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How Pink Floyd Reunited After 24 Years To Play Live 8

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Pink Floyd, reunited with former bassist/lyricist Roger Waters for the first time in over 24 years.The complete foursome had not performed together since a show at Earls Court in London on 17 June 1981.
Roger Waters’ relationship with David Gilmour was so distant in the period before Pink Floyd’s celebrated reunion at Live 8 that Waters had to ask organizer Bob Geldof for his former bandmate’s phone number.

While Geldof had been persistent in trying to broker peace between the pair, he’d hit an initial roadblock with Gilmour – who once referred to a possible detente as something akin to “sleeping with your ex-wife.” Waters then interceded. Ultimately, the event’s mission – Live 8 was meant to raise awareness of poverty, debt and the AIDS crisis in developing nations – led to one of music’s most improbable remarriages, though only for a single evening.

“The moment was bigger than those bad feelings,” David Gilmour told the Associated Press in the days leading up to Pink Floyd’s July 2, 2005, appearance. “Any squabbles Roger and the band have had in the past are so petty in this context, and if reforming for this concert will help focus attention, then it’s going to be worthwhile.”

And so Pink Floyd’s classic-era lineup – Gilmour, Nick Mason, Waters and Richard Wright – took the stage for the first time since a 1981 concert at Earl’s Court in London and, alas, for the last time ever.

“It’s great to be asked to help Bob raise public awareness on the issues of third-world debt and poverty,” Waters enthused as the day drew near. “The cynics will scoff. Screw ’em! Also, to be given the opportunity to put the band back together, even if it’s only for a few numbers, is a big bonus.”

To no one’s surprise, Pink Floyd’s reunion eclipsed a star-packed lineup at the London Hyde Park show, which also included Paul McCartney, the Who, Elton John, Madonna, R.E.M., U2, Coldplay and Robbie Williams. Live 8, scheduled to sync up with the 20th anniversary of Live Aid, also featured six other events through July 6. Bon Jovi, Stevie Wonder, Dave Matthews, Jay-Z and others performed at Philadelphia. Brian Wilson, and Crosby Stills and Nash appeared in Berlin. Duran Duran and Tim McGraw were among the headliners in Rome. Annie Lennox performed at Edinburg as the G8 summit — a gathering of international leaders where debt cancellation and aid would be discussed — kicked off.

For Pink Floyd, however, the most immediate concern was far more small scale: getting the songs right. “It’s sort of assumed that we’ll all remember how they go,” Mason impishly admitted.

By all accounts, everyone was on their best behavior as three days of pre-show rehearsals unfolded. “There were times when Roger was struggling to not get bossy, and I was struggling to keep being bossy,” Gilmour said at the time. “I saw how arguments could have happened, but we aren’t at each other’s throats anymore. Getting rid of that acrimony has got to be a good thing. Who wants to have that fester in your mind the rest of your life

Still, there was the matter of a set list. And it was there where the former bandmates – two decades after an ugly legal battle over the rights to the Pink Floyd name — once again clashed.

Gilmour steadfastly refused to play Pink Floyd’s most recognizable radio hit, “Another Brick in the Wall,” deeming its anti-education message inappropriate for the moment. “Anyway, I don’t like it much. It’s all right but not part of the great emotional oeuvre,” Gilmour said, in a 2006 interview. “The songs that Roger wanted were not the ones I thought we should do. The arrangements of the songs were not the way Roger wanted to do them. But I kind of insisted.”

In the end, Pink Floyd were restricted, like all of the other artists performing at Live 8, to a short, 20-minute set. Even a reunion 24 years in the making was only a mere portion of the larger production. So the band settled on four songs: “Breathe” and “Money” from 1973’s The Dark Side of the Moon, “Wish You Were Here” from the 1975 album of the same name and “Comfortably Numb” from 1979’s The Wall, Pink Floyd’s penultimate recording with Waters. They left aside music from the two Gilmour-led Pink Floyd albums that followed the acrimonious split.

Waters made reference to the band’s original leader, the late Syd Barrett, even as he framed the larger reasons Pink Floyd had decided to reunite. “It’s actually quite emotional to be standing up here with these three guys again, after all these years – standing to be counted with the rest of you,” Waters said amid the opening strains of “Wish You Were Here.” “Anyway, we’re doing this for the people who’re not here – and particularly, of course, for Syd.”

Here’s a cool throwback: Lars from Metallica plays The Soul Rebels trombone

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Lars and Metallica hang with and play The Soul Rebels trombone during a rehearsal for Metallica’s 30th anniversary week of concerts at The Fillmore in 2011. The Soul Rebels opened all four shows and jammed with Metallica every night.

‘We focus the sound:’ Check out the speaker system keeping the peace between outdoor music fests and their neighbours

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PK Sound CEO Jeremy Bridge demos his new system that funnels concert sounds directly to festival audiences and away from neighbouring areas.

Photo Gallery: Arkells with Cold War Kids, Bishop Briggs and Ellevator at Hamilton’s Tim Hortons Field

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

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Cold War Kids
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Bishop Briggs
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Yamaha DX7 – The Synthesizer that Defined the ’80s

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The Yamaha DX7 is an FM synthesis-based digital synthesizer and electronic keyboard manufactured by the Yamaha Corporation from 1983 to 1989. It was the first commercially successful digital synthesizer, and its distinctive sound can be heard on many recordings, especially pop music and dance music from the 1980s. Its preset sounds were particularly popular due to the difficulty of FM synthesis programming combined with the immediacy of the stock (preset) DX7 sounds, meaning that players tended to perform and record with the sounds they had at their fingertips. These stock sounds ultimately proliferated to the point that they were regarded as clichéd by the end of the 1980s.

Photo Gallery: Vance Joy with Scott Helman at Toronto’s Budweiser Stage

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

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Steve Carrell Stars In What Could Be The Most Original Movie Of The Year – Welcome to Marwen

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This holiday season, Academy Award winner Robert Zemeckis — the groundbreaking filmmaker behind Forrest Gump, Flight and Cast Away — directs Steve Carell in the most original movie of the year. Welcome to Marwen tells the miraculous true story of one broken man’s fight as he discovers how artistic imagination can restore the human spirit.

When a devastating attack shatters Mark Hogancamp (Carell) and wipes away all memories, no one expected recovery. Putting together pieces from his old and new life, Mark meticulously creates a wondrous town where he can heal and be heroic. As he builds an astonishing art installation—a testament to the most powerful women he knows—through his fantasy world, he draws strength to triumph in the real one.

In a bold, wondrous and timely film from this revolutionary pioneer of contemporary cinema, Welcome to Marwen shows that when your only weapon is your imagination…you’ll find courage in the most unexpected place.

The epic drama is produced by Oscar-winning producer Steve Starkey (Forrest Gump, Flight), Jack Rapke (Cast Away, Flight), and Cherylanne Martin (The Pacific, Flight) of Zemeckis’ Universal-based ImageMovers banner produce alongside the director. It is executive produced by Jackie Levine, as well as Jeff Malmberg, who directed the riveting 2010 documentary that inspired the film.

Nick Offerman Is The Indie Rock Dad You Always Wanted In New Video

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Enjoy the official music video for the song “Hearts Beat Loud” from Hearts Beat Loud, a new indie film out this summer. The song is performed by Keegan DeWitt, Nick Offerman, and Kiersey Clemons.

Neil Diamond Will Release “Hot August Night III” On August 17, 2018

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On August 17, Capitol/UMe will celebrate one of the century’s most electrifying live albums, with the release of Neil Diamond’s Hot August Night Ill, a live concert DVD/CD Blu-Ray multi-disc set. Hot August Night Ill chronicles Diamond’s triumphant return to the legendary Greek Theatre in Los Angeles in August 2012.The magical evening was Diamond’s 40th anniversary celebration of the original multiplatinum-selling Hot August Night collection that was recorded at the very same venue in 1972.

Diamond’s noted concert performance and onstage musical prowess is in full evidence on Hot August Night Ill, which features 33 songs including 31 greatest hits. Clocking in at over 2 hours and 20 minutes in length, Hot August Night Ill will be released in multiple audio/video configurations, including 2CD, 2CD + 1DVD, and 2CD + 1Blu-ray, as well as digital and download options. The multidisc set’s accompanying video content contains rare behind-the scenes footage with both the band and the crew, showcasing the undeniably palpable energy surrounding Diamond’s return to this most historic venue.

Following the 2012 shows at The Greek, Billboard Magazine said of Diamond’s performance, “His voice remains powerful and accurate; he reaches towards the baritone register for emphasis, just as he did in the 70’s. …he never falters in delivering every line with conviction.”

From the fine acoustic twang of “Forever in Blue Jeans” to the pure Americana swing of “Kentucky Woman” to the eternal sing-along sunshine of “Sweet Caroline” to the raw emotionality of “I Am…I Said” to the welcoming arms of “America,” Hot August Night Ill cements Diamond’s mastery of the live stage and his unique connection with audiences the world over.

Released in December 1972, the original Hot August Night – the title of which was culled from the opening line to one of Diamond’s most celebrated tracks, 1969’s “Brother Love’s Travelling Salvation Show” – captures a magical performance on the evening of one of his ten sold-out shows at the Greek that August. Of these nights, Robert Hilburn of The Los Angeles Times declared, “His 1972 Hot August Night stand at the Greek remains among the most celebrated series of shows by a mainstream pop-rock performer ever in Los Angeles.”

Throughout his illustrious and wide-ranging career, Neil Diamond has sold over 130 million albums worldwide and has dominated the charts for more than five decades with 38 Top 40 singles and 16 Top 10 albums. He has achieved record sales with 40 Gold albums, 21 Platinum albums and 11 Multi-Platinum albums.

A Grammy Award-winning artist, Diamond is a member of the Rock and Roll Hall of Fame, the Songwriters Hall Of Fame, and has recently received The Johnny Mercer Award and the Sammy Cahn Lifetime Achievement Award, two of the highest honors bestowed upon songwriters. Diamond’s many other achievements include a Golden Globe Award, 13 Grammy nominations, ASCAP Film and Television Award, Billboard Icon Award, American Music Award and 2009’s NARAS’s MusiCares Person of the Year Award. In 2011, Diamond received the prestigious Kennedy Center Honor for his lifetime of contributions to American culture.

And now, with the endless dynamic enthusiasm that’s apparent all throughout Hot August Night III, Neil Diamond once again sweetly proves that good times never seemed so good.

Neil Diamond HOT AUGUST NIGHT III [2CD, 2CD+1DVD, 2CD+1BD, Digital Download]

Disc 1
1. Overture
2. Soolaimon
3. Beautiful Noise
4. Forever in Blue Jeans
5. Love On The Rocks
6. Hello Again
7. September Morn
8. Play Me
9. Shilo
10. Red, Red Wine
11. You Got To Me
12. Girl, You’ll Be A Woman Soon
13. Thank The Lord For The Night Time
14. Cherry, Cherry
15. Kentucky Woman
16. Solitary Man
17. Glory Road
18. Chelsea Morning
19. I’m A Believer
20. Happy Birthday Rose
21. Cracklin’ Rosie

Disc 2
1. And The Grass Won’t Pay No Mind
2. Pretty Amazing Grace
3. We
4. Stones
5. You Don’t Bring Me Flowers
6. Holly Holy
7. Morningside
8. Crunchy Granola Suite
9. Sweet Caroline
10. Sweet Caroline – Reprise
11. I Am…I Said
12. Walk Off
13. America
14. Brother Love’s Travelling Salvation Show
15. I’ve Been This Way Before
16. Walk Off
17. Band Bows
18. Audience Exit

RCA/Legacy Recordings Set to Release Elvis Presley – Where No One Stands Alone on Friday, August 10

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RCA/Legacy Recordings, a division of Sony Music Entertainment, will release Elvis Presley – Where No One Stands Alone, a new Elvis album celebrating the artist’s everlasting love of gospel music, on Friday, August 10.

Produced by Joel Weinshanker, Lisa Marie Presley and Andy Childs, Elvis Presley – Where No One Stands Alone introduces newly-recorded instrumentation and backing vocal contributions from music legends who’d performed on-stage and/or in-the-studio with Elvis. It also includes a reimagined duet with Elvis and his daughter, Lisa Marie Presley, on the album’s title track and spiritual touchstone.

“It was a very powerful and moving experience to sing with my father,” wrote Lisa Marie in her notes for the album. “The lyrics speak to me and touch my soul. I’m certain that the lyrics spoke to my father in much the same way.”

Background vocalists on the album include: Darlene Love (who first sang with Elvis on his 1968 NBC television special); Dr. Cissy Houston (who, with The Sweet Inspirations, sang with Elvis on-stage beginning in 1969); Terry Blackwood, Armond Morales and Jim Murray (members of The Imperials, who sang on Elvis’ How Great Thou Art – with the title song winning the 1967 Grammy for Best Sacred Performance); and Donnie Sumner, Bill Baize, Ed Hill and Larry Strickland (members of Presley’s longtime backup group, The Stamps).

Elvis Presley – Where No One Stands Alone will be available in digital, CD and 12″ vinyl album configurations.

Elvis Presley – Where No One Stands Alone provides new musical perspectives on 14 of the singer’s favorite pieces of gospel music, from the reverential to the celebratory, with song selections including Presley’s beloved enduring gospel classics (the 1965 Top 5 smash “Crying In The Chapel,” “How Great Thou Art,” “You’ll Never Walk Alone”), praise-filled gospel-rockers (Jerry Lieber and Mike Stoller’s “Saved”) and traditional hymns and spirituals (“So High,” “Stand By Me,” “In The Garden,” “Amazing Grace”).

Elvis Presley once said, “Since I was two years old, all I knew was gospel music. It became such a part of my life, it was as natural as dancing. A way to escape my problems, and my way of release.” It was Elvis’ explosive mix of styles–blues, bluegrass, country, swing, pop–that generated his iconic world-changing rock n’ roll, but it was the hymns, spirituals and church music of his childhood, the deep-seated gospel roots that sustained Elvis and his musical vision throughout his life.

Friends and family would often recall hearing Elvis sing gospel tunes at home and to warm up before concerts. “We do two shows a night for five weeks,” Presley said in an interview featured in the documentary Elvis On Tour, recorded during one of his residencies at the International Hotel in Las Vegas. “A lotta times we’ll go upstairs and sing until daylight—gospel songs. We grew up with it…It more or less puts your mind at ease. It does mine.”

“This was his favorite genre – no question about it,” says Lisa Marie in her album notes. “He seemed to be at his most passionate, and at peace while singing gospel. He would truly come alive – whether he was singing just for himself and me at home, or on stage in front of thousands of fans.”

Elvis Presley – Where No One Stands Alone Track List
01. I’ve Got Confidence
02. Where No One Stands Alone (with Lisa Marie Presley)
03. Saved
04. Crying In The Chapel
05. So High
06. Stand By Me
07. Bosom Of Abraham
08. How Great Thou Art
09. I, John
10. You’ll Never Walk Alone
11. He Touched Me
12. In The Garden
13. He Is My Everything
14. Amazing Grace