-tested advice that helps Aussies play smart.
Conclusion
Sugar96 feels like it was designed by people who actually play: bonuses that make sense, a lobby full of recognisable pokies, and payment lanes that suit how Aussies move money. The site keeps everything in AUD, the mobile experience is genuinely thumb-first, and switching from a few spins to a live table is seamless. If you’re 18+ and want a bright, breezy place to play with a welcome nudge and fast PayID, Sugar96 is a natural fit.
FAQ
How do I claim the Sugar96 sign-up and first-deposit offers?
Verify your email to trigger the AUD $9.60 spark, then make a first deposit from $20 to receive the 50% match—check the promo panel for eligible games and apply the Daily Booster when you need it.
Which pokies should I try first at Sugar96?
Start with high-profile staples like Book of Dead or Legacy of Dead if you value clear features and competitive RTP; then branch to Elvis Frog in Vegas or Sizzling Eggs Football Edition for different vibes.
Does Sugar96 support Aussie-friendly payments?
Yes—PayID, bank transfer, Visa/Mastercard, PayPal, Skrill, and Bitcoin are on the menu, all in AUD; deposits are instant for most methods, while withdrawals generally clear within 1–3 days after processing.
Can I play Sugar96 on my phone while I’m out and about?
Absolutely. The site adapts to your screen with big buttons and crisp feeds; you can jump between pokies and live blackjack without losing your seat—ideal for quick sessions on the commute.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
