Paul McCartney and Jimmy Fallon surprise Beatles super fans riding an elevator in 30 Rockefeller Center, during what they think is an NBC Studios tour, and entertain them with comedic antics.
https://youtu.be/Z9q3e5wIrDw
Paul McCartney and Jimmy Fallon surprise Beatles super fans riding an elevator in 30 Rockefeller Center, during what they think is an NBC Studios tour, and entertain them with comedic antics.
https://youtu.be/Z9q3e5wIrDw
A great piece of music inspires many questions, like “What is this piece saying?”, or “Why does it make me feel the way it does?” One question you rarely see, though, is “What are you even playing?” But that’s exactly what La Monte Young forced listeners to ask with his magnum opus, The Well-Tuned Piano, which contains an experimental tuning system that he kept secret for 27 years. So what *was* he playing? Well… It’s complicated.
Manami Ito is not only a champion Japanese paralympic swimmer and nurse by trade, she also plays the violin beautifully. She’s picked up awards, rave reviews and made a global platform for her live act.
https://www.facebook.com/kazushige.masuda.1/videos/1663213787140224/
https://www.facebook.com/dusttodigital/videos/545222802574579/
Jason Bateman discusses his career, including Little House on the Prairie, SIlver Spoons, Knight Rider, It’s Your Move, The Hogan Family, Teen Wolf Too, Moving Target, Can You Feel Me Dancing?, Simon, Chicago Sons, George and Leo, Some of My Best Friends, Arrested Development, Juno, Extract, Mumford and Sons “Hopeless Wanderer,” Bad Words, and Ozark.
British Airways and Heathrow Airport baggage handlers celebrate Freddie Mercury’s birthday in style.
Backed by Elephant’s Memory, John Lennon and Yoko Ono play “Imagine,” “Now or Never,” and a reggae arrangement of “Give Peace a Chance” on the Jerry Lewis Telethon in 1972.
https://youtu.be/kEGTV8usZsI
A 45 of Dolly Parton’s 1973 hit “Jolene” played at 33RPM not only sounds cool, it also manages to change the meaning, if only through the actual sound of her voice.
As Andrea DenHoed notes in The New Yorker, “Slow Ass Jolene,” below, transforms Parton’s “baby-high soprano” into something deep, soulful and seemingly, male. As one YouTube poster said, “The story becomes a man begging a woman not to take his man, not that there’s anything wrong with that.”
Emma Stone has never met a Spice Girl. Graham has an answer.
A closer look at how the King of Pop crafted his first big pop hit, “Don’t Stop ‘Til You Get Enough.’