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Eidola Ascend The Chaos With Crushing New Single “Purity Ladder”

Eric Alper
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Eidola Ascend The Chaos With Crushing New Single “Purity Ladder”

Eidola return with their searing new standalone single “Purity Ladder,” arriving just ahead of their Eviscerate/Mend tour kickoff on February 22. The track marks their first release via 3DOT Recordings and arrives with a companion video that amplifies its stark, imposing atmosphere. Angular riffs and towering weight define the sound, capturing a restless modern pulse.

“This song was written as a snapshot of modern time to convey a deeply haunting sense of brutalism,” says vocalist Andrew Michael Wells. “Society consumes, regurgitates, vomits up lies, and distorts reality. Welcome to the ‘Purity Ladder.’” The song confronts modernity head-on, asking listeners to examine what they value most and where the current path leads.

The band launches The Eviscerate/Mend Tour with a five-week run across the U.S., celebrating their companion albums Eviscerate and Mend. In Los Angeles, Philadelphia, and Chicago, fans will experience special two-night performances, with each album performed in full on separate evenings. Supporting the tour are Nerv and Astronoid. Tickets are on sale now.

The Eviscerate/Mend Tour Dates:

February 22 Seattle, WA El Corazon
February 23 Portland, OR Hawthorne Theatre
February 25 Sacramento, CA Ace of Spades
February 26 Los Angeles, CA El Rey Theatre
February 27 Los Angeles, CA El Rey Theatre
February 28 Phoenix, AZ Crescent Ballroom
March 2 Albuquerque, NM Backstage at Revel
March 4 Austin, TX Come And Take It Live
March 5 San Antonio, TX The Rock Box
March 6 Dallas, TX Trees
March 7 Houston, TX Warehouse Live Midtown
March 9 Tampa, FL Orpheum Tampa
March 10 Atlanta, GA Masquerade – Hell
March 12 Baltimore, MD Soundstage
March 13 Philadelphia, PA Underground Arts
March 14 Philadelphia, PA Underground Arts
March 15 New York, NY Gramercy Theatre
March 17 Boston, MA Paradise Rock Club
March 19 Toronto, ON Axis Club
March 20 Detroit, MI El Club
March 21 Chicago, IL Bottom Lounge
March 22 Chicago, IL Bottom Lounge
March 24 Madison, WI Atwood Music Hall
March 25 Minneapolis, MN Fine Line Music Café
March 27 Denver, CO Summit Music Hall
March 28 Salt Lake City, UT Metro Music Hall

Bailey Spinn Unleashes Explosive Anti Love Anthem “homicide”

Eric Alper
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Bailey Spinn Unleashes Explosive Anti Love Anthem “homicide”

Emerging rock powerhouse Bailey Spinn has unveiled her explosive new single, “homicide,” out today. A blistering, no-holds-barred anti-Valentine’s Day anthem, the track channels heartbreak, romantic disillusionment, and emotional burnout into something loud, cathartic, and deeply empowering. “homicide” was co-written and produced by Matt Squire (Panic! At The Disco, Sum 41, Ariana Grande) and showcases Bailey at her most unapologetic yet.

Fueled by razor-sharp hooks, blistering guitars, and Bailey’s signature bite, “homicide” flips the script on traditional love songs, offering a visceral release for anyone who’s ever felt burned, fed up, or completely over Valentine’s Day clichés. The track leans into chaos and confrontation, transforming emotional wreckage into a powerful statement of independence and self-preservation.

“homicide” follows a string of high-impact releases – 2025’s “critical” and “fear of going out” – that have cemented Bailey as one of the most compelling new voices in the genre. Her breakout debut album ‘loser’ (March 2025) garnered millions of streams, including 10M+ on fan-favorite track “happy ending,” blending Y2K-inspired rock energy with modern anthems centered on heartbreak, self-empowerment, and individuality.

In celebration of this explosive new era, Bailey will be hitting the road this spring supporting metalcore act Dark Divine on their North American tour, bringing her electrifying live show to audiences across the U.S. and Canada. The select run of shows kicks off March 4 at The Palladium in Worcester, MA, with stops in major markets including Philadelphia, New York City, Toronto, and Montreal. For tickets, show details, and a full list of dates, please visit Bailey’s official website. A complete itinerary is also included below.

With 20M+ followers and billions of views across social platforms, Bailey continues to redefine what a modern rock breakout looks like. She is currently working on more new music, with additional releases expected throughout 2026. Stay tuned.

BAILEY SPINN ON TOUR:

Mar 4, 2026 – Worcester, MA @ The Palladium *

Mar 5, 2026 – Asbury Park, NJ @ House of Independents *

Mar 6, 2026 – New Kensington, PA @ Preserving Underground *

Mar 7, 2026 – Philadelphia, PA @ The Fillmore *

Mar 8, 2026 – New York, NY @ Gramercy Theatre * 

Mar 10, 2026 – Montreal, QC @ Theatre Fairmount *

Mar 11, 2026 – Toronto, ON @ Hard Luck Bar *

March 13, 2026 – Lakewood, OH @ The Foundry *

* Supporting Dark Divine

Bailey Spinn is a rising rock sensation, best known for her captivating vocals, edgy lyrics, and dynamic performances. Following the success of her debut EP ‘My Worst Enemy,’ Bailey signed to global record label AWAL and agency Sound Talent Group, and released her anticipated debut album, ‘loser’ in March 2025. Her sound adds a fresh and innovative resurgence to the genre, but still has a hint of early Y2K nostalgia.

Bailey has amassed 25M+ streams on Spotify alone and her YouTube covers – including a standout rendition of Olivia Rodrigo’s “traitor” – have gained widespread acclaim and solidified her place in the music industry. Following a headline tour across the U.S. and collaborations with top producers and songwriters, such as Kodeblooded and Courtney Ballard, and songwriters like Tiffany Stringer and LØLØ, Bailey’s upcoming new music will position her as a voice of the current generation.

Ingrid Andress Finds Freedom And Fire On “Now I Know”

Eric Alper
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Ingrid Andress Finds Freedom And Fire On “Now I Know”

Multi-GRAMMY nominated singer-songwriter Ingrid Andress returns today with the release of her latest single “Now I Know“. Andress co-wrote the deeply personal and powerfully relatable song alongside longtime collaborators Derrick Southerland and Sam Ellis (“More Hearts Than Mine,” “Lady Like”) about the strength gained from moving past hardship and embracing the unknown. Andress also worked with Ellis to co-produce the track.

A soaring mantra for finding the courage to leave love behind when we need to and shared on the eve of Valentine’s Day, “Now I Know” chronicles the journey from naive love to profound self-discovery. “We all start our life journey not knowing much of anything. As we grow, we learn most of what we know from our parents, grandparents, teachers, and peers, and we make decisions based on their loving, but limited, amount of knowledge. Some of us stay in the safety of things and places that are familiar to us for the rest of our lives, and that is perfectly fine. Then there are those who challenge the familiar, and find it to be more painful than they could have ever imagined. We tend to glamorize what ‘growing’ and ‘self discovery’ look like without acknowledging the pain it also takes to break out of the cocoon that kept you safe. The beauty of knowing you made it through those ugly, difficult times is what makes all the heartbreak worth it. You learn to trust and believe in yourself again and that is something only you can know after seeing it through to the other side.”

Andress, known for her ability to weave complex emotions into stunningly honest lyrics, delivers a song that is less about the loss of a relationship and more about the gain of self-awareness.

“I wrote ‘Now I Know’ to encourage myself and others to face and let go of the things that no longer serve us because we are capable of having the happiness we’ve imagined for ourselves.”

A rejection of settling, the song celebrates the bravery of walking away from something “safe” for the sake of one’s own future, acknowledging the true cost of complacency.

With its stark emotional honesty, “Now I Know” is poised to be an essential soundtrack for anyone navigating change, reminding listeners that the greatest knowledge comes not from certainty but from surviving the unexpected.

Fans can expect more new music coming from Andress throughout the year as she continues to put the finishing touches on her third studio album. The LP will follow her celebrated sophomore album, Good Person, and triumphant debut, Lady Like, both co-produced and co-written by Andress.

Each album earned widespread acclaim and award-recognition. Good Person was selected as one of Rolling Stone’s 100 Best Albums of the Year and 25 Best Country & Americana Albums of 2022 and featured her GRAMMY-nominated, Platinum-certified No. 1, “Wishful Drinking (with Sam Hunt),” which was ranked by Billboard as one of the Top 10 most-played songs on country radio in 2022.

Lady Like became one of Billboard’s Top 10 Best Country Albums of the year and set the record as the highest streaming country female debut album of all time upon release. The album also features her Multi-Platinum No. 1 radio single “More Hearts Than Mine,” which made history as the only debut single from a solo female artist to break the Top 20 on country radio in 2019. Lady Like also earned a GRAMMY nomination for Best Country Album and Best Country Song (“More Hearts Than Mine”) the same year Andress received a Best New Artist nod, making her the only country artist to be nominated in a “Big Four” category. 

Andress will continue bringing her music on the road this year to her fans across the globe who have collectively helped surge her career streaming total to nearly 2 billion worldwide.

Russell Dickerson Unveils Tender Piano Ballad “The Roses” With Cinematic Video

Eric Alper
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Russell Dickerson Unveils Tender Piano Ballad “The Roses” With Cinematic Video

Russell Dickerson releases the official music video for his new track “The Roses,” a piano-driven love story that places devotion front and center. Written with Michael Hardy, Chase McGill, and Jordan Schmidt, the song pairs sweeping melody with intimate lyricism. The visual opens in a quiet, rose-covered embrace with his wife, Kailey Dickerson, before shifting to a solo piano performance that captures every word with clarity and emotion.

“The Roses” has already drawn praise for vocals that feel both tender and powerful. The performance leans into stillness and sincerity, spotlighting Dickerson’s expressive delivery. It is a moving reminder of the depth and range that define his songwriting.

The release arrives as Dickerson prepares to take RUSSELLMANIA TOUR 2026 across amphitheaters and major venues worldwide. With support from Dasha, Tyler Hubbard, Niko Moon, Adrien Nunez, and Kevin Powers on select dates, the tour marks his most ambitious live run to date. Tickets are available now.

2026 Tour Dates:

3/5 – Rodeo Houston – Houston, TX, USA
3/13 – OVO Hydro – Glasgow, Scotland, U.K.
3/14 – The O2 – London, England, U.K.
3/15 – The SSE Area – Belfast, Northern Ireland, U.K.
3/21 – Out of the Park Music Festival – Surprise, AZ, USA
4/12 – Tortuga Music Festival – Fort Lauderdale, FL, USA
4/23 – Red Hat Amphitheater – Raleigh, NC, USA *
4/24 – The St. Augustine Amphitheatre – St Augustine, FL, USA *
4/25 – Addition Financial Arena – Orlando, FL, USA *
5/8 – Ascend Amphitheater – Nashville, TN, USA !
5/13 – Red Rocks Amphitheatre – Morrison, CO, USA ^
5/20 – The Greek Theatre – Los Angeles, CA, USA ^
5/21 – Gallagher Square at Petco Park – San Diego, CA, USA ^
5/22 – Planet Hollywood PH Live – Las Vegas, NV, USA
5/28 – The ICON Festival Stage at Smale Park – Cincinnati, OH, USA ^
5/29 – Jacobs Pavilion at Nautica – Cleveland, OH, USA ^
5/30 – Acrisure Amphitheater – Grand Rapids, MI, USA ^
6/25 – Hoofbeat – Cadott, WI, USA
6/27 – Summerfest – Milwaukee, WI, USA
7/9 – Hodag Country Festival – Rhinelander, WI, USA
7/11 – Windy City Smokeout – Chicago, IL, USA
8/7 – Boots and Hearts Music Festival – Oro Station, ON, Canada
8/28 – Boots and Hearts West – Edmonton, AB, Canada

  • Dasha
    ! Tyler Hubbard, Adrien Nunez, Kevin Powers
    ^ Niko Moon

Canadian Music Icon Jann Arden Headed to OLG Stage at Fallsview Casino this June

Eric Alper
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Canadian Music Icon Jann Arden Headed to OLG Stage at Fallsview Casino this June

Canadian music never sounded so great with Jann Arden Live! heading to the OLG Stage at Fallsview Casino on Saturday, June 20, 2026.  Known for her signature ballads “Could I Be Your Girl,” “Insensitive” and more! Tickets go on sale on Friday, February 20 at 10:00am through ticketmaster.ca.

“Jann Arden brings incredible authenticity, humour and heartfelt performances to her shows, and as a celebrated Canadian gem, we are honoured for fans to enjoy her music at the OLG Stage at Fallsview Casino!” says Cathy Price, Vice President of Marketing & Resort Operations, Niagara Casinos.

Jann Arden is a multi-platinum, award-winning singer, songwriter, actor and author with 16 albums with 19 top ten singles. Accolades include 8 JUNO Awards, 10 SOCAN Awards and 4 Western Canadian Music Awards to name a few. In 2020, she was announced as an inductee into the Canadian Music Hall of Fame joining the ranks of Canadian music icons including Alanis Morisette, Bryan Adams, Barenaked Ladies, Bachman Turner Overdrive, Joni Mitchell, Shania Twain and many more. Other career highlights include a Star on Canada’s Walk of Fame and being awarded the Order of Canada. Her most recent album, MIXTAPE released in January 2025 features a collection of favourite pop recordings from the nineties from Sia, Seal, Robyn, Chris Issac, including lead single “You Gotta Be”- the positive and optimistic song by Des’ree and more.   Whether she is captivating audiences with her heartfelt music, entertaining them with her quick wit or sharing her written word in a boldly honest voice – Jann Arden is a Canadian original – a brilliant multi-dimensional talent. 

Show date & performance
Jann Arden Live!
Date: Saturday, June 20, 2026
Showtime: 8:00pm
Venue: OLG Stage at Fallsview Casino

Tickets for Jann Arden go on sale Friday, February 20 at 10:00am.

Avery Anna And Sam Barber Reunite With Faith Fueled Duet “Fear In God”

Eric Alper
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Avery Anna And Sam Barber Reunite With Faith Fueled Duet “Fear In God”

Avery Anna and Sam Barber are back together with their powerful new duet, “Fear In God,” out now everywhere. The track reunites the two breakout artists following their Platinum-certified hit “Indigo,” and captures the same electric vocal chemistry that turned their first collaboration into a viral and chart-topping moment.

Inspired by scripture and the realities of growing up under pressure, “Fear In God” centers on staying grounded in faith and finding identity through God. Their voices intertwine with conviction and clarity, delivering a message rooted in strength and belief. It is a bold, soul-stirring statement that lands with impact.

Their previous duet “Indigo” reached the Top 10 on Billboard’s Hot Country Songs chart and led to a joint appearance on The Kelly Clarkson Show. With over 1 billion global streams and her sophomore album let go letters named one of Billboard’s “50 Best Albums of 2025,” Avery continues to shape modern country music with purpose and poise.

The new single arrives as Avery gears up for her headlining “Girl Of Constant Sorrow Tour,” launching March 12 in Cincinnati. She recently drew acclaim for her cover of Ozzy Osbourne’s “No More Tears,” praised as a knock-out performance, further highlighting her range and fearless artistry.

Girl Of Constant Sorrow Tour Dates:

3.12 – Cincinnati, OH – Bogart’s
3.13 – St. Louis, MO – Ballpark Village (18+)
3.14 – Tulsa, OK – Cain’s Ballroom
3.19 – Portland, ME – Aura (18+)
3.20 – Uncasville, CT – Mohegan Sun Wolf Den (21+)
3.21 – Sayreville, NJ – Starland Ballroom
3.27 – Rosemont, IL – Joe’s Live
3.28 – Chattanooga, TN – The Signal
4.09 – Little Rock, AR – The Hall
4.10 – Sioux City, IA – Anthem Hard Rock Hotel & Casino (21+)
4.17 – Oxford, MS – The Lyric Oxford (18+)
4.18 – Baton Rouge, LA – Texas Club (18+)

11 Musicians Who Found Fame Later in Life and Changed the Sound of Success

Eric Alper
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11 Musicians Who Found Fame Later in Life and Changed the Sound of Success

Some careers ignite overnight. Others simmer for years before the world finally catches up. These artists did not follow the “overnight success” script – they built their legacies chapter by chapter, proving that talent has no expiration date. Here are 11 musicians who found fame later in life, in alphabetical order.

Billy Vera
Before his own spotlight moment, Billy Vera spent years writing and producing for others. It was not until his 40s that “At This Moment” climbed the charts after a TV placement gave it new life. The song reached #1 on the Billboard Hot 100, turning a seasoned songwriter into a household name.

Bonnie Raitt
Though active since the early 1970s, Bonnie Raitt reached massive commercial heights in her 40s with the album ‘Nick of Time.’ It hit #1 on the Billboard 200 and won multiple Grammy Awards, including Album of the Year. Decades of touring and refining her craft paid off in a major way.

Charles Bradley
Charles Bradley worked as a James Brown impersonator for years before releasing his debut album in his 60s. His raw soul voice finally reached global audiences, earning critical acclaim and international tours. His late bloom became one of music’s most inspiring modern stories.

Chris Stapleton
A respected Nashville songwriter for years, Chris Stapleton stepped into the spotlight in his late 30s. His breakthrough performance at the CMA Awards launched ‘Traveller’ to #1 on the Billboard 200. The album went multi-Platinum and won multiple Grammy Awards.

Debbie Harry
Debbie Harry and Blondie built a following in the New York club scene throughout the 1970s. Mainstream fame arrived when ‘Parallel Lines’ exploded internationally, producing hits like “Heart of Glass.” Harry was in her early 30s when Blondie became a global force.

Leonard Cohen
Leonard Cohen published poetry and novels before releasing his debut album in his 30s. His song “Hallelujah” grew into one of the most covered songs in modern history. Later in life, his world tours sold out arenas, cementing his legacy across generations.

Louis Armstrong
Louis Armstrong had been a working musician for years before becoming an international star in his 30s. His recordings with the Hot Five and Hot Seven redefined jazz performance and improvisation. Armstrong went on to score pop hits like “Hello, Dolly!” decades into his career.

Sharon Jones
Sharon Jones spent years working day jobs before fronting Sharon Jones and the Dap-Kings in her 40s. Their retro soul revival earned critical acclaim and global touring success. She became a defining voice of modern soul later in life.

Susan Boyle
Susan Boyle became an international sensation in her late 40s after auditioning on ‘Britain’s Got Talent.’ Her debut album topped charts worldwide and became one of the best-selling albums of the year. Her story remains one of television’s most dramatic musical breakthroughs.

Thelma Houston
Thelma Houston had recorded for years before scoring a #1 hit on the Billboard Hot 100 in her 30s with “Don’t Leave Me This Way.” The song won a Grammy Award and became a disco anthem. Persistence met perfect timing on the dance floor.

Willie Nelson
Willie Nelson wrote hits for other artists before finding his own commercial breakthrough in his 40s. The album ‘Red Headed Stranger’ reached #1 on the Billboard Country chart and crossed into mainstream success. His outlaw country era reshaped Nashville and built a legendary career.

Britney Spears Sells Her Catalog and Joins a Growing Trend

Eric Alper
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Britney Spears Sells Her Catalog and Joins a Growing Trend

Pop history just shifted again. Britney Spears has reportedly sold her music catalog, adding her name to a growing list of superstars turning decades of hits into major business moves. It is not just nostalgia – it is strategy.

A catalog is more than a collection of songs. It is publishing, licensing, streaming revenue, film placements, and future opportunities. In the streaming era, evergreen hits can generate steady income for decades. Investors know it. Artists know it.

For performers who have already shaped culture, selling a catalog can mean financial freedom and long-term security. It can also signal a new chapter, one where legacy is managed differently than in the old record-label days.

The big picture? Songs are assets. The artists who once fought for creative control are now negotiating from positions of power. Britney built an era. Now that era is part of a larger business conversation.

Why Artists Lip-Sync at Concerts and Why It Is Not So Simple

Eric Alper
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Why Artists Lip-Sync at Concerts and Why It Is Not So Simple

The word lip-sync still sparks outrage, but the truth is more complicated than a viral clip suggests. In an era of massive stage productions, perfection is often part of the ticket price. Fans expect fireworks, choreography, visuals, and flawless vocals all at once.

Touring is a marathon. Voices are muscles, and muscles get tired. When artists perform night after night across continents, protecting their vocal cords becomes part of the job. Sometimes that means backing tracks. Sometimes that means layering vocals. Sometimes it means a strategic assist on the highest note.

Then there is choreography. Pop shows are athletic events disguised as concerts. Try sprinting across a stage, hitting every dance cue, and belting a chorus without missing a breath. Technology can help bridge the gap between spectacle and stamina.

For some fans, authenticity means every note live. For others, it means an unforgettable experience. The modern concert often blends both – part raw performance, part theatrical production.

GENE SIMMONS, HIP-HOP, AND THE NEVER-ENDING ROCK HALL DEBATE

Eric Alper
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GENE SIMMONS, HIP-HOP, AND THE NEVER-ENDING ROCK HALL DEBATE

When Gene Simmons talks, the rock world listens – and then argues. His latest take questions whether hip-hop belongs in the Rock and Roll Hall of Fame, reigniting a debate that has been simmering for years. For Simmons, rock is guitars, amps, and arenas. For others, it is something bigger.

The Hall has long defined rock and roll as a spirit, not just a sound. That spirit has stretched from Chuck Berry to punk to rap. The moment rock stopped evolving would be the moment it stopped mattering. Music has always borrowed, blended, and broken its own rules.

Simmons’ comments also spotlight a generational divide. To many classic rock fans, the Hall is sacred ground for bands that built the stadium era. To younger listeners, influence matters more than instrumentation. Culture moves forward whether we like it or not.

At the end of the day, the argument says less about genre and more about ownership. Who gets to define rock and roll? The artists who built it, or the generations who keep reinventing it?

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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