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Brian Wilson And The Beach Boys Shine On ‘We Gotta Groove’ Box

Music

Eric Alper

-

Feb 13, 2026

Brian Wilson And The Beach Boys Shine On ‘We Gotta Groove’ Box

The latest installment of The Beach Boys critically acclaimed reissue series, We Gotta Groove: The Brother Studio Years, chronicles and celebrates the music the group made between 1976-77 at their Brother Studio in Santa Monica, Calif., when Brian Wilson returned to producing and songwriting, most notably exemplified on the fan favorite album, 1977’s The Beach Boys Love You. The six-disc box set quickly sold out of its first run upon announce but is once again available to pre-order exclusively at The Beach Boys official store and uDiscover Music, where it will ship on March 20^th. The full collection is now available to stream everywhere.

We Gotta Groove gathers this pivotal period, recorded between 1976-77 at Brother Studio into one place for the first time, anchoring itself around a newly remastered edition of The Beach Boys Love You (1977) and the album sessions, the first-ever official release of the long-shelved Adult/Child sessions, and a wealth of outtakes and alternates from the transitional 15 Big Ones (1976) sessions. These recordings powered the era’s “Brian’s Back!” campaign — launched to rebalance the band’s commercial fortunes — which presented Brian as returning to full creative command even as his participation in the studio remained uneven and, at times, fragile.

The box set (3CD & 3LP), co-produced by acclaimed producer/mixing engineer James Sáez and longtime Beach Boys historian Howie Edelson, with artistic direction from band archivist Alan Boyd, offers an in-depth look at Brian’s late-’70s burst of songwriting and producing while also showcasing the essential contributions of Dennis Wilson, Carl Wilson, Mike Love and Al Jardine. The 73-track collection, boasting 35 unreleased and 22 newly mixed tracks, presents the majority of the album sessions across three LPs with additional outtakes, alternate mixes and demos on three CDs, which also include the same tracks as the vinyl. The albums are packaged in a handsome 12.75” x 12.75” slipcase emblazoned with a picture of the stunning stained-glass window that hung in Brother Studio and features a 40-page booklet with extensive, illuminating liner notes by co-producer Edelson that draws on new and archival interviews with all of The Beach Boys and the Brother Studio engineer team of Stephen Moffitt, Earle Mankey and John Hanlon to tell the story of this integral and influential era. The booklet is filled with a slew of rare photos, tape box images and artifacts of the era and a complete sessionography detailing when and where every recording was made.

Upon returning home from Holland where they recorded their 1973 album of the same name, The Beach Boys relocated their homebase from Brian’s Bel Air mansion to a former X-rated movie theater at 1454 5^th St. in Santa Monica, Calif., that they christened Brother Studio. The studio was designed and headed up by Stephen Moffitt who had previously created Geordie Hormel’s Village Recorders – a West L.A. mainstay for so many top acts over the years. In addition to The Beach Boys, Brother hosted sessions by Elton John, Eric Carmen, The Runaways, Helen Reddy, The Paley Brothers, and The Quick, among others.

The first disc of We Gotta Groove features The Beach Boys Love You which has been newly remastered from the original 1977 mix, alongside 10 period outtakes, providing a fuller picture of the fruitful album sessions that lasted from October 1976 to January 1977. Recorded largely at Brother Studio with Brian at the console and playing most of the instruments, Love You strips the group to blocky analog synthesizers, pounding piano, and close-mic’d vocals. Its distinctive sound world — driven by ARP and Oberheim synths rather than traditional Beach Boys instrumentation — has since become one of the most studied and influential aspects of the album, turning songs about parenthood (“I Wanna Pick You Up”), romance (“Roller Skating Child”), the cosmos (“Solar System”), and talk show hosts (“Johnny Carson”) into something both childlike and unexpectedly modern. Mike and Al’s unmistakable vocal signatures — from Mike’s bass and baritone leads to Al’s crystalline high parts — play a crucial role in grounding Brian’s synthesizer-driven arrangements, while Carl’s controlled, elegant leads and Dennis’s rough-edged emotional intensity add depth and contrast throughout.

While divisive among critics and fans at release, Brian frequently cited Love You as his favorite Beach Boys record, calling it “the best album we ever made.” Over the ensuing nearly five decades since its release, it has become a cult classic and a touchstone for musicians far outside classic rock circles. R.E.M. guitarist Peter Buck has also singled it out as his favorite Beach Boys album, and generations of indie and alternative artists have gravitated toward its cracked vocals, minimal synth-pop textures, and outsider sincerity — hearing in it a proto-new-wave sensibility as much as a late-period Beach Boys LP. As Edelson writes in the liners, “Upon the initial release of The Beach Boys Love You, non-believers picked up on the D.I.Y. punk ethos from the Lower East Side all the way to the hipper enclaves across Europe. Today, Brian Wilson’s left field use of keyboards in the 1970s is considered to be an early influence for 1980’s New Wave, Synth Pop, and New Romantic record makers.”

If Love You is the era’s officially released peculiar masterpiece, Adult/Child is its whispered legend. Recorded in 1977 with arranger Dick Reynolds, whose sophisticated Four Freshmen–style charts Brian had idolized since youth, the shelved album leans into big-band swing, lounge textures, fitness jingles, and some of Brian’s most disarmingly intimate originals, including “Still I Dream of It” and “It’s Over Now.” Brian sidestepped the electronic buzz found on Love You and instead tapped into a simpler era. “I wrote a song for Frank Sinatra once called ‘Still I Dream Of It.’ He didn’t say yes to the song. It was a beautiful song about loneliness and hope. The song ended up on an album named Adult/Child, which was filled with those kinds of songs. It was a Beach Boys album that never came out,” Brian remarked in an interview.

Prepared for release but ultimately vetoed and left in the vault, Adult/Child circulated for decades only through collectors’ tapes and bootlegs, attaining near-mythical status among fans. Its mixture of big-band pastiche, autobiographical confession, and unabashed eccentricity left both the label and parts of the band uncertain how to present it, resulting in its quiet shelving. We Gotta Groove finally assembles the material in a coherent album sequence for the first time, supplemented by new 2025 backing-track mixes and session highlights. The group’s distinctive vocal blend, including prominent contributions from Mike, Al, Carl and Dennis adds warmth and cohesion to Brian’s idiosyncratic material, revealing Adult/Child as more of a Beach Boys project than its mythology has often implied.

We Gotta Groove also offers a new perspective on 15 Big Ones through its wealth of studio material rather than its familiar running order. Combining oldies covers with new Brian-penned compositions, the 1976 album, which marked the group’s first long player to feature a “Produced by Brian Wilson” credit since 1966’s Pet Sounds, divided critics even as it returned The Beach Boys to the U.S. Top 10 and produced a major hit with “Rock and Roll Music.” 15 Big Ones was mostly recorded between March through May 1976 at Brother Studio and released quickly after in July of that year. The new set offers the opportunity to hear a variety of covers that were in contention for the album but ultimately didn’t make the cut, including “Mony Mony,” “Running Bear,” “Shake, Rattle & Roll, “On Broadway,” and “Sea Cruise.” Hearing these outtakes reveals the muscular band interplay and dense vocal arrangements beneath the mid-’70s production gloss — including Mike’s dominant lead on the hit single, Al’s powerful vocal contributions, and Carl’s pivotal production leadership — reconnecting the album to the group’s deep studio-craft traditions.

This period also coincided with The Beach Boys’ transformation into one of America’s most successful touring acts, playing massive summer-circuit shows even as their studio recordings grew stranger, more insular, and more Brian-centric behind the scenes. Across its six discs, We Gotta Groove places these contradictions into context, highlighting parallel creative threads in the Beach Boys universe: Dennis’s haunting “Holy Man,” Carl’s developing compositions that would later evolve on L.A. (Light Album), Mike and Al’s essential vocal and conceptual contributions, and a suite of Brian’s studio-cassette demos that reveal Love You and Adult/Child in their most vulnerable form — just voice and keyboard, unvarnished and immediate.

Pulling together newly mixed tracks like “We Gotta Groove,” “Hey There Mama,” and “Short Skirts,” along with finally finished versions of long-circulating titles, We Gotta Groove: The Brother Studio Years reframes 1976–77 as one of the most revealing and creatively restless chapters of the band’s evolution — a moment when all five Beach Boys were navigating change, rediscovering their creative identities, and shaping a deeply human turning point in the continuing story of The Beach Boys.

WE GOTTA GROOVE: THE BROTHER STUDIO YEARS
Disc 1 — The Beach Boys Love You Album (1977 Mix)
LP1 Side 1
1. Let Us Go On This Way
2. Roller Skating Child
3. Mona
4. Johnny Carson
5. Good Time
6. Honkin’ Down The Highway
7. Ding Dang

LP1 Side 2
8. Solar System
9. The Night Was So Young
10. I’ll Bet He’s Nice
11. Let’s Put Our Hearts Together
12. I Wanna Pick You Up
13. Airplane
14. Love Is A Woman

Love You Outtakes (CD Only)
15. Ruby Baby *
16. Marilyn Rovell *
17. Sherry She Needs Me *
18. Lazy Lizzie *
19. We Gotta Groove (2025 Mix) *
20. Hey There Mama (2025 Mix) *
21. Clangin’ (2025 Mix) *
22. Love Is A Woman (Al Jardine Vocal) *
23. Johnny Carson (Alternate Mix With Intro) *
24. You’ve Lost That Lovin’ Feeling *

Disc 2 — Adult/Child Sessions
LP2 Side 1
1. Life Is For The Living *
2. Deep Purple *
3. It’s Over Now
4. Still I Dream Of It
5. Everybody Wants To Live *
6. Lines *
7. It’s Trying To Say *

LP2 Side 2
8. Shortenin’ Bread *
9. New England Waltz *
10. Life Is For The Living (Backing Track) *
11. Deep Purple (2025 Backing Track Mix) **
12. It’s Over Now (2025 Backing Track Mix) **
13. Still I Dream Of It (2025 Backing Track Mix) **

1974 – 1977 Select Outtakes (CD Only)
14. Holy Man (2025 Mix Carl Wilson Vocal) **
15. Carl’s Song 1 (It Could Be Anything) (2025 Mix) **
16. Carl’s Song 2 (Angel Come Home) (2025 Mix) **
17. String Bass Song (Rainbows) (2025 Mix) **
18. 10,000 Years Ago *
19. Gimme Some Lovin’ (2025 Mix) *
20. Honeycomb (Marilyn Wilson-Rutherford Vocal) *
21. In The Back Of My Mind (1975 Alternate Take 2025 Mix) **

Disc 3 — 15 Big Ones Outtakes and Alternate Mixes

LP3 Side 1
1. Just Once In My Life (2025 Mix) **
2. Mony, Mony (2025 Mix) *
3. Running Bear (2025 Mix) *
4. Shake, Rattle And Roll *
5. On Broadway (2025 Mix) **
6. Sea Cruise (2025 Mix) **

LP3 Side 2
7. Chapel Of Love (2025 Mix) **
8. Short Skirts (2025 Mix) **
9. TM Song (2025 Backing Track Mix) **
10. Rock And Roll Music (2025 Backing Track Mix) **
11. Had To Phone Ya (2025 Deconstructed Mix) **
12. Just Once In My Life (2025 Backing Track Mix) **

Love You Alternate Mixes (CD Only)
13. Let Us Go On This Way (Alternate Mix) *
14. Mona (2025 Deconstructed Mix) **
15. Honkin’ Down The Highway (Billy Hinsche Vocal) *
16. Ding Dang (Session Highlights and Unedited 2025 Mix) **
17. Solar System (2025 Backing Track Mix) **
18. The Night Was So Young (2025 Vocals Only Mix) **
19. Let’s Put Our Hearts Together (2025 Coda Mix) **

Love You Brian Cassette Demos (CD Only)
20. That Special Feeling (Demo) *
21. It’s Over Now (Demo) *
22. They’re Marching Along (Demo) *
23. Love Is A Woman (Demo) *
24. Mona (Demo) *
25. Airplane (Demo) *
26. Let’s Put Our Hearts Together (Demo) *
27. I’ll Bet He’s Nice (Demo) *
28. Still I Dream Of It (Demo) *

* previously unreleased
** newly mixed in 2025

Skip Marley Reimagines Bob Marley Classic “One Love” With adidas

Music

Eric Alper

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Feb 13, 2026

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Skip Marley Reimagines Bob Marley Classic “One Love” With adidas

GRAMMY-nominated, multi-platinum artist, producer, and multi-instrumentalist Skip Marley pays homage to his iconic grandfather Bob Marley with his rendition of the Wailers’ classic “One Love,” out now across all platforms via Tuff Gong International/Def Jam Recordings. The video for the song was filmed in Kingston, Jamaica, alongside the adidas campaign at the Bob Marley Museum, as well as at Tuff Gong Studio, founded by Bob Marley.

The song is inspired by and released in celebration of the adidas x Bob Marley Foundation capsule collection, available now. Skip’s rendition both upholds a longstanding family tradition and honors Bob Marley’s enduring cultural legacy, bridging generations through music, style, and message. Check out the adidas campaign video HERE.

“Football and music, both languages of unity, run deep in Jamaican culture,” says Skip Marley. “‘One Love’ has always belonged to the people. My grandfather’s music continues to uplift and inspire people to stand for something greater than themselves. That message still moves the world today. Reimagining the song for the adidas x Bob Marley Collection is a full-circle moment for my family and I; honoring my grandfather’s legacy while connecting music, football, and culture in a way that feels true to who we are.”

As only he can, Skip brings fresh fire to this version of “One Love.” Bold horns resonate skyward as a full-bodied beat drives the track forward. Over the vibrant soundscape, Skip delivers the iconic lyrics with raw reverence — “One love, one heart, let’s get together and feel alright.” For the Marley family, the release marks a full-circle moment, passing this timeless anthem from one generation to the next while placing it in the hands of a defining voice of 21st-century reggae.

The cover arrives alongside the adidas Bob Marley Collection — an 8-piece, off-pitch apparel range designed for players and fans alike. Created in close collaboration with the Bob Marley Foundation, the collection draws from archival photographs and historically significant garments worn by the legendary artist. Standout pieces include the lilac Firebird track pants originally worn by Bob Marley while touring Europe, thoughtfully reimagined for today.

Together, Skip Marley’s “One Love” and the adidas Bob Marley Collection celebrate the enduring power of music, legacy, and style.

In 2025, Skip dropped “In Our Sight” which skyrocketed to #1 on the Jamaican charts and garnered a 2026 NAACP Image Award nomination for Best International Song. He followed that up with “Cry Wolf” which was touted by VIBE, mxdwn Music, and more, Billboard praised how “Marley’s new track builds on classic roots reggae themes of unity in the face of injustice and a devotion to truth in an era of shameless propaganda.”

Skip Marley heeds a higher calling. Hailing from Kingston, Jamaica, Skip Marley creates with clear intention. His sonic alchemy of reggae, R&B, pop, and hip-hop mirrors a core mission to unify people of all kinds at all times. During 2017, he joined forces with Katy Perry on the double-platinum smash “Chained To The Rhythm,” then took flight on 2020’s Higher Place, which garnered a GRAMMY Award nomination in the category of “Best Reggae Album,” while the gold-certified single “Slow Down” [with H.E.R.] received a nod for “Best R&B Song.” He made history with the latter by emerging as “the first Jamaican-born artist to vault to #1 on the Billboard Adult R&B Chart.” It soared as “the quickest and biggest-streaming song in Marley family history.” In addition to earning nominations at the Soul Train Awards, NAACP Image Awards, and iHeart Music Awards, he has cemented himself as a dynamic force of nature who’s equally at home on a track with Rick Ross, Ari Lennox, and Seeb as he is with Damian Marley, Major Lazer, and Ayra Starr. Beyond packing houses on tour, he shined with television performances on The Tonight Show Starring Jimmy Fallon, The Late Late Show with James Corden, and on both Good Morning America and TODAY alongside Kacey Musgraves. In 2024, he notably contributed a powerful cover of “Exodus” to Bob Marley: One Love (Music Inspired by the Film)—which accompanied the blockbuster Bob Marley biopic One Love. Now, he kicks off his next chapter with the single “Close,” and plans to tease more music and live shows soon.

Diljit Dosanjh Sets Record With 130,000 Presale Tickets For ‘Aura’ World Tour

Music

Eric Alper

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Feb 13, 2026

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Diljit Dosanjh Sets Record With 130,000 Presale Tickets For ‘Aura’ World Tour

Today, global Punjabi superstar Diljit Dosanjh made history, delivering the largest Live Nation North America presale ever for a South Asian artist, moving over 130,000 tickets in just two days. The Aura World Tour North American dates mark a major step forward from Dosanjh’s record-breaking 2024 Dil-Luminati Tour, which became the largest North American tour by a Punjabi artist to date.

Promoted by Live Nation, the 15-date run kicks off Thursday, April 23 with a stadium performance at BC Place in Vancouver, before continuing across North America with stops in Dallas, Toronto, and more. The tour will also include two nights at Madison Square Garden in New York, with the second date added due to overwhelming demand, before concluding with a two-night run at Chase Center in San Francisco on June 20 and 21.

Diljit’s Aura World Tour officially launched last year with multiple dates in Sydney and Melbourne in November, making history as the first Punjabi artist to headline and sell out stadiums across Australia, collectively drawing more than 90,000 fans.

In 2025, Diljit received an International Emmy Award nomination for Best Performance by an Actor for his acclaimed role in the Netflix film Amar Singh Chamkila, marking a significant moment for Indian representation on the global stage. That same year, VOGUEreaders named Diljit Best Dressed at the 2025 Met Gala, where he turned heads in a custom ivory Prabal Gurung sherwani and turban featuring meaningful cultural details. Most recently, J Balvin joined Diljit on a remix of his 2025 track “Senorita.” Listen HERE.

DILJIT DOSANJH – AURA WORLD TOUR DATES:

Thu, Apr 23 — Vancouver, BC — BC Place

Thu, Apr 30 — Calgary, AB — Scotiabank Saddledome

Sat, May 2 — Edmonton, AB — Rogers Place

Thu, May 7 — Winnipeg, MB — Canada Life Centre

Sun, May 10 — Rosemont, IL — Allstate Arena

Wed, May 13 — Orlando, FL — Kia Center

Sat, May 16 — Dallas, TX — American Airlines Center

Wed, May 20 — Nashville, TN — Bridgestone Arena

Fri, May 22 — Atlanta, GA — State Farm Arena

Sun, May 24 — New York, NY — Madison Square Garden — SOLD OUT

Mon, May 25 — New York, NY — Madison Square Garden — NEW SHOW ADDED

Sun, May 31 — Toronto, ON — Rogers Centre — SOLD OUT

Thu, Jun 18 — Los Angeles, CA — Crypto.com Arena

Sat, Jun 20 — San Francisco, CA — Chase Center — SOLD OUT

Sun, Jun 21 — San Francisco, CA — Chase Center — NEW SHOW ADDED

With a magnetic presence that transcends geographical borders, Diljit Dosanjh stands as an emblem of excellence in the realm of Punjabi music on the world stage. Hailing from the vibrant state of Punjab, India, Diljit has risen to become a global sensation, a shining star captivating audiences with his enchanting voice, soulful music, and power-packed performances. His repertoire of chart-topping singles includes “G.O.A.T” (236 million views), “Lover” (123 million views), and “Proper Patola” (364 million), to name a few.

Beyond the realm of music, Diljit’s talents extend to the silver screen, where he commands a legion of fans with his captivating performances. With a massive social media following and a stellar presence in Indian cinema, Diljit effortlessly juggles the roles of actor, entertainer, and influencer, captivating audiences with his undeniable charm.

Diljit Dosanjh has created an array of historic milestones, starting with being the first Indian-born artist to perform at the prestigious Coachella festival in 2023. He has become the most loved Indian artist when it comes to touring, generating more than $10 million in ticket sales from his “Born to Shine Australia Tour” in 2023, which is HUGE for an Indian artist. He became the first-ever Indian artist to perform and sell out at Rogers Arena Center in Vancouver, Scotiabank Arena in Toronto, Rod Laver Arena in Melbourne, and became the highest-selling Indian artist at the Brisbane Entertainment Center, Australia. His show in Melbourne sold out 14,000 tickets in less than 72 hours! Diljit is poised to make history once again by becoming the first Indian artist to perform at a sold-out stadium show at BC Place in Vancouver (27th April 2024) and Rogers Centre in Toronto (13th July 2024).

His music not only attracts the Asian diaspora worldwide but also has drawn the attention of international music icons like Diplo and Sia. Collaborations such as “Hass Hass” with Sia have garnered millions of views, showcasing Diljit’s ability to bridge the gap between Eastern and Western musical sensibilities.

Partnering with touring industry giants, Diljit Dosanjh is spearheading a revolution in global touring culture for Indian artists. His association with these powerhouse companies signifies a shift in perception towards Indian music on the global stage, paving the way for future generations of artists to follow in his footsteps. Diljit Dosanjh’s journey is not just about music; it’s a testament to the power of passion, perseverance, and the ability to break barriers. As he continues to conquer hearts and transcend boundaries, his story serves as an inspiration to music lovers and dreamers worldwide, redefining the very essence of global music culture.

Brothers Osborne Celebrate ‘Pawn Shop’ Decade With 10-Year Edition

Music

Eric Alper

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Feb 13, 2026

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Brothers Osborne Celebrate ‘Pawn Shop’ Decade With 10-Year Edition

GRAMMY-winning duo Brothers Osborne celebrates a decade of their breakthrough album Pawn Shop with the release of Pawn Shop (10 Year Anniversary Edition) – available everywhere today via MCA. Listen and order HERE.

Originally released in 2016, Pawn Shop introduced John and TJ Osborne’s fearless blend of country, rock, and soul, producing enduring fan favorites including “Stay A Little Longer,” “21 Summer,” “Rum,” and “It Ain’t My Fault,” and helping redefine the sound of modern country music. Ten years later, the anniversary edition revisits the album’s spirit while opening the vault on rare and previously unreleased material from the era.

“To us, Pawn Shop is where everything really started,” shares John and TJ Osborne. “Those songs were written when we were just figuring out who we were — as writers, as players, as brothers. Revisiting this record brought us right back to that hunger and honesty. Getting to share these unreleased tracks and new versions with fans feels like the start of the next chapter for us.”

The anniversary project arrives on vinyl alongside three limited-edition 7-inch collector releases, each pairing newly released recordings, demos, or live versions from the Pawn Shop era. The variants include:

“Arms of Fire” / “Love The Lonely Out Of You (Live Pinebox Version)”
“Pins and Needles” / “Stay A Little Longer (Demo)”
“Shoot From The Hip” / “21 Summer (Demo)”

A special international LP compiles all six tracks into one collection.

The band recently previewed the release with “Love The Lonely Out Of You (Live Pinebox Version),” captured in a single take at John Osborne’s Pinebox studio and accompanied by an intimate lyric video (watch HERE), showcasing the raw musicianship and emotional core that first connected fans to the duo.

Tonight, Brothers Osborne will mark the milestone with a special sold-out hometown show at Nashville’s The Basement, bringing the celebration back to one of the rooms that shaped their earliest days. The band also continues their momentum on the road this year, recently announcing they will join Zac Brown Band for select dates this fall.

Over the past decade, Brothers Osborne have become one of country music’s most respected and decorated acts, earning 13 GRAMMY® nominations, multiple CMA and ACM awards, and more than 3.4 billion global streams. Pawn Shop (10 Year Anniversary Edition) stands as both a celebration of where they began and a reminder that the same grit, heart, and musicianship that launched their career still fuels everything they do today.

Brothers Osborne are one of music’s most consistently adventurous bands, a duo connected by not just blood, but also a lifetime of performing together, and a shared working-class upbringing in Deale, Maryland. Muti-award-winners, John and TJ Osborne are leaders of a progressive and still classic school of country music, and the faces of the new generation of Nashville.

The siblings took home their first GRAMMY in 2022, winning Best Country Duo/Group Performance for their song “Younger Me,” inspired by TJ’s coming out. The song is featured on the deluxe version of their GRAMMY-nominated album, Skeletons. The band has been nominated for 13 GRAMMYs in total, most recently for Best Country Duo/ Group performance in 2025, they stand as six-time CMA Vocal Duo of the Year winners and are four-time ACM Duo of the Year winners. Overall, they have collected seven CMA awards, seven ACM trophies and received the ASCAP Vanguard Award in 2019. Their critically acclaimed hit songs have tallied multiple RIAA Gold and Platinum certifications, while surpassing more than 3.4 Billion global streams.

Previously sharing the bill with Chris Stapleton, Eric Church, Little Big Town and Miranda Lambert, Brothers Osborne’s latest headlining We’re Not For Everyone Tour hit more than 50 markets. John Osborne produced Ashley McBryde Presents: Lindeville and has recently produced albums for Grace Bowers and Caylee Hammack. Their fourth studio album, Brothers Osborne, was released September 2023 (EMI Records Nashville), which featured the single “Nobody’s Nobody.” Last year, Brothers Osborne released the four-track Break Mine EP featuring two new songs. Their latest song, “Finish This Drink” came out on April 4th, 2025.

In 2026, Brothers Osborne will celebrate the 10-year anniversary of their breakthrough album Pawn Shop, the release that introduced their bold, genre-defying sound and launched a decade of critical acclaim. The duo is currently in the studio working on new music to be released later this year.

Charley Crockett Unleashes “Kentucky Too Long” With Shooter Jennings

Music

Eric Alper

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Feb 13, 2026

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Charley Crockett Unleashes “Kentucky Too Long” With Shooter Jennings

GRAMMY Award-nominated, critically acclaimed country iconoclast Charley Crockett returns with brand new single, “Kentucky Too Long,” available today.

Once again, Crockett teamed up with GRAMMY Award-winning co-producer Shooter Jennings. It also hints at what audiences can expect from their third full-length album together, Age Of The Ram, and will mark the conclusion of The Sagebrush Trilogy, all within one year.

Across the track, Crockett deftly flicks the strings of his acoustic guitar, plucking the notes with precision and pinning the rhythm in place. His sharp social commentary stings when he notes, “Daddy was in Vietnam. It says it on his old Sedan. He’s been fighting with Uncle Sam about…something.” The hook hits especially hard as he laments, “Man, I can feel it coming on. I’ve been in Kentucky too long. I’ve been in Kentucky making something out of nothing too long.” Once again, “Kentucky Too Long” finds Charley in top form as a vocalist, storyteller, and guitar-slinger.

Crockett began this journey of The Sagebrush Trilogy with Lonesome Drifter last spring. The follow-up, Dollar A Day, arrived less than five months later at the end of summer, and notably received a GRAMMY Award nomination in the category of “Best Traditional Country Album.”

Crockett will be on the road for the duration of the year. Check out his full confirmed itinerary below!

TOUR DATES
2/19 Seattle, WA The 5th Avenue Theatre
2/20 Seattle WA The 5th Avenue Theatre
2/21 Vancouver, BC Orpheum Theatre
2/23 Edmonton, AB Northern Alberta Jubilee Auditorium
2/26 Winnipeg, MB Burton Cummings Theatre
3/1 Windsor, ON The Colosseum at Caesars Windsor
3/2 Toronto, ON History
3/3 Ottawa, ON Hard Rock Casino Ottawa
3/5 Montreal, QC MTELUS
3/6 Niagara Falls, ON Fallsview Casino Resort – OLG Stage
3/7 Bethlehem, PA The Wind Creek Event Center
3/8 Boston, MA Roadrunner
3/10 Augusta, GA Bell Auditorium
3/11 Tampa, FL Seminole Hard Rock Hotel & Casino – Hard Rock Café
4/16 Austin, TX Live From The Heart
4/24 New Orleans, LA Saenger Theatre
5/29 Nashville, TN Music City Rodeo
5/31 Highlands, NC Bear Shadow
6/19 Greenfield, MA Green River Festival
6/26 Eau Claire, WI Blue Ox Music Festival
7/4 Calgary, AB Spruce Meadows
7/11 Alta, WY Targhee Fest
7/27 Goshen, IN Elkhart County Fairgrounds

“Street busker turned critically acclaimed singer-songwriter turned actual country star” (Rolling Stone), Charley Crockett has never been someone who asked permission to take a shot at his dreams. Instead, the 2x GRAMMY Award-nominated Texas-born maverick defied the odds at every turn, tapping into a rebellious strain of country, rising from an open guitar case on a Louisiana sidewalk to selling out some of the world’s most renowned venues. Crockett has paved a singular path out of Texas, taking his home state wherever he goes and bringing his signature “Gulf & Western” sound to the world. Crockett and his music have received praise from The New Yorker, The New York Times, Pitchfork, Rolling Stone,and Variety, and garnered hundreds of millions of streams. He has notably headlined Red Rocks Amphitheater in Morrison, CO, twice, played the Hollywood Bowl in Los Angeles, CA, and sold out two nights at the Ryman Auditorium in Nashville, TN. Speaking to his impact, CBS Mornings chronicled his journey, and he has appeared on The Daily Showand The Joe Rogan Experience. Plus, he’s graced the stage for performances on The Tonight Show Starring Jimmy Fallon, Austin City Limits, Jimmy Kimmel Live!, and CBS “Saturday Sessions” in addition to playing behind NPR Music’s “Tiny Desk.” With multi-GRAMMY Award-winning Shooter Jennings as co-producer, the same unapologetic spirit, diehard work ethic, and no-nonsense honesty drive Crockett’s latest era, resulting in The Sagebrush Trilogy. Beginning with his Island Records debut Lonesome Drifter in March 2025, the trilogy continued with Dollar A Day, out less than five months later, which earned him his second GRAMMY nomination.

Eric Church Releases ‘Evangeline vs. The Machine Comes Alive’ Live Album

Music

Eric Alper

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Feb 13, 2026

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Eric Church Releases ‘Evangeline vs. The Machine Comes Alive’ Live Album

With his latest critically acclaimed project, Evangeline vs. The Machine, earning a nod for Best Contemporary Country Album at the recent GRAMMY Awards, maverick entertainer Eric Church brings his live show to fans at home with today’s release of Evangeline vs. The Machine Comes Alive (Original Motion Picture Soundtrack) via MCA. The 19-track live album compliments the IMAX exclusive theatrical release of Evangeline vs. The Machine Comes Alive, with tickets to the remaining Feb. 14 showing of the limited engagement available now via IMAX.com/EricChurch.

Both the concert film and the companion album – the first live album ever recorded at The Pinnacle in Nashville – showcase Church performing his critically acclaimed eighth studio album front-to-back before transitioning into select catalog hits, all reimagined with a six-piece band, four-piece horns, four-piece strings, eight-piece choir and vocalist Joanna Cotten.

“The thing about the IMAX film is it freezes a moment in time. I’m going to get older; those fans are going to get older, but we froze that moment in time forever musically,” Church shared on “CBS Mornings” earlier this week. “If I want to watch a sporting event tonight…if I want to go to the game, that’s great. If I don’t, I’m going to watch it on television. You can’t do that with concerts, right? I can’t just tune in to who’s playing in Cleveland tonight. So, concerts are a little bit different that way, and that’s why the IMAX film mattered.”

The film and live album arrive as Church continues his Free the Machine Tour, earning praise from critics across the country as the run continues. “From the jump, it was clear this wasn’t going to be about flash – it was about mood, intention, and immersion…The entire show felt less like a concert and more like a film unfolding in real time,” shared Relive Magazine of the recent D.C. stop, where The Music Universe added, “if you can see only one country music concert in 2026, it needs to be the Free the Machine Tour…there will not be a bigger, fuller all-live sound on the road this year.”

The MinnesotaStar Tribune opined in St. Paul, “Eric Church is country music’s most courageous and unpredictable superstar – both musically and culturally…The concert, like Church’s career, was about conviction not convention, about evolving, not standing pat, about the moment, not tradition,” while the Green Bay Press Gazette proclaimed the show to be “so nuanced, so sneaky sophisticated, so good that the sum of its parts was as great as the whole. That’s saying something for an artist who increasingly transcends the boundaries of today’s country to be one of music’s more electrifying live acts – period,” with Cleveland.com perhaps stating it most simply, “Country music’s iconoclast did it again.”

Evangeline vs. The Machine Comes Alive Track List
1. Hands Of Time (Live At The Pinnacle, Nashville, TN / May 24, 2025)
2. Bleed On Paper (Live At The Pinnacle, Nashville, TN / May 24, 2025)
3. Johnny (Live At The Pinnacle, Nashville, TN / May 24, 2025)
4. Storm In Their Blood (Live At The Pinnacle, Nashville, TN / May 24, 2025)
5. Darkest Hour (Live At The Pinnacle, Nashville, TN / May 24, 2025)
6. Evangeline (Live At The Pinnacle, Nashville, TN / May 24, 2025)
7. Rocket’s White Lincoln (Live At The Pinnacle, Nashville, TN / May 24, 2025)
8. Clap Hands (Live At The Pinnacle, Nashville, TN / May 24, 2025)
9. Desperate Man (Live At The Pinnacle, Nashville, TN / May 24, 2025)
10. Give Me Back My Hometown (Live At The Pinnacle, Nashville, TN / May 24, 2025)
11. Homeboy (Live At The Pinnacle, Nashville, TN / May 24, 2025)
12. Sinners Like Me (Live At The Pinnacle, Nashville, TN / May 24, 2025)
13. Creepin’ (Live At The Pinnacle, Nashville, TN / May 24, 2025)
14. Knives Of New Orleans (Live At The Pinnacle, Nashville, TN / May 24, 2025)
15. Smoke A Little Smoke (Live At The Pinnacle, Nashville, TN / May 24, 2025)
16. The Outsiders (Live At The Pinnacle, Nashville, TN / May 24, 2025)
17. Hell Of A View (Live At The Pinnacle, Nashville, TN / May 24, 2025)
18. Mistress Named Music (Live At The Pinnacle, Nashville, TN / May 24, 2025)
19. Springsteen (Live At The Pinnacle, Nashville, TN / May 24, 2025)

2026 Free the Machine Tour Remaining Markets, Venues and Special Guests:
Feb. 13 || Buffalo, N.Y. || KeyBank Center || Ella Langley
Feb. 14 || Albany, N.Y. || MVP Arena || Ella Langley
Feb. 19 || North Little Rock, Ark. || Simmons Bank Arena || 49 Winchester
Feb. 20 || Kansas City, Mo. || T-Mobile Center || 49 Winchester
Feb. 21 || St. Louis, Mo. || Enterprise Center || 49 Winchester
Feb. 26 || Tulsa, Okla. || BOK Center || Stephen Wilson Jr.
Feb. 27 || Fort Worth, Texas || Dickies Arena || Stephen Wilson Jr.
Feb. 28 || Austin, Texas || Moody Center || Stephen Wilson Jr.
Mar. 5 || Knoxville, Tenn. || Thompson-Boling Arena at Food City Center || 49 Winchester
Mar. 6 || Greensboro, N.C. || First Horizon Coliseum || 49 Winchester
Mar. 7 || North Charleston, S.C. || North Charleston Coliseum || 49 Winchester
Mar. 19 || Birmingham, Ala. || Legacy Arena at the BJCC || 49 Winchester
Mar. 20 || Atlanta, Ga. || State Farm Arena || 49 Winchester
Mar. 27 || Hollywood, Fla. || Hard Rock Live || Kashus Culpepper
Apr. 3 || Greenville, S.C. || Bon Secours Wellness Arena || Ashley McBryde
Apr. 4 || Charlotte, N.C. || Spectrum Center || Ashley McBryde
Apr. 10 || Jacksonville, Fla. || VyStar Veterans Memorial Arena || Ashley McBryde
Apr. 11 || Tampa, Fla. || Benchmark International Arena || Ashley McBryde

A seven-time ACM Award winner, four-time CMA Award winner (including 2020’s Entertainer of the Year), TIME100 Philanthropy 2025 honoree and 11-time GRAMMY nominee – including four nods for Best Country Album, Eric Church has built a passionate fan base through his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his latest album, Evangeline vs. The Machine, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, and has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and his own six-story venue on Nashville’s famed lower Broadway, Chief’s.

Ahadadream, Skrillex And Raf-Sappera Ignite Clubs With “Bass Dhol”

Music

Eric Alper

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Feb 13, 2026

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Ahadadream, Skrillex And Raf-Sappera Ignite Clubs With “Bass Dhol”

Pakistan-born, London artist, Ahadadream is one of the most iconic and groundbreaking artists on the UK scene in recent years, with exceptional DJ skills, unmistakable production, and a unique sound like no other. Ahad has gained scene support from artists like Skrillex, Fred Again, Four Tet, Eliza Rose, Pete Tong, and is driving forward South Asian culture in the UK at a time when creative representation and celebration of culture is so important.

Today, Ahadadream releases his new single ‘Bass Dhol’ featuring Skrillex and Raf-Sappera via Island/EMI.

This track represents the culmination of Ahadadream’s journey – It highlights his percussive approach, fusing the unmistakable power of Punjabi dhol rhythms with driving, propulsive electronic beats to create a party-fuelled dancefloor sound.

Ahadadream’s music is defined by signature skittish drum patterns and coiled intensity, set for the tastemakers with a certain London energy. His production draws influence from across the UK, his homeland of Pakistan, and the wider African and South Asian diasporas, with clear references to his South Asian roots.

Linking up with nine-time GRAMMY winner Skrillex and Punjabi vocalist and cultural force Raf-Sappera, for this track, Ahadadream explains, “The beginnings of bass dhol were back in early 2023, when Sonny invited me to work on music together in Miami. That’s when I played him some Raf Saperra too, he loved the vibe and we thought he’d be perfect for this track. Early versions of the track have been getting played since back then, so I’m super happy to finally see this officially going out into the world in it’s final form.”

The release follows the breakout success of ‘TAKA’, Ahadadream’s previous collaboration with Skrillex and Priya Ragu. The track first went viral during Ahad’s debut Boiler Room, when Skrillex appeared on screen to debut the record live. Support quickly followed from Peggy Gou, Fred again.., Four Tet, Dixon and Chris Lake, while BBC Radio 1 named ‘TAKA’ Hottest Record, Essential New Tune, and Track ID — a rare triple crown not seen since Calvin Harris’ ‘How Deep Is Your Love’ in 2015. Since its release, ‘TAKA’ has amassed millions of streams globally, cementing Ahadadream’s position at the forefront of a new wave of club music.

With ‘Bass Dhol’, Ahad continues to push club music forward by pulling culture inward. The result is a record that doesn’t dilute its roots, but amplifies them at full volume — marking the most ambitious moment of his career so far.

A Boogie Wit da Hoodie Drops ‘Before Artistry’ With Trippie Redd

Music

Eric Alper

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Feb 13, 2026

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A Boogie Wit da Hoodie Drops ‘Before Artistry’ With Trippie Redd

Diamond certified global superstar A Boogie Wit da Hoodie is back with Before Artistry, a brand new EP available everywhere HERE. The six-track project includes such standouts as “Glitchin,” “Show Me Something Real,” “PGD” featuring Kyle Richh and ZEDDY WILL and “Red Light” with Trippie Redd.

Speaking on Before Artistry, A Boogie Wit da Hoodie shares “Ten years in this game feels surreal, and I’m grateful for every moment. This new project isn’t just music; it’s a celebration of my journey and a thank you to the fans who’ve been riding with me from the start. This is just a taste before we drop the album.”

Tonight, February 13, will see A Boogie celebrate Before Artistry with his eagerly awaited hometown Boogie Bash at New York City’s iconic Radio City Music Hall whichmarkshis first-ever livestream concert. The historic show – which sold out in under 10 minutes – will commemorate A Boogie’s blockbuster first decade of superstardom as he prepares to embark on his next chapter as the Artist. Upcoming live dates include a number of North American arena shows as well as a special guest headline performance at Rhythm + Waves, Europe’s global rap and electronic beach festival, set for Portimão, Portugal on June 28. For updates and ticket information, please visit aboogiehbtl.com/tour.

Last October saw “Part of Me” – which interpolates Mariah Carey’s chart-topping classic, “We Belong Together” – proved another worldwide hit for A Boogie Wit da Hoodie, entering Billboard’s “Hot 100,” “Rhythmic Airplay,” and “Hot New R&B/Hip-Hop Songs” charts along with official singles charts in Canada, New Zealand, and the United Kingdom. As if all that weren’t enough, A Boogie’s incredible 2025 wrapped up with a bang as a number of his classic hits earning new RIAA certifications, with “Look Back At It” now officially certified 7x Platinum, “Jungle” and “Still Think About It” both jumping to 5x Platinum, “Demons & Angels” and “Me and My Guitar” each notching 2x Platinum, and “Friend Zone” reaching Platinum, with “Might Not Give Up” and “Bleed” both attaining Gold status.

A BOOGIE WIT DA HOODIE

Before Artistry

(Highbridge The Label / 300)

Tracklist:

1. Glitchin

2. Show Me Something Real

3. PGD feat. Kyle Richh & ZEDDY WILL

4. Get Away

5. Dead to Me

6. Red Light feat. Trippie Redd

A BOOGIE WIT DA HOODIE LIVE 2026

February 13 – New York, NY – Boogie Bash @ Radio City Music Hall (SOLD OUT)

March 29 – Syracuse, NY – Upstate Medical University Arena at the Oncenter War Memorial

April 24 – University Park, PA – Bryce Jordan Center

April 30 – Omaha, NE – Baxter Arena

June 28 – Portimão, Portugal – Rhythm + Waves †

† FESTIVAL PERFORMANCE

Roulette Probability Explained: Understanding the House Edge

Music

Eric Alper

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Feb 13, 2026

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By Mitch Rice

Roulette is governed by fixed probabilities, even if it doesn’t feel that way at the table. The house edge isn’t the result of manipulation or hidden mechanics — it comes directly from the design of the wheel. A single zero, or an extra double zero, is enough to shift long-term outcomes in the casino’s favor. Once you focus on that structure, the game becomes less about intuition and more about math.

The Wheel Is Where the Math Begins

Roulette probability starts with one basic fact: the number of pockets on the wheel determines everything.

European roulette has 37 pockets — numbers 1 to 36 plus a single zero. American roulette has 38 pockets — numbers 1 to 36 plus 0 and 00.

Version	Pockets	House Edge
European	37	2.7%
American	38	5.26%

The payouts, however, don’t fully match the true odds. A straight-up bet pays 35 to 1 in both versions, even though the actual probability in European roulette would justify 36 to 1. That gap is where the house edge sits.

The format of the game doesn’t change that math. Whether it runs digitally or as live dealer roulette, the edge depends on the wheel layout and fixed payouts.

At the center of it all is the zero — and, in the American version, the double zero.

Breaking Down the House Edge in Simple Numbers

The house edge is the percentage of each bet the casino expects to keep over the long run.

Here’s how it works:

European roulette: 2.7% house edge
American roulette: 5.26% house edge

The difference comes entirely from that extra double zero in the American version. One additional pocket nearly doubles the casino’s advantage.

As review platforms like Roulette77 often point out, even a single extra pocket can significantly shift long-term return percentages.

The house edge applies to nearly every standard bet — whether you choose a single number or an even-money option like red or black. There isn’t a hidden wager with better odds. The probabilities are built into the wheel itself.

Why Even-Money Bets Still Favor the House

Many players assume red/black or odd/even bets are safer because they feel balanced. After all, there are 18 red numbers and 18 black numbers on the wheel.

But the zero changes the equation.

In European roulette:

18 red numbers
18 black numbers
1 green zero

That extra green pocket means red wins 18 out of 37 times. The payout remains 1 to 1. The odds are slightly lower than the payout suggests — and that difference equals 2.7%.

In American roulette, the presence of both 0 and 00 lowers the probability further, increasing the house edge to 5.26%.

Long-Term Probability vs. Short-Term Results

Roulette is a negative expectation game. That does not mean you cannot win. It means that over a large number of spins, the average return aligns with the house edge.

Short sessions are unpredictable. A player can double their bankroll in minutes. Another can lose quickly. Neither outcome contradicts probability.

Probability only reveals itself over large sample sizes.

For example, if you place $10 on red repeatedly in European roulette, the expected loss over time is 27 cents per $10 wagered. Not every spin, but on average across thousands of spins.

Betting systems affect volatility, not probability. The house edge stays in place.

Why “Hot” and “Cold” Numbers Don’t Change the Edge

Players often track “hot” numbers that appear frequently and “cold” numbers that haven’t shown up in a while. It feels logical — if something hasn’t happened in many spins, it seems “due.”

But roulette doesn’t have memory. Each spin is independent. The wheel doesn’t adjust based on previous results, and the probabilities reset every time the ball is released.

A number that hasn’t appeared in 20 spins has the same odds as one that hit twice in a row. The house edge doesn’t fluctuate with streaks. It remains fixed because the structure of the wheel remains fixed.

Streaks don’t shift the edge. Each spin starts from the same probabilities.

Why the Extra Zero Matters So Much

One additional pocket might not look significant at first, but in probability terms, it changes the entire balance of the game. A wheel with only red and black outcomes paying 1 to 1 would carry no built-in advantage. The payouts would perfectly match the odds.

The moment a third pocket is introduced — one that pays nothing on even-money bets — the structure shifts. The payouts stay the same, but the odds no longer do. That imbalance is the house edge. In roulette, the zero performs exactly that function.

Are There Ways to Reduce the House Edge?

While you cannot eliminate the house edge in standard roulette, some rule variations can reduce it.

European roulette already offers better odds than American. Some tables also include the “La Partage” or “En Prison” rule. Under these rules, if the ball lands on zero, players lose only half of their even-money bets instead of the full amount.

That adjustment reduces the house edge on even-money bets to about 1.35%.

Not all tables offer this option, and it usually applies only to European wheels. But it shows how small rule changes can affect long-term probability.

What the House Edge Comes Down To

The house edge doesn’t mean the casino wins every session. It means that over a large number of spins, a small share of total wagers stays with the house. For players, that share is simply the built-in cost of the game.

Roulette stands out because the structure is visible. The wheel shows every possible outcome, payouts are fixed, and the probabilities follow directly from the layout. The advantage isn’t hidden in complex rules — it’s part of the design.

Seeing Roulette for What It Is

Roulette isn’t complicated. The house edge comes from the zero. With one zero, the margin is 2.7%. With two, it rises to 5.26%. The payouts don’t fully match the odds, and that difference is where the casino’s advantage sits.

No betting system changes that. No streak cancels it out. The structure of the wheel sets the limits, and every spin happens inside those limits.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Clint Black, Wynonna Judd And Joe Nichols Lead 2027 Country Music Cruise

Music

Eric Alper

-

Feb 13, 2026

0

Clint Black, Wynonna Judd And Joe Nichols Lead 2027 Country Music Cruise

Clint Black, Wynonna Judd, Joe Nichols, The Bellamy Brothers and Neal McCoy headline the 2027 Country Music Cruise, sailing February 7-14 aboard Celebrity Silhouette. Departing Ft. Lauderdale with stops in San Juan and St. Maarten, the seven-day voyage promises more than 100 live performances and nonstop country celebration. Cabin sales open to the public today.

The lineup also features Brothers of the Heart, Jimmy Fortune, Rhonda Vincent, Darryl Worley, T.G. Sheppard, Billy Dean, Moe Bandy, Wade Hayes, John Berry, The Isaacs, The Malpass Brothers, Chuck Mead, Gil Grand, Wood Box Heroes, 50 Shades of Hay, a Waylon Jennings Tribute with Tommy Townsend and Jerry Bridges, and more. Grand Ole Opry at Sea returns, alongside All-Star Jams and appearances from host Nan Kelley.

Guests enjoy concerts, meet-and-greets, Gospel Hour, line dancing, theme nights, cornhole tournaments and dining across eight venues. The cruise also supports the Country Music Hall of Fame and Museum, raising more than $140,000 through onboard guitar auctions in recent years. With another sellout expected, the 2027 sailing continues its tradition as the ultimate country music party at sea.