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Clap Your Hands Say Yeah Announce Intimate ‘Piano & Voice’ North American Tour

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Clap Your Hands Say Yeah will follow their hugely successful 20th anniversary full band world tour with a very special North American headline run offering a “more naked” perspective on singer-songwriter Alec Ounsworth’s utterly original body of work.

“Clap Your Hands Say Yeah – Piano & Voice” gets underway after a sold-out run in Europe on January 15, 2026, in Boston, MA, and then visits intimate venues in major markets across the continent through mid-February.

Tickets for all announced dates are on sale now. An extremely limited black and white splatter vinyl edition of Clap Your Hands Say Yeah’s Bootleg Series Vol. 1 – Piano & Voice Live at Servant Jazz Quarters, recorded in London, will be available online and at shows while supplies last.

“Essentially, this is an opportunity for me to put forward my songs for Clap Your Hands in their starkest form,” says Alec Ounsworth. “After having done shows in this form in Europe, this will be the first round of shows of this kind in the United States. Doing the material in this way has been a chance to connect with the work on an intimate and new (but familiar) level. Be ready for some raw emotion – precisely what I, for one, need at the moment. Please join me for these special, small shows.”

In the meantime, the milestone world tour commemorating the 20th anniversary of Clap Your Hands Say Yeah’s landmark self-titled debut album resumes later this month with a series of eagerly awaited headline dates in Japan, Australia, and New Zealand. The wide-ranging trek sees Clap Your Hands Say Yeah – currently comprising Ounsworth, Todd Erk (bass, synth), Jonas Oesterle (drums), and Ben Collins (guitar, keys, lights) – performing the classic 2005 album in its entirety. The band has already spent much of this past year celebrating Clap Your Hands Say Yeah with sold-out and ecstatically received shows across the US, Canada, Mexico, Brazil, Argentina, Chile, Norway, Denmark, the Netherlands, Spain, Italy, Belgium, Ireland, France, and the United Kingdom.

CLAP YOUR HANDS SAY YEAH – ON TOUR 2025-2026

“20 YEARS OF CLAP YOUR HANDS SAY YEAH …PERFORMING THE DEBUT ALBUM…” WORLD TOUR 2025

OCTOBER
31 – Osaka, Japan – Live House Anima

NOVEMBER
1 – Shibuya, Japan – Club Quattro
5 – Sydney, Australia – Metro Theatre
7 – Melbourne, Australia – Northcote Theatre
8 – Brisbane, Australia – The Triffid
11 – Auckland, New Zealand – The Tuning Fork

“CLAP YOUR HANDS SAY YEAH – PIANO & VOICE” NORTH AMERICAN TOUR 2026

JANUARY 2026
15 – Boston, MA – Museum of Fine Arts, Boston
16 – Brattleboro, VT – Stone Church
17 – Kingston, NY – Assembly
18 – New York, NY – Le Poisson Rouge
24 – Philadelphia, PA – Philadelphia Ethical Society

FEBRUARY 2026
9 – San Francisco, CA – The Independent
11 – Seattle, WA – Woodlawn Hall
12 – Portland, OR – Old Church
14 – Chicago, IL – Old Town School of Folk
15 – Toronto, ON – Lula Lounge

The Wood Brothers to Celebrate Two Decades With a Return to the Ryman

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The Wood Brothers will return to Nashville’s storied Ryman Auditorium on March 5, 2026, marking their fifth time headlining the landmark venue. The Grammy-nominated trio will perform in support of their newest album, Puff of Smoke, and in celebration of the 20th anniversary of their debut, Ways Not to Lose.

They’ll be joined by The Luckiest Horns, with additional guests to be announced. Tickets go on sale beginning Thursday, October 16, at 10 a.m. Central Time via artist pre-sale, followed by a venue pre-sale at noon and general on-sale Friday, October 17, at 10 a.m.

“It’s always a special honor to play the Ryman,” said Oliver Wood. “Knowing the history and having seen shows there, we understand the reverence of fans and artists alike, and appreciate the intimacy and vibe of this magical room.”

For the band, the Ryman holds particular resonance. Nashville has long served as their creative anchor, dating back to 2013, when they recorded The Muse at Zac Brown’s Southern Ground Studios. Not long after, Oliver and Chris Wood moved to the city, followed by Jano Rix. Their subsequent work has been shaped at The Studio Nashville, which they affectionately call their “creative clubhouse.”

While Chris Wood has since relocated to the Vancouver area and Rix to Vermont, Oliver remains in Nashville, where the group continues to write, rehearse and record.

The Wood Brothers are currently touring behind Puff of Smoke, their ninth studio release, an 11-track collection that finds optimism amid uncertainty. Songs such as “Witness” and “The Trick” reflect the band’s grounding in meditation and mindfulness, offering reminders of the impermanence—and beauty—of the moment.

The album has drawn praise from outlets including The Bluegrass Situation, Relix, and DownBeat. MOJO commended its “restless music mix that’s unpredictable and big on swing,” while Uncut hailed its songwriting as “witty and incisive.”

Following a run of festival and headline dates this summer, the band will embark on a broad fall tour beginning November 6 in Knoxville, Tennessee, before heading through the Midwest and Northeast. Stops include the Pantages Theatre in Minneapolis, Chicago’s Riviera Theatre, Brooklyn Paramount in New York, and the United Theatre in Westerly, Rhode Island.

Tour Dates

11/6 – Knoxville, TN – Bijou Theatre
11/7 – Columbus, OH – The Bluestone
11/8 – Louisville, KY – Old Forester’s Paristown Hall
11/9 – Bloomington, IL – The Castle Theatre
11/11 – Springfield, MO – Gillioz Theatre
11/12 – Iowa City, IA – The Englert Theatre
11/13 – Minneapolis, MN – Pantages Theatre
11/14 – Madison, WI – Wisconsin Union Theater – Shannon Hall
11/15 – Chicago, IL – Riviera Theatre
12/3 – York, PA – Appell Center for the Performing Arts
12/4 – Washington, DC – 9:30 Club
12/5 – Allentown, PA – Archer Music Hall
12/6 – Ithaca, NY – State Theatre of Ithaca
12/7 – Pittsburgh, PA – Roxian Theatre
12/9 – Hartford, CT – Infinity Music Hall
12/10 – Brooklyn, NY – Brooklyn Paramount
12/12 – Portland, ME – State Theatre
12/13 – Lebanon, NH – Lebanon Opera House
12/14 – Westerly, RI – United Theatre
2/7-12 – Miami, FL – Jam Cruise 2026
3/5 – Nashville, TN – Ryman Auditorium

Biohazard Return With Explosive New Single “Fuck the System” From Upcoming Album ‘Divided We Fall’

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Brooklyn hardcore legends Biohazard are excited to announce Divided We Fall, their first studio album in over a decade, out October 17th via BLKIIBLK. Reuniting the original lineup, the album delivers a blistering statement of unity in chaos. To celebrate the announcement, Biohazard has released a new single, “Fuck the System,” which is accompanied by a music video available below.

“‘Fk the System’ is Biohazard calling it like it is. The powers that be have us at odds and beefin’ with each other while they sit back and cash in. It’s no accident the world’s burnin’ in front of our eyes. It’s all divide and control – while they keep us divided by politics, class, race, all of it, and have us out here fighting each other, they’re pulling the strings. ‘Fk the System’ is our war cry about the state of the world with no sugarcoated bullshit,” says vocalist/guitarist Billy Graziadei.

Produced, mixed, and mastered by Matt Hyde (Slayer, Hatebreed, Deftones), the album captures Biohazard at their most raw, relentless, and unifying. The album blends the band’s unmistakable fusion of hardcore, metal, and streetwise groove with a sharpened edge for a fractured modern world, delivering a powerful reminder of why Biohazard remains one of the most vital and influential bands in heavy music.

Recording sessions took place at Shorefire Recording Studios in Long Branch, NJ, and The Hydeaway in Van Nuys, CA, with engineering by Joseph DeMaio and additional recording from Matt Hyde. Guitar and production tech duties were handled by Phil Caivano.

Biohazard’s upcoming release via BLKIIBLK marks a new chapter in a storied career that began in the late ’80s, one defined by aggressive sound, socially conscious lyrics, and an unwavering commitment to their roots.

Biohazard will be on their Divided We Fall Tour this fall with support from Onyx, Bayway, and Swollen Teeth, including a homecoming show at the Warsaw in Brooklyn on October 28th.

  1. Fuck the System
  2. Forsaken
  3. Eyes on Six
  4. Death of Me
  5. Word to the Wise
  6. Fight to be Free
  7. War Inside Me
  8. S.I.T.F.O.A.
  9. Tear Down the Walls
  10. I Will Overcome
  11. Warriors

Infected Rain And Butcher Babies Unleash Chaos On Europe With ‘Mutation Phase Tour 2026’

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Get ready to raise hell. Infected Rain and Butcher Babies are joining forces for the ‘Mutation Phase Tour 2026’—a metal masterclass set to tear across Europe and the UK next spring. With support from Lithuania’s rising heavy hitters Black Spikes, this tour isn’t just loud—it’s seismic.

Infected Rain are entering their most unpredictable era yet, caught beautifully between albums and evolution. Fans can expect a setlist that rips through their catalog and hints at what’s next. Butcher Babies, meanwhile, bring their trademark chaos—thrash, groove, and melody colliding in one explosive, fearless storm.

Add in Black Spikes’ ferocious new EP ‘NIL,’ and you’ve got three bands on one stage, one mission: total metal domination. Europe, brace yourself—the Mutation Phase has begun.

03/25 – GLASGOW – Slay
03/26 – NEWCASTLE – Anarchy Brew
03/27 – MANCHESTER – Club Academy
03/28 – LONDON – O2 Academy Islington
03/29 – BRISTOL – Fleece
03/30 – BIRMINGHAM – O2 Institute
03/31 – SOUTHAMPTON – The 1865
04/01 – BRIGHTON – Concorde 2
04/03 – KORTRIJK – DVG Club
04/04 – NIJMEGEN – Doornroosje
04/05 – OBERNDORF AM NECKAR – Easter Cross *
04/07 – ESSEN – Turock
04/08 – WEINHEIM – Cafe Central
04/09 – PARIS – La Machine
04/10 – LYON – La Rayonne
04/11 – BARCELONA – Salamandra
04/12 – MADRID – Mon
04/14 – TOULOUSE – Metronum
04/15 – MILAN – Legend Club
04/16 – ZURICH – Dynamo Saal
04/17 – LINDAU – Club Vaudeville
04/18 – MUNICH – Backstage Halle
04/19 – BUDAPEST – Barba Negra (Blue Stage)
04/20 – VIENNA – Szene
04/22 – WARSAW – Hybrydy
04/23 – HAMBURG – Bahnhof Pauli
04/24 – COPENHAGEN – Pumpehuset
04/25 – STOCKHOLM – Kollektivet Livet
04/28 – HELSINKI – Ääniwalli
04/30 – KOPERVIK – Karmøygeddon Metal Festival ^

* w/o Black Spikes
^ w/o Butcher Babies

Captain Kaiser Roar Back With Anthemic New Single “Dancefloor” From Album ‘Belgian Boy’

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Over the past eight years, Antwerp’s punk rock powerhouse Captain Kaiser has grown into one of Belgium’s leading punk bands. Still proudly rooted in the Kempen, their sound nods to the raw emotion of High Vis and the anarchic spirit of Viagra Boys. For frontman Sascha Vansant, punk isn’t a genre—it’s a mindset: uncompromising, loud, and always real.

The band’s long-awaited fourth album ‘Belgian Boy’, out now through [PIAS] Recordings, features ‘Dancefloor’, an anthem for the underdogs, the lonely barflies, the smiling Lucys clutching a bottle, and the Liams who hide their tears behind jokes. ‘Dancefloor’ is a breath of fresh air: an upbeat riff that will thrill fans of The Cure and DIIV, a melody that embraces the darkness but lets the light in.

Across the album, there’s also the raw punch of ‘Roadkill’ and ‘Moldy’ and the atmospheric post-rock of ‘Playground’. And with the album’s emotive title track ‘Belgian Boy’, Captain Kaiser once again proves that punk doesn’t just scream—it comforts, celebrates, and connects.  

MEOVV Ignite With Fiery New Single “BURNING UP” From Their EP ‘MY EYES OPEN VVIDE’

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Multinational K-pop sensation MEOVV turn up the heat with their explosive new single “BURNING UP,” out now via THEBLACKLABEL / Capitol Records. Fueled by powerhouse vocals, pulsating beats, and pure attitude, the track blazes with passion and confidence – a fearless anthem of unstoppable energy.

“BURNING UP” was co-written by MEOVV members GAWON and NARIN alongside a cast of top-tier THEBLACKLABEL talent and international hitmakers including the label’s founder/mega-producer Teddy “TEDDY” Park, Malachiii, Teal Douville, Billy Walsh, Jesse Bluu, Zikai, 24, Vince, and Lento. Producers include TEDDY, Malachiii, 24, and Teal Douville. The epic dance cut kicks off with a Jersey club beat and a living rhythm made up of inhales and exhales. The pulsating synth lifts the group higher as they chant: “It’s like a wildfire, I’mma stay right by ya / Come take me up higher / Let it, let it, let it, let it burn.”

The “BURNING UP” video transfers that all sweltering intensity to the screen as MEOVV brings the heat wherever they go. The girls step out of flaming vehicles, set off sprinkler systems during a spicy food challenge, attempt to cool down in front of a massive fan, and dance under the spray of a fire truck. But nothing can extinguish MEOVV’s searing drive to keep pushing forward without a moment’s doubt.

The new single follows a string of milestones for MEOVV. Most recently, the group was added to the hotly tipped Fall 2025 Emerging Artists list from PEOPLE, who proclaimed, “K-Pop fan or not, MEOVV will be your latest obsession.” In August, the girls made their stunning live U.S. debut at KCON LA. The month before, they released their inaugural Japanese single, “ME ME ME,” in partnership with cosmetic brand KAO. And, of course, May brought the highly anticipated MY EYES OPEN VVIDE, a six-track EP that freely breaks down barriers between genres, moods, languages, and vocal styles – delivering an intimate yet expansive sound that captures MEOVV’s core duality: at times razor sharp, at others effortlessly smooth.

Overseen by TEDDY (BIGBANG, G-Dragon, 2NE1, BLACKPINK), MY EYES OPEN VVIDE is a sonic coming-of-age story that traces MEOVV’s journey as they open their eyes to the world, break down boundaries, and begin actualizing their dreams – as the world, in turn, opens its eyes to them. The EP launched the dynamic, rock-tinged pop epic “DROP TOP” and the laidback R&B track “LIT RIGHT NOW.” It also includes the Brazilian-funk-inspired resilience anthem “HANDS UP” – which earned MEOVV their first-ever music show win on Mnet’s M Countdown, a major milestone for any rookie group – alongside vulnerable pop/R&B song “TOXIC” and “BODY,” a rowdy, dance-inducing hit that doubled as a warning to would-be haters or rivals. Rounding out MY EYES OPEN VVIDE is MEOVV’s bold debut single “MEOW,” a body-banging explosion that roared onto Billboard’s World Digital Song Sales chart at No. 10.

Hailing from South Korea, the US, and Japan, MEOVV’s lineup includes SOOIN, GAWON, ANNA, NARIN, and ELLA – five stars who possess both uniquely compelling identities and an indestructible bond. After playing an integral role in shaping some of K-pop’s most iconic acts over the past couple decades, TEDDY hand-picked the members of MEOVV – his first girl group since debuting BLACKPINK – and is directing all facets of the creative and production. MEOVV launched in September 2024 and, a mere three months later, won “Favorite Rising Artist” at the 2024 MAMA Awards, Asia’s most prestigious music award show.

MEOVV has since earned a slew of critical acclaim from, among other outlets, Teen Vogue, PAPER, Hypebae, The Hollywood Reporter, Elite Daily, UPROXX, Clash, and Billboard, who raved, “MEOVV leaped onto the K-pop scene by showcasing a promising range and bold artistry set to claw out a legacy all their own.” With “BURNING UP,” MEOVV makes clear that the raging fires they’ve set around the globe so far are only the beginning.

Jonathan Wyndham Steps Into His Own With Honest New Album ‘Middle Class & Infamous’

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On October 17, Jonathan Wyndham will release his new album Middle Class & Infamous, a collection of songs that capture both the resilience and the raw honesty of a working musician stepping into his own. From its first track to its last, the record is a portrait of an artist choosing to stop playing it safe and start telling his own story. With Wyndham producing the record on his own and playing nearly every instrument, the album stands as an even more intimate and authentic reflection of his artistry.

The title came from an unlikely place: Wyndham’s friend, Jeff, who works at the local liquor store. “Jeff, looked up at me one day and said, ‘You rich and famous yet or still middle class and infamous?’ I laughed and told him, ‘Man, I think you just named my record,” Wyndham recalls. “The longer I sat with it, the truer it felt.” That truth threads through the album’s ten songs, balancing moments of grief and heartbreak with glimpses of hope and determination.

“The Last Time” was written in the aftermath of losing his best friend in a car accident, the kind of song Wyndham says he wishes he never had to write. “Numb” was born at three in the morning after hearing a close friend had overdosed. “Make A Difference” was sparked when an old friend from The Voice told him that his only goal for the next five years was simply to ‘make a difference’. Each track is rooted in a moment that demanded to be captured, processed, and shared.

The recording process was just as intentional. Some songs were built layer by layer with trusted collaborators, while others came to life in a single take. Wyndham kept imperfections that carried honesty. “The Last Time” still includes the sound of him setting his guitar pick down at the end.

Musically, Middle Class & Infamous builds on the foundation of Wyndham’s debut Nashville Rock & Soul, Vol. 1. Where that first record captured the energy of a dream live set, this new album is a refinement, a deeper vocabulary, a stripped-down clarity, and songs built to resonate whether you’re on a morning run or wrestling with heartbreak. “Every choice was in service of the songs,” Wyndham explains. “If it didn’t serve the message of the song, it got left out.”

For Wyndham, this release is more than just a record, it’s a commitment. After spending his 20’s touring with & musical directing for artists like Colbie Caillat and Jessie James Decker, he made the decision earlier this year to step away from those roles and invest fully in himself as an artist.

“This is my flag in the sand, “I’m not dipping my toe in the water, I’m diving in” artist record. I’m in. I’ve ditched the sideman safety net, I’m whole heartedly taking these tunes to where they deserve to go.” He continues to write and produce for other artists, but this record marks the moment he puts equal weight behind his own voice.“This is the last record I will ever produce while playing for another artist, leaving my Musical Director position withColbie Caillatthis past April to put both feet into the proverbial ring as an artist. I love other people’s music, and helping them find their sound and be the best they can be, but I can’t wake up in a decade to realize I haven’t done what I’ve been given the tools to do, which is take this music to the world” Wyndham states.

Wyndham has already carved out an impressive career: a Gibson endorsed guitarist, his work has been featured by ESPN, the NFL Network, and NBA 2K21. He’s toured the world, performed at the Opry, and earned the trust of Grammy-winning artists. But Middle Class & Infamous is the moment he steps forward without a safety net, a record that represents both who he is and where he’s going.

“These songs are my launching point,” Wyndham says. “If I’m going to leave my boys at home and get on a plane, it must be for something worth building. This record is that.”

Joji Returns With Haunting New Single “PIXELATED KISSES” Following His Album ‘SMITHEREENS’

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Today, singer, songwriter, producer Joji shares “PIXELATED KISSES.” The single marks his first new music since 2022’s SMITHEREENS, which featured the RIAA 2x Platinum, #1 Spotify Global 50 hit “Glimpse of Us.”

Entirely written, produced, and recorded by Joji, “PIXELATED KISSES” marks a sonic return to form. Joji’s quintessential pared-down vocals and an indelible hook unite with a gritty trap beat for a masterclass on the art of simplicity. The resulting product is haunting, moody, and indelible, representing the core of his artistry and what makes it so special.

Since his breakthrough in 2017, Joji has released four critically-acclaimed studio albums BALLADS 1 (2018), which included the RIAA-certified 5x Platinum single “SLOW DANCING IN THE DARK,” Nectar (2020), and SMITHEREENS (2022), which featured his highest-charting single to date “Glimpse of Us.” In support of these projects, he has toured internationally and performed at major festivals including Coachella, Lollapalooza, and Reading & Leeds. In 2023, he embarked on the OBLIVION and PANDEMONIUM arena tours, spanning 41 shows with sold-out dates at Madison Square Garden, Barclays Center, Kia Forum, Crypto.com Arena, United Center, and London’s Gunnersbury Park.

Riize Bring Their Emotional Pop Sound To North America With ‘Odyssey’ Tour [Rizing Loud]

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K-pop sensations Riize are turning up the volume this fall with the launch of their first major North American tour, the 2025 Riize Concert Tour [Rizing Loud] in North America. Set to bring their dynamic performances and global hits to stages across the country, the group is gearing up to connect with American fans like never before. Produced by SM Entertainment and promoted by AEG Presents, the tour will hit eight major cities in North America beginning October 30th in Rosemont, IL, with additional stops in cities including New York, Washington DC, Seattle, San Francisco, and Los Angeles, and concluding in Mexico City on November 13th.

The run will bring all songs from Riize’s full-length debut album, Odyssey, to the live stage for the first time in the U.S., giving fans a chance to experience the group’s evolving sound and vision in person. Released on May 19th, Odyssey marks a major milestone in Riize’s artistic journey, celebrating their ongoing growth and creative exploration since their debut nearly two years ago. Featuring ten tracks – including the soaring title song “Fly Up” – the album blends Riize’s signature Emotional Pop style with deeply personal storytelling and a powerful message of self-reflection and ambition. With ODYSSEY, Riize invites fans to join them on a new chapter of their real-time journey – and now, through electrifying live performances, North American audiences will be part of that story like never before.

The tour officially kicked off on July 4th with three sold-out shows in Seoul, collectively drawing an astonishing 31,000 fans and setting the tone for what promises to be a global phenomenon. The massive turnout not only demonstrated Riize’s explosive popularity at home, but also underscored their growing international reach. With fans from around the world already rallying behind this next chapter, the group is poised to bring that same electrifying energy to North American stages, cementing their status as one of K-pop’s most exciting and globally resonant acts.

2025 Riize Concert Tour [Rizing Loud] in North America Dates:

Oct 30 – Rosemont, IL @ Rosemont Theatre
Nov 1 – New York, NY @ The Theater at Madison Square Garden
Nov 2 – Washington, DC @ The Anthem
Nov 4 – Duluth, GA @ Gas South Arena
Nov 7 – Seattle, WA @ WAMU Theater
Nov 9 – San Francisco, CA @ The Theater at Bill Graham Civic Auditorium
Nov 11 – Los Angeles, CA @ Peacock Theater
Nov 14 – Mexico City, MEX @ Velódromo Olímpico

Puddle Of Mudd Light Up With Emotional New Single “Firefly” From Their Album ‘Kiss The Machine’

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Multi-platinum selling rock band Puddle of Mudd have released their new lyric video for the song “Firefly.” This track comes from the band’s latest album, Kiss the Machine, which was released earlier this year in the spring.

Frontman Wes Scantlin says, “I wrote ‘Firefly’ as a tribute to Layne Staley, Chester Bennington, Chris Cornell, and all the fallen soldiers who gave their lives. Their voices and sacrifices lit a fire in me, and I wanted this song to be a way of keeping their light alive.”

Scantlin also notes, “They all struggled with demons most people couldn’t see, and the song is my way of recognizing that pain while keeping their light alive. I’ve been through my own battles too, and I’m in a better place now. I feel lucky to still be here. I’m a lucky dude. Music heals me, and I hope it heals others as well.”

“Firefly” was cathartic for Scantlin to create, as the song serves as both a tribute and a personal reflection. The track weaves together themes of grief and resilience. “Firefly” had been an idea that Scantlin thought about for several years, but it wasn’t until last year when he came up with the guitar part that completed it. 

Another important theme of “Firefly” is childhood nostalgia. Scantlin shares, “I miss my grandma. She used to kick us kids out of the kitchen before supper and send us outside, where we’d catch fireflies in jars and turn them into makeshift lanterns. Those sweet, beautiful memories stayed with me and are woven into this song. I wanted that feeling of joy and light to live inside the song alongside the sadness. The Firefly is that spark of hope we hold onto, even in the darkest times.”

Scantlin hopes “Firefly” resonates with anyone who has felt loss or struggled in silence. At its core, the song is about connection.